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Journal articles on the topic 'Her City'

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1

Jennings, H. "Her Majesty's Opera Company in Kansas City." Opera Quarterly 21, no. 2 (2005): 227–41. http://dx.doi.org/10.1093/oq/kbi021.

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2

Meyer, Ronald. "Anna Frajlich's New York City." Polish Review 67, no. 1 (2022): 119–40. http://dx.doi.org/10.5406/23300841.67.1.10.

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Abstract Anna Frajlich was exiled from her homeland in 1969 and arrived in the United States a year later. This article traces through her poetry and prose the arc of Frajlich's residence in New York, from wary foreigner, residing in windswept Brooklyn, up to her present status as retired Columbia University faculty member who has made her home on Manhattan's Upper East Side. In other words, from her earliest poem about Brooklyn in 1973 to poems in which she describes events from her apartment on the Upper East Side, published in early 2021. In the essay the author draws on his first-hand expe
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3

Barron, Phillip. "City of Cloud and Stone." English Studies in Latin America: A Journal of Cultural and Literary Criticism, no. 4 (June 22, 2023): 1–2. http://dx.doi.org/10.7764/esla.62051.

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It’s just me and the bag of lemonswe bought from her,selling citrus and eggshellpomegranate passionfruitwith the white caviar insideoutside the UNESCO zonewhile her children climbedthrough bars and playedhide & seek;
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4

Barbara Jane Reyes. "In the City, a New Congregation Finds Her." MELUS: Multi-Ethnic Literature of the U.S. 35, no. 2 (2010): 126. http://dx.doi.org/10.1353/mel.0.0106.

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5

Dearman, J. Andrew. "Daughter Zion and Her Place in God's Household." Horizons in Biblical Theology 31, no. 2 (2009): 144–59. http://dx.doi.org/10.1163/019590809x12553238843104.

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AbstractThe metaphorical phrases Daughter Zion and Daughter Jerusalem are to be understood as appositional genitives referring to the city of Jerusalem in spite of a recent proposal to the contrary. They are part of a larger literary and cultural deposit of personifying the city and should be interpreted in that light. The kinship connotations of the city as "daughter" are then explored and located in the larger root metaphor of YHWH's household, along with certain of the city's other roles (e.g. spouse, widow and mother).
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6

Fure-Slocum, Eric. "Cities with Class?" Social Science History 24, no. 1 (2000): 257–305. http://dx.doi.org/10.1017/s0145553200010130.

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Nicknaming his city “Dear Old Lady Thrift,”Milwaukee Journalwriter Richard Davis chastised city leaders for failing to build a “great city.” His unflattering portrait pictured post–World War II Milwaukee as a “plump and smiling city . … [sitting] in complacent shabbiness on the west shore of Lake Michigan like a wealthy old lady in black alpaca taking her ease on the beach.” He continued, “All her slips are showing, but she doesn’t mind a bit” (Davis 1947: 189, 191). Reprinted in theMilwaukee Journaltwo weeks before voters went to the polls to decide if the city would reverse its debt-free pol
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Shapira. "“In the City of Slaughter” versus “He Told Her”." Prooftexts 25, no. 1-2 (2005): 86. http://dx.doi.org/10.2979/pft.2005.25.1-2.86.

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8

Botamino González, Clara. "“Out of the Frying Pan, Into the Fire”: An Interview with Laura Hird." Complutense Journal of English Studies 29 (September 16, 2021): 55–59. http://dx.doi.org/10.5209/cjes.75543.

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Full of morbid humour and painfully honest narrations, Laura Hird’s stories— mainly set in the city of Edinburgh— deal with relationships of power, family values and her narratives always offer her unique view on the city she was born in and its people. Through these stories, she presents her unparalleled perspective on the beauty of some of the city’s hidden locations which are not portrayed by others. As she mentions in Dear Laura, Hird considers herself to be a ‘constipated romantic’, and that is simply a great way to summarise her work, as her way of portraying life through writing is not
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9

Ashton, Paul, and Lisa Murray. "‘walking a tightrope’: Shirley Fitzgerald, Public Historian." Sydney Journal 4, no. 1 (2013): 154–67. http://dx.doi.org/10.5130/sj.v4i1.3044.

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Shirley Fitzgerald has made a significant contribution to public history in Australia, primarily through her work as City Historian with the City of Sydney Council. This historiographical article traces and analyses her contribution to this field via her work on Sydney.
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10

Blásquez, Elsa Barberena. "Sor Juana and her library world." Transinformação 12, no. 1 (2000): 83–92. http://dx.doi.org/10.1590/s0103-37862000000100008.

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There has been numerous documents about Sor Juana since Juan Camacho published his first volume in Madrid in 1689, and more so during 1995, her anniversary. There is no certainty about the date of her birth, it is placed between 1651 and 1653, she died in 1695. The magazines A BSIDE. REVISTA DE CULTURA MEXICANA during the period 1941-1973 published 25 articles, and CONTEMPORÂNEOS eight articles from 1929 to 1931; the BOLETIN DE LA BIBLIOTECA NACIONAL published five articles in 1951 and I960, but none of these deal with her library. The following authors have discussed her library: the writer,
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11

Faust, D., H. Leitner, B. Miller, et al. "Collective Response: Social Justice, Difference, and the City." Environment and Planning D: Society and Space 10, no. 5 (1992): 589–95. http://dx.doi.org/10.1068/d100589.

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Young's argument for a group-differentiated, culturally pluralist form of social life is grounded in her compelling critiques of universalism and the dominant distributive paradigm of justice. Rejecting ‘the logic of identity’ that suppresses difference, and models of justice in which power is not seen as relational, she offers an alternative vision of social life that includes and empowers groups on their own terms. ‘City life’, which allows persons and groups to interact in common spaces without dissolving into unity, serves as her normative ideal. Although her analysis suffers from a one-di
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12

Robertson, Stephen. "Seduction, Sexual Violence, and Marriage in New York City, 1886–1955." Law and History Review 24, no. 2 (2006): 331–73. http://dx.doi.org/10.1017/s0738248000003357.

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On February 15, 1886, in a New York City courtroom, Bridget Grady placed her mark on an affidavit charging Bernard Reilly with rape. The twenty-six-year-old servant told the magistrate that in July of the previous year, while her employer was in the country, Reilly had called on her at the east 38th Street home where she worked. he had been Bridget's “steady company” for about three years and had “several times told her that if he married at all, he would marry her.” During the visit he made what Bridget described as unexpected, unprecedented “advances” to her. When she resisted, Reilly seized
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13

DAĞLI, Ahmet. "Çarşamba Shoes as a City Image." Korkut Ata Türkiyat Araştırmaları Dergisi, no. 13 (December 31, 2023): 1111–20. http://dx.doi.org/10.51531/korkutataturkiyat.1412048.

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Kültür milletleri var eden yapı taşıdır. Kültür bir yönüyle toplumsal bellektir ve insan beyninin ürettiği her şeydir. Kültür insanı hayvandan ayıran sadece insana ait bir kavramdır. Kültür insanlar tarafından paylaşılan ve gelecek kuşaklara intikal ettirilen göstergeler bütünüdür. İlk çağlardan günümüze kadar toplumların yaşayışlarında, giyim kuşam, yeme içme âdetleri, düğün, bayram ve ölüm törenleri gibi birçok alanda değişmeler yaşanmıştır. Bunun sonucunda her millete ait farklı uygulamalar ve çeşitlenmeler oluşmuş, toplumları birbirinden ayırıcı özellikler ortaya çıkmıştır. Kültürün özü ay
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Bode, Rita. "Wharton’s Living City in “Bunner Sisters”." Edith Wharton Review 38, no. 2 (2022): 167–88. http://dx.doi.org/10.5325/editwharrevi.38.2.0167.

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Abstract Edith Wharton’s early novella, “Bunner Sisters,” shows the author’s engagement with ecological thinking from early in her career. Despite her sometimes negative comments on cities, Wharton’s fiction reveals the appeal that the urbanscape held for her imagination. An ecocritical approach, informed by urban ecology, traces in “Bunner Sisters” Wharton’s understanding of the city as a dynamic entity made up of multiple interdependencies that include both animate (human and non-human) and inanimate matter. Wharton’s ecological awareness illuminates the sisters’ relationship to their surrou
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Klumbytė, Neringa. "Rožytė – Vilniaus legenda: laisvė, mados estetika ir mistika Vidutės Gumbytės Vilniaus istorijoje." Lietuvos etnologija / Lithuanian ethnology 23, no. 32 (2024): 47–49. http://dx.doi.org/10.33918/25386522-2332005.

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Vidutė Gumbytė (1949–2021), who was known as Rožytė (Rosie) by residents of the city, strolled the streets of Vilnius for almost five decades. Her story was unique, her style of fashion was eccentric, her lifestyle was idiosyncratic. In this article, I analyse Vidutė Gumbytė-Rožytė’s story as a Vilnius legend. I argue that Vilnius residents were fascinated by her freedom from social norms, her unusual sense of fashion, and the mystique that surrounded her persona. Her story is a story about the city of Vilnius, which became freer, wealthier, and more tolerant of otherness in post-Soviet times.
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16

Frederickson, George, and Jack Wayne Meek. "Searching for Virtue in the City: Bell and Her Sisters." Public Integrity 19, no. 3 (2017): 234–49. http://dx.doi.org/10.1080/10999922.2016.1270698.

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17

N. E., Zhukova. "IMAGE OF VERKHNEUDINSK CITY IN EKATERINA SERGEYEVA’S (TANSKAYA) LETTERS OF THE EARLY 20th CENTURY." Human research of Inner Asia 3 (2022): 49–54. http://dx.doi.org/10.18101/2305-753x-2022-3-49-54.

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The article presents the thematic analysis of the letters by the famous resident of Verkhneudinsk — Ulan-Ude Ekaterina Aleksandrovna Sergeyeva (married name Tan-skaya) at the turn of the 19th–20th centuries. The letters are a unique historical source shining a spotlight on everyday life of the city. We have chosen the letters in which Ekaterina told her family and friends about Verkhneudinsk. Being a native of Chita, Ekaterina perceived Verkhneudinsk as her native and beloved place due to the the fact that her family and friends lived there. Obviously, the young girl placed her atten-tion on t
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18

Suk, Eun Bin. "Living with Nature in the City:." Crossings: A Journal of English Studies 6 (December 1, 2015): 99–104. http://dx.doi.org/10.59817/cjes.v6i.196.

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This paper seeks to do an ecocritical reading of Toni Morrison’s Song of Solomon. Most slave narratives and African American novels have characters that move from the South to the North in order to escape slavery as well as make a better living. However, this novel is unique because Milkman undergoes a process of reverse migration – journeying from the North to the South. Also, the main character achieves a different kind of liberation. Although he is already a free man living in the 1950-60s America, Milkman is alienated from his historical roots because of the influence from his father Macon
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19

Hilaldo, Zaindy Roby, Eko Suwargono, and L. Dyah Purwita Wardani. "GENDER STRUGGLE IN DEBORAH ELLIS’ PARVANA MUD CITY." SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik 20, no. 1 (2019): 26. http://dx.doi.org/10.19184/semiotika.v20i1.10816.

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This article dicusses the gender struggle of Shauzia in Mud City by Ellis. The struggle implies the gender condition and critical point of view of the author based on the theory of representation and gender oppression. The representation theory based on Stuart Hall helps to uncover the dominating cultural codes which oppress Shauzia as a person while the gender theory contributes to analyze the layer of dominationin the level of individual, interactional and institutional. This study results in several findings as:the cultural codes represented in the novel are giving benefit the man by the po
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20

Schell, Patience A. "Nationalizing Children Through Schools and Hygiene: Porfirian and Revolutionary Mexico City." Americas 60, no. 04 (2004): 559–87. http://dx.doi.org/10.1017/s0003161500070619.

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On a spring morning in 1919, worshipers leaving Mexico City’s cathedral were horrified to discover the body of a little girl who had fallen to her death from the Hotel del Seminario. Yet as far as the Excélsior newspaper was concerned, the tragedy that had ended that morning had actually begun with her conception. Her mother was a prostitute who lived in the hotel and busybody guests reported that the mother neglected her child. On the day of Domitila’s death, her mother was not at the hotel, as she had been admitted to the Morelos Hospital, which specialized in syphilitic prostitutes. The hot
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21

Schell, Patience A. "Nationalizing Children Through Schools and Hygiene: Porfirian and Revolutionary Mexico City." Americas 60, no. 4 (2004): 559–87. http://dx.doi.org/10.1353/tam.2004.0072.

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On a spring morning in 1919, worshipers leaving Mexico City’s cathedral were horrified to discover the body of a little girl who had fallen to her death from the Hotel del Seminario. Yet as far as the Excélsior newspaper was concerned, the tragedy that had ended that morning had actually begun with her conception. Her mother was a prostitute who lived in the hotel and busybody guests reported that the mother neglected her child. On the day of Domitila’s death, her mother was not at the hotel, as she had been admitted to the Morelos Hospital, which specialized in syphilitic prostitutes. The hot
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22

Appert, Manuel, and Martine Drozdz. "Conflits d'aménagement aux marges nord-est de la City de Londres." Hérodote 137, no. 2 (2010): 119. http://dx.doi.org/10.3917/her.137.0119.

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23

Sparks, Tabitha. "WORKING-CLASS SUBJECTIVITY IN MARGARET HARKNESS'SA CITY GIRL." Victorian Literature and Culture 45, no. 3 (2017): 615–27. http://dx.doi.org/10.1017/s1060150317000092.

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One of the obvious strengthsof Margaret Harkness's 1887 novelA City Girlis its comprehensive visual record of London's East End. Harkness depicts Whitechapel's geography and public and residential spaces with an authority derived, as we know, from her voluntary residence in the Katharine Buildings, thinly disguised in the novel as the Charlotte Buildings. The Katherine Buildings were a block of apartments for working class tenants built by the East End Dwelling Company; Harkness lived in them for a few months in 1887 and was one of a wave of middle-class women who ventured into such residences
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24

Katz, Sherry J. "“A Triumph for Women” in Progressive Era Los Angeles: Socialist-Feminism, Coalition Building, and Independent Partisanship in the Political Career of Councilwoman Estelle Lawton Lindsey." California History 99, no. 2 (2022): 2–31. http://dx.doi.org/10.1525/ch.2022.99.2.2.

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In June 1915, socialist-feminist Estelle Lawton Lindsey became the first woman elected to the city council of a major metropolis in the United States. While Lindsey ran as a “woman’s candidate,” she won her seat on the Los Angeles City Council by constructing a broad and diverse electoral coalition. Although organized womanhood (largely white and middle class) constituted the heart of her coalition, she garnered significant backing from many reform constituencies, including trade unionists, socialists, progressive reformers, and African American community leaders. Lindsey turned coalition buil
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Tampi, Allen Dicson, Gidion Maru, and Imelda Lolowang. "INTELLIGENCE QUALITY IN VERONICA ROTH’S ALLEGIANT." KOMPETENSI 2, no. 03 (2022): 1207–17. http://dx.doi.org/10.53682/kompetensi.v2i03.4748.

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This study aims to determine the intelligence quality revealed in Veronica Roth's Allegiant. The author conducted this study using qualitative research based on Lincoln, and the data collection used two ways: Primary sources and secondary sources. The primary data collection was from the novel, and secondary data collection used references from articles, journals, books, and the internet. In analyzing the data, the author used a reader-response approach based on Cagri Tugrul Mart. The results of this study showed that Tris, the main character, used her intelligence qualities against the leader
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Li, Yaxin. "The Writings of City in Jane Austen’s Mansfield Park." International Journal of Education and Humanities 10, no. 1 (2023): 181–85. http://dx.doi.org/10.54097/ijeh.v10i1.11115.

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Mansfield Park is the work of Jane Austen, a prominent 18th century female writer. In this novel, Austen depicts the city of London in an indirect way, thus expressing her concern for urban problems in the context of industrialization. Austen portrays two siblings from London, self-serving Crawfords, who neglect morality, and follow the philosophy of money, indirectly reflecting many of the city’s problems. In addition, the urban values gradually penetrate the country represented by Mansfield Park, and the characters in the novel are also affected, such as Maria eloping with Mr. Crawford and t
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Bökös, Borbála. "“The City of the Magyar:” On Julia Pardoe’s Travel Writing." Acta Universitatis Sapientiae, Philologica 14, no. 1 (2022): 1–13. http://dx.doi.org/10.2478/ausp-2022-0001.

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Abstract Julia Pardoe, an English poet and historian, was among the first travel writers who described Hungary’s institutions and contributed to the shaping up of the nineteenth-century British image of Hungary In her book The City of the Magyar or Hungary and Her Institutions (1840), she thoroughly reported her experiences and observations regarding a country that, although being part of East-Central Europe, had not stirred the interest of the British public Pardoe’s narrative contravenes the patriarchal ideology of travel writing as well as the act of travelling per se as masculine preoccupa
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28

Hauff, Tracy. "Use Language to Mean What You Say." Wicazo Sa Review 36, no. 2 (2021): 127–29. http://dx.doi.org/10.1353/wic.2021.a919180.

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Abstract: This reflective essay recounts two of my personal experiences with Elizabeth Cook-Lynn. My first encounter with her was in 2009 when I attended a class she taught on American Indian studies. I found her forthright in her teaching and in our personal exchange after the class. She said something to me that ended my lifelong inner struggle with my identity. What may have seemed inconsequential was actually a profound moment that helped me move forward to focus my writing on American Indian issues. My second encounter with her was a tense moment in the racist history of Rapid City, South
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Koslow, Jennifer. "Putting It To A Vote: The Provision of Pure Milk in Progressive Era Los Angeles." Journal of the Gilded Age and Progressive Era 3, no. 2 (2004): 111–44. http://dx.doi.org/10.1017/s1537781400003315.

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On May 28,1912, Katherine Philips Edson took her seven-year-old son by the hand and headed for her local polling precinct. Women had recently won suffrage in California, and Edson went to exercise her new right. This was a special referendum election, and she needed to consider a number of very different issues. Should she support the creation of an Aqueduct Investigation Board? Should she allow the city to collect funds to erect a new city hall? On this day, the question on the ballot that interested her most was the one that she had played a role in crafting. It read, “Shall the ordinance pr
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Kennedy, Michael S. "My 84-Year-Old Mother Lost Her Wedding Ring?" Psychology and Cognitive Sciences – Open Journal 7, no. 1 (2021): 19–20. http://dx.doi.org/10.17140/pcsoj-7-160.

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31

Tampi, Allen Dicson, and Imelda Lolowang. "INTELLIGENCE QUALITY IN VERONICA ROTH’S ALLEGIANT." KOMPETENSI 1, no. 11 (2022): 881–91. http://dx.doi.org/10.53682/kompetensi.v1i11.3583.

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This study aims to determine the intelligence quality revealed in Veronica Roth's Allegiant. The researchers conduct this study by using qualitative research based on Lincoln, and the data collection uses two ways: Primary sources and secondary sources. The primary data collection are from the novel, and secondary data collection use references from articles, journals, books, and the internet. In analyzing the data, the researchers use a reader-response approach based on Cagri Tugrul Mart. Intelligence quality talks of how well a person's intelligence excels. Intelligence can apply to many con
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Mellick Lopes, Abby, Stephen Healy, Emma Power, Louise Crabtree, and Katherine Gibson. "Infrastructures of Care: Opening up “Home” as Commons in a Hot City." Human Ecology Review 24, no. 2 (2018): 41–59. http://dx.doi.org/10.22459/her.24.02.2018.03.

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Piolet, Vincent. "Enjeux géopolitiques de la première place financière mondiale : la City de Londres." Hérodote 151, no. 4 (2013): 102. http://dx.doi.org/10.3917/her.151.0102.

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Finnegan, John R., K. Viswanath, Brenda Rooney, et al. "Predictors of knowledge about healthy eating in a rural midwestern US city." Health Education Research 5, no. 4 (1990): 421–31. http://dx.doi.org/10.1093/her/5.4.421.

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35

Lorenz, Johnny. "Running Water in Clarice Lispector's The Besieged City." Latin American Literary Review 49, no. 97 (2021): 10–18. http://dx.doi.org/10.26824/lalr.265.

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When, in Clarice Lispector's The Besieged City (1949), our protagonist, Lucrécia, contemplates her relationship with the city of São Geraldo, she pays special attention to water and water infrastructure. Pipes and embankments and viaducts, even the humble faucet – all of this technology of controlling and delivering water becomes a way of conceptualizing the city, but waterworks, I argue, is also an integral part of the text's experiment with vision. Can one see what is there? Can one see the "thing" liberated from our vocabularies? In Chapter 6, in which, supposedly, nothing is happening, Luc
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Larkin, Brian R. "Liturgy, Devotion, and Religious Reform in Eighteenth-Century Mexico City." Americas 60, no. 04 (2004): 493–518. http://dx.doi.org/10.1017/s0003161500070590.

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On February 16, 1696, Doña Inés Velarde, the widow of Capitán Don Miguel de Vera, a former notary of the Mexico City Cabildo, redacted her will before Juan de Condarco y Caceres, a notary public in New Spain’s capital. Despite the typhus (matlazáhuatl) epidemic that ravaged the city in that year, Doña Inés was in good health. She had carefully prepared for the pious act of will writing, issuing over thirty meticulously designed religious directives in her last will and testament. Two directives in particular reveal much about colonial Mexican religious sensibilities. In the thirty-seventh clau
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Larkin, Brian R. "Liturgy, Devotion, and Religious Reform in Eighteenth-Century Mexico City." Americas 60, no. 4 (2004): 493–518. http://dx.doi.org/10.1353/tam.2004.0059.

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On February 16, 1696, Doña Inés Velarde, the widow of Capitán Don Miguel de Vera, a former notary of the Mexico City Cabildo, redacted her will before Juan de Condarco y Caceres, a notary public in New Spain’s capital. Despite the typhus (matlazáhuatl) epidemic that ravaged the city in that year, Doña Inés was in good health. She had carefully prepared for the pious act of will writing, issuing over thirty meticulously designed religious directives in her last will and testament. Two directives in particular reveal much about colonial Mexican religious sensibilities. In the thirty-seventh clau
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Martínez Giraldo, Maria José. "No One But You." Enletawa Journal 13, no. 2 (2020): 100–103. http://dx.doi.org/10.19053/2011835x.11997.

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Olivia is a 9-year-old girl who loves singing. However, her mother dreams of her being queen in beauty contests, so she doesn’t know that her daughter has an incredible voice! Accompany little "Liv" on her adventure through the world of beauty pageants and the Little Miss Winter Tossel City to show her parents and the world her true talent.
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Gale, Lorena. "Writing “Angélique”." Canadian Theatre Review 83 (June 1995): 20–23. http://dx.doi.org/10.3138/ctr.83.005.

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Historically, Marie Joseph Angélique was a slave who, in 1734, set fire to her mistress’s home in Montreal to avenge her impending sale, and cover her escape with her white lover. The conflagration destroyed a substantial portion of the city and she was subsequently captured, tried and hanged.
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McDaniel, Anna M., Gail R. Casper, Sondra K. Hutchison, and Renee M. Stratton. "Design and testing of an interactive smoking cessation intervention for inner-city women." Health Education Research 20, no. 3 (2004): 379–84. http://dx.doi.org/10.1093/her/cyg135.

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Acosta Corniel, Lissette. "Juana Gelofa Pelona: An Enslaved but Insubordinate Witness in Santo Domingo (1549-1555)." Perspectivas Afro 1, no. 2 (2022): 77–90. http://dx.doi.org/10.32997/pa-2022-3833.

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In 1549, Juana Gelofa Pelona, an enslaved African woman, was a witness in a legal case in the city of Santo Domingo, on the island of Hispaniola. The defendant, Francisco Bravo, was accused of killing his wife, Catalina de Tinoco, and presented Juana as his witness to testify on his behalf. Both Francisco and Catalina had been Juana’s enslavers; and, Catalina's family, in whose possession Juana had lived for multiple generations, warned her not to testify in favor of Francisco. Nonetheless, she testified with conviction, despite being threatened and punished severely by her new enslavers who r
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42

Chase, Jerry. "Anti-urbanism in Culture and in the Adventist Church: Advocacy and Action for Urban Ministry In the Twentieth Century—Part 2." Journal of Adventist Mission Studies 18, no. 1 (2022): 95–116. http://dx.doi.org/10.32597/jams/vol18/iss1/10.

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This article explores the response within the Seventh-day Adventist Church after Ellen G. White’s death to the dual emphases in her writings on the city and rural living. On one hand she strongly encouraged large Adventist institutions and families raising children to locate out of the cities. This was because of the advantages natural surroundings have on physical, emotional, and spiritual wellbeing, and to shield children and young adults from the evils and temptations of the city. While she recognized the evils in the city and God’s impending judgments, she aggressively pushed church leader
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Johnston, Kirsty. "MoMo on the Edge: Calgary and Mixed Ability Dance Theatre1." Canadian Theatre Review 136 (September 2008): 40–44. http://dx.doi.org/10.3138/ctr.136.008.

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Calgary's MoMo Mixed Ability Dance Theatre imagines a particular role for itself within the city. The company takes its name from the eponymous heroine of Michael Ende's children's novel, Momo. She is a young girl with a gift for listening who lives in the ruin of an amphitheatre at the edge of a city. Momo understands reality from an unusual perspective and sense of time. This affords her a strength that she uses to rescue the city from the men in grey suits who are bent on overtaking it. Her struggle against convention and her commitment to her place and time suggest also MoMo Mixed Ability
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Wells, Caragh. "THE FREEDOM OF THE AESTHETIC: MONTSERRAT ROIG’S USE OF THE CITY IN RAMONA, ADÉU." Catalan Review: Volume 21, Issue 1 21, no. 1 (2007): 87–99. http://dx.doi.org/10.3828/catr.21.4.

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This article suggests that over recent decades Catalan literary criticism has paid too little attention to the aesthetic attributes of Catalan literature and emphasised the social, political and cultural at the expense of discussions of narrative poetics. Through an analysis of Montserrat Roig’s metaphorical use of the city in her first novel Ramona, adéu, I put forward the view that the aesthetic features of Catalan literature need to be re-claimed. This article provides a critical analysis of the aesthetic importance of Roig’s representation of the city in her first novel and argues that she
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Sozina, Elena K. "The Urals Localities in the Poetry of Ekaterina Simonova." Historical Geography Journal 1, no. 3 (2022): 60–69. http://dx.doi.org/10.58529/2782-6511-2022-1-3-60-69.

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In the Urals’ modern poetry, Ekaterina Simonova is one of the most powerful and interesting poets with a distinctly own voice. The article deals with Simonova’s poetic geography, limited to the Ural region. Simonova came out of the so called «Nizhny Tagil poetry school», Yevgeny Turenko was her and other Tagil poets’ teacher. Since 2013, she has been living in Ekaterinburg, but Nizhny Tagil retains its central importance in her poetry as a city of childhood and youth, a city of poetic origins, a place of memory, and empirically, a city where her parents live and where she visits regularly, so
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Marín, Manuela. "La hija del cónsul: Glorvina Fort, una norteamericana en Tánger (ca. 1824-31)." Clepsydra. Revista de Estudios de Género y Teoría Feminista, no. 22 (2022): 9–29. http://dx.doi.org/10.25145/j.clepsydra.2022.22.01.

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"Glorvina Fort, the daughter of the American consul in Tangier, John Mullowny (d. 1830), spent seven years in this city around 1824-31. She published a book on her experiences there in 1859. Although this is the only travel account on Morocco written by a woman in the first decades of the 19th century, both the author and the book are scarcely known. In this paper the scant information preserved on Glorvina Fort is presented, as well as an analysis on her travel account. The narrative of Fort experiences in Tangier is strongly conditioned by her position as a foreign woman, and by her nearly e
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Mathuria, Sunjay. "Spatial violence and everyday borders in contested cities: Literary representations of walking in Anna Burns’s Milkman." Journal of Urban Cultural Studies 9, no. 2 (2022): 175–97. http://dx.doi.org/10.1386/jucs_00054_1.

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This article examines the representation of walking and the narrativization of borders in Troubles-era Belfast in Anna Burns’s 2018 novel Milkman. I argue that the protagonist, Middle Sister, develops her own narrative form and walking method as ‘tactics’ to challenge the city’s imposed sectarian geographies and as a response to navigating a city of intense surveillance. In her narrativization, Middle Sister replaces place references with her own complex naming system and lexicon and negotiates urban space by ‘reading-while-walking’. As a result, Middle Sister attempts to dislocate the politic
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Wilson, Matthew. "A New Civic Spirit for Garden City-states." Journal of Planning History 17, no. 4 (2018): 320–44. http://dx.doi.org/10.1177/1538513218778246.

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Sybella Gurney (1870–1926) made important and largely unrecognized contributions to British community design theory and practice. This essay begins with an exploration of her youthful social reform activities and academic influences including Leonard Hobhouse, John Ruskin, Auguste Comte, Frederic Le Play, John Stuart Mill, and Ebenezer Howard. These foundational pursuits inspired her to become an ardent cooperator affiliated with the Garden Cities movement and to serve as a sociologist seeking to kindle a “new civic spirit” for post -World War I reconstruction. Gurney, as part of an idealistic
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Nesci, Catherine. "“The City of Combat”." Romanic Review 112, no. 2 (2021): 261–79. http://dx.doi.org/10.1215/00358118-9091133.

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Abstract This essay builds on Priscilla Parkhurst Ferguson’s pioneering inquiry on reading and writing Paris as the site of a democratizing and modernizing process and, more specifically, on her approach to Jules Vallès’s “performance of politics” in Le Tableau de Paris and L’Insurgé. I examine the ways in which Vallès’s reading of the Paris of the early 1880s and excavation of the multilayered city’s past and cultural representations help foster the return of repressed voices and collective memories. Using the trope of the city as palimpsest, I argue that the critical power of nostalgia for r
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Shaver, Lisa. "“No cross, no crown”: An Ethos of Presence in Margaret Prior’s Walks of Usefulness." College English 75, no. 1 (2012): 61–78. http://dx.doi.org/10.58680/ce201220678.

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In 1837, Margaret Prior became the first female missionary for the American Female Moral Reform Society. She traveled throughout the poorest neighborhoods in New York City’ entering barrooms, brothels, and sickrooms. Based on an analysis of Prior’s missionary reports, published in the society’s periodical and included in her memoir, this essay shows how Prior exerted an ethos of presence. Her willingness to traverse the seediest sections of the city, call on any person, and address any need exerted a powerful ethos in the communities she served and among the audiences who read and heard about
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