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1

Henry, James. Henry James and Edith Wharton: Letters, 1900-1915. Scribner's, 1990.

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2

Henry, James. Henry James and Edith Wharton: Letters, 1900-1915. Weidenfeld and Nicolson, 1990.

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3

Delicate pursuit: Discretion in Henry James and Edith Wharton. Routledge, 2002.

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4

The figure of consciousness: William James, Henry James, and Edith Wharton. Routledge, 2002.

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5

Domestic biographies: Stowe, Howells, James, and Wharton at home. Peter Lang, 2011.

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6

Henry, James, and Lyall Harris Powers. Henry James and Edith Wharton: Letters : 1900-1915. Scribner, 1990.

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7

Delicate Pursuit: Discretion in Henry James and Edith Wharton. Taylor & Francis Group, 2013.

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8

Kress, Jill M. Figure of Consciousness: William James, Henry James and Edith Wharton. Taylor & Francis Group, 2014.

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9

Lives of Victorian Literary Figures: Henry James, Edith Wharton (Lives of Victorian Literary Figures). Pickering & Chatto Publishers, 2005.

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10

Boyd Maunsell, Jerome. The life apart. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198789369.003.0005.

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Wharton’s early autobiographical text “Life & I” is analyzed near the outset of this chapter, which describes how it became a first draft for her autobiography A Backward Glance (1934). The chapter traces the retreating movement from disclosure to careful discretion that typified Wharton as an autobiographer, and identifies the neatness with which she compartmentalized the different areas of her experience in her fiction and in her life-writing. Wharton’s relationship with Henry James, and her portrait of him in her autobiography, are studied in detail, as is the impact of her marriage and
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11

Henry James, Women and Realism. Cambridge University Press, 2008.

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12

Coulson, Victoria. Henry James, Women and Realism. University of Cambridge ESOL Examinations, 2009.

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13

Mullan, John, Ralph Pite, Sarah Annes, Janet Beer, and Jane Spirit. Lives of Victorian Literary Figures, Part IV, Volume 2: Henry James, Edith Wharton and Oscar Wilde by Their Contemporaries. Taylor & Francis Group, 2005.

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Mullan, John, Ralph Pite, Sarah Annes, Janet Beer, and Jane Spirit. Lives of Victorian Literary Figures, Part IV, Volume 3: Henry James, Edith Wharton and Oscar Wilde by Their Contemporaries. Taylor & Francis Group, 2005.

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Mullan, John, Ralph Pite, Sarah Annes, Janet Beer, and Jane Spirit. Lives of Victorian Literary Figures, Part IV, Volume 1: Henry James, Edith Wharton and Oscar Wilde by Their Contemporaries. Taylor & Francis Group, 2005.

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16

Coit, Emily. American Snobs. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475402.001.0001.

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Arguing that Henry Adams, Henry James and Edith Wharton articulated their political thought in response to the liberalism that reigned in Boston and, more specifically, at Harvard University, American Snobs shows how each of these authors interrogated that liberalism's arguments for education, democracy and the political duties of the cultivated elite. Coit shows that the works of these authors contributed to a realist critique of a liberal New England idealism that fed into the narrative about 'the genteel tradition', which shaped the study of US literature during the twentieth century.
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17

Goodman, Susan. Edith Wharton's Inner Circle. University of Texas Press, 2011.

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18

Wharton, Edith, Guy de Maupassant, Joseph Sheridan Le Fanu, E. F. Benson, and James M. R. Classic Ghost Stories Collection: Chilling Tales from Guy de Maupassant, M. R. James, Edith Wharton, E. F. Benson, Sheridan le Fanu, Henry James. Arcturus Publishing, 2020.

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19

J, Osmond Patricia, ed. Revisiting the Gamberaia: An anthology of essays on villa Gamberaia by Janet Ross, Edith Wharton, Evelyn March Phillipps, H. Inigo Triggs, Henry V. Hubbard, Geoffrey Jellicoe, Georgina Masson, Harold Acton. Centro Di, 2004.

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20

Boyd Maunsell, Jerome. Portraits from Life. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198789369.001.0001.

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Portraits from Life examines the ways in which a group of major Modernist writers—Joseph Conrad, Ford Madox Ford, Henry James, Wyndham Lewis, Gertrude Stein, H. G. Wells, and Edith Wharton—depicted themselves and each other in their memoirs and autobiographies, rather than in their fiction. In a series of reconstructions of biographical contexts, it reveals how each of these novelists approached the task of writing their own lives, and how they experimented with the form and style of autobiography. Memoirs and autobiographies, as this book argues, are often just as artful as novels. Showing ho
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