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Books on the topic 'Heraldic music'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

O'Shea, John Donald. The first herald angel: An original Christmas play with music in one act. Theatrefolk, 2007.

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2

Soderlind, Kirsten. Hark! the herald angels sing: A traditional Christmas carol. Ottenheimer Publishers, 1993.

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3

Stephen, Rawles, and Saunders, Alison (Alison M.), eds. A bibliography of Claude-François Menestrier: Printed editions, 1655-1765. Droz, 2012.

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4

Handel, George Frideric. Messiah: The wordbook for the oratorio. W. Perlman Books, 1992.

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5

Handel, George Frideric. Messiah: The wordbook for the oratorio. W. Perlman Books, 1992.

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6

Library of Congress. Subject Cataloging Division. Classification. 3rd ed. The Library, 1989.

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7

Library of Congress. Subject Cataloging Division. Classification. The Library, 1988.

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8

Gakkai, Jingi, ed. Jingi ni kansuru seido, sahō jiten. Ōzorasha, 2016.

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9

Toynbee, Jason. Bob Marley: Herald of a Postcolonial World? Polity Press, 2013.

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10

Toynbee, Jason. Bob Marley: Herald of a Postcolonial World? Polity Press, 2013.

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11

Toynbee, Jason. Bob Marley: Herald of a Postcolonial World? Polity Press, 2013.

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12

Guy, Nancy. Popular Music as a Barometer of Political Change. Edited by Patricia Hall. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.2.

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This chapter examines popular music as a barometer of political change in democratizing Taiwan. After providing a brief overview of developments in Taiwan’s pop music world as they relate to political change, the essay details the innovative musical creations of the late 1980s through the 1990s that heralded the regime change of May 2000, when Chen Shui-bian was elected President, thus ending the Chinese Nationalist Party’s fifty years of unbroken rule. It also chronicles the banning in the People's Republic of China of certain Taiwan based performers, and demonstrates how some artists self-ce

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13

Turner, Barrie Carson. Hark! the Herald Angels Sing (National Gallery). Frances Lincoln, 2000.

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14

Handel, George Frideric. Messiah [Sheet Music Book]. Roger Dean, 1993.

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15

Bob Marley: Herald of a Postcolonial World (Polity celebrities series). Polity, 2007.

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16

Toynbee, Jason. Bob Marley: Herald of a Postcolonial World (Polity celebrities series). Polity, 2007.

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17

Hark! the Herald Angels Sing: Carols for Christmas. Simon & Schuster Children's Publishing, 1993.

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18

The mediaeval & Renaissance manuscripts at Trinity College, Dublin: Section II : Secular studies. World Microfilms, 1987.

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19

The mediaeval & renaissance manuscripts at Trinity College, Dublin: Section 1. : The Roman inquisition. World Microfilms Publication, 1986.

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20

Ramroth, Martin. Investigating Choral Pedagogies. Edited by Frank Abrahams and Paul D. Head. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199373369.013.15.

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While Western Europe heralds a celebrated tradition of classical choral music, conductors and choral pedagogues from other continents are often astounded to learn of the disparities among choral music education programs throughout the region. This chapter sets out to contextualize the role of music education in the curricula of the typical public or private school, and how private enterprise has evolved to provide music opportunities for those pursuing musical artistry and classical training. Does choral art thrive in a more diverse cultural landscape and a less regulated environment? How does

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21

Fields, Ray. Morton Feldman's Piano and String Quartet. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9798881813451.

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Morton Feldman viewed Piano and String Quartet as his capstone work—the culminating example of the aesthetic that Feldman spent his life seeking. Written in 1985, the year before Feldman’s death, this single movement, roughly eighty-minute composition was heralded by Steve Reich as “the most beautiful work [of Feldman’s] I know.” Ray Fields presents a detailed analysis of the complete piece and examines the elements that contribute to its formal and expressive design. He discusses the sonic experience of the music itself and provides insights into Feldman’s aesthetic influences. The book also

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22

Robert Schumann: Herald of a New Poetic Age. Oxford University Press, Incorporated, 1997.

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23

Robert Schumann: Herald of a "new poetic age". Oxford University Press, 1997.

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24

McNeill, Darrell M. The Isley Brothers' 3+3. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9798765106730.

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The Isley Brothers' 3+3, dissects The Isleys’ 50-year-old undisputed masterwork, an album that firmly established their music dynasty on a global scale, as well as heralding the boldest run of genre-defiant albums of their 65-year career. The 1973 watershed was their first multiplatinum release and is significant as a rare, crossover record by a Black act that struck a chord with urban, rock and pop consumers, despite the schisms between audiences due to bias-driven media and industry marketing. The book looks at the album from all angles: From The Isleys’ early career to their influence on ro

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25

Iselin, Pierre. ‘More, I prithee, more’: Melancholy, Musical Appetite and Medical Discourse in Shakespeare’s Twelfth Night. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427814.003.0005.

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Pierre Iselin broaches the subject of early modern music and aims at contextualising Twelfth Night, one of Shakespeare’s most musical comedies, within the polyphony of discourses—medical, political, poetic, religious and otherwise—on appetite, music and melancholy, which circulated in early modern England. Iselin examines how these discourses interact with what the play says on music in the many commentaries contained in the dramatic text, and what music itself says in terms of the play’s poetics. Its abundant music is considered not only as ‘incidental,’ but as a sort of meta-commentary on th

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26

Publishing, Brickshub. Shark the Herald Angel Sing: Lined Ruled Paper and Staff Manuscript Paper for Notes Lyrics and Music. Independently Published, 2018.

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27

The Novel Of Crepuscular Universes Essay Thomas Mann Robert Musil Hermann Broch Witold Gombrowicz Gnter Grass Curzio Malaparte Heinrich Bll Lf Cline. East European Monographs, 2011.

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28

Problemy wykonawcze muzyki współczesnej. WSP, 1998.

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29

Atkins, E. Taylor. Toshiko Akiyoshi-Lew Tabackin Big Band's Kogun. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9798765109045.

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A study of the 1974 albumKogunby the Toshiko Akiyoshi-Lew Tabackin Big Band, this book assesses not just its importance in jazz history but also its part in public remembrance of World War II in Japan. In 1974 a Japanese soldier emerged from the Philippine jungle where he had hidden for three decades, unconvinced that World War II had ended. Later that year, the Toshiko Akiyoshi-Lew Tabackin Big Band released its first album,Kogun(“solitary soldier”), the title track of which adopted music from medieval Japanesenotheater for the first time in a jazz context as aural commemoration of his experi

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30

Starr, Larry. Listening to Bob Dylan. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043956.001.0001.

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This book presents the importance of listening to Bob Dylan’s recorded work as the essential basis for a deeper understanding and appreciation of his achievements. Here is a guide for both the curious listener and the enthusiastic Dylan fan, for both the nonspecialist who enjoys music and the professional. While fully acknowledging his celebrated gifts as a lyricist, this book embraces Dylan’s primary identity as a performing songwriter. For Bob Dylan, the creation of music, and its interpretation by voice and instruments, are as important as the words he sings. His performances offer inspired

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31

Schmidt, Gilya Gerda. The Art and Artists of the Fifth Zionist Congress, 1901: Heralds of a New Age (Judaic Traditions in Literature, Music, and Art). Syracuse University Press, 2004.

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32

The Art and Artists of the Fifth Zionist Congress, 1901: Heralds of a New Age (Judaic Traditions in Literature, Music, and Art). Syracuse University Press, 2003.

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33

Handel, George Frideric. The Messiah: Chorus Parts - Piano. Hal Leonard Publishing Corporation, 1986.

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34

Jennens, Charles, Barry Moser, and George Frideric Handel. Messiah: The Wordbook for the Oratorio. W. Perlman Books, 1992.

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35

Jennens, Charles, Barry Moser, and George Frideric Handel. Messiah: The Wordbook for the Oratorio. W. Perlman Books, 1992.

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36

Handel, George Frideric. Messiah: The Wordbook for the Oratorio. Harpercollins, 1992.

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37

Handel, George Frideric. Messiah: Full Score. Oxford University Press, 1998.

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38

Handel, George Frideric. Messiah: The Wordbook for the Oratorio. Harpercollins, 1992.

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39

Handel, George Frideric. The Messiah: Vocal Score - Novello Händel Edition. Novello, 2003.

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40

Handel, George Frideric. Messiah. Novello, 1998.

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41

(Illustrator), Barry Moser, ed. Messiah. HarperCollins Publishers, 1992.

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42

Handel, George Frideric. Messiah. Konemann, 1998.

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43

Ile döwlet geler bolsa...: (Türkmen halkynyň aýdym-saz sungatynyň taryhyndan) = Bakhshis are heralds of national happiness : (from the history of song and musical art of Turkmen people) = Bakhshi--predvestniki narodnogo schastʹi︠a︡ : (iz istorii pesenno-muzykalʹnogo iskusstva turkmenskogo naroda). Türkmen döwlet neşirýat gullugy, 2015.

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44

Washburne, Christopher. Latin Jazz. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780195371628.001.0001.

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Latin Jazz: The Other Jazz is an issue-oriented historical and ethnographic study that focuses on key moments in the history of the music in order to unpack the cultural forces that have shaped its development. The broad historical scope of this study, which traces the dynamic interplay of Caribbean and Latin American musical influence from eighteenth- and nineteenth-century colonial New Orleans through to the present global stage, provides an in-depth contextual foundation for exploring how musicians work with and negotiate through the politics of nation, place, race, and ethnicity in the eth

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45

Massip, Jesus Francesc. La Monarquia En Escena: Teatro, Fiesta y Espectaculo del Poder En Los Reinos Ibericos, de Jaume El Conquistador Al Principe Carlos (Coleccion Musica y Teatro Religioso y Medieval). Comunidad de Madrid Consejeria de las Artes D, 2003.

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46

Classification.: German literature. 2nd ed. The Library, 1990.

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