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1

McGreevey, Tom. Our movie heritage. Rutgers University Press, 1997.

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2

1974-, Pici Nick, ed. Voices from the set: The Film heritage interviews. Scarecrow Press, 2000.

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3

1948-, Vincendeau Ginette, ed. Film/literature/heritage: A sight and sound reader. BFI Pub., 2001.

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4

1963-, Monk Claire, and Sargeant Amy 1962-, eds. British historical cinema: The history, heritage, and costume film. Routledge, 2002.

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5

Th, Damsteegt, and European Conference on Modern South Asian Studies (16th : 2000 : Edinburgh, Scotland), eds. Heroes and heritage: The protagonist in Indian literature and film. Leiden University, Research School CNWS, 2003.

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6

Petty, Sheila, ed. African Film Festivals and Transnational Flows of Living Cultural Heritage. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-88590-7.

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7

National Film Archive of India. Where the heritage of Indian cinema comes alive! National Film Archive of India, 2015.

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8

Marlene, Catterall, ed. Interim report on the Canadian feature film industry: Report of the Standing Committee on Canadian Heritage. Standing Committee on Canadian Heritage, 2005.

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9

System, Mid-Hudson Library, ed. Black heritage: A selection of film and video in New York State libraries from the New York State union catalog of film and video database. Mid-Hudson Library System, 1987.

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10

Greenwood, Sarah. Film & photography for historic houses & gardens: A handbook for the Historic HousesAssociation, The National Trust and English Heritage. The National Trust, 1991.

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11

Branch, Canada Cultural Industries. A review of Canadian feature film policy : discussion paper =: Examen de la politique cinématographique canadienne : document de discussion. Canadian Heritage = Patrimoine canadien, 1998.

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12

Great Britain. Dept. of National Heritage. The British film industry: A policy document, incorporating the government's response to the House of Commons National Heritage Select Committee. HMSO, 1995.

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13

Film Industry Strategic Review Group. The strategic development of the Irish film and television industry 2000-2010: Final report of the Film Industry Strategic Review Group to the Minister for Arts, Heritage, Gaeltacht, and the Islands. Stationery Office, 1999.

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14

Marlene, Catterall, and Canada. Parliament. House of Commons. Standing Committee on Canadian Heritage., eds. Scripts, screens and audiences: A new feature film policy for the 21st century : report of the Standing Committee on Canadian Heritage. House of Commons, Canada, 2005.

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15

Canada. Parliament. House of Commons. Standing Committee on Canadian Heritage., ed. Enhancing the Canadian feature film policy: Government of Canada response to the report of the Standing Committee on Canadian Heritage Scripts, screens and audiences : a new feature film policy for the 21st century. Canadian Heritage, 2006.

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16

George, Boston, International Federation of Film Archives., International Federation of Television Archives., et al., eds. Archiving the audio-visual heritage: Third joint technical symposium, May 3-5, 1990, Canadian Museum of Civilization, Ottawa, Canada. Technical Coordinating Committee, 1992.

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17

Dong, Liu, ed. Guo ji dian ying zi liao guan lian he hui: Ren lei dian ying wen hua yi chan de zhong cheng wei shi = International Federation of Film Archives (FIAF) : the loyal guardian of film heritage of mankind. Zhongguo dian ying chu ban she, 2009.

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18

Dong, Liu, ed. Guo ji dian ying zi liao guan lian he hui: Ren lei dian ying wen hua yi chan de zhong cheng wei shi = International Federation of Film Archives (FIAF) : the loyal guardian of film heritage of mankind. Zhongguo dian ying chu ban she, 2009.

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19

Han'guk Yŏngsang Charyowŏn. Simp'ojiŏm (. Panhwan, hogun yŏnghwa yusan ŭi nanum: Tong asia ŭi yusil yŏnghwa sujip kwa yŏksa kisul = Repatriation or Share of Film Heritage: lost film collection and description of the history in East Asia : simp'ojiŏm, May 10, 2008, Hanʼguk Yŏngsang Charyowŏn Sinematʻekʻŭ KOFA 1-kwan. Han'guk Yŏngsang Charyowŏn, 2008.

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20

Eva, Orbanz, International Federation of Film Archives., International Federation of Television Archives., International Association of Sound Archives., Stiftung Deutsche Kinemathek, and International Federation of Film Archives. Congress, eds. Archiving the audio-visual heritage: A joint technical symposium : FIAF, Fédération internationale des archives du film; FIAT, Fédération internationale des archives de télévision; IASA, International Association of Sound Archives; May 20-22, 1987 in the International Congress Center, Berlin (West). Stiftung Deutsche Kinemathek, 1988.

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21

Op den Kamp, Claudy. The Greatest Films Never Seen. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462981393.

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Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general pub
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22

England, Arts Council of, and Great Britain. Department of National Heritage., eds. Arts guidance for local authorities in England: A paper prepared by the Arts Council of England, English Regional Arts Boards, British Film Institute and Crafts Council for the Department of National Heritage. Department of National Heritage), 1995.

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23

Inoue, Katsuhiro. China: Heritage of the wild dragon. Films for the Humanities & Sciences, 2003.

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24

Lima, Renata Farias Smith. Documentário e turismo cultural: Um olhar sobre Jorge Amado. Editus, Editora da UESC, 2009.

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25

(Firm), Haddonstone. The material, manufacture & the heritage of Haddonstone products. Haddonstone Ltd., 1986.

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26

Carrera, Roland. Close to one hundred years of complicated watchmaking: A company heritage. Kelek, 1992.

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27

Eckart, Voigts-Virchow, ed. Janespotting and beyond: British heritage retrovisions since the mid-1990s. Gunter Narr Verlag, 2004.

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28

A.J. Diamond, Donald Schmitt and Company. Gooderham & Worts/Triangle Lands: Urban planning study and heritage assessment : final report. s.n., 1990.

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29

Monk, Claire. Heritage Film Audiences. Edinburgh University Press, 2011. http://dx.doi.org/10.1515/9780748647040.

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30

Monk, Claire. Heritage Film Audiences. Edinburgh University Press, 2011.

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31

Heritage Film Short Cuts Wallflower. Wallflower Press, 2012.

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32

Heritage Film: Nation, Genre, and Representation. Wallflower Press, 2012.

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33

Monk, Claire. Heritage Film Audiences: Period Films and Contemporary Audiences in the UK. Edinburgh University Press, 2012.

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34

Monk, Claire. Heritage Film Audiences: Period Films and Contemporary Audiences in the UK. Edinburgh University Press, 2011.

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35

Heritage film audiences: Period films and contemporary audiences in the UK. Edinburgh University Press, 2011.

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36

Vincendeau, Edited by Ginette, and Ginette Vincendeau. Film/Literature/Heritage: A Sight and Sound Reader. British Film Institute, 2001.

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37

On Location: Heritage, Justice, and the Film Industry. Brooklyn River Press, 2024.

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38

Vincendeau, Edited by Ginette, and Vincendeau Ginette. Film/Literature/Heritage: A Sight and Sound Reader. British Film Institute, 2001.

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39

Kornelaki, Marina Natali. Taking the Heritage Film into the 21st Century. GRIN Verlag GmbH, 2018.

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40

Heritage Film Audiences: Period Films and Contemporary Audiences in the U. K. Edinburgh University Press, 2012.

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41

Enticknap, Leo. Film Restoration: The Culture and Science of Audiovisual Heritage. Palgrave Macmillan, 2013.

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42

Enticknap, L. Film Restoration: The Culture and Science of Audiovisual Heritage. Palgrave Macmillan, 2013.

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43

Screening European Heritage: Creating and Consuming History on Film. Palgrave Macmillan, 2018.

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44

Enticknap, L. Film Restoration: The Culture and Science of Audiovisual Heritage. Palgrave Macmillan Limited, 2013.

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45

Film Restoration: The Culture and Science of Audiovisual Heritage. Palgrave Macmillan, 2013.

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46

Screening European Heritage: The Cultural Politics of History on Film. Palgrave Macmillan, 2016.

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47

Heroes and heritage: The protagonist in Indian literature and film. CNWS Publications, 2005.

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48

Pirie, David. New Heritage of Horror. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350303836.

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David Pirie's acclaimed history of British gothic film and television has long been regarded as a foundational study of the roots of British horror, identifying it as 'the only staple cinematic myth which Britain can properly claim as its own.' This edition has been revised and updated to include discussion of films and TV dramas that have been newly discovered, restored or released since publication of the previous edition in 2007, as well as addressing newly-emergent screenwriters, directors and genres. Drawing on insider accounts and archival sources, David Pirie investigates the notion of
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49

Latino Americans In Sports, Film, Music, And Government: Trailblazers (Hispanic Heritage). Mason Crest Publishers, 2005.

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50

Constantine, Sandis. Cultural Heritage Ethics: Between Theory and Practice. Open Book Publishers, 2014.

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