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Journal articles on the topic 'Heritage architecture'
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XU, Xiwei, Tim Heath, Qing Xia, and Youtian Zhang. "DISASTER PREVENTION AND MITIGATION STRATEGIES FOR ARCHITECTURE HERITAGE CONCENTRATED AREAS IN CHINA." International Journal of Architectural Research: ArchNet-IJAR 9, no. 1 (March 18, 2015): 108. http://dx.doi.org/10.26687/archnet-ijar.v9i1.525.
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This paper draws upon preliminary research into the insufficiencies of the status quo of the disaster prevention and mitigation in architecture heritage areas in China. It summarizes how the common hazards, which are various threats to the survival and development of the historical architectural heritage, such as fire, geological disasters and meteorological disasters occurs and their characteristics, and also analyses their impact on heritage. The paper also focuses on the disaster-prone parts of architecture heritage, exploring the proposals for evaluations of disaster-risk-factors, and the preliminary strategies that promote historic architecture heritage related to disaster prevention and mitigation, so that people can enhance the security capabilities for architecture heritage. This enables strategies to limit the impact of the disaster，improve historic buildings anti-disaster systems, provide the theory and technical basis to the relevant departments for standards and regulations for architecture heritages’ conservation and security. The ultimate aim is to ensure the long-lasting and safe existence and development of architectural heritage.
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Mileto, C., F. Vegas, V. Cristini, and L. García-Soriano. "PREFACE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 20, 2020): 1–2. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-1-2020.
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Abstract. Without a doubt 2020 will be remembered worldwide as the year of risk and emergency, in this case a health emergency, and of new communication technologies. When work began in 2018 on the organisation of “HERITAGE2020 (3DPast | RISK-Terra), International Conference on Vernacular Architecture in World Heritage Sites. Risks and New Technologies”, the new technologies applied to vernacular heritage and risk were on the rise, although nobody could have foreseen how central they would become to everyday life in 2020. “HERITAGE2020 (3DPast | RISK-Terra), International Conference on Vernacular Architecture in World Heritage Sites. Risks and New Technologies” is organised within the framework of two research projects. The first, “3D Past – Living and visiting European World Heritage” (2017–2020), was co-funded by the European Union as part of the Creative Europe Programme, led by Escola Superior Gallaecia (Portugal) in partnership with Universitat Politécnica de València (Spain) and Università degli Studi di Firenze (Italy). The main aim of this project has been to promote the inhabited vernacular heritage declared as World Heritage Sites in Europe by trying to promote its valorization through new technologies, both for local residents and potential visitors. Vernacular heritage, new communication technologies and heritage management for valorization and sustainable tourism are the central themes of this European project. In 2020, these issues have become even more important for the survival, understanding and valorization of heritage, particularly vernacular heritage, which today provides a solid opportunity for cultural and sustainable tourism, where these new technologies make it possible to reach a wider public in search of locations better suited to social distancing. The second project involved in this conference is “RISK-Terra. Earthen architecture in the Iberian Peninsula: study of natural, social and anthropic risks and strategies to improve resilience” (RTI2018-095302-B-I00) (2019–2021), funded by the Spanish Ministry of Science, Innovation and Universities. This project is geared towards the conservation of earthen architecture in the Iberian Peninsula, both monumental and vernacular, which continues to be undervalued and barely recognized. The RISK-Terra project aims to provide scientific coverage of the study of natural threats (floods, earthquakes, climate change), social threats (abandonment, social discredit, demographic pressure, tourist development), and anthropic threats (neglect, lack of protection and maintenance), as well as the mechanisms for deterioration and dynamics and transformation (replacement, use of incompatible techniques and materials, etc.) to which architecture is exposed. The objective of the project is to establish strategies for conservation, intervention and rehabilitation which make it possible to prevent and mitigate possible damage through compatible actions and/or actions to increase resilience.As these two projects have major points of contact with potential for common reflection, their main themes have been combined in this Heritage2020 conference. The topics established for the conference are: vernacular architecture (study and cataloguing of vernacular architecture; conservation and restoration of vernacular architecture; urban studies on vernacular architecture; sustainability in vernacular architecture); new technologies applied to architectural and archaeological heritage (digital documentation and state-of-the-art developments; digital analysis in heritage; digital heritage related to social context; digital heritage solutions and best practices for dissemination); architectural heritage management (management and protection of UNESCO World Heritage Sites; social participation in heritage management; regulations and policies in heritage management; intangible heritage: the management of know-how and local building culture); risks in architectural heritage (studies of natural risks in architectural heritage; studies of social and anthropic risks in architectural heritage, preventive actions in order to improve resilience in architectural heritage; actions and strategies in post-disaster situations); earthen architectural heritage (study and cataloguing of earthen architectures; construction techniques that employ earth; sustainability mechanisms in vernacular earthen architectures; restoration and conservation of earthen architecture).The scientific committee was made up of 98 outstanding researchers from 29 countries from the five continents, specialists in the subjects proposed. All the contributions to the conference, both the abstracts and the final texts, were subjected to a strict peer-review evaluation system by the members of the scientific committee.Out of the over 300 proposals submitted, over 150 papers by 325 authors from 27 countries from the five continents were chosen for publication.
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Pieris, Anoma, Stuart King, and Mirjana Lozanovska. "Architecture/Heritage/Politics." Fabrications 28, no. 2 (May 4, 2018): 133–35. http://dx.doi.org/10.1080/10331867.2018.1459237.
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Ameen, Sura Kassim, Ibrahim Jawad Al-yusif, and Ali Musa Hussein. "Abstraction the architectural heritage of contemporary local architecture." Iraqi Journal of Architecture and Planning 19, no. 1 (January 28, 2020): 1–12. http://dx.doi.org/10.36041/iqjap.v16i1.490.
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Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things.
The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas
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Ameen, Sura Kassim, Ibrahim Jawad Al-yusif, and Ali Musa Hussein. "Abstraction the architectural heritage of contemporary local architecture." Iraqi Journal of Architecture and Planning 19, no. 1 (January 28, 2020): 1–12. http://dx.doi.org/10.36041/iqjap.v19i1.490.
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Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things.
The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas
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Rani, Wulan Sasmitha, Ayu Sari Undari Yani, Viola Violita Ramdhan Supena, Adzra Ashila Zhafira, Larasati Vie, and Santi Salayanti. "AN ARCHITECTURAL ACCULTURATION OF BALINESE, DUTCH, AND CHINESE IN PURI AGUNG KARANGASEM." DIMENSI (Journal of Architecture and Built Environment) 49, no. 1 (July 28, 2022): 19–30. http://dx.doi.org/10.9744/dimensi.49.1.19-30.
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Bali is one of the many provinces of Indonesia with the most preserved cultural heritage. One form of these heritages is the architectural heritage. The traditional architecture of the Balinese people is still widely used and sometimes repurposed by their own people, mostly the Puris. A Puri is a building that was once used to be the residence of the royal families during their prime. The architecture of these Puris has distinct characteristics on its location, function, and typology of the building. A unique example of these Puris is the Puri Agung Karangasem, which has three cultures infused to its architecture. Apart from the obvious Balinese characteristics, there are also European and Chinese influence which can be proven by the Gedong Maskerdam, Bale Kambang, making it a treasured heritage not only for the Balinese people, but also for Indonesian people in general. This research is meant to explain and to give more insight into the architecture of Puri Agung Karangasem, which in result would present as a piece of knowledge to encourage the community to be more appreciative towards maintaining the traditional architecture of the Balinese people as a piece of important heritage. The method used for this research is the qualitative descriptive method. Focusing on the visual analysis of the architectural elements that are influenced by the different cultures, supported with previous related research and article.
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Yaldiz, Esra. "The Evaluation of 20th Century Architecture in Konya in the Context of Modern Architecture Heritage." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (December 28, 2017): 171–84. http://dx.doi.org/10.18844/prosoc.v4i11.2872.
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Understanding about conservation is limited to ‘monument’ or ‘old work of art’ in the past compared with today’s new concepts like ‘historical and cultural heritage’, ‘heritage of modern architecture’ and ‘heritage of industry’. Turkey’s 20th century modern architecture was started with the early modernism buildings constructed all over Turkey, especially in Ankara and İstanbul in the first years of the Republic. This period includes all the works of architecture that were produced until the late 1980s, carrying the traces of modern movement, rationalist, purist, transparent, reinterpreting the traditional architectural values by means of modern material and seeking of independent form. In this study, the Mevlana Axis between Alaaddin Hill and the historical city centre and the works of architecture in the modernisation period between the early 1900s and 1980s on this axis, contribute to the city identity and handled in the context of modern architectural heritage are evaluated. Keywords: Modern architecture heritage, evaluation criteria, Konya.
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Kadnichanskyy, D., and A. Manko. "Problems of use of architectural heritage of Sambir district in tourist activity." Visnyk of the Lviv University. Series Geography 1, no. 43 (October 19, 2013): 45–51. http://dx.doi.org/10.30970/vgg.2013.43.1539.
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Architectural heritage of the town of Sambir and Sambir district is described. The problems of use of the monuments of architecture of Sambir district in tourism are discussed. Key words: architectural heritage, tourist activity, monument of architecture monument of architecture, castle, church, Roman-catholic church.
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SH., MH., Nurwati. "LEGAL PROTECTION COPYRIGHT OF BULDING OF CULTURAL HERITAGE ARCHITECTURE (CASE STUDY OF ARCHITECTURAL ARCHITECTURE BUILDING IN CITY OF BOGOR)." DE'RECHTSSTAAT 3, no. 2 (January 24, 2018): 135. http://dx.doi.org/10.30997/jhd.v3i2.961.
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The change / delineation of buildings of cultural heritage architecture in Bogor City is not based on technical consideration, more on benefits and economics, and it is not in accordance / contrary to the provisions of Copyright Act No. 28 of 2014 on architectural works only allowed technical considerations. As the factor causing the nuance of the copyrighted works of cultural heritage architecture that many of the cultural heritage buildings that have moved from the first owner so that many in the total fox architecture of cultural heritage buildings that are also less effective legislation that brings people aware, because less socialization of legislation, the implementation of relatively light sanctions, lack of attention of local government in conservation efforts to the works of cultural heritage architecture. Due to the considerable cost. Efforts made to overcome the changes to the cultural heritage architectural work is to conduct good cooperation and coordination between institutions and related apparatus, to re-register and register in order to have the law, to give more severe sanction and firm, empower the buildings for example by way of functionalizing the building , increasing the role of architecture. This research is applicable law against culture heritage culture in Bogor city not yet implemented by law of Cultural Heritage and Copyright Act.
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Njuguna, Mugwima B., Ephraim W. Wahome, and Anne Marie Deisser. "The Role of the National Construction Authority in the Conservation of Vernacular Architectural Heritage." East African Journal of Engineering 2, no. 1 (July 10, 2020): 23–32. http://dx.doi.org/10.37284/eaje.2.1.178.
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Vernacular architecture is a malleable concept that encompasses structures produced by empirical/ experiential builders. It is sometimes referred to as indigenous, primitive, ethnic or even architecture without architects. Vernacular architectural heritage often found in rural areas and historic urban areas and villages represent a cultural heritage that has been handed down from one generation to the next. This heritage is under threat from modernising forces which cause deterioration in cultural and historical continuity. It is important to conserve this architecture and associated technologies for posterity. Both tangible and intangible heritage of vernacular architecture is threatened through blatant negligence, emergent and more profitable modes of construction, and lack of funds for minimum maintenance. To a large extent, this heritage is quickly deteriorating and disappearing into the hands of vandals and illegal traders due to the lack of appropriate conservation, sensitisation and training for the public and heritage professionals in the conservation of materials and practices. The paper explores the vernacular heritage in Kenya, the state of its conservation and the risks associated with its conservation. It is argued that since NCA is mandated inter alia to undertake research into any matter relating to the construction industry, it should complement the efforts of the National Museums of Kenya in the conservation of cultural heritage in so far as materials and building technologies are concerned. There is no clear legal framework for the conservation of vernacular architecture in place and it is often lumped together with other popular forms of architecture which have well-defined and documented historical trends. Emphasis has been on urban architecture in Kenya. The paper established that vernacular heritage has only been haphazardly conserved, with no clear management, documentation and preservation policies. The paper found that no resources are specifically set aside for the conservation of these heritages. The theoretical analysis concludes that vernacular architecture in Kenya has been neglected and exposed to deterioration. It also points out that the level of public sensitisation on the heritage is low and its conservation and management needs have been ignored. The study, therefore, recommends public sensitisation, preventive and interventive conservation and appropriate policies to save the heritage from imminent loss. It further suggests that detailed documentation of vernacular building materials and technology should be undertaken as a matter of urgency.
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Harutyunyan, Martin. "The stages of development of architecture and observance of architectural heritage in the Republic of Armenia." Sustainable Engineering and Innovation 4, no. 2 (December 31, 2022): 217–26. http://dx.doi.org/10.37868/sei.v4i2.id182.
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There are a lot of scientific and research reports dedicated to Armenian architecture from the ancient times to nowadays. There are many interesting and thoroughly researched reports of architectural and historical value done by not only Armenian but also foreign historians, architects, and engineers. Exploring Armenian architecture’s chronology and research reports, we noticed that after independence of the Republic of Armenia (since 1991) there are few scientific reports which include the stages of development of architecture of newly independent Armenia, the current state of the architectural heritage and their observance. So we decided to study that period trying to show the problems and essential events as well as to introduce that period by the stages of development also including some examples of architectural heritage.
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Slavina, T. A. "About inhumane architecture and architectural education." Вестник гражданских инженеров 18, no. 2 (2021): 10–25. http://dx.doi.org/10.23968/1999-5571-2021-18-2-10-25.
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Architecture as a profession inherently implies the highest degree of social responsibility, for not only the material component of human life is dependent on the architect`s work, but also, in no less degree, the psychological health of people. Architecture as art satisfies people`s natural existential urge, communicating in its own language the harmony and constancy of the universe, which is reflected in the world's architectural heritage. For centuries, architectural education was based on the inheritance of past experience. In the XX century, the concepts of the Avant-garde became the basis of education, and that was a painful and dangerous deviation, which has led to the crisis of architecture. According to the author, a throwback to the old methods of design based of the cultural heritage principles is needed.
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Harris, Howard, and Alan Lipman. "Architecture ‐ Heritage, History, Memory." Social Dynamics 24, no. 2 (June 1998): 159–78. http://dx.doi.org/10.1080/02533959808458656.
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Clarke, Nicholas, Hielkje Zijlstra, and Wessel De Jonge. "Education for Adaptive reuse – the TU Delft Heritage and Architecture Experience." Education and Reuse, no. 61 (2019): 67–75. http://dx.doi.org/10.52200/61.a.jydu6qaf.
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The Section for Heritage and Architecture of the Faculty of Architecture and the Built Environment at the Delft University of Technology specializes in architectural education for adaptive reuse of heritage buildings, with a specific focus on the built heritage of the 20th century. Our approach combines architectural design and technological knowledge with an approach that places values as central informants. Here we present our approach, explore the past and project a future evolution of our educational methodology. Finally, we reflect on the lasting relevance of the tangible and intangible heritage of the recent past as aim and source of our educational practice.
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Petrulis, Vaidas. "STYLISTIC PRECONDITIONS FOR EVALUATING SOVIET ARCHITECTURE." JOURNAL OF ARCHITECTURE AND URBANISM 30, no. 3 (June 30, 2006): 134–42. http://dx.doi.org/10.3846/13921630.2006.10697074.
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The paper analyses the Lithuanian architecture of the soviet period through the prism of stylistic development and history of architectural ideas. The main task of the work is to determine the heritage values of the soviet period from the point of view of architectural history. Before going into deeper analysis of separate stylistic aspects some key problems of the soviet time heritage evaluation are discussed. Particular attention is given to the need of separation of the soviet time architectural history from the political history as well as to the problem of integration of the soviet heritage into contemporary city life. Three main approaches on the architecture of the soviet period are pointed out: socialist realism, soviet industrial modernism and plurality of stylistic attitudes during the last decades of the soviet period. The paper follows an assumption that some characteristic buildings of each architectural outlook should be saved in order to have an example of authentic way of development in the Lithuanian architecture during the 20th century.
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Mammadova, Gulchohra. "ARCHITECTURAL HERITAGE OF KARABAKH AND EASTERN ZANGEZUR." Scientific works/Elmi eserler 1, no. 1 (April 21, 2022): 5–17. http://dx.doi.org/10.58225/sw.si.2022.1.5-17.
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Architectural monuments of Karabakh and Eastern Zangezur located in the southwestern part of Azerbaijan as an integral part of the architectural heritage of the country had permanently been the subject of study in the 20th century. Some monuments were studied in the context of historical development of Azerbaijani architecture as examples of various architectural types and were included in the periodization and classification of medieval architecture. However, there is a need for a deeper study of rich architectural heritage of these regions, which are closely related to each other from geographic, historical and economic points of viewbased on its common roots, peculiarities and characteristic features, common historical development. Of great interest is the study of the history of the formation and development of architecture, identification of common sources and traditions, links and connections with the architecture of other parts of Azerbaijan precisely in the Karabakh-Zangezur region. The general catastrophe that befell the architectural and cultural heritage of the region as a whole due to the Armenian occupation over the past 30 years has predetermined the need and urgency for the creation of a scientific basis for its restoration and protection This article talks about the historical and current state of the monuments of Karabakh and Eastern Zangezur, examines various aspects of the historical development of the investigated area associated with the formation of Azerbaijan culture at different historical stages.
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Hanenberg, Norbert, Daniel Lohmann, and Christian Raabe. "The Heritage of Mies." Heritage of Mies, no. 56 (2017): 4–5. http://dx.doi.org/10.52200/56.a.kb7t9i2r.
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Mies van der Rohe’s built work covers a timeframe of over 60 years, including two world wars and several revolutionary events in the history of architecture. The extraordinary architect has influenced 20th century architecture worldwide like few others have. In the context of several restoration projects, the time has come to review the condition of his buildings: Is their materiality as timeless as their appearance? Did his constructions, which are of sometimes an experimental nature, prove to be sustainable, or did they fall into disrepair? How can Mies van der Rohe buildings be documented, repaired, restored, reconstructed, without losing the characteristic details of his work, and in order to preserve the architectural integrity and relevance of the Mies van der Rohe's oeuvre?
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Chang, Qing. "Architectural Models and Their Contexts in China’s 20th-Century Architectural Heritage: An Overview." Built Heritage 3, no. 4 (December 2019): 1–13. http://dx.doi.org/10.1186/bf03545715.
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AbstractThe article explores the morphological evolution of China’s 20th-century architecture chronologically. Chinese Neoclassicism has played a major role in forming the 20th-century heritage buildings surviving today. The phenomenon of Neoclassicism emerged because of the late arrival of China’s modernisation and industrialisation process compared with the West. In turn, in accepting and contesting Western culture, the Chinese elite have consciously relied upon architecture as a vehicle to uphold visible symbols of national Chinese identity and traditional Chinese culture. Meanwhile, in the foreign settlements of the treaty ports such as Shanghai, the Western Neoclassical style, along with other imported construction trends, also forms part of China’s 20th-century architectural heritage. Western Neoclassicism’s influence on China’s new architecture became even more evident in the mid-20th century, with the modern architectural heritage in Tiananmen Square as its exemplar. Nevertheless, the impact of Western modernist architecture on China’s architecture was minimal. It was not until the 1980s, as China reopened to the world, that various schools of thought from the post-industrial West flowed into China, which significantly enriched the types and sources of China’s 20th-century architectural heritage. Modern Classicism, late Modernism and Postmodernism all found their way into China’s contemporary architecture.
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Bogdanović, Jelena. "Aleksandar Deroko's work on medieval architecture and its relevance today." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 141–56. http://dx.doi.org/10.5937/saj1901141b.
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Meticulous record of more than 300 medieval structures, extensive fieldwork on numerous archeological sites, more than 100 texts and several critical books on medieval architecture mark professor Aleksandar Deroko's work on preserving medieval architectural heritage in Serbia and the former Yugoslavia. They are all aptly illustrated with his drawings and photographs. Deroko's genuine interest in medieval architecture and its preservation shaped his student days between the two world wars, a period also characterised by a clash between traditionalism and modernism in architecture. Destruction from war, public negligence of medieval heritage, the so-called "golden rush" when many hoped to uncover lost medieval treasures, and the overall lack of clear methodologies for the preservation of architectural heritage displeased young Deroko, who often publicly expressed his opinion on the urgent need for medieval structures to be saved and restored, and in particular religious architecture. Even his undergraduate thesis for his architectural degree, which focused on the Church of St. Sava in Belgrade, was inspired by medieval religious architecture and its values. This paper addresses the relevance of Deroko's work today, especially in the light of his understanding of medieval architecture as art and a dynamic cultural symbol relevant for architectural practices.
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Crawley, Marie-Louise, and Rosemary Kostic Cisneros. "Holding the space: Choreography, architecture and urban heritage." Dance Articulated 6, no. 1 (June 24, 2020): 45–63. http://dx.doi.org/10.5324/da.v6i1.3638.
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This article responds to the interdisciplinary developments that choreography has undergone in the twenty-first century, in terms of a focus on relationships between dance, architecture, site and cultural heritage. It makes a claim for how choreography within the city manifests itself in the form of a public bodily act, as artistic boundary-crosser and socio-political agent. We explore this through the lens of a central case study: artist Anton Mirto’s Scaffolding (2019), a workshop-performance event for seven dancers sited within The Chapel of Many, an architectural installation by architect Sebastian Hicks and set inside the ruins of Coventry Cathedral (UK) as part of the Coventry Welcomes Festival’s Refugee Week. Grounded in an exploration of dance and architecture in terms of spatiotemporal relations following Rachel Sara’s (2015) framework of a transontology of architecture and dance and Rachel Hann’s (2019) concept of fast architecture, we argue for how the choreographic process of making Scaffolding speaks back to both the architectural space and the urban heritage site in which it is located and addresses a certain experience of temporality, history and memory. In turn, the potential political agency of such a performed conversation between architecture and choreography in the twenty-first century city is revealed.
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Feng, Ke, Hui Gao, Guang Meng, and Qian Li. "The Analysis of Veranda Style Architecture on Modern Times in Qinhuangdao." Advanced Materials Research 1065-1069 (December 2014): 2642–45. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.2642.
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Qinhuangdao is one of China's old industrial bases in history. In HaiGang District, there is in industrial heritage, more for industrial workshop or its subsidiaries building heritages. There are a number of distinctive residential buildings, some of them as to foreign senior staff in China at that time. These housing’s construction and architectural features with characteristics of modern architecture. Several instances are selected to study modern architecture in Qinhuangdao city, specifically, targeted at building the verandah in the analysis. In this paper, take the different via as examples, and analyze it. Furthermore, as an exploration of the teaching and practice, lead students doing the reuse of architectural design.
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Samalavičius, Almantas, and Dalia Traškinaitė. "Traditional Vernacular Buildings, Architectural Heritage and Sustainability." Journal of Architectural Design and Urbanism 3, no. 2 (April 15, 2021): 49–58. http://dx.doi.org/10.14710/jadu.v3i2.9814.
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The article is focused on vernacular dwellings in different parts of Europe: southern Italy and Lithuania that have their own traditions. The authors note that the attitude towards traditional vernacular architecture has largely changed due to ongoing research in this domail. Nevertheless, despite persistent continuity of traditional architecture, vernacular architecture was affected by the rise and development of modernist ideology that neglected the realm of tradition. The authors discuss some tyoes of vernacular buildings and their relation to local landscape, especially focusing on the traditional vernacular dwelling of Kuršių nerija (coastal regionbordering with Curonian spit and the Baltic Sea. This region was originally an area of fishermen villages and though some of the settlements ceasedf to exist there are a number of vernacula houses that belong to architectural heritage. The issues of dwellings, authenticity, survival and protection as well as some ambiguous issues of sustainability of traditional dwellings arer discussed. The authors conclude by suggesting that multiple assesment perspective should be employed while dealign with vernacular buildings suggesting that buildings of this type can perform functions extending the tourist consumption.
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Malik, Ramsha Nazir, and Zhang Haiao. "Saidpur village through architectural lens: Deciphering urban pattern and architectural heritage." Architecture Papers of the Faculty of Architecture and Design STU 27, no. 4 (December 1, 2022): 3–17. http://dx.doi.org/10.2478/alfa-2022-0020.
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Abstract Saidpur is one of the oldest villages in Pakistan, its origin dates back five hundred years ago. Along with its scenic landscape, it has centuries-old historic importance as well. From the Mughal dynasty to subcontinent partitioning, this village has witnessed evolution of diverse eras. It displays architectural art and heritage of three cultures: Sikhism, Hinduism, and Islam, concentrated on one node in this place. Pakistan does not have any reliable system for recording, managing, and preserving heritage or platforms for recognition of heritage sites. As many other sites, the heritage of Saidpur is in demise and subject to vandalism today. It is important to bring forward the historic and architectural importance of this village globally. Before Saidpur’s historical vernacular construction styles are completely lost, it is essential to record its authentic and onsite information so that history can be preserved, and further actions could be taken on its protection and preservation. The case analysis of heritage buildings can also provide inspiration and learning for the future. Hence, this paper shall record and discuss Saidpur’s architectural and urban growth with time, its current situation, and analysis of its heritage architecture. This paper intends to collect and preserve both current and old accounts of Saidpur’s urban growth and architecture by research through interviews, surveys, and onsite data collection, and present them through images, drawings, records and mapping, survey infographics, tables, and analysis diagrams. The aim of this paper is to collect, generate, and record information on the evolution, history, vernacular architecture style, and heritage architecture of Saidpur and, promote and present data for further heritage conservation and protection work in Saidpur.
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Helmy, Mona. "The Role of Architectural Education in Promoting Urban Heritage: Opportunities and Challenges." Academic Research Community publication 2, no. 3 (December 18, 2018): 196. http://dx.doi.org/10.21625/archive.v2i3.359.
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Today, introducing Urban Heritage into the architectural education curriculum is
becoming an important component of the learning experience. It strengthens the
sense of belonging, national pride, and cultural identity of students as an active and
remarkable part of their history that guides their future. Urban Heritage allows
previous generations a better understanding of their long and rich history. The main
objective for introducing Urban Heritage into the architectural education was to
link heritage practice with teaching and research activities, as well as to create
synergies between the educational activities and the surrounding community in
order to ensure the preservation and the appreciation of the heritage. As part of Hekma School of Design and Architecture, the architecture department at Dar Al- Hekma University reflected its mission “To graduate professionals in the field of architecture and equip them with the necessary knowledge and skills, focusing on sustainable design while preserving the cultural and aesthetic values of Saudi Arabia.” within the curriculum. The mission was materialized through a set of interdisciplinary and co-curricular activities and initiatives for the promotion, conservation and revitalization of urban heritage in Saudi Arabia. Those actions were determined to create a dynamic environment for social, cultural and economic development at large. The plan was also to strengthen students’ appreciation of urban heritage through the sharing and exchanging of knowledge, skills, and experience between the pedagogical activities and the real practices for mutual enrichment.
Often, each activity was dedicated to a given heritage theme. The activities are
structured in thematic subjects covering many areas, such as heritage and
sustainable development, theory and practices of conservation, adaptive re-use of
heritage buildings, inter-disciplinary research investigations, heritage for dialogue,
and reconciliation, among other themes. The creation of the architecture curriculum
in the fields of urban heritage was the first step to share knowledge and competencies, and to encourage professors and students' participation in heritage safeguarding projects. Besides, this program tends to promote inter-cultural dialogues through heritage appreciation.
The paper investigates the challenges associated with studying heritage in
architecture, as well as opportunities for students to be more excited about studying
heritage, develop their skills, and be self-motivated. It is expected that the paper
will analyze Dar Al-Hekma University educational experience in integrating urban
heritage within the architectural education curriculum among other national and
international experiences. It will evaluate related teaching approaches and draw
thoughtful conclusions in order to use this unique pedagogical process and learning
outcomes in enhancing the heritage appreciation and its practices.
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Edakina, Daria A., and Eduard I. Chernyak. "ARCHITECTURAL HERITAGE PHENOMENON." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 215–24. http://dx.doi.org/10.17223/22220836/41/18.
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This article is dedicated to the urgency topic of preservation and study of cultural heritage. Because of the limitlessness of the cultural heritage area, the authors took the opportunity to structure the cultural space. They singled out the complex of architecture and urban planning and defined it as an architectural heritage. The named complex includes buildings and structures that incorporate the high construction and artistic skills of their creators and form the surrounding inhabited space. Using the scientific works of N.M. Karamzin, D.S. Likhachev and other investigators, some written and visual sources, the authors of the article reveal the features of the architectural appearance of such medieval cities as Moscow, Novgorod, Pskov, Vologda. It must be note that the close relationship between urban practices and the natural environment as the most important characteristic of architectural heritage is defined. So reviewing historical materials about the ancient Novgorod, academician D.S. Likhachev wrote that unforgettable image of the developed, inhabited country was created. It is important to note that the article contains materials about the death and destruction of architectural monuments, which required their protection. An overview of the monument protection activity in Russia made known that the Imperial Russian Archaeological Society, established in 1846, was pioneered in it. It is noted that the Moscow Archaeological Society achieved the greatest success in the protection and restoration of monuments of church and civil architecture in the middle of the 19th and early 20th centuries. Its creators and leaders, spouses A.S. and P.S. Uvarov, had the right to permit or prohibit the restoration and conversion of ancient structures in many cities of the country, and they used this right actively. The events of the 1917 Revolution changed the situation in the architectural heritage area. Identification and protection of architectural monuments was transferred to the state structures. A department for museums and protection of art and antiquities was established as part of the National Education Commissariat (Narcomat of Education). Units of this department formed around the country were called as committees for museums and protection of monuments of art and antiquities. The article reports on the results of the identification and preservation of architectural monuments in Siberian cities Tomsk and Kuznetsk. It is known that in the 1930s many church monuments and civil structures were destroyed in Russia. Still in 1940–1990s the monument protection activity received serious legislative support from the state power. So facts and their interpretation taken together allow the authors to talk about architectural heritage as a phenomenon of Russian history, requiring study and preservation.
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Santos, Bertha, Jorge Gonçalves, Ana M. Martins, Maria T. Pérez-Cano, Eduardo Mosquera-Adell, Despina Dimelli, Apostolos Lagarias, and Pedro G. Almeida. "GIS in Architectural Teaching and Research: Planning and Heritage." Education Sciences 11, no. 6 (June 21, 2021): 307. http://dx.doi.org/10.3390/educsci11060307.
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Geographical Information Systems (GISs) in architecture were initially limited to regional and urban development applications. Over recent years its potential has been recognized and its use has evolved to address urban planning and architectural heritage management subjects. Nevertheless, evidence shows that its use in architecture teaching is scarce and uneven. Directive 2007/2/EC, establishing the infrastructure for spatial information in the European Community (EU), is, in this way, an opportunity to develop a greater knowledge and application of GIS in the framework of higher education. In architecture, this can be achieved by problem solving based on real case scenarios, which can benefit from GIS-based techniques and analysis capabilities. In this paper, the authors aim to present a review of the use of GIS in teaching and research in architecture to assess its level in different European programmes. Experiences from three European universities (University of Seville, Spain, University of Beira Interior, Portugal, and Technical University of Crete, Greece), which are among the few in their respective countries that promote the inclusion of GIS in architectural education, particularly in the fields of urban and regional planning and architectural heritage, are compared and framed within the European scenario. The paper concludes with a reflection on the three universities’ practice compared to the leading European architecture programmes listed in the main international university rankings. Main trends of future evolution on the use of GIS in architecture teaching are also presented.
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Bazilevich, Evgeny M. "HISTORICAL ARCHITECTURAL HERITAGE AND HISTORY PRESERVED IN STUDENT DRAWINGS." Architecton: Proceedings of Higher Education, no. 2(70) (June 29, 2020): 24. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-24.
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The articles presents the experiences of the fine art teaching staff at the Institute of Architecture and Design, the Pacific State University, in the study of historical architectural environment and history based on an archive of preserved student drawings. The author considers this approach as one of the possible ways of organizing research work in the university in the areas of "Architecture" and "Design of Architectural Environment".
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Whiteley, Nigel. "Modern Architecture, Heritage and Englishness." Architectural History 38 (1995): 220. http://dx.doi.org/10.2307/1568629.
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Baik, A. "FROM POINT CLOUD TO EXISTING BIM FOR MODELLING AND SIMULATION PURPOSES." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-5/W2 (September 20, 2019): 15–19. http://dx.doi.org/10.5194/isprs-archives-xlii-5-w2-15-2019.
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<p><strong>Abstract.</strong> Many BIM experts agree that employing BIM for new construction is an easy task. However, applying BIM to existing construction will be difficult but is more suitable for heritage buildings cases. These heritage buildings have unique façades and architectural vocabulary, which are of special interest. Furthermore, studying these architecture heritages require some advanced tools in order to understand and analyse their structure, components, and design. Relying only on traditional methods is not adequate, especially for architectural engineers and experts who need digital representations of architectural heritage in order to draw a complete image of any aspect of the project. Moreover, lots of these heritage architectural elements are not documented or provided in the digital architectural libraries, which in turn requires advanced and easy access methods and tools that can extract basic information professionally and explain the essence of heritage. BIM has emerged as an efficient solution that could possibly help in analysing architectural heritage through effective learning processes. Existing BIM is characterised by their ability to create and operate within a digital database of any existing by 3-D laser through scanning the building and transforming it into point-cloud as digital data, so that engineers and experts can work on existing and buildings via the BIM software. As with many heritage buildings in the world, many of the heritage buildings in the Historic district of Jeddah city, Saudi Arabia, face serious issues in terms of conservation, restoration, documentation, managing, recording, and monitoring of these valuable heritage buildings. Therefore, this paper will examine and evaluate the use of BIM in modelling and for simulation purposes, (e.g. structure and energy simulation) with regard to one of the existing heritage buildings in the Historic district of Jeddah.</p>
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Barada, J., and J. Tomasi. "EARTHEN HERITAGE, CONSERVATION PRACTICES AND COMMODIFICATION IN A WORLD HERITAGE SITE (QUEBRADA DE HUMAHUACA, JUJUY, ARGENTINA)." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 731–38. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-731-2020.
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Abstract. Contemporary reflections on the conception and conservation of architectural heritage have led to new perspectives on certain categories, such as authenticity, within a more dynamic understanding of social facts. Historically, local communities have rethought and transformed their architecture within the framework of becoming reality. This change is inherent in their condition of existence, and necessary to consider the multiplicity of institutionalized actors that raise agendas and actions that intersect in a complex way with the dynamics of World Heritage sites. This paper will analyze the implications of these processes through the study of earthen architecture in Quebrada de Humahuaca (Jujuy, Argentina). The site is at risk due to the exponential growth of tourism and the process of transformation in different dimensions of local realities. Transformations in vernacular architecture will be analyze considering three dimensions and intersections. On the one hand, changes in practices of local builders within their own dynamics; on the other, the conservation actions on the architecture that have formal declarations of protection; finally, commodification of vernacular architecture due to tourist activities. The approach of this paper will focus on technical aspects, within a conceptual framework as social facts, based on the survey and fieldwork carried out in recent years. This case study could act as a precedent for similar researches and would be useful for guidelines in global earthen heritage conservation projects.
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Doğan, Huriye Armağan. "Perception of the Modern Movement in Architecture as Cultural Heritage." Art History & Criticism 16, no. 1 (December 1, 2020): 65–78. http://dx.doi.org/10.2478/mik-2020-0004.
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SummaryWhen the definition of cultural heritage in architecture is questioned regarding the perception of society, the results demonstrate that people identify cultural heritage as both material and spiritual achievements in the past and as a reflection of identity associated with historical monuments. Furthermore, the distinction between monument and cultural heritage does not have a well-distinguished definition for society in most cases. Therefore, the perception of people in the appraisal of cultural heritage consistently obscures the protection process, especially regarding the heritage of the Modern Movement era in architecture which started to be seen in the 20th century. While the experts acknowledge Modern Movement artefacts as cultural heritage, in most cases the perception of non-experts differs. Therefore, its architectural merit is not appreciated by society in the way it deserves, neither as an artefact nor as cultural heritage. By both literature review and performed research, this paper aims to analyse the reasons which create deprecation regarding the evaluation of Modern Movement heritage. Furthermore, it tries to suggest a series of actions which can be taken for achieving the protection of Modern Movement heritage.
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Yang, Xi, Cong Peng, Xueling Jiang, Juan Wang, and Jun Liu. "Spatiotemporal Changes and Simulation of the Architectural Ethnicity at World Heritage Sites under Tourism Development." Complexity 2020 (May 20, 2020): 1–15. http://dx.doi.org/10.1155/2020/6715897.
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This study was the first to integrate the quantitative analysis and simulation of spatiotemporal processes into research on the ethnicity of tourist destinations. Selecting the world heritage site of Jiuzhaigou in China as a case study, we employed remote sensing images and field observation to obtain the spatial distribution data of the site’s architectural ethnicity of 2005 and 2015. Logistic regression analysis was used to determine the mechanism driving changes in architectural ethnicity. Then, we proposed a Logistic-CA-Markov coupling model to analyse architectural ethnicity transformations and simulate the spatiotemporal patterns of the ethnicity of architecture at the site in 2025 and 2035. It was found that from 2005 to 2015, the overall architectural ethnicity at the heritage site trended downwards and displayed an uneven spatial distribution: weak ethnicity in the west and strong in the east. A tight relationship was found between the ethnicity of heritage architecture and the level of tourism development although the ethnicity of tourism architecture was weaker than that of nontourism architecture, and the ethnicity of tourism architecture was continuously strengthening. Factors affecting spatial changes in architectural ethnicity mainly included altitude, slope, distance from main transport lands and waters, and the original type of ethnicity. It is expected that, from 2015 to 2035, the overall architectural ethnicity in Jiuzhaigou will increase.
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Curcic, Aleksandra, Ana Momcilovic-Petronijevic, Gordana Toplicic-Curcic, and Aleksandar Kekovic. "An approach to building heritage and its preservation in Serbia and surrounding areas." Facta universitatis - series: Architecture and Civil Engineering 18, no. 1 (2020): 15–31. http://dx.doi.org/10.2298/fuace200511002c.
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Cultural heritage represents a unique and irreplaceable cultural value of a nation. Preservation and protection of cultural heritage is an important moral role of the entire modern society. The paper singles out the notion of vernacular architecture and traditional houses as a significant part of the architectural heritage. The case study includes examples of traditional houses in Serbia, Romania and Bulgaria. The current condition of buildings, their purpose, the degree of preservation, as well as the applied methods of protection are considered in more detail. By analyzing examples of positive and negative practice, conclusions were drawn about the active approach to the architectural heritage of these countries. The goal of this paper is to consider the approach to the preservation of vernacular architecture and the relationship of these countries to this form of cultural heritage. The methods used in the paper are analysis, synthesis, comparative analysis, modeling method and case study.
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Hronský, Michal C., Dušan Kočlík, and Katarína Morávková. "Overlooked Heritage: Interiors in Slovakia." Architecture Papers of the Faculty of Architecture and Design STU 26, no. 2 (June 1, 2021): 30–37. http://dx.doi.org/10.2478/alfa-2021-0011.
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Abstract The creation of interior spaces is the main cognitive characteristic of architectural creation. Architecture creates a basic spatial framework for the interior. Interior design is a complex type of architectural activity that forms both the space (basically the interior) and the individual elements of the interior space. The professional interior design of architects or designers intentionally creates an environment specifically intended for human life. It is where people are in the most personal contact with the environment surrounding them. Just as an artificially created environment has a strong influence on a person’s life and feelings, it has also been proven that it works the other way round as well, i.e. that human needs and demands are a decisive factor in creating space for a person. The case studies demonstrate the development of the interior design in the second half of the 20th century, its current state and level of care given to these works. Architecture from this period has often lost its struggle for survival. As regards the style, these are works in international style, late modern and postmodern, and the local element makes them a unique and attractive testimony to the era. Despite the natural properties of interiors which seldom survive as long as the architecture itself, some contemporary statements about the interior design of the period under review have been preserved. The research focused on the public interiors of both well-known and less-known buildings by Slovak architects from various parts of Slovakia. The research calls attention to the fact that architects worked here even then and their works were of certain quality.
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Alkilidar, Mahdi Suhail Mahdi, and Saba Jabbar Neama AlKhafaji. "Follow-up and renewal in the employment of the Islamic architectural heritage (Ahmed Ibn Tulun Mosque in Cairo and Meikat Mosque in Medina as a case study)." Association of Arab Universities Journal of Engineering Sciences 27, no. 1 (March 31, 2020): 94–104. http://dx.doi.org/10.33261/jaaru.2019.27.1.011.
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The concept of employment for the Islamic architectural heritage takes great place and attention by architects or those who study and analyze the Islamic heritage in architecture. However, most of the architectural applications that appear on the ground focus on the physical aspect of that heritage as it represents the visual image of it and the most relevant aspect of the memory of Islamic societies in the Eastern and Western Islamic world. This causes the problem of the artisanal transport of the heritage of the Islamic architectural heritage without looking at this heritage objectively and understanding the social and cultural circumstances and causes that led to its emergence as it is. The research assumes that the Islamic architectural heritage possesses rich intellectual and material resources that can be utilized nowadays in contemporary projects if they are removed from imitation and direct form transport. The research focuses specifically on the architecture of the mosques and selects two old models, the Ahmad Ibn Tulun Mosque in Cairo and the Mashhad in the ninth century AD, and the Meikat Mosque in Medina and Mashad at the end of the 20th century. The research aims at shedding light on the concept of followers in the building of contemporary Islamic mosques as a mechanism for employing the Islamic architectural heritage and identifying the defects in the process of followings and the surrounding areas in the building of contemporary mosques.
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Ljubenov, Gorica, and Zlata Vuksanović-Macura. "An architectural reserve as a heritage preservation structure: The example of Stara Planina villages." Arhitektura i urbanizam, no. 54 (2022): 44–59. http://dx.doi.org/10.5937/a-u0-34659.
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This paper analyses the conditions and possibilities with regard to preserving vernacular architecture in the area of Stara Planina Mountain, Serbia. The field research, conducted from 2003 to 2015, recorded and documented architectural heritage in the villages on the western slopes of Stara Planina Mountain. The areas of Gornji Visok and Zabrdje on the slopes of Vidlič were primarily explored. Considering that the valuable architectural heritage in this area is in a state of alarming threat, and disappearing at high speed, the article discusses the possibilities with regard to its preservation through the formation of an architectural reserve, as a spatially defined and functionally unique place based on a synthesis of created and natural heritage. The reserve's structure would consist of architectural cores that are entire villages, or isolated localities with authentic houses of vernacular architecture. The architectural cores would be interconnected by road infrastructure, forming a specific architectural route. The constituent elements of the reserve would also include natural heritage, and geomorphological, geological, hydrological and hydrogeological features. The formation of the architectural reserve also aims to utilise built and natural structures, educate inhabitants and visitors, and develop tourism. In that way, the potential for financing the preservation of the unique architectural heritage of Stara Planina could be initiated.
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Edakina, Daria A., and Eduard I. Chernyak. "MONUMENTS OF RUSSIAN ARCHITECTURAL HERITAGE: EXPERIENCE OF TYPOLOGICAL CLASSIFICATION." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 42 (2021): 245–56. http://dx.doi.org/10.17223/2220836/42/22.
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The article highlights the almost unexplored issue of the classification of architectural heritage sites. The authors define architectural heritage as a complex of buildings and structures that form the surrounding space and reflect the art of creating these buildings and structures. Pursuing the goal to create a regulating system of Russian architecture monuments, the authors of the article use the architectural style as the main sign of monuments. Reliance on scientific research, written and visual sources allows identifying and characterizing large typological groups of monuments. The first group includes monuments of Russian architectural tradition, created in the period of 11th and 17th centuries on Byzantine and Italian architectural basis. The Baroque style was introduced into Russian architecture in the 18th century. It is characterizes by the magnificence and decorativeness of the details, includes columns, pilasters, sculptural decorations. About a century later, the Baroque was replaced by a style of Classicism. An obligatory element of Classicism monuments is a triangular gable, which rests on columns. Such compositional components as bays, risalitas, and balconies characterize the style. Monuments of classicism form architectural ensembles in Russian cities. The most famous of them is Palace Square in St. Petersburg. Since the mid-19th century, architectural monuments of the Eclectic style have been created. It combines elements of Gothic, Classicism, and folk Russian architecture. Wooden monuments of eclecticism, richly decorated with carvings, make the main pride of Tomsk. At the turn of the 19th and 20th centuries, modern architectural monuments with their characteristic asymmetry of the layout, plant decor in the design of facades are created. Under the influence of the changes brought by the Revolution of 1917, the style of Constructivism spreads in Russian architecture. In the early 1930s, the laconic Constructivism was rejected, the order system returned to the composition of the buildings. They are decorated with stucco moldings and sculptural images. For a long time unnamed, now this style is known as Soviet Neoclassicism. In the late 1950s, monuments of Soviet Neoclassicism were accused of unjustified pomp and parade. In the second half of the 20th century, the trends of Neo-Functionalism and Postmodernism prevail in Russian architecture. The regulating system of architectural monuments proposed in the article allows to characterize objects of architectural heritage, provides continuity of cultural experience.
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Astuti, Sri Puji. "POTENSI TERSEMBUNYI KEKAYAAN "ARSTEKTUR HERITAGE" DI KOTA PEKALONGAN." Jurnal Dimensi Seni Rupa dan Desain 4, no. 2 (February 1, 2007): 47–60. http://dx.doi.org/10.25105/dim.v4i2.1242.
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AbstractAs every Indonesians know, Pekalongan is the one of batik's Indonesian producers. The batik of Pekalongan has a special charateris tic, therefore this makes the Pekalongan's batik famous in all over the world. But, this is not such the only one cultural product in Pekalongan. Based mi the history background. Pekalongan was a big harbour town in past, so that many merchants in over the world came to this town for trading. In the period of Dutch colonialist, Many government buildings had built by Dutch. Dutch government buildings in Pekahmgan as we know as well today as heritage architectures. Dutch heritages architectures in Pekalongmt not just government buildings, there are also public buildings and residences. But, there is no enough attention from us, especially Pemerintah Kota Pekalongan, that the heritage architectures in Pekalongan have a hidden potential as a cultural tourism. By reading this article there will be a new awareness of us about one of our cultural products, especially architecture. This article also gives the image of Dutch heritages architectures in Jakarta and Malang, as a comparison.AbstrakSetiap orang Indonesia pasti tahu bahwa Pekalongan adalah salah satu kota penghasil batik di Indonesia. Batik Pekalongan memiliki ciri khusus, hal ini menjaciikan Batik Pekalongan terkenal di seluruh dunia. Tetapi batik hukanlah satu-satunya produk budaya yang ada di Pekalongan. Berdasar latar belakang sejarahnya ciahulu Pekalongan adalah sebuah kota pelabuhan besar sehingga banyak pedagang di seluruh dunia melakukan perdagangan di kota tersebut. Dalam masa penjajahan Belanda, banyak gedung pemerintahan yang clibangun oleh Belanda pada masa itu. Bangunan-bangunan pemerintahan Belanda tersebut sekarang kita kenal sebagai arsitektur heritage. Arsitektur heritage di Pekalongan tidak hanya berupa gedung-gedung pernerintahan, tetapi juga gedung-gedung
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Pensabene, Patrizio. "Alexandria, Cyrenaica, Cyprus: Ptolemaic Heritage in Imperial Residential Architecture." Światowit, no. 58 (September 14, 2020): 11–31. http://dx.doi.org/10.31338/0082-044x.swiatowit.58.1.
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The relationship between Alexandria and the architectural traditions of Cyrenaica and Cyprus is currently becoming an important research topic. Beside the clear historical and geographical links, many comparisons specifically between the Cyrenaican and Cypriote architecture and that of Alexandria evidence a strong influence of the latter on both lands. The Alexandrian impact on architecture dates back to the Ptolemaic Period and continued under the Romans until late Antiquity
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I., Ivanova, and Titinov V. "THE ARCHITECTURAL HERITAGE. ODESSA MODERN." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 210–20. http://dx.doi.org/10.31650/2519-4208-2020-20-210-220.
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The article presents material that briefly highlights the historical, socio-political, technological prerequisites for the emergence and development of modern architecture of the late 19th and early 20th centuries.Its features, basic characteristics and originality are considered, taking into account the development of Odessa.The presence in the urban environment of Odessa of large-scale monuments of architecture of the late 19th, early 20th centuries is obvious.They play a large role in the formation of urban identity.Tourists visiting the city pay tribute to the wealth of impressions that the natural environment of the city gives, its historical architectural environment, an integral part of which is Odessa Art Nouveau.The current state of buildings of this period of construction requires special attention not only of specialists in the field of construction, architecture, protection of monuments, but also the need to attract the public to preserve the architectural heritage of this period.It is important for modern man to feel that the city has a history, a continuity.Of particular value and status as guardians of memory are preserved cultural heritage sites.As foreign experience shows, sometimes the most hopeless, from the point of view of restoration, objects can be revived using a variety of approaches.In many European cities there are examples of excellent solutions in the field of renovation of historical buildings and districts. The conservation of historic buildingsshould be a priority in our urban planning policy.An integrated approach to the popularization of architectural heritage is required, including a wide range of forms of interaction with the scientific and civil society. It is necessary to enlist the support of the public in taking measures to protect heritage objects, to awaken the activity of citizens and the professional public in collecting and transmitting information, support initiatives to register new objects.International cooperation in heritage conservation should be seen as a particularly important strategic resource.It is necessary to exchange scientific and technical information with international organizations active in the field of monument conservation, exchange of experience in the legislative sphere, in the theory and practice of conservation and restoration, development of youth programs in the field of heritage conservation and popularization.We are involved in pan-European identity in culture, first of all. The most clearly preserved evidence of this is the preserved architectural monuments. The architectural heritage of Art Nouveau, bright, original and interesting in its diversity, loudly testifies that we are involved in all historical events taking place on the European continent.The most vividly evidence of this is the preserved architectural monuments. The architectural heritage of Art Nouveau, bright, original and interesting in its diversity, loudly testifies that we are involved in all historical events taking place on the European continent.
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Zhang, Rui, and Chang Zhang. "Classification and Application of Digital Technologies in Landscape Heritage Protection." Land 11, no. 10 (September 30, 2022): 1699. http://dx.doi.org/10.3390/land11101699.
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The application of digital technology in the field of landscape architecture heritage protection is becoming more and more mature and complex. How to select and apply technology for the corresponding landscape architecture heritage objects has become a common problem in the direction of landscape architecture heritage protection. Taking the literature on “landscape architecture heritage protection” published in CNKI and the Web of Science Database in the last 10 years (2012–2021) as the research object, we clarify the objects of landscape architecture heritage protection and their digital technology and summarize three types of digital technologies in the field of landscape architecture heritage protection: collection and acquisition technology, storage and management technology, and dissemination and sharing technology. Secondly, the main application objects and digital methods of each technology are described by classification. Thirdly, the main application methods in the field of landscape architecture heritage protection are summarized, e.g., repair recovery and risk monitoring. Accordingly, the digital development process of landscape architecture heritage protection in recent years is discussed, and there are three main stages, data precision, information systematization, and smart management. Future studies should pay more attention to the co-building and sharing of heritage information and to the common protection of heritage entities and cultural emotions. Discussion on the classification and application of digital technology based on landscape architecture heritage protection will help to present a clear context for the research and practice of digital technology in the field of landscape architecture heritage protection and contribute to implementing the protection and management of landscape architecture heritage more pertinently and efficiently.
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Petrulis, Vaidas. "SOVIET HERITAGE AS ETHICAL IMPERATIVE FOR CONTEMPORARY LITHUANIAN ARCHITECTURE." Journal of Architecture and Urbanism 31, no. 1 (March 31, 2007): 43–49. http://dx.doi.org/10.3846/13921630.2007.10697088.
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The paper analyses ethical imperatives for the soviet time heritage in contemporary Lithuanian architecture. The main statement of this paper is that the soviet period is an important part in the 20th century history of Lithuanian architecture. However, because of economic, cultural and ideological changes after the collapse of the Soviet Union this unprotected by law architectural heritage gradually disappears. The paper discusses the idea that only ethical consideration of contemporary society towards this problem can change the situation. Also, it is pointed out that the ethical responsibility lies not only on architects and construction developers but also on the entire society, which supports the idea to have this architecture as a part of our city in order to reflect its cultural and architectural history. The position regarding this part of heritage should be much more creative compared with traditional attitude towards architectural heritage. Sovietmečio palikimas kaip etinis imperatyvas šiuolaikinei Lietuvos architektūrai Santrauka Nagrinėjami sovietmečio paveldo imperatyvai šiuolaikinei Lietuvos architektūrai. Konstatuojama, kad svarbi Lietuvos XX a. architektūros paveldo dalis, žlugus Sovietų Sąjungai, dėl įvairių ekonominių, kultūrinių ir ideologinių priežasčių praranda savo patrauklumą ir, nesaugoma įstatymų, gan greitai nyksta. Diskutuojama idėja, kad tik aktyvi šiuolaikinės visuomenės pozicija gali šią situaciją pakeisti. Tačiau XX a. architektūra nėra įprastas paveldo objektas, todėl požiūris į šį paveldą turi būti kūrybingesnis, aktyviau prisitaikant prie šiuolaikinio miesto poreikių. Pabrėžta, kad etiniai imperatyvai čia svarbūs ne tik tradiciškai architektams bei statybų vystytojams, bet ir už architektūros paveldą atsakingiems visuomenės atstovams.
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Yang, Xiao Bo, and Bang Ze Chen. "Virtual Reality Technology in the Application of Tibetan Architectural Heritage and Protection Research." Advanced Materials Research 1030-1032 (September 2014): 1873–76. http://dx.doi.org/10.4028/www.scientific.net/amr.1030-1032.1873.
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Tibetan architecture wrote immortal chapter in the world the Chinese architectural history, Potala Palace was listed in the world cultural heritage list. Tibetan Architecture in the history of World Architecture and wrote the immortal chapter, Potala Palace was inscribed on the world heritage list. Potala Palace's annual tourist capacity is also facing enormous increment, the protection of cultural relics and open utilization in the continuous emergence of new problems and contradictions. This paper studies the use of virtual reality technology and 3D animation technology in virtual roaming system of Potala Palace.
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Mennatallah Hamdy, Mennatallah Hamdy, and Doha Ibrahim. "Preservation Laws: Saving Modern Egyptian Architectural Integrity." Resourceedings 2, no. 2 (September 2, 2019): 58. http://dx.doi.org/10.21625/resourceedings.v2i2.605.
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Egyptian cities have witnessed a variety of impeccable architecture throughout centuries of civilization, which enriched the Egyptian society. Constantly rising to the discussion is a question of what constitutes value to architecture of different times. It is important to regard heritage conservation as a synthetic, complex topic that is open for interpretations and judgment. While some antiquities are protected by law, it is apparent how modern heritage is a matter of ambiguity when it comes to preservation and conservation efforts. Until the mid-19th century, architectural heritage was primarily concerned with the preservation of monumental architecture. Theorists like John Ruskin and Le-Duc were largely exploring the authentic expression of materials in architecture, establishing the foundation, that Cesare Brandi would later build on, that conservation authenticity is not limited to age, rather includes material, style and structure.It is appropriate to regard heritage buildings as capital assets, with a potential to raise fluxes of services over time. However, not only Cairo, but Egypt has been losing much of its valuable modern heritage; thus its identity in the process.This paper focuses on Egypt's modernist architecture, discussing the rise of modernism and its introduction to the Egyptian cultural scene while reflecting on the current cultural detachment from such heritage and the current tendency towards. It, also, explores the rise of Egyptian modernism as a national style that reflects social and economic prosperity, in contrast to its rise in the west primarily advocating minimalism, functionalism and social equality.In comparing Egyptian laws to international charters on heritage preservation; in particular modern heritage, case studies are used to explore the consequences. The research concludes by suggesting measures and acts that can, directly and indirectly, affect the decision-making process, as well as support efforts of preservation of Egypt's modern heritage.
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Podder, Apurba K. "ORDINARY HERITAGE." International Journal of Architectural Research: ArchNet-IJAR 12, no. 2 (August 2, 2018): 334. http://dx.doi.org/10.26687/archnet-ijar.v12i2.1534.
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The motives behind the selection of heritage buildings for conservation are conventionally founded on an elitist sense of historicity and romantic nostalgia of the past. This paper argues that such an approach has a tendency to be temporally rigid, object-focused and exoticism-biased. Often many of the buildings selected as heritage are those built by extensive labour and expensive materials and patronized by the wealthy. Little, however, has been explored on the relation between heritage and aspects of ordinary life, where, in many cases, the latter continue to infuse meaning into the former’s present heritage status. This paper uses a non-participant observational lens to examine an old market tissue in Khulna, an ex-colonial city in Bangladesh and proposes a new notion called ‘ordinary heritage’. Ordinary heritage, as argued, relies on historically persistent socio-economic transactions of the common and the ordinary in their everyday and occasional pursuit for livelihood. These transactions of ordinary people, which are temporally non-static and evolving, take place within and around the architecture of the built environment, making the production of architecture to be fluid, dynamic and most importantly temporary. It forces architecture to constantly evolve, while negotiating the aspiration, needs, aesthetic and reasoning of ordinary subjects. Ordinary heritage thus manifests as a socio-spatial-temporal assemblage innate to an urban tissue that runs as a single organism.
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Ristić Trajković, Jelena, Aleksandra Milovanović, and Ana Nikezić. "Reprogramming Modernist Heritage: Enhancing Social Wellbeing by Value-Based Programming Approach in Architectural Design." Sustainability 13, no. 19 (October 8, 2021): 11111. http://dx.doi.org/10.3390/su131911111.
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This paper is built on the assumption that architecture is the establishment of the relationship between past and future, built and unbuilt, within the inherited and natural context and in direct connection with the overall culture. Unlike a traditional approach to heritage generally limited to considering only the visible values of the place, this research stands on the belief that, in the context of heritage, the implementation and application of behavioral knowledge in architectural discourse contributes to the intensification and enhancement of these relations. In accordance with the need to re-examine existing and explore new forms of the relationship between future life of heritage and social wellbeing, the main goal of the research is to examine the possibility of improving this relationship through a value-based architectural programming methodological framework. This paper was conducted through: (1) theoretical framework that intertwines environment–behavior theories and architectural programming as the value-matrix methodology for the reuse of heritage; (2) exploring the established framework through design results gathered within the design-based studio on “heritage reprogramming” at the University of Belgrade—Faculty of Architecture with a particular focus on the modernist architectural heritage; and (3) discussing the overall principles through the multiscale and value-based approach. The evaluation of the results indicates the possibility of improving the social dimension of heritage protection and reuse, as well as the need to shift the focus from exclusively material and formal values of heritage to social and cultural aspects in accordance with the needs of contemporary society and culture. Results indicate that the multidimensional nature of architectural programming methodological approach in the context of modern heritage and, accordingly, the synergy of different programming values (environmental, human, social, systemic, temporal, economic, aesthetic) provides sustainable access to heritage and has the capacity to improve the social wellbeing of individual users but also of the wider community.
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Al-Sakkaf, Abobakr. "Preserving Yemeni Architecture in the Era of Civilization and Development." International Journal of Environmental Sustainability and Green Technologies 12, no. 2 (July 2021): 1–12. http://dx.doi.org/10.4018/ijesgt.2021070101.
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Population increase and accelerating growth of cities have led to several problems in developing countries. Developmental policies have been adopted to improve the economic and social well-being of the countries. Modern architecture in the cities and their civilized expansion are also examined in this study. In particular, the rise in modern architectural style and the changes that occurred due to the use of new building materials are discussed in detail. The scope of the study is Yemen and its important historical and architectural treasures in the heritage architectural field including the distinctive mud architecture in Hadramout Valley. Thus, Yemeni cities are classified in order to help architects and planners in the development of a strategic plan for these cities. The findings will also help to preserve the heritage and unique nature of Yemeni architecture in this era of development.
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Guttman, Renata. "Architecture in Canada: French-language publishing, 1981-1995." Art Libraries Journal 21, no. 3 (1996): 4–28. http://dx.doi.org/10.1017/s0307472200009949.
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Interest in Canada’s built heritage flourished in the period following 1967, inspired by the centennial of Confederation and institutional support of heritage research. An already vibrant and officially sanctioned concern for cultural history in Canada’s mainly Francophone province Quebec and the Official Languages Act of 1969 resulted in a rich series of French-language publications devoted to Canadian architecture. The architecture of provinces, cities and towns, of individual styles, buildings and architects, architectural competitions and archaeology have all been explored in the literature. The contribution of scholars, cultural, academic, and governmental institutions, and publishers has created a strong body of work related to architecture in Canada.
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Tostões, Ana. "Ten Years After, the Continent of Hope and Modern Heritage." Modern Africa, Tropical Architecture, no. 48 (2013): 2–3. http://dx.doi.org/10.52200/48.a.zdbbu7bs.
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Since the 1990s architectural historians discovered Modern architecture in Africa as part of a cultural production related to colonialism. With the introduction of postcolonial theory in the historiography of architecture, an exclusively ideological critical sense has been developed preventing disciplinary autonomy or practice of architecture and finally condemning any objective look. Recently, the development of concepts such as hybrid or the otherness has been promoting a nuanced historical analysis about architecture and politics in the 20th century in Africa. The recognition that a widespread awareness of Modern Movement architecture has always been serving colonization involves rethinking the basic principle of Modern welfare society and practiced architecture as a mission: how Modern principles have been exchanged, resulting from a Eurocentric culture with the cultures from the East and Africa. In addition, it must be said that the case of Sub–Saharan Lusophone Africa is now beginning to be studied in depth putting together peripheral universes.
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Elgohary, Amr. "The Transformation of using Fractal Forms between Islamic and Digital Architecture from a Sustainable Approach." Academic Research Community publication 3, no. 3 (May 5, 2019): 87. http://dx.doi.org/10.21625/archive.v3i3.526.
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Along eras and civilizations, nature as a sustainable reference always has a great role in inspiration of the architectural form by the diversity of its vocabulary, rules, and colors…etc. Consequently, fractals as the main natural elements appeared in the achitectural morphology, since the ancient eras especially in the Islamic architecture in a various levels of forms, details, and patterns. However, nowadays the new architectural theories deal with fractals concept in a different ways depending on the deep understanding of universal and cosmic nature, also the new digital techniques in architectural design and construction that enhanced the appearance of new fractal forms. In this context, the research discusses the transformations of fractal systems, concepts and applications in architecture at the resent architectural theories, focusing on the digital architecture and how it deals with fractal forms, aiming to root the new architectural theories and link it with Islamic heritage to achieve a new Arab architecture that respects and reveals the local heritage and adapt with the latest architectural theories and techniques.