Journal articles: 'Heritage interpretation'

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Hollinshead, Keith. "Heritage interpretation." Annals of Tourism Research 21, no. 1 (January 1994): 183–85. http://dx.doi.org/10.1016/0160-7383(94)90026-4.

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Su, Mingming, Menghan Wang, Yehong Sun, and Ying Wang. "Tourist Perspectives on Agricultural Heritage Interpretation—A Case Study of the Qingtian Rice-Fish System." Sustainability 14, no. 16 (August 17, 2022): 10206. http://dx.doi.org/10.3390/su141610206.

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The interpretation of an agricultural heritage system significantly affects the communication and connection between tourists and heritage sites. Taking the rice-fish system at Qingtian as an example, this study applies field investigations, a tourist questionnaire survey, and face-to-face in-depth interviews to explore agricultural heritage interpretation through the gaze of tourists. A two-dimensional framework integrating interpretation contents and forms for agricultural heritage systems is developed and adopted to guide the analysis. Research results show that tourists’ overall recognition of agricultural heritage features of the Qingtian rice-fish system is not high. Regarding interpretation contents, the rice-fish agricultural landscape, traditional cuisine, and biodiversity exhibit higher awareness. Compared to the static and interactive interpretations, participatory interpretations demonstrated high effectiveness in enhancing visitors’ understanding of agricultural heritage systems, thus raising tourist awareness for heritage conservation. Considering the high potential and the current low level of heritage interpretation, theoretical and managerial implications are then discussed to enhance agricultural heritage interpretations in both content and form to support the conservation and sustainable development of such dynamic agricultural heritage systems.

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Dubey, Dr Arvind Kumar. "Heritage Walk Area Interpretation and Experiences." International Journal of Scientific Research 2, no. 7 (June 1, 2012): 509–11. http://dx.doi.org/10.15373/22778179/july2013/176.

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Deufel, Nicole. "Agonistic Interpretation." Anthropological Journal of European Cultures 26, no. 2 (September 1, 2017): 90–109. http://dx.doi.org/10.3167/ajec.2017.260207.

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The current discourse of heritage interpretation, based on Tilden’s book Interpreting Our Heritage (1957), centres on ideas of education, materiality of heritage, expert knowledge and conservation. As such, it shares in the key characteristics of the Authorised Heritage Discourse (Smith 2006) and is subject to the same challenges that stem from definitions of heritage as immaterial, as a process and as a key factor in creating futures. The inadequateness of the Interpretive Authorised Heritage Discourse to respond to these challenges has become more apparent due to the size and speed of recent migrations. In response, I propose a new paradigm of heritage interpretation that is based on Mouffe’s (2013) concept of agonistics. Agonistic interpretation seeks to make visible the representations, meanings and emotions that underpin heritage, and to provide an infrastructure that visitors to heritage sites and museums may use to continue to build their identities and futures.

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Dewar, Keith. "Editorial, heritage interpretation international." International Journal of Heritage Studies 5, no. 3-4 (January 1999): 132–34. http://dx.doi.org/10.1080/13527259908722259.

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Lunn, John. "Heritage Presentation & Interpretation." Tourism Recreation Research 10, no. 1 (January 1985): 58. http://dx.doi.org/10.1080/02508281.1985.11014370.

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Moscardo, Gianna. "The heritage industry: Social representations of Heritage Interpretation." Annals of Tourism Research 18, no. 3 (January 1991): 537–40. http://dx.doi.org/10.1016/0160-7383(91)90068-m.

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Yiamjanya, Siripen. "HERITAGE INTERPRETATION: ANALYSIS OF LABOR HERITAGE IN THE CASE OF THAI LABOR MUSEUM (BANGKOK, THAILAND)." EUrASEANs: journal on global socio-economic dynamics, no. 1(26) (January 29, 2021): 52–62. http://dx.doi.org/10.35678/2539-5645.1(26).2021.52-62.

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Thai Labor Museum in Bangkok is the first and the only museum in Thailand that brings many aspects and issues about Thai laborers to public awareness. The heritage narrated in this museum regards the significance of Thai history and contemporary events that involve Thai laborers in the political and social context. The museum represents the historical realm of Thai labor and recognizes labor identities through their hard work and life. The purpose of this study can be determined through the following research questions: (1) how is the situation with the interpretation of heritage in the case of Thai Labor Museum?; and (2) what could be an alternative interpretation approach for labor heritage? The study used SWOT analysis framework as the method, carried out within the existing interpretation of the museum. Primary, secondary and tertiary interpretations were suggested. Also, critical issues and problems with interpretation at the site were addressed. Additionally, the study marks tourism route potential, connecting the museum with the historic railway factory heritage at Makkasan Workshop. Future development would create a new public and tourism precinct set amongst the backdrop of the industrial heritage of Thailand.

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Kandil, Ehsan. "Interpretation at Religious Heritage Sites." International Journal of Multidisciplinary Studies in Architecture and Cultural Heritage 7, no. 1 (June 1, 2024): 1–11. http://dx.doi.org/10.21608/ijmsac.2024.273417.1030.

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Light, Duncan. "Bilingual heritage interpretation in Wales." Scottish Geographical Magazine 108, no. 3 (December 1992): 179–83. http://dx.doi.org/10.1080/00369229218736863.

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Korostelova, Mariia. "Post-modern Interpretations of the Classical Heritage Ballets." Dance Studies 2, no. 2 (December 24, 2019): 186–95. https://doi.org/10.31866/2616-7646.2.2.2019.188819.

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The purpose of the article is to identify the features of postmodern ballets-interpretations of the classical heritage. Methodology. An analysis of the source base, a comparison of classical and postmodern interpretation approaches in the ballet theater, and art history analysis allowed us to conduct a scientific study. The scientific novelty lies in revealing the main aspects of the postmodern interpretation of the classical heritage ballets. Conclusions. The interpretation of the ballet heritage today takes place in the classical tradition (reconstruction and revision) and post-modern aesthetics (deconstruction). The postmodern interpretation rejects the idea of a cultural canon and lays down the principles of openness for any transformations, the interaction of any style systems. The musical score is usually reduced, not the musical drama, but the choreographic one begins to play a primary role, and the forms of organization of musical material (numbers, paintings, acts) are subordinated to the dictatorship of the choreographer. Often there is a radical departure from the originally set score of the plot-action basis; urgent issues are raised. The vocabulary of postmodern interpretations is based on a combination of different-style elements, improvisation, in contrast to the formalized, often canonized vocabulary of traditional reconstruction and editorial offices. The interpretation of classical heritage ballets in the aesthetics of postmodernism at the same time acts as a peculiar form of appeal to tradition and a sarcastic attitude towards it. Interpretation of classical heritage ballets, a significant part of the compositional components of which is well known, causes "buildup of meanings" (Hadamer), a diverse aspect of revealing the potential of the original version of the ballet. This is one of the explanations for the numerous appeals to such ballets by postmodern choreographers. Deepening the "text" of the play is done through quotations, references, etc., which gives it signs of hypertext.

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Ablett, Phillip Gordon, and Pamela Kay Dyer. "Heritage and hermeneutics: towards a broader interpretation of interpretation." Current Issues in Tourism 12, no. 3 (May 2009): 209–33. http://dx.doi.org/10.1080/13683500802316063.

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Caron, Guillaume, Olga Regina Pereira Bellon, and Ilan Shimshoni. "Computer Vision and Robotics for Cultural Heritage: Theory and Applications." Journal of Imaging 9, no. 1 (December 30, 2022): 9. http://dx.doi.org/10.3390/jimaging9010009.

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Computer vision and robotics are more and more involved in cultural heritage. From the data acquisition to heritage interpretation, the various tasks of the latter wide spectrum must face specificities of tangible and intangible heritages. [...]

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Munasinghe, Harsha. "Proclaiming Colonial Urban Heritage: Towards an Inclusive Heritage-interpretation for Colombo’s Past." Journal of Contemporary Urban Affairs 6, no. 1 (July 1, 2021): 1–12. http://dx.doi.org/10.25034/ijcua.2022.v6n1-1.

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Colombo, Sri Lanka’s commercial capital is a forceful creation of European colonialists who occupied the island for over four centuries. Its urban structure displays the social fragmentation sought by the rulers. Colombo elaborates an extraordinary process of city-making, stratified with its Dutch-origin, British-reshaping, and post-colonial adaptation. Proclaiming such a contested past as an inheritance requires an inclusive heritage interpretation. The recent renovation of monumental buildings for potential market values and demolishing minor architecture do not display such a heritage interpretation. This, placing undue attention on a selected social group, is found to be further emptying the compartmentalized city. The exclusion of some sub-societies also cost possible stewardship to urban heritage. Having observed the non-sustainability of current heritage-interpretation practised in Colombo, we searched for alternative means to unify societies in time-space thus sustaining the diversity of urban spaces. Our empirical studies have established the need to integrate the inherent cultural values of the colonial-built urban fabric in heritage interpretation. The results of vibrant heritage-interpretation results have been studied through a literature survey with aims to contribute towards the development of an inclusive heritage interpretation practice to protect Colombo’s colonial past sustainably.

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Rahaman, Hafizur. "Digital heritage interpretation: a conceptual framework." Digital Creativity 29, no. 2-3 (July 3, 2018): 208–34. http://dx.doi.org/10.1080/14626268.2018.1511602.

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Uzzell, David L. "Creating place identity through heritage interpretation." International Journal of Heritage Studies 1, no. 4 (January 1996): 219–28. http://dx.doi.org/10.1080/13527259608722151.

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Walczak, Bartosz Marek. "Heritage interpretation through an architectural design." SHS Web of Conferences 64 (2019): 03009. http://dx.doi.org/10.1051/shsconf/20196403009.

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The paper presents results of a heritage conservation studio at the Institute of Architecture and Urban Planning, Lodz University of Technology. Students were challenged to propose an architectural intervention aiming at storytelling of the palimpsestic past, as well as upkeeping the unique ambiance of the place. Furthermore, students were encouraged to play with the use of the building and perception of the site. Submitted projects allowed to make a number of interesting observations.

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Young, C. "Book Review: Heritage: Management, Interpretation, Identity." European Journal of Archaeology 7, no. 3 (December 1, 2004): 326–28. http://dx.doi.org/10.1177/146195710400700310.

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Nowacki, Marek. "Heritage Interpretation and Sustainable Development: A Systematic Literature Review." Sustainability 13, no. 8 (April 14, 2021): 4383. http://dx.doi.org/10.3390/su13084383.

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Heritage interpretation is an educational activity that provides information on natural and cultural heritage to people visiting heritage sites and objects. The article aims to identify different ways of using heritage interpretation as a tool for managing areas of sustainable development. The study consisted of a systematic literature review (knowledge mapping) in the field of heritage interpretation and sustainable development. Using the most important databases of scientific publications in the world (Scopus, Web of Science, Ebsco, Proquest), publications on the interpretation of heritage and sustainable development were searched. A total of 106 articles and scientific monographs were identified. Then, quantitative and qualitative data analysis was performed (text mining, topic extraction, content analysis). As a result, six thematic areas were identified: opportunities and threats for the area related to the implementation of heritage interpretation programs; the effectiveness of heritage interpretation in the areas of sustainable development; sustainable tourism development planning in heritage areas; the role of a guide-interpreter in the sustainable development of the area; the role of creativity in the heritage interpretation; and strategies for managing the visitor traffic in heritage areas. These thematic areas were discussed by citing examples from the literature on the subject.

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Wu, Lianfan, Xiaowei Qian, Zhen Zhang, and Zhaozhao Hu. "Study on the Service Design of Ouyue Cultural Tourism based on the Concept of Heritage Interpretation." International Journal of Education and Humanities 5, no. 2 (October 27, 2022): 224–28. http://dx.doi.org/10.54097/ijeh.v5i2.2145.

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Heritage interpretation is an important element in enhancing Ouyue cultural tourism services. Based on the perspective of heritage interpretation, this study explores the design ideas and models of Ouyue cultural tourism services, and ultimately realizes design support for its tourism service development. After exploring the tangible nature of cultural heritage and the intangible nature of experience in tourism services, and combining with relevant research on heritage interpretation and service design, this study review the process of heritage interpretation experience design in existing Ouyue cultural tourism services. Finally, design model of tourism services is constructed based on the perspective of heritage interpretation. The effectiveness of the design model was verified. The design practice has been practically verified using the example of the miner's village in Fude Bay, Wenzhou. According to the three stages of research and analysis, design planning, as well as verification and evaluation, this study analyzes and reconstructs the interpretation connotation, medium and content in the model, as well as continuously improves the manifestation of Ouyue cultural heritage, which help to not only better present the historical information and humanistic connotation of Ouyue culture but also realize the orderly development of Ouyue cultural heritage interpretation. Therefore, this study concludes design points of the heritage interpretation experience with service as the core.

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Harun, Siti Norlizaiha, and Mohd Roswodi Mat Zin. "ASSESSING THE RURAL CULTURAL SIGNIFICANCE FOR HERITAGE TOURISM DEVELOPMENT IN PERAK TENGAH DISTRICT." Malaysian Journal of Sustainable Environment 4, no. 1 (September 30, 2018): 37. http://dx.doi.org/10.24191/myse.v4i1.5605.

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The cultural heritage resources are widely available in the rural area in the form of a unique culture and art, heritage, traditional knowledge, natural beauty, ecological resources and others, and are representative of the community culture. Heritage interpretation is an educational process that aims to reveal meanings about our culture. Good interpretation enhances our understanding, appreciation, and therefore, provides protection of cultural heritage. This research has two aims; 1) to identify the cultural heritage significance; 2) to designate interpretation plan of the potential cultural heritage for new tourist attraction in the state of Perak. The method of this research involved three steps; inventory of resources, focus group survey and interpretation proposal. Results from focus group indicate the need to customize the interpretation and presentation of rural heritage especially on physical experience in community cultural activities. This study also highlights the most significance cultural resources in Perak Tengah Districts based on ranking. The output of this research is to produce the interpretation guidance for heritage site operators on how visitors can experience our cultural heritage in the rural area.

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Nyaupane, Pashupati. "Heritage Interpretation Techniques and its Epistemology of the World Heritage Site, Lumbini, Birth Place of Lord Buddha." Nepalese Culture 16, no. 1 (May 11, 2023): 9–24. http://dx.doi.org/10.3126/nc.v16i1.54124.

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Heritage interpretation, as a systematic approach to non-formal learning centered on communicating important ideas about a place to people, can play a distinct role in fostering effective and inclusive heritage management by assuring alignment with sustainable development values and introducing participatory approaches. Cultural heritage interpretation is one of the strategies used in planning and development management to help visitors better understand and appreciate the heritage. Additionally, cultural heritage can have exceptional tourist potential that is revealed through a well-designed and properly implemented process of interpretation. However, the subject of interpretation can also be one that does not have a significant tourism potential but becomes appealing as a result of it. The examined instances support the importance of interpretation in the modern use of legacy, as well as in the creation of new goods, a positive brand, and places. Examples also highlight the significance of institutional organizational support for interpretation in order to successfully integrate cultural asset conservation and tourist growth.

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Bumochir, Dulam, and Gantulga Munkherdene. "Revitalisation of Cultural Heritage in Mongolia." Inner Asia 21, no. 1 (April 15, 2019): 83–103. http://dx.doi.org/10.1163/22105018-12340117.

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AbstractIn contemporary Mongolia—a country with 29 years’ history of international development policy—the conventional interpretation regarding the oppression of and liberation from the Soviet regime is no longer valid for understanding its politics of cultural heritage. Today, development projects and associated environmental, social and cultural assessments play a central role in safeguarding cultural heritage. Therefore, alternative interpretations are necessary to comprehend current and further processes of cultural heritage politics. This paper introduces two case studies of new cultural heritage politics involving Mongolia’s two ‘megaprojects’: Oyu Tolgoi gold and copper mining, and River Eg hydroelectric station.

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Demshina, Anna Yu. "Cultural heritage in design." Vestnik of Saint Petersburg State University of Culture, no. 4 (61) (2024): 31–36. https://doi.org/10.30725/2619-0303-2024-4-31-36.

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Modern design often refers to the interpretation of objects of tangible and intangible cultural heritage. A successful design product can become not only a way to demonstrate the connection between eras, but also a way to form a communicative field for rethinking and representing the contexts of understanding cultural heritage. Such projects should consider not only copyright, the opinions of representatives of diverse cultures, but also be based on respect for cultural monuments. This is not about limiting interpretation, but about the need for careful work with the rethought original source. If we talk about the forms of interpretation, we can highlight a number of approaches: reconstruction, citation, stylization, deconstruction, an appeal to the figurative-emotional, narrative-value aspects of the monument, the author’s rethinking. In specific projects, several forms are most often used simultaneously. Using the example of the "Restavratsia" project, the experience of joint work of artists, designers, representatives of state institutions, the museum and scientific community in the study and rethinking of cultural heritage is considered.

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Alobiedat, Ammar A. "Heritage Interpretation and the Portrayal of Gadara for Tourism." Tourism and Heritage Journal 3 (July 15, 2021): 1–14. http://dx.doi.org/10.1344/thj.2021.3.1.

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Heritage interpretation is a powerful issue in destination promotion that could either bolster understanding the value of heritage and increase cultural exchange or lead to heritage manipulation to fit political and economic agendas. Using the heritage site of Gadara in northwest Jordan, this article not only examines Gadara’s heritage interpretation and portrayal in the tourism industry, but also presents a holistic approach to Heritage Studies that fosters the inclusion of all types of heritage resources in congruence with the local context. This approach will diversify the attractiveness of heritage assets to meet the needs of different visitors and enhance the quality of their experiences.

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Hristov, Dean, Nikola Naumov, and Petia Petrova. "Interpretation in historic gardens: English Heritage perspective." Tourism Review 73, no. 2 (May 14, 2018): 199–215. http://dx.doi.org/10.1108/tr-04-2017-0067.

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PurposeThis paper aims to provide an exploratory investigation into contemporary interpretation methods used in historic gardens and their fundamental role in enhancing the visitor experience and sense of a place.Design/methodology/approachA series of semi-structured interviews (n= 65) with Wrest Park visitors – who had the opportunity to experience new interpretation methods provided on-site – have been carried out in an attempt to explore their sense of place through interpretation.FindingsThe research suggests that interpretation has a fundamental role to play in “telling the story” of historic gardens, with 92.5 per cent of the sample understanding elements of the place’s history, significance and evolution. The findings further suggest the presence of two distinct visitor typologies – history explorers and leisure seekers.Practical implicationsThe study provides implications for theory and practice and recommendations for historic garden practitioners.Originality/valueThe importance of conceptualising and operationalising interpretation in historic gardens has received relatively little attention across the extant body of heritage interpretation literature. English Heritage’s Wrest Park, which is amongst England’s most prominent historic gardens, is used as a case study.

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Lee, Hyun Kyung. "Heritage as a Process and Its Interpretation." Journal of Art Theory & Practice 28 (December 31, 2019): 61–84. http://dx.doi.org/10.15597/jksmi.25083538.2019.28.061.

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Campos, Rosária. "Museums, Tourism and Interpretation of the Heritage." Revista Rosa dos Ventos - Turismo e Hospitalidade 13, no. 3 (September 17, 2021): 894–927. http://dx.doi.org/10.18226/21789061.v13i3p894.

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Poria, Yaniv, Avital Biran, and Arie Reichel. "Visitors' Preferences for Interpretation at Heritage Sites." Journal of Travel Research 48, no. 1 (January 6, 2009): 92–105. http://dx.doi.org/10.1177/0047287508328657.

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Wall, Geoffrey. "Heritage at the interface: interpretation and identity." Journal of Heritage Tourism 13, no. 6 (February 26, 2018): 562–63. http://dx.doi.org/10.1080/1743873x.2018.1438833.

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Lück, Michael. "Contemporary Issues in Heritage and Environmental Interpretation." Annals of Tourism Research 27, no. 4 (October 2000): 1071–74. http://dx.doi.org/10.1016/s0160-7383(99)00133-4.

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Little, Barbara J. "Heritage at the Interface: Interpretation and Identity." Historical Archaeology 52, no. 2 (June 2018): 535–36. http://dx.doi.org/10.1007/s41636-018-0122-y.

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Swanwick, Keith. "Musical Technology and the Interpretation of Heritage." International Journal of Music Education os-37, no. 1 (May 2001): 32–43. http://dx.doi.org/10.1177/025576140103700104.

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Vilman Proje, J., and M. Bizjak. "Interpretation of clothing heritage for contemporary tourism." IOP Conference Series: Materials Science and Engineering 254 (October 2017): 172028. http://dx.doi.org/10.1088/1757-899x/254/17/172028.

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Bračun Sova, Rajka. "Museum and School Interpretation of Cultural Heritage." Revija za elementarno izobraževanje 15, Spec. Iss. (August 2022): 7–26. http://dx.doi.org/10.18690/rei.15.spec.iss.7-26.2022.

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The museum and the school are two complementary institutions within the system of cultural heritage care. The Knight’s Hall in Brežice Castle is used here as an example for qualitative research on cultural heritage interpretation. The research focused on scientific art-historical information as the basis for cultural messaging. The analysis of the museum interpretation included a printed Knight’s Hall guidebook, as well as hall-related information boards and digital information, while the analysis of the school interpretation included an art history exam catalogue and an art history textbook. The research revealed a minor difference in the interpretation of the Baroque wall paintings, specifically with regard to the ceiling of the hall. At the museum, the ceiling is interpreted as a part of the wall painting, not, however, as its highlight.

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Vignes, Índio de Azevedo, and Americo Hiroyuki Hara. "Education and heritage – subthemes: heritage education, interpretation and presentation of cultural heritage, heritage for our sambaquis generations in Laguna-SC: an Interpretation Center as a way to appreciate and safeguard cultural heritage." Caderno Pedagógico 21, no. 2 (February 6, 2024): e2620. http://dx.doi.org/10.54033/cadpedv21n2-005.

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The sambaquis, Brazilian archeological and cultural heritage, are constructions where traces of prehistoric daily habits such as utensils, zoolites, food remains, tools, adornments, including burials, can be found. Through archeological analyzes, the continuous presence of ancient peoples was recognized in a sedentary way, as they located close to water slides – sources of food – and above the level of the sea of the full tide, acting as a landmark in the landscape. In Laguna-SC, the sambaquis are subject to disorderly urban expansion and all kinds of exploitation. This work supports the proposal of the implementation of an Interpretation Center (IC) to preserve the sambaquis in the region of the Santa Marta Lighthouse, in Laguna-SC, emphasizing the importance in the context of the landscape and highlighting the conflicts as regards municipal, state and federal legislation. The methodology is based on the bibliographic review referring to the characteristics of the sambaquis, their distribution in the region of Paleolaguna and the need for their preservation as a world cultural heritage, as well as the study of the legislation in the three spheres. The district of the Santa Marta Lighthouse, the proposed location for the implementation of the Interpretation Center, is distant 19 km from the city center, separated by dunes, lakes and mangrove swamps, lacking in sanitation equipment, health, education and culture and where most of the Sambaquis are concentrated. The cross-fertilization between environmental and land legislation and cultural heritage protection practices show conflicts in the management of the sambaquis that make up the local landscape. The management plan of the Environmental Protection Area Whale Franca (APABF – ICMBio), the Municipal Master Plan of Laguna and the National and State Coastal Management Plans, diverge on the characteristics of the areas where this archeological heritage exists, transforming the sambaquis into objects of difficult management. It is through the analysis of the legislation that this article identifies the difficulty of the legislators in understanding the importance of the archeological heritage and, in this way, justifies the implantation of an Interpretation Center in the Lighthouse of Santa Marta as equipment for raising awareness and preserving the local archeological heritage. It concludes with design guidelines for the implementation of the Interpretation Center in the batches defined as A and B considering the accesses and potential visualization of the natural and anthropic landscape.

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Tantinipankul, Worrasit. "Palace, Prison, Park or Palimpsest? The Contested Heritage of the Former Palace of Chiang Mai." MANUSYA: Journal of Humanities 26, no. 1 (October 17, 2023): 1–20. http://dx.doi.org/10.1163/26659077-26010008.

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Abstract This paper investigates the contestations between state and local actors over the interpretation of a state prison built in the grounds of the Chiang Mai palace, known as Wiang Kaew. Engaging with postcolonial approaches to heritage interpretation, this paper argues that the local movement calling for the removal of the prison in favor of a public park represents an effort to reclaim local Lan Na history and identity from the national past. Using the critical heritage concept of “authorized heritage discourse” (Smith 2006), I show how central Thai authorities—including the Fine Arts Department and the Buddhist Sangha—have privileged nationalist interpretations of the site over the intangible meanings and values expressed by the local community. The paper concludes by suggesting how newer frameworks of heritage management might be harnessed to resolve the conflict by recognizing the site as a historical palimpsest with multiple layers of value and meaning.

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Pirkovič, Jelka, and Luka Kocbek. "Model of Heritage Interpretation Adapted to Public Co-participation." Ars & Humanitas 17, no. 1 (September 6, 2023): 251–70. http://dx.doi.org/10.4312/ars.17.1.251-270.

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Dealing with interpretation, we first revisited the theoretical models of hermeneutics (hermeneutical cycle), semantics (triangle) and information sciences, as well as the model of heritage interpretation pedagogy. To design a more appropriate heritage interpretation model that meets the requirements of full public participation, we defined the key concepts (on top of heritage interpretation itself): memory, knowledge and values. The arguments for such a choice have been expounded from three viewpoints: semantics (defining their current meaning and etymology of terms), neuroscience and heritage studies (in Slovenia and some other countries, we use the term ‘heritology’ – denoting the interdisciplinary field of heritage studies). The paper concludes by outlining the heritage interpretation model, graphically presented in two diagrams: the structural one in the form of a three-circle Venn diagram with the corresponding matrix and the process diagram following the adaptive management pattern. The discussion presents critical issues of the model and points out some advantages of its practical implementation.

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Wimalasuriya, R., A. Kapukotuwa, and G. Ranasinghe. "Conceptual Framework for On-site Digital Interpretation Developments in Cultural Heritage Sites." Vidyodaya Journal of Humanities and Social Sciences 07, no. 01 (January 1, 2022): 64–84. http://dx.doi.org/10.31357/fhss/vjhss.v07i01.04.

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On-site heritage interpretation plays a vital role in cultural heritage sites in conveying the significance and multiple heritage values to the visitors. In an era where the world is transforming with innovative digital applications, the heritage sites are also being integrated with digital interpretation techniques to deliver a better interpretation and new dimensional experience to the visitors. Though multiple digital solutions are available, not all the techniques are appropriate, applicable and feasible to every site. Besides, neither proper worldwide principles nor framework has been exerted for these digital heritage interpretation developments. Therefore, this study is focused on building a generic conceptual framework to select the most appropriate digital interpretation technique(s) that fit the context of the heritage site, giving special reference to the six Cultural World Heritage Sites of Sri Lanka. The relevant qualitative and quantitative data were gathered via in-depth interviews, field observation, literature survey and a visitor survey questionnaire. The main themes and sub-themes derived through the thematic analysis were adopted as the theoretical framework for the research to analyze the collected data of the six Cultural World Heritage Sites and the selected digital techniques. Based on the results, the study recommends appropriate digital techniques for each Cultural World Heritage Sites of the country. Further as aimed, the study presents a conceptual framework for on-site digital interpretation developments for cultural heritage sites by categorizing the 24 criteria derived for data analysis under five phases namely ‘Prepare’, ‘Assess’, ‘Design’, ‘Implement’ and ‘Sustain’.

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Pilyak, Sergey. "Interpretation of Material Cultural Heritage in the Context of Museum." Ideas and Ideals 12, no. 3-2 (September 23, 2020): 337–51. http://dx.doi.org/10.17212/2075-0862-2020-12.3.2-337-351.

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Interpretation of cultural values and cultural heritage is one of the most common types of their development and creative understanding. However, the concept of ‘interpretation’ remains blurred among related processes, usually without getting much mention. In the field of cultural heritage preservation, interpretation is the main method of human development of cultural heritage objects. The process and results of interpretation, as shown by the long history of preservation of cultural heritage, also affect the preservation of cultural heritage. The proposed material is devoted to the consideration of a museum as an example of one of the most consistent built spaces and tools for the interpretation of cultural heritage. The subject of the research is the methods of museum work considered in the context of mechanisms of interpretation of material cultural heritage. Museum as an instrument of interpretation has been known since ancient times. Human interest in ancient artifacts that act as visible symbols of historical and cultural memory of the past, eventually led to the development of collecting, and then, with the publication of collections, to the emergence of museums. Museum and its activities occupy a special place in the methodology of interpretation. The museum space can set its own special rhythm of historical time and create conditions for comfortable perception of the presented artifacts. No other cultural institution has such a task, and if it is necessary to present an artifact, interested persons in one way or another turn to the method tested on museum sites. As a result of the research, the author identified five stages of museum activities, which are generally typical for the mechanism of interpretation of cultural heritage. Therefore, the main goal of museum activities should be recognized as an interpretation of cultural heritage. In accordance with this goal, the museum's tasks are also implemented, including the preservation, publication and promotion of the collection's artifacts. Thus, the role and place of the museum as a specific space created for the purpose of interpreting cultural heritage is proved. These provisions allow us to look at the theory and practice of museum activities in a different way, in the context of interpreting cultural identity.

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Liu, Ying, and Hui-Wen Lin. "Construction of Interpretation and Presentation System of Cultural Heritage Site: An Analysis of the Old City, Zuoying." Heritage 4, no. 1 (February 10, 2021): 316–32. http://dx.doi.org/10.3390/heritage4010020.

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Interpretation and presentation is an essential component of the whole heritage conservation process. In response to the new opportunities and challenges arising from the changing perspectives on heritage conservation, the development of display technologies and the rise of cultural tourism, it becomes a challenging task for cultural heritage institutions to construct a systematic interpretation and presentation system of a cultural heritage site that can effectively communicate heritage significance and value to the public and provide visitors with positive and valuable experience. From four main aspects (site, technology, public, and education and research), this research provides a comprehensive overview of the implementation details of the interpretation and presentation system of Old Zuoying City, which is considered an unprecedented large-scale cultural heritage preservation plan in Taiwan, through participative site investigation and in-depth interviews, thereby providing a reference for the construction, implementation, and management of interpretation and presentation system at cultural heritage sites.

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Dumbraveanu, Daniela, Ana Craciun, and Anca Tudoricu. "Principles of interpretation, tourism and heritage interpretation – the experience of Romanian museums." HUMAN GEOGRAPHIES – JOURNAL OF STUDIES AND RESEARCH IN HUMAN GEOGRAPHIES 10, no. 1 (May 30, 2016): 51–63. http://dx.doi.org/10.5719/hgeo.2016.101.4.

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Koroleva, Alina. "Interpretation of cultural heritage. The case of Andalusia." Cuadernos Iberoamericanos, no. 4 (December 28, 2018): 57–61. http://dx.doi.org/10.46272/2409-3416-2018-4-57-61.

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The article touches upon the elements of the “competitive identity” of Spain – culture and tourism. Representation of a cultural heritage provides the image and development of Spain. Cultural heritage includes tangible and intangible culture, that are inherited from past generations, maintained in the present and preserved for the benefit of future generations. The public of cultural tourism is growing/ The art of interpretation of cultural heritage is not just to give information, but to connect emotionally with its public.

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Hodges, Sue. "The Role of Heritage Interpretation in Building Peace." Public History Review 26 (December 19, 2019): 26–37. http://dx.doi.org/10.5130/phrj.v26i0.6853.

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This article discusses the role of heritage intepretation in building peace. It covers areas such as contested history and sites of memory, and looks at how the interpretation of tangible and intangible cultural heritage can heal wounds created by difficult pasts. It argues that heritage practitioners have an important role in promoting peace by interpreting challenging, painful and emotional histories. Key areas explored are child sexual abuse, contested sites in Japan and Korea and interpretation of atrocities.

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Rahaman, Hafizur, and Tan Beng Kiang. "Digital Heritage Interpretation: Learning from the Realm of Real-World." Journal of Interpretation Research 22, no. 2 (November 2017): 53–64. http://dx.doi.org/10.1177/109258721702200205.

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Heritage interpretation is often used to indicate the storylines adapted to help visitors to engage with and understand historical sites or artefacts. However, until now we hardly find any noteworthy scholarly works, charter, and critical discourse on the theory and methodology of interpretation in the field of Digital Heritage. Praxis limited by such theoretical underpinning, and at the same time the unwitting obsession with technology as a way out for better interpretation is leading most of the digital heritage projects to become descriptive and ocular-centric. Although technologies and tools like game-engines, multi-player virtual environments, haptic devices, augmented visualizations and immersive displays are being used to accentuate experience and visual fidelity, nevertheless, many scholars argue that technology alone can only provide partial interpretation. This paper raises the demands for an interpretive method for digital heritage and proposes some guidelines based on interpretation theories and scholarly materials from the real-world heritage domain.

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Kohl, Jon, and Ted Eubanks. "A Systems-Based Interpretive Planning Model that Links Culturally Constructed Place Meanings and Conservation." Journal of Interpretation Research 13, no. 2 (November 2008): 59–74. http://dx.doi.org/10.1177/109258720801300205.

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A principal function of heritage interpretation should be to link people and places in order to conserve those places. The motive to conserve does not arise only from within the interpretation field. Due to increasing urgency of biological and cultural heritage loss, the wider resource management field requires participation of all conservation-related tools, interpretation included. Any conceptual model concerned with integrating interpretation into conservation programs, then, must explain how interpretation's central elements of place meanings and audiences directly contribute to conservation. This paper, then, presents a conceptual interpretive planning model that involves audiences in place conservation by leveraging culturally constructed place meanings (in an interpretive framework) to promote desirable actions that meet conservation objectives found in a place's policy framework. It further describes how interpretive planning can facilitate people's natural process of constructing meaning, that when combined with appropriate place-based cultural narratives, interpretive media, and conservation knowledge, can result in audiences’ increased likelihood to participate in conservation.

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Ren, Wei, and Xianhong Chen. "Evaluation of an Online 360° Virtual Reality World Heritage Site During COVID-19." Open Archaeology 7, no. 1 (January 1, 2021): 1192–215. http://dx.doi.org/10.1515/opar-2020-0188.

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Abstract This study developed a framework to evaluate, in the context of COVID-19, the performance of an OVRWCHT (online 360° virtual reality world cultural heritage tourism) system created by the authors for the purpose of heritage interpretation and presentation. The research framework was based on the seven main principles of the ICOMOS Charter for the Interpretation and Presentation of Cultural Heritage Sites, and evaluation criteria were established for each. This framework was used to evaluate an OVRWCHT for the Hailongtun Tusi World Heritage Site in Guizhou Province, China. Data were mainly based on 1,062 questionnaires and analyses of the developed system. The findings indicated that, whether in terms of user experience or the interpretation of the UNESCO criterion “outstanding universal value,” Stakeholders agreed that OVRWCHT has played a positive role in heritage interpretation. Yet, more data support is needed to improve both technology and theory – especially the transferability of OVRWCHT to countries other than China. Based on the findings, it is suggested that the International Council on Monuments and Sites should continue to issue charters on how emerging technologies can support heritage site interpretation and presentation.

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Avellino Stewart, Marie. "Managing Heritage Site Interpretation for Older Adult Visitors." Symphonya. Emerging Issues in Management, no. 2 (May 16, 2017): 93. http://dx.doi.org/10.4468/2016.2.09avellino.

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Andrew, D. Carver, Cem M. Basman, and John G. Lee. "Assessing the Non-Market Value of Heritage Interpretation." Journal of Interpretation Research 8, no. 1 (April 2003): 83–92. http://dx.doi.org/10.1177/109258720300800107.

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Quantifying the value-added service which interpreters provide is crucial in protecting and managing all of our important resources. Unlike most private goods and services which have an observed price, most historic, cultural, or natural resources represent non-market goods. While researchers have traditionally used tourist spending combined with input-output models to estimate the value of non-market resources, this technique does not adequately capture the value of interpretive services. The primary purpose of this article is to present a general economic framework which can be used to assess the value of heritage interpretation. An economic model is presented to illustrate graphically how one could measure the total and marginal social value of interpretation. An overview of different non-market valuation techniques and a discussion of how economic values relate to an interpretive process model is also provided. The article concludes with an economic perspective on the issue of interpreter certification.

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Jovic, Biljana, Andjela Stanojevic, Olga Gajanic, Benjamin Chemarum, and Tamara Cupurdija. "Digital interpretation of the botanical heritage through biodesign." Bulletin of the Faculty of Forestry, no. 129 (2024): 17–34. http://dx.doi.org/10.2298/gsf2429017j.

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The paper presents two digital studies through the study of botanical heritage and plant morphology as inspiration for biodesign. The goal was to create conceptual urban 3D models as potential tools for solving climate challenges faced by selected cities, as well as for raising awareness of botanical heritage. For the first study carried out for the city of Nairobi from Kenya, the inspiration for biodesign was the species Spathodea campanulata P. Beauv. This plant species is recognized as a symbol of the battle for the environment in Kenya. The inspiration for the second conceptual model of biodesign was the protected sycamore (Platanus x acerifolia (Aiton) Willd.) in Topcider Park in Belgrade (Serbia). As a natural monument of botanical character, this plane tree is about 200 years old. The same methodology was applied in both studies, which included field research, identification of the desired morphological pattern of plants, and digital modeling and visualization using appropriate digital (computer) tools. Two conceptual solutions are presented as the results of this research.

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Journal articles on the topic 'Heritage interpretation'

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