Dissertations / Theses: 'Herder, Johann Gottfried'

1

Herz, Andreas. "Dunkler Spiegel - helles Dasein : Natur, Geschichte, Kunst im Werk Johann Gottfried Herders /." Heidelberg : C. Winter, 1996. http://catalogue.bnf.fr/ark:/12148/cb35855685j.

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Jaremko-Porter, Christina. "Johann Gottfried Herder and the Latvian voice." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/3292.

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As a young émigré from Königsberg to Riga Johann Gottfried Herder (1744—1803) developed a lifelong interest in the oral poetry of the common people, whose popular song traditions he later entitled Volkslieder. Herder’s affirmation of aesthetic and cultural individuality in his landmark collection of that title (1778-79) had far-reaching implications for the evolution of Latvian and East European folksong scholarship, and these extend to the practices of the present day. Underlying this work are source readings in translation that have been important in considering Herder’s prevailing influence. Pivotal historical episodes demarcate, first, Herder’s philosophical ties to the late nineteenth-century Latvian national awakening, second, to the final years of dissent within the Latvian Soviet Socialist Republic, and finally, to the current practitioner groups (kopas) that espouse ethnic and regional song traditions in a changing cultural milieu. A demonstration from each of Latvia’s four provinces has formed the substance of interviews and recordings in a fieldwork inquiry, which dates from 2000 to 2007. The conclusion evaluates Herder’s cyclical philosophy of history and humanity (Humanitätsideal) in relation to the diverse voices of Latvia’s ethnic minorities.

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Frank, Alexa. "Sanftes Gefühl und stille Tiefe der Seele : Herders Indien /." Würzburg Königshausen & Neumann, 2009. http://d-nb.info/994498268/04.

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Häfner, Ralph. "Johann Gottfried Herders Kulturentstehungslehre : Studien zu den Quellen und zur Methode seines Geschichtsdenkens /." Hamburg : F. Meiner, 1995. http://catalogue.bnf.fr/ark:/12148/cb37042380z.

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Löchte, Anne. "Johann Gottfried Herder Kulturtheorie und Humanitätsidee der "Ideen", "Humanitätsbriefe" und "Adrastea"." Würzburg Königshausen und Neumann, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2661860&prov=M&dok_var=1&dok_ext=htm.

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Noebel, Daniela A. "The hidden face of racism : Humanität and the monkey : images of otherness in Herder's Ideen zur Philosophie der Geschichte der Menschheit /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9975042.

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Gesche, Astrid Helga. "Revolution oder Evolution : Uberlegungen zur geschichtsphilosophischen Betrachtung Johann Gottfried Herders /." Title page and contents only, 1985. http://web4.library.adelaide.edu.au/theses/09AR/09arg389.pdf.

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Hunger, Bernhard. "Spurensuche einer Rezeptionsgeschichte : Alexander von Humboldt und Johann Gottfried Herder." Universität Potsdam, 2009. http://opus.kobv.de/ubp/volltexte/2010/4256/.

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Im Werk Alexander von Humboldts sind Spuren zu Johann Gottfried Herder ebenso vielfältig wie Verweise rar. Der vorliegende Aufsatz richtet unter diesem Aspekt den Blick auf Humboldts Ideen zur Physiognomik der Gewächse (1806), in denen er Herder das erste Mal in einer Veröffentlichung namentlich erwähnt. Zwei Jahre später wird der Text in die Ansichten der Natur (1808 ff.) aufgenommen. In der dritten Auflage der Ansichten (1849) ist Herders Name kurioserweise gestrichen. Die Streichung ist weder inhaltlich noch formal nachvollziehbar. Der historische Kontext der Jahre zwischen 1805 und 1808 legt zudem nahe, dass Humboldts Bezugnahme auf Herder sehr bewusst geschehen sein muss. Anhand des Briefwechsels Humboldts mit dem Historiker Johannes von Müller und weiterer Quellen wird gezeigt, dass sich Humboldt mit Schriften Herders auseinandergesetzt hat. Johannes von Müller, Humboldts Freund und Nachbar in dieser Zeit, zog als Herausgeber der Herderschen Werkausgabe sogar eine direkte Filiation von Herder zu Humboldt. Alexander von Humboldt’s work displays traces of Johann Gottfried Herder which are as multifaceted as the references to the latter are scarce. In light of this aspect, the present essay focuses on Humboldt’s Physiognomy of Plants (1806), in which he explicitly mentions Herder for the first time in a publication. Two years later, the text is incorporated within Aspects of Nature (1808 ff.). In the third edition of Aspects (1849), Herder’s name is curiously omitted. This omission is incomprehensible both in form and content. The historical context characterising the years between 1805 and 1808 suggests that Humboldt’s references to Herder must have been made very deliberately. Humboldt’s correspondence with the historian Johannes von Müller and other sources shows that Humboldt carefully studied Herder’s writings. As the publisher of Herder’s complete works, Johannes von Müller, who was Humboldt’s friend and neighbour at the time, even considered Humboldt to be a direct descendant of the Herder school.

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Heinz, Marion. "Sensualistischer Idealismus : Untersuchungen zur Erkenntnistheorie des jungen Herder (1763-1778) /." Hamburg : F. Meiner, 1994. http://catalogue.bnf.fr/ark:/12148/cb35709541d.

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Bengtsson, Staffan. "Herders hieroglyf : om den okända metoden i hans författarskap /." Uppsala : Uppsala universitet, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-4716.

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Hambsch, Björn. "ganz andre Beredsamkeit" : Transformationen antiker und moderner Rhetorik bei Johann Gottfried Herder /." Tübingen : M. Niemeyer, 2007. http://catalogue.bnf.fr/ark:/12148/cb41471750g.

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Hambsch, Björn. ""... ganz andre Beredsamkeit" Transformationen antiker und moderner Rhetorik bei Johann Gottfried Herder." Tübingen Niemeyer, 2006. http://d-nb.info/985941707/04.

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Mayr, Florian. ""Heilige Tetraktys!" Herders metakritische Hermetik." Schaffhausen Novalis, 2003. http://deposit.d-nb.de/cgi-bin/dokserv?id=2837006&prov=M&dok_var=1&dok_ext=htm.

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Kindermann, Thorsten. "Poetische Geschichte zum Geschichtsverständnis Hamanns, Herders und Novalis' /." [S.l. : s.n.], 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=97213624X.

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Singer, Rüdiger. ""Nachgesang" : ein Konzept Herders, entwickelt an Ossian, der popular ballad und der frühen Kunstballade /." Würzburg : Königshausen und Neumann, 2006. http://catalogue.bnf.fr/ark:/12148/cb40244965p.

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Bultmann, Christoph. "Die biblische Urgeschichte in der Aufklärung : Johann Gottfried Herders Interpretation der Genesis als Antwort auf die Religionskritik David Humes /." Tübingen : Mohr Siebeck, 1999. http://catalogue.bnf.fr/ark:/12148/cb39232392c.

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Rehm, Patricia. "Herder et les Lumières : essai de biographie intellectuelle." Dijon, 2003. http://www.theses.fr/2003DIJOL030.

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Kessler, Martin. "Johann Gottfried Herder : der Theologe unter den Klassikern : das Amt des Generalsuperintendenten von Sachsen-Weimar /." Berlin : W. de Gruyter, 2007. http://catalogue.bnf.fr/ark:/12148/cb41152812h.

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Girardin, Catherine. "La philosophie de l'histoire par le théâtre dans l'oeuvre de Johann Gottfried Herder (1764-1774)." Thesis, Paris 10, 2020. http://www.theses.fr/2020PA100043.

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Cette thèse étudie comment Johann Gottfried Herder mène une réflexion sur la conceptualisation, l’écriture et les fonctions de l’histoire dans un même mouvement en philosophie de l’histoire et en théâtre. L’interdisciplinarité caractéristique de l’œuvre de l’auteur et l’intégration de l’esthétique et des arts dans sa pensée de l’histoire dans le cadre de l’historisme allemand (Historismus) sont des facteurs qui contribuent à faire de ses propres œuvres dramatiques un espace de réflexion sur l’expérience individuelle et collective du passé, ainsi que sur la position objective et subjective de l’auteur, tant l’historien que le dramaturge. Cette thèse s’applique à regarder non pas seulement dans quelle mesure le théâtre de Herder peut être caractérisé d’ « historique », c’est-à-dire, comment il raconte l’histoire et à quel point il lui est fidèle, mais plus particulièrement comment les deux types ou ethos d’écriture, historique et dramatique, s’influencent chez l’auteur de 1764 à 1774, dans quatre pièces – incluant plans et fragments – dont deux ont été publiées. Le geste de représentation, commun aux récits dramatique et historique, discuté d’un côté en philosophie de l’histoire et en esthétique ; et de l’autre, mis en pratique dans la dramaturgie, est une pierre de touche de l’hypothèse principale de cette thèse, selon laquelle Herder, en écrivant du théâtre, écrit par le fait même une philosophie de l’histoire This dissertation studies how Johann Gottfried Herder reflects on the conceptualization, writing and functions of history in the same movement in philosophy of history and theatre. The interdisciplinarity characteristic of his work and the integration of aesthetics and arts in his understanding of history within the framework of German historicism (Historismus) are factors that contribute to making his own dramatic works a space to reflect on the individual and collective experiences of the past, as well as on the objective and subjective position of the writer, both the historian and the playwright. This dissertation strives to look not only at how Herder’s theatre can be characterized as “historical”, that is, how it tells history and how faithful it is to it, but more particularly at how the two types or ethos of writing, historical and dramatic, influence each other in the author’s work between 1764 and 1774, and in four plays – including outlines and fragments – out of which two have been published. The act of representation, common to both dramatic and historical narratives, discussed on one side in philosophy of history and aesthetics, and on the other, put to practice in playwriting, is a touchstone of the main hypothesis of this dissertation, according to which Herder, by writing theatre, writes a philosophy of history

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Penteado, André G. Biesczad. "Kant e Herder : duas Aufklärungen." reponame:Repositório Institucional da UFPR, 2017. http://hdl.handle.net/1884/49372.

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Orientador: Prof. Dr. Vinicius Berlendis de Figueiredo Autor não autorizou a inclusão na Biblioteca Digital Tese (doutorado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Programa de Pós-Graduação em Filosofia. Defesa: Curitiba, 14/08/2017 Inclui referências : f. 82-84 Resumo: Palavras-Chave: Kant, razão, juízo, reflexão, Herder, linguagem, história, Crítica da razão pura, metacrítica, Ensaio sobre a origem da linguagem. O objetivo de nosso trabalho é defender que há, nas filosofias de Kant e Herder, dois gestos teóricos distintos em relação à linguagem, mostrando que tal diferença é fundamental para se compreender a maneira como os dois filósofos se posicionam frente ao conhecimento empírico-histórico na Crítica da razão pura, no Ensaio sobre a origem da linguagem e em Uma Metacrítica à Crítica da Razão Pura. Abstract: Key Words: Kant, reason, judgment, system, Herder, Essay on the Origin of Language, Critique of Pure Reason, metacritic, language. The goal of our work is to argue that there are two distinct theoretical gestures regarding language in Kant and Herder's philosophies. We claim that such difference is fundamental to understand their philosophical positions regarding empirical-historical knowledge in the Critique of Pure Reason, in the Essay on the Origin of Language and in the A Metacritique on the Critique of Pure Reason.

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Sing, Beverly Jung. "Geistliche Vokalkomposition zwischen Barock und Klassik : Studien zu den Kantatendichtungen Johann Gottfried Herders in den Vertonungen Johann Christoph Friedrich Bachs /." Baden-Baden : V. Koerner, 1992. http://catalogue.bnf.fr/ark:/12148/cb36955846h.

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Fleck, Christina Juliane. "Genie und Wahrheit der Geniegedanke im Sturm und Drang." Marburg Tectum-Verl, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2833709&prov=M&dok_var=1&dok_ext=htm.

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Pénisson, Pierre. "Les langues et la philosophie dans l'oeuvre de J. G Herder." Paris 8, 1993. http://www.theses.fr/1993PA080773.

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La production herderienne rassemble sous le nom de humanite ce qui est diachroniquement & synchroniquement separes. Aux categories philosophiques metahistoriques, metalinguistiques elle entend substituer une philosophie d la traduction dont l'element historique est la langue maternelle, allemande en l'occurrence. De la s'expliquent et l'importance de herder dans l'histoire de la culture germanique et son obliteration soit par l'oubli soit par des instrumentalisations incompatibles avec son oeuvre In the name of 'humanity' herder's works pull together the diachronically and synchronically separed. He replaces the metahistorical and metalinguistic categories with a philosophy of translation, the essential historical of which is the mothertongue, namly german. Hence the importance of herder for german culture ; yet his work has been ignored and forgotten, having been used in ways that are cinompatible with its broader philosophical claims

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Yescas, Martinez Ma Del Rocio. "Le ton de l'âme : l'image et l'imagination chez J.G. Hamann et J.G. Herder." Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAC036/document.

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Dans cette thèse nous abordons la relation entre l’image et l’imagination chez Johann Georg Hamann (1730-1788) et Johann Gottfried Herder (1744-1803). La particularité de leur approche est la mise en cause de l’étroite liaison de l’image et sensibilité et la notion de l’image comme langage. Dans les ouvrages qui constituent le corpus de notre travail, il est possible de discerner trois sphères de réflexion où l’image a une importance si déterminante : la religieuse, la philosophique et la rhétorique. Dans Aesthetica in nuce (1762) et Vom Erkennen und Empfinden der menschlichen Seele (1774, 1775, 1778) se trouvent les prémisses du tournant épistémique que vise la perspective réductionniste et rationaliste de la connaissance. Dans ce tournant l’image acoustique et l’imagination gagnent une place essentielle The tone of the soul. The image and the imagination in Johann Georg Hamann and Johann Gottfried Herder, addresses the relationship between image and imagination in the thought of J.G. Hamann and J.G. Herder. The singularity of the approach of both german philosophers is the close connection of the image and sensibility and the definition of the image as language. The work of Hamann Aesthetica in nuce (1762) and the work of Herder, Vom Erkennen und Empfinden der menschlichen Seele (1774, 1775, 1778) represent a new epistemological model that is based on the holistic view of human being. In this model, the image acoustic and the imagination becomen the tow arguments for the assumption that the images and the activity of imagination create all knowledge of the world

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Hermann, Konstantin. "Drei Bände aus der Bibliotheca Herderiana." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2006. http://nbn-resolving.de/urn:nbn:de:swb:14-1156336708949-03104.

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Pezzoli-Bonneville, Christine. "Vie intellectuelle et Lumières à Darmstadt entre 1700 et 1774 : baroque, empfindsamkeit et sturm und drang." Paris 4, 2000. http://www.theses.fr/1999PA040275.

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La ville Darmstadt connait un éclat littéraire éphémère entre 1770 et 1774. En 1770, Herder y rencontre sa future femme ainsi qu'un fonctionnaire, Merck, dont la grande intelligence lui fournit un nouveau correspondant de valeur. Merck se forme alors à la critique littéraire et découvre le monde de l'Empfindsamkeit puis du Sturm und Drang. Il entraine avec lui le petit groupe d'amis qui l'entoure. Le culte de l'Empfindsamkeit dans la ville culmine en 1771 avec la première publication d'un recueil d'odes de Kiopstock. En 1772, Merck et Goethe, qui se lient en partie grâce à Herder, diffusent leurs idées grâce aux annonces littéraires de Francfort qui deviennent pendant un an l'organe du Sturm und Drang. Poussé par Merck, Goethe publie également ses premières oeuvres. Certains ont ainsi suggéré à tort que Darmstadt préfigure ce qu'allait devenir Weimar par la suite. La landgrave caroline, tout en connaissant le développement de la littérature allemande, est en réalité imprégnée de culture française et est alors préoccupée par des problèmes dynastiques. Le bref rayonnement de Darmstadt provient de la rencontre de Merck avec Herder puis Goethe. Les textes laissés par Merck nous montrent un esprit caustique mais ouvert, tolérant et dénué de malveillance, contrairement à la réputation qui lui fut faite par la suite. Cette période de fermentation intellectuelle se clôt par le départ de Merck pour la Russie à la suite de la landgrave. Darmstadt retombe dans la grisaille. Une nouvelle période commence à son retour en 1774. Herder a rompu avec lui. Goethe a évolué et commence à s'éloigner. Merck se tourne vers les journaux à l'extérieur, comme vers la bibliothèque générale allemande, et surtout le mercure allemand à Weimar.

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Grimm, Gunter E. "Johann Gottfried Herders italienische Erlebnisse, vor zweihundert Jahren." Gerhard-Mercator-Universitaet Duisburg, 2002. http://www.ub.uni-duisburg.de/ETD-db/theses/available/duett-08162002-134232/.

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28

Peterson, Rebecca C. (Rebecca Carol). "Early Educational Reform in North Germany: its Effects on Post-Reformation German Intellectuals." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278681/.

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Martin Luther supported the development of the early German educational system on the basis of both religious and social ideals. His impact endured in the emphasis on obedience and duty to the state evident in the north German educational system throughout the early modern period and the nineteenth century. Luther taught that the state was a gift from God and that service to the state was a personal vocation. This thesis explores the extent to which a select group of nineteenth century German philosophers and historians reflect Luther's teachings. Chapters II and III provide historiography on this topic, survey Luther's view of the state and education, and demonstrate the adherence of nineteenth century German intellectuals to these goals. Chapters IV through VII examine the works respectively of Johann Gottfried Herder, Georg Wilhelm Friedrich Hegel, Leopold von Ranke, and Wilhelm Dilthey, with focus on the interest each had in the reformer's work for its religious, and social content. The common themes found in these authors' works were: the analysis of the membership of the individual in the group, the stress on the uniqueness of individual persons and cultures, the belief that familial authority, as established in the Fourth Commandment, provided the basis for state authority, the view that the state was a necessary and benevolent institution, and, finally, the rejection of revolution as a means of instigating social change. This work explains the relationship between Luther's view of the state and its interpretation by later German scholars, providing specific examples of the way in which Herder, Hegel, Ranke, and Dilthey incorporated in their writings the reformer's theory of the state. It also argues for the continued importance of Luther to later German intellectuals in the area of social and political theory.

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Kavaloski, Josh. "Theory and practice, organism and mechanism the utopian proposals for peace of Immanuel Kant and Johann Gottfried Herder /." 1996. http://catalog.hathitrust.org/api/volumes/oclc/35447110.html.

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Thesis (M.A.)--University of Wisconsin--Madison, 1996. Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 99-100).

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Wagner, Ulrike. "The Transatlantic Renewal of Textual Practices: Philology, Religion, and Classicism in Madame de Staël, Herder, and Emerson." Thesis, 2012. https://doi.org/10.7916/D8SJ1SQ0.

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This dissertation demonstrates how the rise of historical criticism in Germany transformed practices of reading, writing, and public address in the related fields of classicism and biblical criticism in a transnational context. In the late-eighteenth and early-nineteenth centuries, writers on both sides of the Atlantic rendered these practices foundational to the goals of self-formation, cultural and spiritual renewal, and educational reform. In this process, Germaine de Staël's De l'Allemagne (1814) played a key role in disseminating new historically informed modes of teaching, preaching, translating, and reconstructing secular and religious texts among Transcendentalists. I show that her cultural study epitomizes crucial characteristics and functions of the historically informed textual practices that Johann Gottfried Herder's works articulated paradigmatically in Germany and which we find refracted in reviews, addresses, essays, and translations by many Antebellum American scholars, especially Ralph Waldo Emerson.

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Dissertations / Theses on the topic 'Herder, Johann Gottfried'

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