Relevant bibliographies by topics / Hensel, Fanny

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Hensel, Fanny'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Hensel, Fanny.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Hensel, Fanny"

1

Schmidt, Esther. "Fanny Hensel (nee Mendelssohn)." Musical Times 136, no. 1826 (April 1995): 195. http://dx.doi.org/10.2307/1004175.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Reich, Nancy B. ": The Letters of Fanny Hensel to Felix Mendelssohn . Marcia J. Citron, Fanny Hensel." 19th-Century Music 13, no. 1 (July 1989): 67–72. http://dx.doi.org/10.1525/ncm.1989.13.1.02a00080.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Wollenberg, Susan. "Introduction." Nineteenth-Century Music Review 4, no. 2 (November 2007): 3–6. http://dx.doi.org/10.1017/s1479409800000847.

Full text
Abstract:
The eight articles published here represent the selected proceedings of the conference held at St Catherine's College, Oxford, 22–24 July 2005, under the auspices of the University of Oxford, Faculty of Music, to mark the bicentenary of the birth of Fanny Hensel (née Mendelssohn Bartholdy). As conference organizer I was deeply gratified by the list of speakers and papers we were able to assemble for the conference programme. The conference also featured two concerts given by Françoise Tillard (pianoforte) with Erika Klemperer (violin) and Robert Max (cello), performing piano and chamber works of Fanny Hensel; and April Fredrick (soprano), with Briony Williams accompanying, in lieder of Fanny Hensel and her circle. Peter Ward Jones (Music Librarian, Bodleian Library, Oxford) arranged and introduced an exhibition of materials from the Bodleian's Mendelssohn collection as part of the conference. The opportunity to achieve a close concentration of attention on Fanny Hensel provided by the event is now further developed in the proceedings published in this special issue of Nineteenth-Century Music Review.
APA, Harvard, Vancouver, ISO, and other styles
4

Citron, Marcia J. "A Bicentennial Reflection: Twenty-five Years with Fanny Hensel." Nineteenth-Century Music Review 4, no. 2 (November 2007): 7–20. http://dx.doi.org/10.1017/s1479409800000859.

Full text
Abstract:
This paper originated in the keynote address delivered at the Fanny Hensel bicentenary conference organized by the University of Oxford, Faculty of Music and held at St Catherine's College, Oxford, 22–24 July 2005. As its title suggests, it marks a quarter-century acquaintance with Fanny Hensel. Although in recent years my research has expanded into opera on film, and that has obviously taken me into very different terrain, still Hensel continues to exert a special fascination. Preparing the edition of her letters to Felix Mendelssohn brought me into her private world, a world she assumed would remain private. I came to admire, and even love, her intelligence, her wit and her musical sophistication. It is not unusual for researchers to be enthusiastic about the person they are studying or to identify with them – this may be one reason for choosing that person in the first place, and is undoubtedly a reason why we chose to celebrate Fanny Hensel's bicentenary with the Oxford conference. In short, Fanny Hensel fascinates us.
APA, Harvard, Vancouver, ISO, and other styles
5

Howard, Patricia, Fanny Mendelssohn Quartet, Melinda Paulsen, Angela Gassenhuber, Friedmann Kupsa, Deborah Marshall, Renate Eggebrecht, and Fanny Mendelssohn Quartet. "Fanny Mendelssohn-Hensel: Chamber Music." Musical Times 134, no. 1809 (November 1993): 660. http://dx.doi.org/10.2307/1002815.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Kimber, Marian Wilson. "The "Suppression" of Fanny Mendelssohn: Rethinking Feminist Biography." 19th-Century Music 26, no. 2 (2002): 113–29. http://dx.doi.org/10.1525/ncm.2002.26.2.113.

Full text
Abstract:
The idea that Felix Mendelssohn prevented his sister, Fanny Hensel, from publishing her compositions is central to biographical representations of her, including Franççoise Tillard's Fanny Mendelssohn (1992) and Gloria Kamen's Hidden Music (1996). This story can be traced to nineteenth-century publications by male members of the Mendelssohn family and their desire to portray both siblings according to socially acceptable gender roles. Such origins challenge the assumption that the story of Fanny Hensel's "suppression" represents a modern feminist reinterpretation of her life. Instead, current treatment of Hensel relies on common biographical models for male composers; in her lack of a public career, she fits the Romantic stereotype of the neglected, suffering genius. The retelling of the "suppression" of Fanny Hensel represents a "story" in itself - a rescue plot in which modern women rediscover Hensel and somehow "save" her from historical neglect. This feminist recovery relies on the assumption that Hensel was forgotten, overlooking the numerous publications between 1830 and 1920 in which she appears. Centering Hensel's biography on her brother's influence rather than on her eventual publication of her music oversimplifies the larger historical situation for women composers, replacing the manifold issues surrounding gender and class with a single male villain. The difficulties encountered in telling the story of Hensel's life reveal a need for a feminist biography that balances an understanding of larger cultural constraints with recognition of individual female agency.
APA, Harvard, Vancouver, ISO, and other styles
7

Reich, Nancy B. "The Diaries of Fanny Hensel and Clara Schumann: A Study in Contrasts." Nineteenth-Century Music Review 4, no. 2 (November 2007): 21–36. http://dx.doi.org/10.1017/s1479409800000860.

Full text
Abstract:
Clara Schumann, née Wieck (1819–1896), and Fanny Hensel, née Mendelssohn Bartholdy (1805–1847), were among the outstanding women musicians of their time. Both kept diaries that still exist, and from these we can learn a great deal about the inner and outer lives of the two women. Fanny Hensel's diaries were originally used by her son Sebastian for his book Die Familie Mendelssohn, 1729–1847. He gave us her life story as seen through his eyes, and furnished the major information available about his mother until the recent publication of her diaries: Fanny Hensel, Tagebücher. This book was based on the diary manuscripts acquired by the Mendelssohn Archive of the Berlin Staatsbibliothek in 1969, 1970 and 1999. Fanny Hensel's Tagebücher cover the years 1829 to 1847, thus from the year of her marriage to the year of her death.
APA, Harvard, Vancouver, ISO, and other styles
8

Thia, Sock Siang. "Piano Trios of Fanny Hensel and Clara Schumann." International Journal of the Arts in Society: Annual Review 6, no. 6 (2012): 117–40. http://dx.doi.org/10.18848/1833-1866/cgp/v06i06/36118.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Wilson, Marian, Marsha J. Citron, and Fanny Hensel. "The Letters of Fanny Hensel to Felix Mendelssohn." Notes 47, no. 3 (March 1991): 751. http://dx.doi.org/10.2307/941875.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Cai, Camilla. "Fanny Hensel: The Other Mendelssohn (review)." Notes 67, no. 3 (2011): 537–40. http://dx.doi.org/10.1353/not.2011.0035.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Hensel, Fanny"

1

Wolitz, Stefan. "Fanny Hensels Chorwerke." Tutzing : H. Schneider, 2007. http://catalogue.bnf.fr/ark:/12148/cb412153695.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Wolitz, Stefan. "Fanny Hensels Chorwerke." Tutzing Schneider, 2006. http://d-nb.info/987118021/04.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Bartsch, Cornelia. "Fanny Hensel, geb. Mendelssohn Bartholdy : Musik als Korrespondenz /." Kassel : Furore-Verl, 2007. http://deposit.ddb.de/cgi-bin/dokserv?id=2671581&prov=M&dokv̲ar=1&doke̲xt=htm.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Malá, Michaela. "Významné ženy u klavíru - Klára Schumann, Fanny Mendelssohn Hensel." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79440.

Full text
Abstract:
This work focuses on several women who have put their´s minds to classical music. They have succeed at the highest level and they have shown a tremendous passion about what they have been doing. This work tells the reader the life stories of the following women, Clara Schumann, Fanny mendelssohn, Martha Argerich and Jitka Čechová. It shows their successes, major concerts, compositions they have written and their strong feelings for music. You can also find here the benefits they have brought to classical music and all their activities which helped the industry.
APA, Harvard, Vancouver, ISO, and other styles
5

Tillard, Françoise. "Le monde de Fanny Hensel, musicienne berlinoise au XIXème siècle." Paris 12, 1992. http://www.theses.fr/1992PA120054.

Full text
Abstract:
Comme son frere cadet le compositeur felix mendelssohn bartholdy, fanny (18051847) est issue d'une famille de banquiers berlinois. Elle est aussi la petite fille du philosophe juif allemand moses mendelssohn. Aussi douee pour la musique que son frere - c'etait l'opinion de goethe - elle recut la meme education et devint une remarquable pianiste et une authentique compositrice. A l'adolescence, il lui fut signifie que le destin d'une femme etait de s'occuper de sa maison. Elle epousa le peintre de cour wilhelm hensel, un excellent portraitiste, et en eut un fils, sebastian. Malgre la tristesse de voir son talent etouffe, elle continua a composer - principalement des lieder - et a organiser dans son salon des concerts qui, bien que prives, devinrent des evenements berlinois. Lors d'un voyage en italie , elle fut tres encouragee par les artistes de la villa medicis dont elle fit la connaissance a rome. Gounod surtout, a qui elle fit decouvrir la musique pour piano de bach, beethoven et mendelssohn , lui voua une admiration qui lui fit prendre conscience de sa propre valeur. Ce n'est qu'un an avant sa mort que fanny hensel decida de passer outre aux interdits de son pere et de son frere et de publier ses compositions. De bonnes critiques en paraissaient quand elle mourut subitement au milieu de la repetition d'un de ses concerts. C'est aussi d'un accident cardio-vasculaire que felix mourut six mois plus tard
Like her younger brother the composer felix mendelssohn bartholdy, fanny (18051847) was born in a bankers family in berlin. She was also the grand daughter of the german jewish philosopher moses mendelssohn. As gifted for music as her brother - so said goethe - she received the same education and became a remarquable pianist as well as an authentic composer. As soon as she emerged from childhood, she was told that the destiny of a woman was to look after her home. She married the court painter wilhelm hensel, an excellent portraitist, and had a son with him, sebastian. Inspite of the sadness brought on by her stifled talent, she continued composing - mostly lieder - and organising in her salon concerts which, although private, were considered important events in berlin. During a journey in italy, she was encouraged by the artists of the villa medici whom she met in rome. Gounod especially discovered through her bach, beethoven and mendelssohn's piano music ; his devotion to her made her aware of her own value. It was only a year before her death that fanny hensel decided to transgress her father's and brother's prohibition for her to publish her compositions. Good critics were appearing when she suddenly died in the middle of one of her concert rehearsals. Felix also died six months later from a cardio-vascular attack
APA, Harvard, Vancouver, ISO, and other styles
6

Draper, Brian, and Brian Draper. "Text-Painting and Musical Style in the Lieder of Fanny Hensel." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12441.

Full text
Abstract:
The Lieder of Fanny Hensel have received very little attention from modern music scholars, and her music has mostly been looked at as only a sidebar to the music of her much more famous brother, Felix Mendelssohn. Adding to the pioneering works on Hensel's life and music by Marcia Citron, Stephen Rodgers, Yonatan Malin, R. Larry Todd, and several others, this study illuminates many of Hensel's characteristic text-painting devices and offers insight into her Lied style in general. I show how Hensel uses the musical parameters of melody, harmony, and their inherent attributes such as contour, texture, mode, modulation, text repetition, diatonicism, chromaticism, tessitura, and cadence types, and how they combine to interpret the texts she sets. Hensel's characteristic text-painting devices make her one of the most inventive song writers of the Romantic era.
APA, Harvard, Vancouver, ISO, and other styles
7

Tarpenning, Emily. "Fanny Mendelssohn Hensel : A Bridge between Felix Mendelssohn and Johannes Brahms." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278182/.

Full text
Abstract:
This thesis is a study of four compositions written by Fanny Mendelssohn Hensel, older sister of Felix Mendelssohn. Her music is compared with four pieces composed by Felix. This study shows that Fanny was a gifted and creative composer, even surpassing Felix and predating Brahms with her compositional ideas and progressive uses of harmony. Despite her excellent education and recognition among those who knew her well, she did not publicize her talent in any way because of pressure from her father, Abraham, and Felix to stay within the prescribed societal confines of wife and mother.
APA, Harvard, Vancouver, ISO, and other styles
8

Clavere, Lindsay Gray. "Fanny Hensel's Das Jahr: Emergent Meaning at the Intersection of Textual, Visual, and Aural Modalities." UKnowledge, 2019. https://uknowledge.uky.edu/music_etds/151.

Full text
Abstract:
On Christmas Day in 1841, Fanny Hensel presented her husband with a Christmas gift—Das Jahr—a piano cycle comprised of twelve pieces, each one depicting a month of The Year. Not long thereafter, Fanny and husband Wilhelm would collaborate to create a Gesamtkunstwerk, reworking Das Jahr and expanding it by two additional expressions: vignettes drawn into the score by Wilhelm, and epigrams, snippets of poetry by master German poets. This dissertation seeks to answer the question: “What meaning is achieved by the intersection of the three modalities present in Das Jahr: textual (epigram), visual (vignette), and aural (music)?” The methodology considers the broader texts from which the epigrams are drawn in conjunction with Wilhelm’s vignettes and Hensel’s sonic landscape to arrive at an emergent meaning. An informed musical analysis drawing on formal considerations, contour, metaphor in music, topic theory, and harmonic function has been employed to arrive at the interpretation that will be presented. By analyzing these three modalities in conjunction with one another, a compelling narrative emerges, whereby the words of poets, the artwork of Wilhelm, and the aural world of Fanny conjoin to tell a story, one that relies upon the relationship between text, art, and music.
APA, Harvard, Vancouver, ISO, and other styles
9

Bach, Judit. "A tale of two piano trios Fanny and Felix Mendelssohn's Piano trios in D minor (op. 11, Op. 49); and how a woman composer's work should relate to the canon /." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1117648285.

Full text
Abstract:
Thesis (Ph. D.)--Ohio State University, 2005.
Title from first page of PDF file. Document formatted into pages; contains xiii, 136 p.; also includes graphics Includes bibliographical references (p. 131-136). Available online via OhioLINK's ETD Center
APA, Harvard, Vancouver, ISO, and other styles
10

Huang, Szu Ying. "Uncovering Fanny Hensel's "Das Jahr": Creating an Urtext Edition that Addresses Selected Technical and Interpretive Issues through Added Fingerings and Pedal Markings." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609086/.

Full text
Abstract:
Das Jahr is considered Fanny Hensel's most impressive accomplishment of piano solo work. However, the only modern edition that is extant includes many additional editorial markings. By further analyzing the sections that are technically challenging or musically demanding from an interpretive standpoint, pianists wishing to perform the work will have to find workable fingerings and pedal markings to learn this piano cycle. For this reason, this dissertation will not only provide readers with an original text of Das Jahr, but also assist pianists in finding practical solutions that can help them to interpret this distinctive work successfully on the modern piano.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Hensel, Fanny"

1

Buchter-Romer, Ute. Fanny Mendelssohn-Hensel. Reinbek bei Hamburg: Rowohlt-Taschenbuch-Verlag, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Borchard, Beatrix, and Monika Schwarz-Danuser, eds. Fanny Hensel geb. Mendelssohn Bartholdy. Stuttgart: J.B. Metzler, 1999. http://dx.doi.org/10.1007/978-3-476-04298-9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Fanny Hensel, the other Mendelssohn. New York: Oxford University Press, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

1809-1847, Mendelssohn-Bartholdy Felix, and Citron Marcia J, eds. The letters of Fanny Hensel to Felix Mendelssohn. [Stuyvesant, N.Y.]: Pendragon Press, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Olivier, Antje. Mendelssohn[s] Schwester Fanny Hensel: Musikerin, Komponistin, Dirigentin. Düsseldorf: Droste, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Fanny Hensel geb. Mendelssohn Bartholdy: Musik als Korrespondenz. Kassel: Furore, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Eine Frau jenseits des Schweigens: Die Komponistin Fanny Mendelssohn-Hensel (1805-1847). Lich, Germany: Edition AV, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Veronika, Leggewie, ed. Fanny Hensel, geb. Mendelssohn Bartholdy: Ein Frauenschicksal im 19. Jahrhundert : Vortragsreihe Frühjahr 2005. Bell [Germany]: Top Music, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Liebste Fenchel!: Das Leben von Fanny Mendelssohn-Hensel erzählt in Etüden und Intermezzi. Köln: Kiepenheuer & Witsch, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Fanny Hensels Chorwerke. Tutzing: Hans Schneider, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Hensel, Fanny"

1

Stokes, Laura K. T. "Biographies." In Fanny Hensel, 1–32. New York ; London : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315299839-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Stokes, Laura K. T. "Conversations within Hensel Scholarship." In Fanny Hensel, 33–41. New York ; London : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315299839-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Stokes, Laura K. T. "Sources, Documentary Studies, and Catalogs." In Fanny Hensel, 42–51. New York ; London : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315299839-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Stokes, Laura K. T. "Letters, Documents, and Memoirs." In Fanny Hensel, 52–60. New York ; London : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315299839-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Stokes, Laura K. T. "Studies of Works and Genres." In Fanny Hensel, 61–90. New York ; London : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315299839-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Stokes, Laura K. T. "Compositional Influences." In Fanny Hensel, 91–98. New York ; London : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315299839-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Stokes, Laura K. T. "Cultural Studies." In Fanny Hensel, 99–121. New York ; London : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315299839-7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Schwarz-Danuser, Monika. "Hensel, Fanny Caecilie." In Komponisten Lexikon, 261–63. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_136.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Bartsch, Cornelia. "Fanny Hensel (1805–1847)." In Vom Salon zur Barrikade, 241–54. Stuttgart: J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02790-0_14.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Borchard, Beatrix, and Cornelia Bartsch. "Fanny Hensel (geb. Mendelssohn Bartholdy)." In Kammermusikführer, 266–71. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_51.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Hensel, Fanny' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography