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Relevant bibliographies by topics / Heraldic

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Journal articles

Academic literature on the topic 'Heraldic'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 March 2023

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Journal articles on the topic "Heraldic"

1

Jonovski, Jovan. "Heraldry in the Republic of Macedonia (1991–2019)." Genealogy 5, no. 4 (2021): 94. http://dx.doi.org/10.3390/genealogy5040094.

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Every European country now has some distinctive heraldic conventions and traditions embodied in the designs and artistic representations of the emblems forming part of its national corpus. This paper deals with these matters in the period from independence in 1991 to the recent change of name in 2019. It deals with the successive designs proposed for the emblem of the state itself, some of which conformed to international heraldic conventions closely enough to be called “arms” or “coats of arms”, not including the emblem adopted in 2009. Special attention is given to the distinctive convention

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2

PASS, FORREST D. "Strange Whims of Crest Fiends: Marketing Heraldry in the United States, 1880–1980." Journal of American Studies 50, no. 3 (2015): 587–611. http://dx.doi.org/10.1017/s0021875815000675.

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The display of a “family crest” to signal family identity is prevalent in the contemporary United States. However, during the Gilded Age of the late nineteenth century, many American commentators perceived the widespread use of heraldry by the high bourgeoisie as at best a mark of social pretension and at worst a symptom of an un-American predilection for aristocracy. Over the course of a century, heraldic entrepreneurs sought to broaden the market for family crests, and in doing so Americanized heraldic practice. The early projects of Albert Welles, Frank Allaben and Frances M. Smith linked h

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3

Pchelov, Evgeniy V. "Sources on the Title Heraldry of Muscovy of the Second Half of the 17th century." Herald of an archivist, no. 2 (2019): 344–56. http://dx.doi.org/10.28995/2073-0101-2019-2-344-356.

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An important stage in creation and unification of title emblems of Muscovy is connected with the war between Russia and the Polish–Lithuanian Commonwealth and further changes of the title during the reign of Tsar Alexei Mikhailovich. At the turn of 1660s-1670s, a number of new title emblems appeared, while the old ones underwent yet another transformation. When creating new emblems, the Western European models were considered and in some ways the title emblems acquired a more pronounced heraldic character. Thus, some new emblems could have originated in the heraldry of the Scandinavian countri

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4

Heimer, Željko. "Milan Sunko." Review of Croatian history 18, no. 1 (2022): 175–209. http://dx.doi.org/10.22586/review.v18i1.24286.

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Milan Sunko (Zidani Most, 5 December 1860 – Zagreb, 9 March 1891) was a heraldic artist, numismatist, and collector, who studied and started his carrer in Vienna working with the most renowned heraldists of the “classical” Austrian heraldic period. He moved to Zagreb where he made number of well received paintings and graphics and was supported by the intelectual elite of the fastly developing city. His brief spectacular carrier was abruptly ended by laryngeal tuberculosis, and he died in his 31st year. His works are preserved in several museums and galleries in Zagreb, and his heraldic lithog

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5

Jonovski, Jovan. "Heraldry in Macedonia with Special Regard to the People’s/Socialist Republic of Macedonia until 1991." Genealogy 5, no. 2 (2021): 43. http://dx.doi.org/10.3390/genealogy5020043.

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Every European region and country has some specific heraldry. In this paper, we will consider heraldry in the People’s/Socialist Republic of Macedonia, understood by the multitude of coats of arms, and armorial knowledge and art. Due to historical, as well as geographical factors, there is only a small number of coats of arms and a developing knowledge of art, which make this paper’s aim feasible. This paper covers the earliest preserved heraldic motifs and coats of arms found in Macedonia, as well as the attributed arms in European culture and armorials of Macedonia, the кing of Macedonia, an

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6

Platonov, Dmitriy D. "HERALDIC MOTIFS IN FAMILY STAINED GLASSES OF THE 16TH CENTURY OF THE VON DIESBACH FAMILY." Scientific and analytical journal Burganov House. The space of culture 18, no. 2 (2022): 48–62. http://dx.doi.org/10.36340/2071-6818-2022-18-2-48-62.

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This article deals with the problem of research and attribution of heraldic stained-glass windows of the Swiss Union in the 16th century, when the art of stained glass was in its heyday. By this time, the formation of a new social class, the burghers, was being completed, whose wealthy families, thanks to the special historical conditions for the development of the Old Confederation, were able to have their own family coat of arms. In order to demonstrate their social status and services to society, coats of arms were placed in stained-glass windows, which were donated to churches. The purpose

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7

Ramsay, Nigel. "Heraldry and the early modern state." Virtus | Journal of Nobility Studies 28 (January 31, 2022): 148–51. http://dx.doi.org/10.21827/virtus.28.148-151.

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8

Kravchenko, Nadiia. "Hunting heraldry of the Volyn and Kyiv regions in the 16th – early 17th centuries." Text and Image: Essential Problems in Art History, no. 1 (2021): 45–63. http://dx.doi.org/10.17721/2519-4801.2021.1.03.

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The article is devoted to the subjects and symbolism in the hunting heraldry of the Volyn and Kyiv regions in the 16th – early 17th centuries. Among the innovations of this time period is the appearance of atypical imagery in Ukrainian heraldry, namely that of wild animals and hunting horns. The author analyzes the well-known coats of arms associated with hunting, their prevalence and probable reasons for their obscurity in these areas compared to the Kingdom of Poland. In the early modern period, nobility used heraldic signs and legends to emphasize their ancient origins, land tenureship and

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9

Iulian, Mitran Ilie. "Indigenous Heraldry: Transferring ethnic imagery from the mundane to the canonical." Journal of Ethnic and Cultural Studies 4, no. 1 (2017): 26. http://dx.doi.org/10.29333/ejecs/59.

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European heraldry presents itself as an intriguing collection of symbols that trace their roots to a number of sources, some of which are obvious to spot, while otters still lay in obscurity. When talking about heraldry, it is safe bet to assume that, for instance, the symbols that are collected from the animal kingdom underwent a process which transferred them a series of anthropomorphic qualities. The situation was no different for elements that were inspired by vegetation and celestial entities. Heraldry, as it is presented in academic environments, primarily traces its roots to the Old Wor

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10

SULTANOV, O. S., and K. M. OMAROVA. "SYMBOLS OF SHEEP AND GOATS IN HERALDRY." Sheep, goats, woolen business, no. 2 (2021): 48–51. http://dx.doi.org/10.26897/2074-0840-2021-2-48-51.

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The article discusses the symbolic meanings of sheep and goats in heraldry and how heraldic material with symbols of sheep and goats convey various philosophical concepts and the meaning of human values.

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