Relevant bibliographies by topics / Heritage architecture

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Academic literature on the topic 'Heritage architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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Journal articles on the topic "Heritage architecture"

XU, Xiwei, Tim Heath, Qing Xia, and Youtian Zhang. "DISASTER PREVENTION AND MITIGATION STRATEGIES FOR ARCHITECTURE HERITAGE CONCENTRATED AREAS IN CHINA." International Journal of Architectural Research: ArchNet-IJAR 9, no. 1 (March 18, 2015): 108. http://dx.doi.org/10.26687/archnet-ijar.v9i1.525.

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This paper draws upon preliminary research into the insufficiencies of the status quo of the disaster prevention and mitigation in architecture heritage areas in China. It summarizes how the common hazards, which are various threats to the survival and development of the historical architectural heritage, such as fire, geological disasters and meteorological disasters occurs and their characteristics, and also analyses their impact on heritage. The paper also focuses on the disaster-prone parts of architecture heritage, exploring the proposals for evaluations of disaster-risk-factors, and the preliminary strategies that promote historic architecture heritage related to disaster prevention and mitigation, so that people can enhance the security capabilities for architecture heritage. This enables strategies to limit the impact of the disaster，improve historic buildings anti-disaster systems, provide the theory and technical basis to the relevant departments for standards and regulations for architecture heritages’ conservation and security. The ultimate aim is to ensure the long-lasting and safe existence and development of architectural heritage.

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Mileto, C., F. Vegas, V. Cristini, and L. García-Soriano. "PREFACE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 20, 2020): 1–2. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-1-2020.

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Abstract. Without a doubt 2020 will be remembered worldwide as the year of risk and emergency, in this case a health emergency, and of new communication technologies. When work began in 2018 on the organisation of “HERITAGE2020 (3DPast | RISK-Terra), International Conference on Vernacular Architecture in World Heritage Sites. Risks and New Technologies”, the new technologies applied to vernacular heritage and risk were on the rise, although nobody could have foreseen how central they would become to everyday life in 2020. “HERITAGE2020 (3DPast | RISK-Terra), International Conference on Vernacular Architecture in World Heritage Sites. Risks and New Technologies” is organised within the framework of two research projects. The first, “3D Past – Living and visiting European World Heritage” (2017–2020), was co-funded by the European Union as part of the Creative Europe Programme, led by Escola Superior Gallaecia (Portugal) in partnership with Universitat Politécnica de València (Spain) and Università degli Studi di Firenze (Italy). The main aim of this project has been to promote the inhabited vernacular heritage declared as World Heritage Sites in Europe by trying to promote its valorization through new technologies, both for local residents and potential visitors. Vernacular heritage, new communication technologies and heritage management for valorization and sustainable tourism are the central themes of this European project. In 2020, these issues have become even more important for the survival, understanding and valorization of heritage, particularly vernacular heritage, which today provides a solid opportunity for cultural and sustainable tourism, where these new technologies make it possible to reach a wider public in search of locations better suited to social distancing. The second project involved in this conference is “RISK-Terra. Earthen architecture in the Iberian Peninsula: study of natural, social and anthropic risks and strategies to improve resilience” (RTI2018-095302-B-I00) (2019–2021), funded by the Spanish Ministry of Science, Innovation and Universities. This project is geared towards the conservation of earthen architecture in the Iberian Peninsula, both monumental and vernacular, which continues to be undervalued and barely recognized. The RISK-Terra project aims to provide scientific coverage of the study of natural threats (floods, earthquakes, climate change), social threats (abandonment, social discredit, demographic pressure, tourist development), and anthropic threats (neglect, lack of protection and maintenance), as well as the mechanisms for deterioration and dynamics and transformation (replacement, use of incompatible techniques and materials, etc.) to which architecture is exposed. The objective of the project is to establish strategies for conservation, intervention and rehabilitation which make it possible to prevent and mitigate possible damage through compatible actions and/or actions to increase resilience.As these two projects have major points of contact with potential for common reflection, their main themes have been combined in this Heritage2020 conference. The topics established for the conference are: vernacular architecture (study and cataloguing of vernacular architecture; conservation and restoration of vernacular architecture; urban studies on vernacular architecture; sustainability in vernacular architecture); new technologies applied to architectural and archaeological heritage (digital documentation and state-of-the-art developments; digital analysis in heritage; digital heritage related to social context; digital heritage solutions and best practices for dissemination); architectural heritage management (management and protection of UNESCO World Heritage Sites; social participation in heritage management; regulations and policies in heritage management; intangible heritage: the management of know-how and local building culture); risks in architectural heritage (studies of natural risks in architectural heritage; studies of social and anthropic risks in architectural heritage, preventive actions in order to improve resilience in architectural heritage; actions and strategies in post-disaster situations); earthen architectural heritage (study and cataloguing of earthen architectures; construction techniques that employ earth; sustainability mechanisms in vernacular earthen architectures; restoration and conservation of earthen architecture).The scientific committee was made up of 98 outstanding researchers from 29 countries from the five continents, specialists in the subjects proposed. All the contributions to the conference, both the abstracts and the final texts, were subjected to a strict peer-review evaluation system by the members of the scientific committee.Out of the over 300 proposals submitted, over 150 papers by 325 authors from 27 countries from the five continents were chosen for publication.

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Pieris, Anoma, Stuart King, and Mirjana Lozanovska. "Architecture/Heritage/Politics." Fabrications 28, no. 2 (May 4, 2018): 133–35. http://dx.doi.org/10.1080/10331867.2018.1459237.

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Ameen, Sura Kassim, Ibrahim Jawad Al-yusif, and Ali Musa Hussein. "Abstraction the architectural heritage of contemporary local architecture." Iraqi Journal of Architecture and Planning 19, no. 1 (January 28, 2020): 1–12. http://dx.doi.org/10.36041/iqjap.v16i1.490.

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Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things. The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas

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Rani, Wulan Sasmitha, Ayu Sari Undari Yani, Viola Violita Ramdhan Supena, Adzra Ashila Zhafira, Larasati Vie, and Santi Salayanti. "AN ARCHITECTURAL ACCULTURATION OF BALINESE, DUTCH, AND CHINESE IN PURI AGUNG KARANGASEM." DIMENSI (Journal of Architecture and Built Environment) 49, no. 1 (July 28, 2022): 19–30. http://dx.doi.org/10.9744/dimensi.49.1.19-30.

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Bali is one of the many provinces of Indonesia with the most preserved cultural heritage. One form of these heritages is the architectural heritage. The traditional architecture of the Balinese people is still widely used and sometimes repurposed by their own people, mostly the Puris. A Puri is a building that was once used to be the residence of the royal families during their prime. The architecture of these Puris has distinct characteristics on its location, function, and typology of the building. A unique example of these Puris is the Puri Agung Karangasem, which has three cultures infused to its architecture. Apart from the obvious Balinese characteristics, there are also European and Chinese influence which can be proven by the Gedong Maskerdam, Bale Kambang, making it a treasured heritage not only for the Balinese people, but also for Indonesian people in general. This research is meant to explain and to give more insight into the architecture of Puri Agung Karangasem, which in result would present as a piece of knowledge to encourage the community to be more appreciative towards maintaining the traditional architecture of the Balinese people as a piece of important heritage. The method used for this research is the qualitative descriptive method. Focusing on the visual analysis of the architectural elements that are influenced by the different cultures, supported with previous related research and article.

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Yaldiz, Esra. "The Evaluation of 20th Century Architecture in Konya in the Context of Modern Architecture Heritage." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (December 28, 2017): 171–84. http://dx.doi.org/10.18844/prosoc.v4i11.2872.

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Understanding about conservation is limited to ‘monument’ or ‘old work of art’ in the past compared with today’s new concepts like ‘historical and cultural heritage’, ‘heritage of modern architecture’ and ‘heritage of industry’. Turkey’s 20th century modern architecture was started with the early modernism buildings constructed all over Turkey, especially in Ankara and İstanbul in the first years of the Republic. This period includes all the works of architecture that were produced until the late 1980s, carrying the traces of modern movement, rationalist, purist, transparent, reinterpreting the traditional architectural values by means of modern material and seeking of independent form. In this study, the Mevlana Axis between Alaaddin Hill and the historical city centre and the works of architecture in the modernisation period between the early 1900s and 1980s on this axis, contribute to the city identity and handled in the context of modern architectural heritage are evaluated. Keywords: Modern architecture heritage, evaluation criteria, Konya.

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Kadnichanskyy, D., and A. Manko. "Problems of use of architectural heritage of Sambir district in tourist activity." Visnyk of the Lviv University. Series Geography 1, no. 43 (October 19, 2013): 45–51. http://dx.doi.org/10.30970/vgg.2013.43.1539.

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Architectural heritage of the town of Sambir and Sambir district is described. The problems of use of the monuments of architecture of Sambir district in tourism are discussed. Key words: architectural heritage, tourist activity, monument of architecture monument of architecture, castle, church, Roman-catholic church.

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SH., MH., Nurwati. "LEGAL PROTECTION COPYRIGHT OF BULDING OF CULTURAL HERITAGE ARCHITECTURE (CASE STUDY OF ARCHITECTURAL ARCHITECTURE BUILDING IN CITY OF BOGOR)." DE'RECHTSSTAAT 3, no. 2 (January 24, 2018): 135. http://dx.doi.org/10.30997/jhd.v3i2.961.

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The change / delineation of buildings of cultural heritage architecture in Bogor City is not based on technical consideration, more on benefits and economics, and it is not in accordance / contrary to the provisions of Copyright Act No. 28 of 2014 on architectural works only allowed technical considerations. As the factor causing the nuance of the copyrighted works of cultural heritage architecture that many of the cultural heritage buildings that have moved from the first owner so that many in the total fox architecture of cultural heritage buildings that are also less effective legislation that brings people aware, because less socialization of legislation, the implementation of relatively light sanctions, lack of attention of local government in conservation efforts to the works of cultural heritage architecture. Due to the considerable cost. Efforts made to overcome the changes to the cultural heritage architectural work is to conduct good cooperation and coordination between institutions and related apparatus, to re-register and register in order to have the law, to give more severe sanction and firm, empower the buildings for example by way of functionalizing the building , increasing the role of architecture. This research is applicable law against culture heritage culture in Bogor city not yet implemented by law of Cultural Heritage and Copyright Act.

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Njuguna, Mugwima B., Ephraim W. Wahome, and Anne Marie Deisser. "The Role of the National Construction Authority in the Conservation of Vernacular Architectural Heritage." East African Journal of Engineering 2, no. 1 (July 10, 2020): 23–32. http://dx.doi.org/10.37284/eaje.2.1.178.

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Vernacular architecture is a malleable concept that encompasses structures produced by empirical/ experiential builders. It is sometimes referred to as indigenous, primitive, ethnic or even architecture without architects. Vernacular architectural heritage often found in rural areas and historic urban areas and villages represent a cultural heritage that has been handed down from one generation to the next. This heritage is under threat from modernising forces which cause deterioration in cultural and historical continuity. It is important to conserve this architecture and associated technologies for posterity. Both tangible and intangible heritage of vernacular architecture is threatened through blatant negligence, emergent and more profitable modes of construction, and lack of funds for minimum maintenance. To a large extent, this heritage is quickly deteriorating and disappearing into the hands of vandals and illegal traders due to the lack of appropriate conservation, sensitisation and training for the public and heritage professionals in the conservation of materials and practices. The paper explores the vernacular heritage in Kenya, the state of its conservation and the risks associated with its conservation. It is argued that since NCA is mandated inter alia to undertake research into any matter relating to the construction industry, it should complement the efforts of the National Museums of Kenya in the conservation of cultural heritage in so far as materials and building technologies are concerned. There is no clear legal framework for the conservation of vernacular architecture in place and it is often lumped together with other popular forms of architecture which have well-defined and documented historical trends. Emphasis has been on urban architecture in Kenya. The paper established that vernacular heritage has only been haphazardly conserved, with no clear management, documentation and preservation policies. The paper found that no resources are specifically set aside for the conservation of these heritages. The theoretical analysis concludes that vernacular architecture in Kenya has been neglected and exposed to deterioration. It also points out that the level of public sensitisation on the heritage is low and its conservation and management needs have been ignored. The study, therefore, recommends public sensitisation, preventive and interventive conservation and appropriate policies to save the heritage from imminent loss. It further suggests that detailed documentation of vernacular building materials and technology should be undertaken as a matter of urgency.

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Dissertations / Theses on the topic "Heritage architecture"

Li, D. "Computational re-interpretation of heritage architecture." Thesis, University of Liverpool, 2016. http://livrepository.liverpool.ac.uk/3001775/.

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This thesis presents research in which a set of contemporary computational digital techniques have been applied to investigate and interpret traditional Chinese architecture. The techniques involve algorithmic representation, digital modelling and digital fabrication. The research provides a methodology that can be utilised for future research employing the digital techniques in the context of understanding, investigating, interpreting and representing traditional Chinese architecture. The ancient rulebooks that describe the traditional Chinese architectural styles and construction technologies are used as the basis for the algorithms and parametric rules and the application to the modelling and fabrication process. Building on the work of producing systematic analysis on both rulebooks and contributing knowledge from extant buildings, the possibility of modelling traditional Chinese architecture using digital techniques is proposed and tested. This augments research already undertaken by architectural historians (who provide traditional approaches and analysis) by offering a new perspective to understand and recreate the Chinese style, as well as solving difficulties that traditional methods struggle with. The research is significant as it demonstrates how digital techniques can advance knowledge and understanding of significant Chinese architectural styles, especially considering a large number of heritage buildings are lost or damaged, as well as there is a lack of systematic and complete records. Consequently, this enhanced understanding can then be used to rediscover, restore, refurbish and recreate the traditional Chinese architecture. The research is significant as it also illustrates how digital techniques, especially parametrics, can be applied to a novel target, traditional Chinese architecture, which is beyond the common area of complicated shapes of contemporary architecture that they are usually applied to. Consequently, this attempt extends the function of digital techniques and bridges the gap between the traditional Chinese architecture and contemporary parametrics. Three case studies of significant elements in the understanding traditional Chinese architecture are used to present and advance the methodological process provided. These are the parametric recreation of the floor plan, the parametric interpretation of the design principles of the ting tang and dian tang sections, and the study of a typical Chinese joint structure, the dou gong. Each case study offers its own contribution to achieve the two significances. An example of the integrated digitally represented conceptual model is then given based on the three case studies. Three applications are also included to further prove the findings of this research. The findings illustrate how contemporary digital techniques can be used to augment and enhance knowledge of traditional Chinese architecture by turning descriptions and definitions into rules and algorithmic representations through the study of the rulebooks and the process of digital modelling. During this process inferences have to be made as representational source data such as architectural drawings are almost always incomplete and ancient language used in rulebooks is hard to understand accurately. The key here is the systematic and logical advancement that digital techniques bring when compared against design styles of architecture that was established in a pre-digital context. The findings also demonstrate enhanced understanding of using digital techniques to investigate and interpret traditional Chinese architecture. During this process, the cultural aspects, Chinese history, ancient politics, Chinese traditions and styles are all integrated into the consideration and representation of the digital techniques, which add new inspirations to the contemporary computational techniques.

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Ruhlig, Vanessa Jane. "Colonial architecture as heritage: German colonial architecture in post-colonial Windhoek." Thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/30196.

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The rapid post-Independence development of the city of Windhoek, Namibia; and the ensuing destruction of a substantial number of German colonial buildings in the capital city, prompted speculation as to why these buildings are inadequately protected as heritage – and whether they are, in fact, considered to be heritage. The study explores the issues pertaining to the presence of German colonial architecture, as artefacts of the German colonial period, within the postcolonial context of Windhoek. The trauma and pain of the Namibian War and genocide (1904 – 1908) are recurring themes in the body of literature on postcolonial Namibia; and this informs a wider discourse on memory. Memory is found to play a crucial role in evoking a sense of both individual and shared ownership, through its capacity to create meaning, which can in turn ascribe value to a place. Memory is also dependent on visual cues for its continued existence, which suggests the importance of colonial architecture as a material prompt to sustain memory. The research therefore investigates the memories and multiple meanings attributable to colonial architecture in this plural society, and how these meanings can be created, or possibly reinvented, through the continued use of these buildings. The study is based on an assessment of three halls in Windhoek – the Grüner Kranz Hall (1906), the Kaiserkrone Hall (1909), and the Turnhalle (1909; 1912), all designed by the German architect Otto Busch – which illustrates in part, the need for the development of historical building surveys that assess the social values and significances of these contested spaces; and moreover, the potential that these spaces have to support memory work through their continued use.

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Embrey, Leah A. "Heritage Hotel: A Marriage of Heritage Tourism and Boutique Hospitality." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4246.

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As defined by Wai Mun Lim and Mel Endean in 2009 in their article “Elucidating the aesthetic and operational characteristics of UK boutique hotels” in the International Journal of Contemporary Hospitality Management, Boutique hotels have less than 100 rooms, have an individualistic and unique design, are often in historic buildings, and have highly personalized service for guests. I found that a boutique hotel that focuses on historic preservation and heritage tourism does four things. First, it respects the history of the building it is housed in, preserving as much of the original structure as possible. It also takes advantage of the unique features the historical building offers, highlighting them with design choices. Third, it educates guests on the history of the building and the surrounding area with both information and design. Lastly, it encourages guests to visit and engage with other heritage tourism sites in the area, offering concierge services and ticket packages.

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Friedmann, Léo. "Saving Erskine — An Example in Circular Heritage Architecture." Thesis, KTH, Arkitektur, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-277838.

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This thesis is the story of two housing projects designed by architect Ralph Erskine. The first building, Lassaskog in Växjö built in 1954, is one of the earliest examples of industrialized concrete housing in Sweden. The other one, Kv. Ortdrivaren in Kiruna was built some eight years later following Erskine’s utopian ideas for The Arctic City. Despite their architectural and historical significance, these two buildings are threatened today: Ortdrivaren will be demolished and Lassaskog will be hastily densified. This thesis is a reaction to these threats, and it is a call for preserving and reusing. Looking towards the near future of circularity, I want to praise for never demolishing a building again. This leads me to the overarching question of my thesis; how could I sustainably save these two buildings? The only solution I thought worthy of their architecture was to unite them. Rather than demolishing Ortdrivaren, I propose to deconstruct it and reuse it in Växjö. Thereon, started the project of densifying the Lassaskog estates with new student housing made of repurposed concrete elements from Kiruna. My objective for this quirky enterprise is to find a methodology for preserving post-war housing estates and for conducting a circular architecture project.

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Smith, Joshua D. "Making room for heritage education : a heritage curriculum unit designed for upper middle and high school students." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1259750.

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Heritage education is an effective strategy for teaching students about the importance of local history and its relation to state and national themes. The proposed Indiana heritage curriculum unit was designed to incorporate the local built environment into the upper middle and high school classroom. Six lessons have been designed within the unit to help teachers implement heritage education, while fulfilling existing Indiana Academic Standards. Supplemental information, including Power Point presentations, informational handouts, and suggested activities, have been designed to successfully guide lay teachers through the objectives stated in each lesson presented. Through a weeklong session with Mr. Charles Bennett and his eighth grade students, the proposed unit was piloted at Speedway Junior High School in Indianapolis during a weeklong session. The successful implementation and methodology used to create the heritage unit has been documented in the following text of the creative project. In addition, background research and conclusion chapters have been included to establish the need and validate the successful implementation of the heritage education curriculum unit proposed.
Department of Architecture

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Onopchenko, Alla. "Living Heritage : Reinveting Farming Culture in Umeå." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-133166.

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Raju, Sunitha Kondur 1973. "Rediscoverning Place : enhancing the built heritage of Singapore." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/69424.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.
Includes bibliographical references (leaves 83-85).
The thesis looks at Conservation in Singapore: how it started, what were its initial goals, how these changed over years, and the impacts of the same. These questions are dealt with by studying the three conservation districts of Chinatown, Little India and Kampong Clam, which were the original settlements for the three main populations namely, the Chinese, Indian and Malay respectively. The one thing common to all these different populations is the history of Singapore and the built fabric which represent this history. The three areas represent the unique cultures, lifestyles and traditions of the different populations that give these areas the character they possessed until conservation came about. The built fabric has been saved, but does it represent the true essence of Place? The three districts have undergone rapid changes in the last two decades and the process is questionable. It has resulted in sociocultural and economic imbalances largely due to a strong hand by the State. The thesis along with these issues, also addresses the question of whether the conservation effort is catering to the right people. Finally, based on the analysis of these impacts, current guidelines and policies, the thesis proposes strategies for making these conservation districts culturally more significant & at the same time economically feasible.
bu Sunitha Kondur Raju.
S.M.

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Zheng, Qilin, and 郑琪琳. "Architectural heritage conservation in China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hdl.handle.net/10722/194618.

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As a contribution to econometric research on the role of architectural heritage, this dissertation evaluates non-aggregate data for a total of 2142 designated National Priority Protected Sites (NPPS) in China using hedonic model and ordered probit model. Attempting to verify economic costs of conserving architectural heritage sites in China, the objectives of the dissertation are to find out the grading system of NPPS; to compare the monetary value and non-monetary value methods on architectural heritage conservation; to identify the current criteria of national heritage conservation maintenance funding (NHCMF) allocation for the NPPS; and to select and evaluate the key factors of NHCMF allocation for the NPPS. The research question of this dissertation is: “what are the decision criteria of NHCMF allocation in China?”. The dissertation conceives of one general hypothesis and 17 empirical hypotheses. The general hypothesis is based on the maintenance funding and grading system of each conservation project. The empirical hypotheses are generated from possible determined factors of NHCMF allocation, theories of sustainable development, economic value and heritage value. Based on the real market information, 7 factors have been identified as the determined factors of NHCMF allocation of NPPS. They are “average household income”, “annual economic benefit”, “average personal salary”, “population”, “ticket”, “types modern building” and “types revolutionary sites”. Of these 7 factors, on the one hand, “average household income”, “annual economic benefit”, “population”, “entry ticket fee” and “types (revolutionary sites)” have positive relationship with the maintenance cost. The positive relationship result implies that the revolutionary sites locate in economic developed area with more population and higher entry ticket fee are more likely to get more maintenance funding. On the other hand, “average personal salary” and “types (modern buildings)” have negative relationship with maintenance funding. The negative relationship result reflects that modern buildings of NPPS with higher average personal salary are less likely getting more maintenance funding. Based on the hypothetical market data, 4 factors have been identified as the determined factors of NHCMF allocation of NPPS. The factors of “population and “annual economic benefit” have the same relationship with monetary market data. The “maintenance funding” and “original usage” have negative relationship with grading system.
published_or_final_version
Real Estate and Construction
Doctoral
Doctor of Philosophy

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Ismail, Mohd Hafizal. "Local community involvement in cultural heritage management : a case study of Melaka Heritage Trail, Malaysia." Thesis, University of Portsmouth, 2013. https://researchportal.port.ac.uk/portal/en/theses/local-community-involvement-in-cultural-heritage-management(d60003ee-7533-467c-a208-747b6316a1a4).html.

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The sustainability of cultural heritage management of the resources is strongly related to support from local community via participation. It is evident that active community involvement can improve local residents’ quality of life based on better environment, social and economic conditions. However, there is little research into the question of whether the involvement of local community in heritage management derives from a genuine interest and desires to protect and conserve their local heritage assets. In the case of Malaysia, a truly local community collaborative approach is often limited due to the ways in which the community in question is conceptualised and involved in the process. In other words, local community involvement is extremely rare because they have been neglected especially in the decision making process. This has created a negative relationship between local community and government authorities in resource conservation. Therefore, it is pivotal to investigate the influence of the local community attachment towards heritage, in order to understand the local community involvement in heritage management. The attitudes and perceptions of three groups of respondents were examined by using the concept of heritage trail development, as an illustrative example to triangulate the relationship between local community involvement, government administrative structures and tourists’ experiences. The results revealed that, despite the fact the local community is highly attached to the heritage assets; the level of community involvement in cultural heritage management in Malaysia is low due to operational, structures and cultural limitation to engage the local community in both management and tourism development in the Melaka World Heritage Site. This is to say that the participation approach in Malaysia is highly controlled by the centralised government structure. The research recommends that the authorities consider implementing two major improvements in order to develop and maintain a system of sustainable cultural heritage management: Firstly, to overcome the limitations of community participation in the decision making process. Secondly, to consider the community attachment towards cultural heritage elements, before developing tourist attractions in heritage settings, in terms of residents’ emotional and functional attachments.

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Hodjat, Mehdi. "Cultural heritage in Iran policies for an Islamic country /." Thesis, Online version, 1995. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.283542.

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Books on the topic "Heritage architecture"

author, Saradj Fatemeh Mehdizadeh, ed. Persian architectural heritage: Architecture. Southampton, UK: WIT Press, 2014.

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(Firm), Temple Tree Langkawi. Malaysian heritage architecture. Langkawi, Malaysia]: Temple Tree Langkawi, 2010.

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(Jamaica), Berger Paints. Jamaican heritage in architecture. Kingston: Berger paints (Jamaica) in association with the Jamaica National Heritage Trust, 1990.

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Sharma, Janhwij. Ladakh: Architectural heritage. New Delhi: Indian National Trust for Art and Cultural Heritage in association with Har-Anand Publications, 2003.

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National Institute for Physical Planning and Construction Research., ed. Drogheda architectural heritage. Dublin: Foras Forbartha, 1986.

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Khurshid, Hasan Sh. The Islamic architectural heritage of Pakistan: Funerary memorial architecture. Karachi: Royal Book Co., 2001.

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Woolton & Gateacre: Architecture and heritage. Liverpool: Bluecoat, 2008.

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Mehdizadeh, Saradj Fatemeh, ed. Persian architectural heritage: Conservation. Southampton: WIT Press, 2014.

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author, Saradj Fatemeh Mehdizadeh, ed. Persian architectural heritage: Structure. Southampton, UK: WIT Press, 2014.

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Garner, William. Galway: Architectural heritage. Dublin: An Foras Forbartha, 1985.

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Book chapters on the topic "Heritage architecture"

Amalia, Leifeste, and Barry L. Stiefel. "Architecture and Building Design." In Sustainable Heritage, 94–142. New York: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315748948-5.

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de la Fuente, María Lourdes. "Peripheral Architectural Hierophanies. Claudio Caveri’s Sacred Architecture." In Digital Modernism Heritage Lexicon, 1155–83. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76239-1_50.

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Fauerbach, Ulrike, Willike Wendrich, Salma Khamis, Martin Sählhof, Bethany Simpson, and Angela Susak. "AEgArOn – Ancient Egyptian Architecture Online." In Digital Heritage, 463–72. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-16873-4_37.

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Cheng, Hung-ming, Ya-ning Yen, Min-bin Chen, and Wun-bin Yang. "A Processing for Digitizing Historical Architecture." In Digital Heritage, 1–12. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-16873-4_1.

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Hansen, Henrik Jarl, and Kate Fernie. "CARARE: Connecting Archaeology and Architecture in Europeana." In Digital Heritage, 450–62. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-16873-4_36.

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Marcos, Carlos L., and Jeff Balmer. "Graphic Imprints, Grids and Diagrams in Architecture." In Graphical Heritage, 403–17. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47983-1_36.

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Palmieri, Alice. "Earthen Construction. Graphic Mediation in Spontaneous Architecture." In Graphical Heritage, 678–88. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47983-1_60.

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Puyuelo Cazorla, Marina, José Luis Higón Calvet, and Antonio Manuel Sintas Martínez. "Playing with the Graphic Sections of Architecture." In Graphical Heritage, 485–92. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47987-9_41.

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Petersen, Ankie. "Contesting heritage." In The Routledge Companion to Italian Fascist Architecture, 111–25. Abingdon, Oxon ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429328435-9.

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Pellegri, Giulia, Michela Scaglione, Francesca Salvetti, and Sara Eriche. "The Drawing of the Architectural Order for the Training of the Student in Architecture." In Graphical Heritage, 515–28. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47987-9_44.

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Conference papers on the topic "Heritage architecture"

ELMASRY, SARAH KHALIL. "ISLAMIC ARCHITECTURE IN DUBAI: RENEWAL AND CONTEMPORANEITY." In ISLAMIC HERITAGE 2018. Southampton UK: WIT Press, 2018. http://dx.doi.org/10.2495/iha180191.

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Mollica, Sonia. "Tradition and semantics: the case of Aeolian architecture." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14070.

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Vernacular architecture is identified as a structure based on specific local needs, on the presence of building materials present in the place and on the extemporaneousness of the architecture, built according to structural dogmas based on the local construction tradition. This is confirmed by the etymology of the word ‘vernacular’, from the Latin “vernaculus”, meaning "indigenous, domestic", or from “verna”, that is "native slave". In the present, vernacular architecture takes on new meanings, often used as an identifier for popular architecture - as also stated by Allen Noble in "Traditional Buildings: A global Survey of Structural Forms and Cultural Functions" of 2007 - or rather structures belonging to common people but «That can be built by skilled professionals, using local and traditional designs and materials», which is also supported by the Oxford English Dictionary. It is in this context that the vernacular Aeolian architecture fits, which significantly and identically characterize the entire territory of the Aeolian Islands, awarded the title of World Heritage Site by UNESCO. Aeolian architecture is inextricably linked to the history of the invasions of different peoples that have taken place in this area, such as the Greek-Roman, Islamic and finally Campania influences, due to their modifications both from an urbanistic and compositional point of view. But today how is it possible to encourage the dissemination and knowledge of these architectures which are so identifying for the Sicilian territory? Cataloging and semantics are configured as fundamental actions for the analysis and use of the architectural heritage, broken down into its deepest formal and compositional characteristics, identifiable in Aeolian architecture through the identification of semantics with a peculiar nomenclature. This article therefore investigates the aspects of semantics applied to traditional language and the compositional characteristics of Aeolian architecture, treated as an indissoluble link of knowledge and analysis of the building, through possible uses of digital applications.

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ALJAWDER, HANA, and HALA A. EL-WAKEEL. "ARCHITECTURE AND PRIVACY IN ISLAM: AN ANALYTICAL REVIEW." In ISLAMIC HERITAGE 2022. Southampton UK: WIT Press, 2022. http://dx.doi.org/10.2495/iha220101.

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Holický, M., and J. Marková. "Durability assessment of heritage architecture." In STREMAH 2007. Southampton, UK: WIT Press, 2007. http://dx.doi.org/10.2495/str070371.

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Holicky, M., and M. Sykora. "Reliability assessment of heritage architecture." In STREMAH 2013. Southampton, UK: WIT Press, 2013. http://dx.doi.org/10.2495/str130081.

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DURAI, SHARMILA. "THE AMALGAMATION OF INDO-ISLAMIC ARCHITECTURE OF THE DECCAN." In ISLAMIC HERITAGE 2018. Southampton UK: WIT Press, 2018. http://dx.doi.org/10.2495/iha180221.

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Daffara, Claudia, Giacomo Marchioro, and Dario Ambrosini. "Smartphone diagnostics for cultural heritage." In Optics for Arts, Architecture, and Archaeology VII, edited by Piotr Targowski, Roger Groves, and Haida Liang. SPIE, 2019. http://dx.doi.org/10.1117/12.2527560.

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AHMED ALI, SULTAN. "MOSAIC TILES IN SHRINE ARCHITECTURE IN THE NORTH-WESTERN SUBCONTINENT." In ISLAMIC HERITAGE 2022. Southampton UK: WIT Press, 2022. http://dx.doi.org/10.2495/iha220081.

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Mahmoud, M. F., and M. I. Elbelkasy. "Islamic architecture: between moulding and flexibility." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160051.

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ALJAHDALI, SAMAR H. "ARCHITECTURE AND THE INSCRIPTION OF HISTORY: ORHAN PAMUK’S REPRESENTATION OF ISTANBUL." In ISLAMIC HERITAGE 2018. Southampton UK: WIT Press, 2018. http://dx.doi.org/10.2495/iha180091.

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Reports on the topic "Heritage architecture"

Seidametova, Zarema S., Zinnur S. Abduramanov, and Girey S. Seydametov. Using augmented reality for architecture artifacts visualizations. [б. в.], July 2021. http://dx.doi.org/10.31812/123456789/4626.

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Nowadays one of the most popular trends in software development is Augmented Reality (AR). AR applications offer an interactive user experience and engagement through a real-world environment. AR application areas include archaeology, architecture, business, entertainment, medicine, education and etc. In the paper we compared the main SDKs for the development of a marker-based AR apps and 3D modeling freeware computer programs used for developing 3D-objects. We presented a concept, design and development of AR application “Art-Heritage’’ with historical monuments and buildings of Crimean Tatars architecture (XIII-XX centuries). It uses a smartphone or tablet to alter the existing picture, via an app. Using “Art-Heritage’’ users stand in front of an area where the monuments used to be and hold up mobile device in order to see an altered version of reality.

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Many festivals keep the city culturally active and are supported by organisations such as Bendigo Bank. The Bendigo Writers Festival, the Bendigo Queer Film Festival, The Bendigo Invention & Innovation Festival, Groovin the Moo and the Bendigo Blues and Roots Music Festival are well established within the community. A regional accelerator and Tech School at La Trobe University are touted as models for other regional Victorian cities. The city has a range of high quality design agencies, while the software and digital content sector is growing with embeddeds working in agriculture and information management systems. Employment in Film, TV and Radio and Visual Arts has remained steady in Bendigo for a decade while the Music and Performing Arts sector grew quite well over the same period.

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Pfluger, Rainer, Alexander Rieser, and Daniel Herrera, eds. Conservation compatible energy retrofit technologies: Part I: Introduction to the integrated approach for the identification of conservation compatible retrofit materials and solutions in historic buildings. IEA SHC Task 59, October 2021. http://dx.doi.org/10.18777/ieashc-task59-2021-0004.

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According to the United Nations Environment Programme (UNEP), existing European buildings consume about 40% of the total energy consumption in Europe. For this reason, in the last decades, several energy policies have been directed to deep renovation of the existing stock (as last 2018/844). Considering that more than one quarter of all European buildings were constructed before the 1950s, we can assume that many of them are of cultural, architectural, social and heritage values, hence in need of special attention for conservation purposes.

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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made without the restrictions of geographical or political boundaries. Research strategies, programmes From Source to Sea: ScARF Marine and Maritime Panel Report iii and projects can adopt this approach at multiple levels; from national to site-specific, with the aim of remaining holistic and cross-cutting. 2. Submerged Landscapes: The rising research profile of submerged landscapes has recently been embodied into a European Cooperation in Science and Technology (COST) Action; Submerged Prehistoric Archaeology and Landscapes of the Continental Shelf (SPLASHCOS), with exciting proposals for future research. Future work needs to be integrated with wider initiatives such as this on an international scale. Recent projects have begun to demonstrate the research potential for submerged landscapes in and beyond Scotland, as well as the need to collaborate with industrial partners, in order that commercially-created datasets can be accessed and used. More data is required in order to fully model the changing coastline around Scotland and develop predictive models of site survival. Such work is crucial to understanding life in early prehistoric Scotland, and how the earliest communities responded to a changing environment. 3. Marine & Maritime Historic Landscapes: Scotland’s coastal and intertidal zones and maritime hinterland encompass in-shore islands, trans-continental shipping lanes, ports and harbours, and transport infrastructure to intertidal fish-traps, and define understanding and conceptualisation of the liminal zone between the land and the sea. Due to the pervasive nature of the Marine and Maritime historic landscape, a holistic approach should be taken that incorporates evidence from a variety of sources including commercial and research archaeology, local and national societies, off-shore and onshore commercial development; and including studies derived from, but not limited to history, ethnology, cultural studies, folklore and architecture and involving a wide range of recording techniques ranging from photography, laser imaging, and sonar survey through to more orthodox drawn survey and excavation. 4. Collaboration: As is implicit in all the above, multi-disciplinary, collaborative, and cross-sector approaches are essential in order to ensure the capacity to meet the research challenges of the marine and maritime historic environment. There is a need for collaboration across the heritage sector and beyond, into specific areas of industry, science and the arts. Methods of communication amongst the constituent research individuals, institutions and networks should be developed, and dissemination of research results promoted. The formation of research communities, especially virtual centres of excellence, should be encouraged in order to build capacity.

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.

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Description Ballarat sits on Wathaurong land and is located at the crossroads of four main Victorian highways. A number of State agencies are located here to support and build entrepreneurial activity in the region. The Ballarat Technology Park, located some way out of the heart of the city at the Mount Helen campus of Federation University, is an attempt to expand and diversify the technology and innovation sector in the region. This university also has a high profile presence in the city occupying part of a historically endowed precinct in the city centre. Because of the wise preservation and maintenance of its heritage listed buildings by the local council, Ballarat has been used as the location for a significant set of feature films, documentaries and television series bringing work to local crews and suppliers. With numerous festivals playing to the cities strengths many creative embeddeds and performing artists take advantage of employment in facilities such as the Museum of Australian Democracy at Eureka. The city has its share of start-ups, as well as advertising, design and architectural firms. The city is noted for its museums, its many theatres and art galleries. All major national networks service the TV and radio sector here while community radio is strong and growing.

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Academic literature on the topic 'Heritage architecture'

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Journal articles on the topic "Heritage architecture"

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Books on the topic "Heritage architecture"

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Conference papers on the topic "Heritage architecture"

Reports on the topic "Heritage architecture"