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Journal articles on the topic 'Hermitage'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 June 2025

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1

Корндорф, Анна. "“Скиты” веселой Елизавет: Русские эрмитажи середины XVIII века". ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies 11 (22 грудня 2023): 37–60. http://dx.doi.org/10.21900/j.vivliofika.v11.1421.

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The article is devoted to the history of the appearance of garden pavilions and Russian palace chambers also known as "hermitages." The tradition of building hermitages as special-purpose premises, adopted in Russia in the early eighteenth century, had acquired during the reign of Empress Elizabeth Petrovna a meaningful national character and scope. Hereby, this tradition may be considered as one of the major cultural phenomena of that time. At the same time, Russian hermitages were significantly different in their function from the British and continental European hermitages. Their main function throughout the eighteenth century remained that of a private, isolated dining room equipped with a special table volante mechanism that allowed those who had gathered to eat without servants. The article therefore also pays attention to the role of mechanical tables and mechanical amusement machines in the baroque court culture. It also compares the design of Elizabeth Petrovna's dining hermitage in Tsarskoye Selo with European architectural treatises. The reader is also acquainted with the reasons for the development of such functional and iconographic features of Russian hermitage architecture, which occupies a special place in the vast and varied European tradition of hermitage construction.

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2

Gaiduk, V. L. "AMBER OR RUBBLE? THE STORY OF THE AMATEUR ASSOCIATION “THE HERMITAGE”." Вестник Пермского университета. История, no. 2 (2022): 72–82. http://dx.doi.org/10.17072/2219-3111-2022-2-72-82.

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An increasing amount of investigations and publications in the sphere of the history of the Soviet underground art signifies the expanded interest to this problem. However the history of the Amateur creative associations in the soviet underground has not received all the attention it deserves yet. The analysis of the Amateur creative associations could deepen our understanding of the soviet art process. Thereby the overall goal of this paper is to analyze the history of the Amateur Association "Hermitage", which was created by L. A. Bazhanov in 1986. To provide greater depth of knowledge about the “Hermitage’s” history the great amount of archival sources will be engaged. Among these sources are materials from Tsalim, Tsaopim, the Hermitage archive Fund, which is stored in THE NCCA, and the Fund of the collector Leonid Talochkin. The Hermitage was one of the first Amateur creative associations that received an official status. During its short existence, members of the Hermitage have held ten large-scale exhibitions in the exhibition hall in Belyaevo. “Retrospec-tion” was considered to be the most provocative “Hermitage’s” exhibition. Cu-rators arranged the exposition according to their vision of Soviet post war art. This exhibition made the Department of culture of the MGK raise the issue of the lack of ideological and methodological control over all Amateur societies. The political authorities made a decision to dissolve “Hermitage”. The “Her-mitage” administration made unsuccessful attempts to formalize its activity un-der the patronage of other organizations (the Union of cinematographers, ZNUI). Finally Hermitage was renamed to Center for Art Culture but in a year its administration run out of money and had to eliminate the organization. It appears from conducted research that the party leadership tried to make rela-tionship with Amateur organization but they were unable to accept the new concept of the Museum and exhibition hall, which was promoted by the participants of the "Hermitage". Moreover the revision of the official Soviet art history during Perestroika stepped out of line.

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3

Grincheva, Natalia. "Beyond State versus Non-state Dichotomy: The State Hermitage Museum as a Russian Diplomacy ‘Hybrid’." Hague Journal of Diplomacy 14, no. 3 (2019): 225–49. http://dx.doi.org/10.1163/1871191x-14401025.

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Summary This article explores the overlooked role of museums in the international arena as playing a dual role in cultural diplomacy. It explores the State Hermitage Museum in Saint Petersburg, Russia, to illustrate an emerging ‘hybrid’ form of diplomacy that cannot be strictly defined as ‘state’ or ‘non-state’. Although the article documents strong ties between the Hermitage Museum and the Russian government, it also reveals the Hermitage’s growing capacity to build productive bilateral cultural relationships with foreign partners, bypassing governmental control. Specifically, the article looks at the international network of Hermitage Foundations as a successful museum international outreach and fundraising campaign that significantly contributes to the Russian government’s efforts in cultural diplomacy. This case offers new empirical findings from the non-Western context, exposing the growing role of museums in contemporary diplomacy.

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4

Godlewski, Włodzimierz. "Naqlun 2016: Hermitage EE.50 preliminary report." Polish Archaeology in the Mediterranean 26, no. 1 (2018): 159–70. http://dx.doi.org/10.5604/01.3001.0012.1773.

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During the 2016 season in Naqlun, dedicated to an array of specialist studies of material in the storeroom, the team documented one of the hermitages located in the hills west of the monastic compound. The work was necessitated by evident illicit digging which had partly destroyed the compound. The hermitage, which occupied a small valley, appears to have comprised at least three living units, furnished with rock-cut storage pits in the floor and niches in the walls. The doorways and niches bore traces of architectural rendering. The complex may be interpreted tentatively as a residential and religious complex, and it is a good example of a mid-5th century hermitage, the dating confirmed by a study of the pottery assemblage coming from it.

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5

Hernandez, Jack. "Hermitage." Anglican Theological Review 97, no. 3 (2015): 514. http://dx.doi.org/10.1177/000332861509700315.

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6

Yosef Calasanza and Gunawan. "Pelestarian Kesenian Debus Banten di Padepokan Maung Pande." SASDAYA: Gadjah Mada Journal of Humanities 7, no. 1 (2023): 1–14. http://dx.doi.org/10.22146/sasdaya.v7(1).1-14.

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Debus is one of the popular arts in Banten society. During the Banten kingdom, in the past Debus art became well-known. Initially, Debus became a medium for spreading Islam in Banten. During the colonial period, debus used against colonial troop. Debus perpetrators who are aware of their immunity to sharp weapons and bullets form a force to confront the colonial army. After independence, Debus developed into an art that is often staged in various events at the regional and national levels. However, recently its popularity has waned. Debus art is not much staged and known in the community. This circumstance has prompted Banten hermitages to promote and preserve Debus arts. This article aims to describe the activities of the hermitage in maintaining the existence of debus as well as activities to preserve the Banten debus art by Padepokan Maung Pande. The data collection method was carried out using qualitative research methods by focusing on data collection on member of the Maung Pande hermitage. The results of the study show that the conservation efforts carried out by the Maung Pande hermitage are carried out by collaborating with schools in Banten province.

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7

Yosef Calasanza and Gunawan. "Pelestarian Kesenian Debus Banten di Padepokan Maung Pande." Sasdaya: Gadjah Mada Journal of Humanities 7, no. 1 (2023): 1–14. http://dx.doi.org/10.22146/sasdaya.6891.

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Debus is one of the popular arts in Banten society. During the Banten kingdom, in the past Debus art became well-known. Initially, Debus became a medium for spreading Islam in Banten. During the colonial period, debus used against colonial troop. Debus perpetrators who are aware of their immunity to sharp weapons and bullets form a force to confront the colonial army. After independence, Debus developed into an art that is often staged in various events at the regional and national levels. However, recently its popularity has waned. Debus art is not much staged and known in the community. This circumstance has prompted Banten hermitages to promote and preserve Debus arts. This article aims to describe the activities of the hermitage in maintaining the existence of debus as well as activities to preserve the Banten debus art by Padepokan Maung Pande. The data collection method was carried out using qualitative research methods by focusing on data collection on member of the Maung Pande hermitage. The results of the study show that the conservation efforts carried out by the Maung Pande hermitage are carried out by collaborating with schools in Banten province.

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8

Yudnikova, Alena А. "Features of the artistic embodiment of the image of Opta’s Hermitage Monastery in the essay “K.G.A. Sederholm, Father Clement, hieromonk of Opta’s Hermitage” by Konstantin Leontiev." Vestnik of Kostroma State University 28, no. 2 (2022): 105–10. http://dx.doi.org/10.34216/1998-0817-2022-28-2-105-110.

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The article discusses the features of the artistic embodiment of the image of Opta’s Hermitage Monastery in the essay “K.G.A. Sederholm, Father Clement, hieromonk of Opta's Hermitage” by Konstantin Leontiev. It is shown that the image of Opta’s Hermitage, created in Konstantin Leontiev’s essay, is multifaceted. Its structure includes a description of the monastery and the nature surrounding it, as well as images of monks that form the artistic anthropology of the work. The image of Father Clement is necessary to mention. The article notes that the author's attitude to Opta’s Hermitage, his belief in the monastery’s exceptional spiritual role for the Orthodox world is artistically embodied, in particular, in the lexical content of the essay. In addition, the work compares the artistic embodiment of the image of Optina Hermitage in Konstantin Leontiev’s essay and in Fyodor Dostoevsky’s novel Crime and Punishment. It allows us to conclude that Fyodor Dostoevsky, endowing the image of Opta’s Hermitage with a sacred meaning, deprives it of the picturesqueness and poetry present in Konstantin Leontiev’s essay. The article concludes that Konstantin Leontiev’s essay to a certain extent approaches the essay genre. It is of special, syncretic nature and is of value not only in terms of ideological and philosophical content, but also as an original work of art reflecting the aesthetic views of the writer, his religious quest and philosophical views. The image of Opta’s Hermitage created by Konstantin Leontiev can be included in a number of key topoi that determine the self-awareness of Russian literature.

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9

Dewi Wahyuni, Ni Made. "PETUGAS PERTAPAAN PADA MASA BALI KUNO BERDASARKAN PRASASTI ABAD KE-9 SAMPAI 12 MASEHI." Forum Arkeologi 29, no. 1 (2017): 33. http://dx.doi.org/10.24832/fa.v29i1.178.

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Inscription is one of written sources about religious life of people in the past. In the inscription from ancient Bali period between the 9th to 12th century AD, it was mentioned the term ‘hermitage’ which used to build self spirituality. This research aims to know what hermitage servants are and their roles based on ancient Bali inscription in 9th to 12th century. The data, both primary and secondary, were collected through literature study. The result is inscription data from 9 to 12th century and artifact evidences in the form of hermitage building. Based on that data it is know that hermitage servants at the time is called ‘samgat wilang patapan’ and ‘samgat tapa haji’, who was responsible to build hermitage, collect tax, maintain and care for the hermitage. Keywords: old bali, hermitage, servants, role. Prasasti merupakan salah satu sumber tertulis mengenai kehidupan religius masyarakat masa lalu. Pada prasasti masa Bali Kuno abad ke-9 sampai 12 Masehi terdapat penyebutan pertapaan, yang dimanfaatkan untuk membina spiritualitas diri. Penelitian ini bertujuan untuk mengetahui petugas pertapaan dan perannya berdasarkan prasasti Bali Kuno abad ke-9 sampai 12 Masehi, yang data-datanya baik primer maupun sekunder, diperoleh melalui studi pustaka. Hasil penelitian ini berupa data-data prasasti abad ke-9 sampai 12 Masehi, dan bukti-bukti artefaktual berupa bangunan pertapaan pada masa tersebut. Berdasarkan data tersebut diketahui bahwa petugas pertapaan pada masa itu disebut sebagai samgat wilang patapan dan samgat tapa haji, yang bertugas membangun pertapaan, pemungut/pengumpul pajak, menjaga, dan merawat bangunan pertapaan.

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10

MEROPI, KATSANTONI, GANETSOS THEODORE, THEOLOGOS ALEXANDRAKIS, and PANAGIOTIS DOUROS. "PIGMENTS IDENTIFICATION: COMPARATIVE EXAMINATION OF MATERIALS AND TECHNIQUES IN THE HERMITAGE ASCENSION IN PYTHION OF OLYMPUS, GREECE." INTERNATIONAL JOURNAL OF RESEARCH IN EDUCATION HUMANITIES AND COMMERCE 04, no. 03 (2023): 235–41. http://dx.doi.org/10.37602/ijrehc.2023.4319.

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Pythion is a settlement of the municipality of Olympus in the regional unit of Larissa. It is located on the southwest side of Mount Olympus, in an amphitheatre position at an altitude of about 725 meters. The word Pythion probably comes from the god Pythian Apollon of Greek mythology. Its oldest name was Selos. The village remains important during the Byzantine period, a fact that is proven by the PostByzantine Hermitages that survive there. These were practised by monks who later manned the monasteries of the area. The best-preserved hermitages are located on the hillside, where the hermitage of the Ascension at the foot and the Holy Cross is a little higher. The hermitage of the Ascension extends into a spacious cave and includes five irregular spaces. The first two rooms are almost outdoors and served as vestibules of the nave. The access to the temple is made through an arched gate. The chapel consists of a chamber whose side walls have two arched openings that communicate with the interior of the cave. The only murals that have survived are of the archangels Michael and Gabriel which are found in the interior of the gate that leads to the temple and dates back to the 14th century (Gialouri et al., 2014). The present research study focuses on the analysis of 14th-century mural pigments using spectroscopic non-destructive techniques pXRF and portable Raman.

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11

Williams, Philip F., and Wu Zuxiang. "Green Bamboo Hermitage." World Literature Today 66, no. 4 (1992): 778. http://dx.doi.org/10.2307/40148807.

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12

Cannon-Brookes, P. "Hermitage development project." Museum Management and Curatorship 13, no. 3 (1994): 300–303. http://dx.doi.org/10.1016/0260-4779(94)90007-8.

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13

Zaman, Abdullah, Ahmatnijar Ahmatnijar, and Dermina Dalimunte. "Mahar Berupa Rumah Dan Pertapakannya." Jurnal El-Thawalib 2, no. 3 (2021): 26–38. http://dx.doi.org/10.24952/el-thawalib.v2i3.3977.

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This thesis is entitled Mahar in the form of a house and its hermitage (Case Study 54/Pdt.G/2016/PA.Psp The purpose of this research is how the decision of the Padangsidimpuan Religious Court against the dowry suit in the form of a house and its hermitage, what is the judge's consideration in determining the decision on the dowry suit in the form of a house and hermitage by the plaintiff to the defendant. The problem in this study is that at the time of mentioning and handing over the dowry the groom gives a dowry/dowry in the form of his house and hermitage, but at the time of ijab qabul, the marriage registrar (P3N) does not ask whether the house and the hermitage really belong to the groom and do not ask for a certificate issued by the groom. legally shows that the house and hermitage really belong to the groom. After getting married they lived together in a house which became the dowry of the marriage. The marriage lasted for approximately one year, there were quarrels and quarrels that led to divorce so that the wife sued her husband to the Padangsidimpuan religious court demanding a dowry in the form of a house and hermitage which was used as a dowry at the time of consent and qabul. This type of research is a qualitative research. The subject of this research is the judge of the Padangsidimpuan Religious Court. The data sources of this research are primary data and secondary data. Data collection techniques are interviews and documentation. The data processing technique is descriptive analysis, namely presenting data or research results clearly and in detail. The data analysis technique of this research is to systematically search and compile the data obtained from interviews and documentation in the form of the judge's decision, by organizing the data into categories, describing it into units, synthesizing, compiling into patterns, choosing which ones are important. and what will be studied and draw conclusions. The results of this study are that the judge in resolving the dowry case in the form of the house and its hermitage, in the legal regulations in Indonesia, namely in articles 30-33 of the KHI in considering the decision of the dowry case in the form of a house and hermitage in the Padangsidimpuan religious court case study no 54/Pdt/ .G/2016/PA.Psp.

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14

L., MARSADOLOV. "ARCHAEOLOGISTS M.P. GRYAZNOV, V.I. MATYUSHCHENKO AND THE STATE HERMITAGE MUSEUM." Preservation and study of the cultural heritage of the Altai Territory 27 (2021): 62–69. http://dx.doi.org/10.14258/2411-1503.2021.27.10.

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Many decades the life and work of Mikhail Petrovich Gryaznov (1902-1984) was connected with the State Hermitage museum. Long-term friendship bound him with Vladimir Ivanovich Matyushchenko (1928-2005). These archaeologists were lucky in the excavations in the field and in the office behind a desk that was reached by stressful daily work. The most valuable materials from the excavations of M.P. Gryaznov were transferred to the Hermitage (Pazyryk-1, Arzhan-1), and in the museum's funds he taught a course in tracology for students of LSU. Archaeologists are well aware of the scientific works of VI. Matyushchenko on the history of Siberian archaeology, materials from excavations of the Bronze Age sites in the Tomsk and Omsk regions (Elovka, Rostovka and others), and the mounds of the Xiongnu era in Sidorovka. This article briefly discusses the main stages of M.P. Gryaznov's work in the Hermitage and his further relations with this museum. The author of the article was familiar with M.P. Gryaznov and VI. Matyushchenko, studied archaeology with them, gained experience and repeatedly helped them, both in the Hermitage and beyond. Keywords: M.P Gryaznov, V.I. Matyushchenko, hermitage, Pazyryk, Arzhan, state award

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15

L., MARSADOLOV. "ARCHAEOLOGISTS M.P. GRYAZNOV, V.I. MATYUSHCHENKO AND THE STATE HERMITAGE MUSEUM." Preservation and study of the cultural heritage of the Altai Territory 27 (2021): 62–69. http://dx.doi.org/10.14258/2411-1503.2021.27.10.

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Many decades the life and work of Mikhail Petrovich Gryaznov (1902-1984) was connected with the State Hermitage museum. Long-term friendship bound him with Vladimir Ivanovich Matyushchenko (1928-2005). These archaeologists were lucky in the excavations in the field and in the office behind a desk that was reached by stressful daily work. The most valuable materials from the excavations of M.P. Gryaznov were transferred to the Hermitage (Pazyryk-1, Arzhan-1), and in the museum's funds he taught a course in tracology for students of LSU. Archaeologists are well aware of the scientific works of VI. Matyushchenko on the history of Siberian archaeology, materials from excavations of the Bronze Age sites in the Tomsk and Omsk regions (Elovka, Rostovka and others), and the mounds of the Xiongnu era in Sidorovka. This article briefly discusses the main stages of M.P. Gryaznov's work in the Hermitage and his further relations with this museum. The author of the article was familiar with M.P. Gryaznov and VI. Matyushchenko, studied archaeology with them, gained experience and repeatedly helped them, both in the Hermitage and beyond. Keywords: M.P Gryaznov, V.I. Matyushchenko, hermitage, Pazyryk, Arzhan, state award

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16

Adzim, Abd, and Achmad Abdul Munif. "PERSEPSI DAN PARTISIPASI MASYARAKAT TERHADAP PROGRAM TAHFIDZ AL-QUR’AN DI PADEPOKAN IBNU RUSYDI CUKIR DIWEK JOMBANG." Irsyaduna: Jurnal Studi Kemahasiswaaan 2, no. 3 (2023): 283–95. http://dx.doi.org/10.54437/irsyaduna.v2i3.828.

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Initially, the community's perception of the Al-Qura'an tahfidz program at the Ibnu Rusydi Padepokan was indifferent, because the history of the establishment of the hermitage began with a prayer room which was used as a place to rest to simply unwind, moreover the leader or caretaker of the mosque was a former thug, he was not sure that it will become a hermitage that has a tahfidz Al-Qura'an program, therefore the public's perception is negative, but in the end the public's perception of the Ibnu Rusydi hermitage is good when many students stay, there are congregational prayer activities and reciting the Koran . The positive response from the community increased when Abah Agus Ma'arif (caretaker) was very painstaking and patient in guiding, leading students who had mental damage and mental shock, such as; former thugs, ex-convicts, drug addicts, street children, hopeless, distortions, he uses a persuasive approach based on the Koran. This study used a qualitative descriptive approach, with a case study design with data collection techniques through interviews, observation and documentation. Furthermore, data analysis was carried out using descriptive qualitative analysis methods. The research results found that; the public's perception of the Al-Qur'an tahfidz program is very good as evidenced by responses and encouragement both directly and indirectly, because the program is considered the strongest fortress to protect life. Globalization and modernization are considered as challenges that can damage the morality of national and religious life, the stronger the positive response of the community when Abah Agus Maarif (caretaker) embraces, guides, students who have mental retardation, mental shock, thirst for religious values ? by using an Al-based approach -Quran. Community participation in the Al-Qur'an tahfidz program at the Ibnu Rusydi Cukir Diwek Jombang hermitage is evidenced by the presence of residents at the hermitage starting to just chat, talk about the development of the hermitage, even entrusting their son to study/stay at the hermitage. Because they believe that if their son is diligent in reciting the Koran, it will have a good mindset, mental, soul

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17

Gross, Philippe L., and Sam I. Shapiro. "Bamboo Hermitage [Editors' Introduction]." International Journal of Transpersonal Studies 21, no. 1 (2002): ii. http://dx.doi.org/10.24972/ijts.2002.21.1.ii.

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18

Гук, Дарья, and Darya Guk. "QR-code of Hermitage: statistics, visitors, facts." Service & Tourism: Current Challenges 8, no. 3 (2014): 43–51. http://dx.doi.org/10.12737/5598.

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The studying of the modern technologies applied to an information services for the exhibition of the archaeological collections of the State Hermitage Museum has revealed, that advanced access to the data is available to a limited number of visitors. As an alternative to existing approaches to presenting information to visitors, there was a proposal to develop this technology based on participatory culture. The «Young for the young» project was prepared and carried out in six months thanks to the participants from diff erent countries working in the Volunteer service of the State Hermitage. In the frame of the project a children contest «Discover the Hermitage!» took place just in virtual space. The author, based on web-statistical data, considers the prospect of using QR-codes in museum practice.

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19

Kuzhlev, Мaxim V. "A BOOK ABOUT FAITH FROM THE SPASO-LOMSKAIA HERMITAGE." Texts and History Journal of Philological Historical and Cultural Texts and History Studies 2 (2022): 56–74. http://dx.doi.org/10.31860/2712-7591-2023-2-56-74.

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This is a study of a copy of A Book about Faith (Kniga o vere), which was published in Moscow in 1648. The book was found in Vyatka in 2019 during an archaeographic expedition organized by the Repository of Ancient Manuscripts (Drevlekhranilishche) of the Institute of Russian Literature (Pushkinskii Dom) in St. Petersburg. According to a note in the book, this copy was donated to the Spaso-Lomskaia Ignatieva Hermitage in 1659. This copy of A Book about Faith represents one of the few pieces of evidence for the early period of Saint Ignatii Lomskii’s veneration. This study shows that the book was donated when the hermitage was under the rule of Steward Grigorii (Ivan Neronov) and that its donor was Feoktist, the former hegumen of the Moscow Zlatoust Monastery. The note represents Feoktist’s autograph. The note is examined in the context of his biography and literary activities. A detailed examination of this note also reveals new materials concerning the history of the Spaso-Lomskaia Hermitage. One of the findings is that one book that represented a gift by Tsarina Maria Ilinichna, which is now housed in the collection of M. I. Chuvanov in the Russian State Library in Moscow, once belonged to the library of the Spaso-Lomskaia Ignatieva Hermitage.

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20

Korotkov, M. V. "Restoration and storage of Buddhist painting from the Khara-Khoto collections of XII–XIV centuries." Vestnik of Saint Petersburg State University of Culture, no. 3 (44) (September 2020): 57–62. http://dx.doi.org/10.30725/2619-0303-2020-3-57-62.

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The paper is devoted to the conservation and early stages of maintenance and storage of the unique collection of Buddhist painting that was gathered by P. K. Kozlov in Mongolia in 1907–1909, 1926 and now belongs to the State Hermitage museum. History of its primary conservation is reconstructed using previously unexplored archival data. Of special interest are conditions of maintenance and actions taken to protect the monuments before they were given to the Hermitage. The article also analyses reasons why damage was caused to them. All this information is essential for fi guring out modern methods for their restoration that is a job of the Laboratory of scientifi c restoration of eastern painting of the Hermitage. The research goes beyond local museum practices as it helps to defi ne general problems in restoration of Buddhist painting

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21

OKROSHIDZE, L. G. "NEW FACTS ABOUT THE LIFE AND WORK OF THE FIRST RUSSIAN RESTORER A.F. MITROKHIN (1765-1845)." LOMONOSOV HISTORY JOURNAL 64, no. 2023, №4 (2024): 174–87. http://dx.doi.org/10.55959/msu0130-0083-8-2023-64-4-174-187.

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Restoration is one of the most important areas in preserving the world’s cultural heritage. Th e 19th century is a landmark in the history of restoration. At that time, it turned from a private practice of self-taught artists into a real scientifi cally based discipline. Many European countries have faced the problems of cultural heritage preservation, and everywhere they were solved in diff erent ways, depending on local peculiarities and experience. Th is article deals with previously unknown facts from the life and activity of the fi rst Russian restorer Andrei Filippovich Mitrokhin, who was born and studied painting in the town of Toropets. He served as a simple soldier, then on duty he ended up in Saint Petersburg, where he was soon granted a valet at the Hermitage. His career developed under Franz Ivanovich Labensky, who assumed the position of chief curator of paintings in the Hermitage Gallery in 1797. Mitrokhin’s role in the history of Russian restoration and, in particular, the Hermitage cannot be overestimated. He not only restored paintings and trained several apprentices, but also worked independently on the development of new methods of restoring paintings. By mastering new techniques and methods of mechanical restoration, Mitrokhin and his students managed to preserve more than a thousand paintings from the Hermitage collection, many of which are painting masterpieces. Unfortunately, some aspects of Mitrokhin’s biography, especially his life outside the Hermitage, have long been overlooked by scholars. This paper examines the problem of his alleged date of birth, family and friendship ties, etc. Th e archival data cited by the author allow us to take a fresh look at Mitrokhin as a restorer, and also shed light on some socio-cultural aspects of his time.

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22

Quignard, P. "IN FRONT OF MY HERMITAGE." Common Knowledge 12, no. 3 (2006): 460–502. http://dx.doi.org/10.1215/0961754x-2006-008.

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23

Lumbreras, Ernesto, and Bond Snodgras. "Hermitage For A Family Tree." Poem 2, no. 3 (2014): 52–53. http://dx.doi.org/10.1080/20519842.2014.11415485.

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24

Couture, André. "KRSNA'S INITIATION AT SĀNDĪPANI'S HERMITAGE." Numen 49, no. 1 (2002): 37–60. http://dx.doi.org/10.1163/15685270252772768.

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AbstractIn the Harivamśa 79 [HV], the Visnu-Purāna 5.21 [ViP], the Brahma-Purāna 86 [BrP], and the Bhāgavata-Purāna 10.45 [BhP], immediately after the young Krsna kills Kamsa, Krsna's initiation at Sāndīpani's hermitage takes place. To date, this strange episode has not been studied in its own right. Occasionally mentioned in scholarly works, no attempt has been made to understand the importance or significance of this event within the Krsna tradition. This paper begins with a summary of HV 79, and then moves on to examine the character of Sāndīpani, his connection with Garga/Gārgya, the initiation process and the underlying father/son relationships, as well as variations on these themes. The episode provides a narrative link between Samkarsana and Krsna's childhood and the rest of the story which deals with their adult life as ksatriyas, and as such, helps to clarify the overall structure of the HV. Emphasizing Sāndīpani's role as a guru, this paper uncovers, little by little, his connections with (1) the whole trimūrti comprised of Brahmā, Visnu and Śiva-Rudra, (2) the sacrificial logic which involves one who sacrifices, a deity and an officiant, and (3) the variations on the theme of filiation implied in the narration.

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Piotrovsky, Mikhail. "The Hermitage through the Centuries." Museum International 55, no. 1 (2003): 9–11. http://dx.doi.org/10.1111/1468-0033.00406.

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Vilinbakhov, George. "The Hermitage ‘…Diverse and Vast …’." Museum International 55, no. 1 (2003): 12–19. http://dx.doi.org/10.1111/1468-0033.00407.

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Soldatenko, Anatoly. "Hermitage Mercahndising and International Marketing." Museum International 55, no. 1 (2003): 75–78. http://dx.doi.org/10.1111/1468-0033.00416.

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Ananiev, Vitaliy Gennad’evich, and Mikhail Dmitrievich Bukharin. "Academician S.A. Zhebelev and State Hermitage." Journal of Modern Russian History and Historiography 11, no. 1 (2018): 43–70. http://dx.doi.org/10.1163/22102388-01100003.

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This article analyzes the relations between the State Hermitage Museum and Sergei Aleksandrovich Zhebelev, one of the most important ancient historians working in Russia in the first half of the twentieth century. Based on previously unpublished archival sources in Moscow and St. Petersburg, the article enlarges our knowledge of Zhebelev’s biography and scholarly activity, describes his position on preserving Russia’s cultural heritage, and sheds new light on the history of the Hermitage – in particular, on its evolving structure as a research institution.

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Rachman, Maman, Aris Munandar, and Andi Suhardiyanto. "Padepokan Karakter: Model of Character Development." KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE 7, no. 2 (2015): 176. http://dx.doi.org/10.15294/komunitas.v7i2.4460.

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<p>This study was aimed at describing the portraits of the factual management model of character reinforcement applied nowadays, developing the hypothetical management model of character reinforcement in Padepokan Karakter or a character hermitage. This research was conducted under research and development approaches. The subjects of this research were the informants (students, lecturers, teachers, school principals), documents, and events. The data were collected through interviews, observations, documentations, considerations of specialists and practitioners, focused group discussions, and questionnaires. The results indicated that the factual model of character reinforcement was done by integrating characters on subjects described in the functions of planning, implementation, and evaluation. The development of management models of character reinforcement recommended in this research was managed through the function of planning, organizing, implementing and controlling the characters in the character hermitage. The device of character reinforcement available in the character hermitage was effective and influential to reinforce the students ‘ character.</p>

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Bolshakov, Andrey O. "Some de Visu Observations on P. Hermitage 1115." Journal of Egyptian Archaeology 79, no. 1 (1993): 254–59. http://dx.doi.org/10.1177/030751339307900120.

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De visu investigation of P. Hermitage 1115, which bears the only copy of the Tale of the Shipwrecked Sailor, gives new information on the history of this papyrus. It is a palimpsest, with some sheets glued together after the original text had been washed off, which can presumably be explained by the necessity to cut away damaged areas. A narrow papyrus strip is preserved, which is glued along the right (initial) edge of P. Hermitage 1115, and which partly overlaps one of the signs in col. 1. To the author's mind it is the only remnant of a lost previous sheet which must have contained the beginning of the Shipwrecked Sailor. Thus, the only known manuscript of the Shipwrecked Sailor is incomplete, and the introduction of the tale is lost. This reconstruction of the history of P. Hermitage 1115 is not beyond debate, but it may be of service for future interpretations of the Shipwrecked Sailor.

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Julia, Kantor. "The Hermitage and Hermitage Artists in the Urals. Unknown Pages (Based on the Archive Documents)." TECHNOLOGOS, no. 3 (2020): 88–98. http://dx.doi.org/10.15593/perm.kipf/2020.3.06.

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The article is devoted to the stay of the State Hermitage collections in Sverdlovsk during the Great Patriotic war. Based on the documents, the author of the article examines the events of the evacuation period, including the organization of evacuation, removal, problems with the placement of exhibits caused by the lack of necessary space for placing the most valuable exhibits, as well as the complexity of the Museum employees’ accommodation. The issue of emergency evacuation of art treasures from Leningrad before the beginning of the blockade has also been raised: curtailing expositions, packaging, routing. In the article it has been shown the participation of regional authorities in solving problems related to the storage of Museum exhibits, has payed attention to the relationship of Museum employees with Sverdlovsk residents, and the stories of mutual assistance and interaction between Sverdlovsk and Leningrad Museum workers have been examined. Also the author considers the aspects of Museum workers ' daily life, problems related to the placement of unique exhibits in Sverdlovsk, and the activities of Sverdlovsk and Republican party and state bodies that responded to the requirements of Museum employees to create the necessary storage conditions. In the article is considered the story related to the placement of the evacuated collections of the Chersonesos archaeological Museum, and it is mentioned that the Crimean artifacts became the part of the Ural branch of the Leningrad Museum. Attention is also paid to the collection of Sverdlovsk posters from the great Patriotic war that was discovered in the Hermitage in the post-Soviet period. The cycles of lectures on the Humanities organized by the Hermitage branch at the Sverdlovsk University, Pedagogical, Legal and Medical Institutes, the Industrial Institute and the Regional Art School have also been referred to in the publication. The article shows the multi-faceted scientific activity of employees of Sverdlovsk branch of the Hermitage who conducted or completed serious scientific research during the evacuation period. One of the most important events during the period when the Hermitage exhibits were in Sverdlovsk was the Exhibition "The heroic military past of the Russian people" (1943). The article is also focused on the multifaceted restoration and educational activities of the Hermitage, which became the basis for professional and personal contacts between Leningrad and Sverdlovsk residents and has continued for 75 years.

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Magomedov, Amirbek Dzhalilovich, and Dzhamilya Arslangereevna Dagirova. "KUBACHI AND THE STATE HERMITAGE MUSEUM (Collecting practices, sales, studying the art of craft)." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 25 (April 30, 2021): 49–58. http://dx.doi.org/10.31029/vestiyali25/9.

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The article analyses the cooperation of the Kubachi antiquaries with the State Hermitage Museum in the for-mation of a number of its collections, the sale of exhibits to the museum, and the study of Kubachi art. The role of Academician I. A. Orbeli, head of the East Department of the State Hermitage Museum A. A. Ivanov, and Kubachi master R. A. Alikhanov in this matter is shown. The Kubachi traditions of collecting antique values and their importance in preserving the cultural heritage of Dagestan are demonstrated.

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Wibowo, Arining, Joko Kurnain, and Juanda Juanda. "History of Inheritance of Wayang Topeng Malangan (Malang Traditional Mask Puppet) in Pakisaji and Tumpang." Harmonia: Journal of Arts Research and Education 20, no. 1 (2020): 73–83. http://dx.doi.org/10.15294/harmonia.v20i1.24785.

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This study aims to explain the history and process of inheriting mask puppet art in two representative hermitages (padepokan) (in Malang, namely Padepokan Asmoro Bangun in Pakisaji sub-district and Mangun Dharma in Tumpang sub-district). This research uses a qualitative approach. Data collection techniques are done through interviews, observation, and study documents. The process of inheritance includes art practices such as dancing, puppeteering, playing musical instruments, and making masks and transferring knowledge about Wayang Topeng Malangan. Inheritance is generally done since offsprings (children/grandchildren) are still at an early age. The history of the inheritance of the traditional mask puppet art in Padepokan Asmoro Bangun has occurred for six generations of this family since before 1930 starting from the Serun period. The sixth Padepokan Asmoro Bangun Heirs are two daughters named Winnie Padnecwara (15 years old) and Dita Andhika Raja Padmi (12 years old) who learned this art since the age of four. Padepokan Mangun Dharma is the home of mask puppet art, as well as music, traditional dance, and theatre, macapat, puppetry, and shadow puppets. The history of the inheritance of this hermitage began with the great-grandfather of the puppeteer Soleh namely Kek Sainten (Grandpa Sainten). The current heir of Padepokan Mangun Dharma is the son of the puppeteer Soleh, Supriyono Hadi Prasetyo, who also learned puppetry both autodidact and formally through college. Although inheritance occurs vertically, which is hereditary in each hermitage, horizontal inheritance also occurs between the two. This indicates that the inheritance process of Padepokan Asmoro Bangun and Mangun Dharma are related to each other.

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Sinha, Prathma. "Depiction of Aashram in Kalidasa's Abhijnanashakuntalam." International Journal of Research 8, no. 12 (2021): 348–54. https://doi.org/10.5281/zenodo.7978067.

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<em>Aashram was a place where hermits lived in seclusion from the rest of the world for religious purposes. Originally hermitages were natural caves, a hut in the forest or temple ruins.</em> <em>Generally, these are situated in beautiful natural spots with many flora and fauna. Hermitage in ancient India is supposed to be a utopia. Kalidasa is considered one of India’s greatest writers, dramatists and poets. Abhijnanashakuntalam is one of his finest creations, where he has presented a very lively description of Kanv Aashram. He has given a detailed description of the surroundings of Kanv Aashram in the drama. It is apparent that he was familiar with the location of Kanv Aashram, which is situated in Uttarakhand. The present paper explores how Kalidas has portrayed the ashram in Abhijnanshakuntalam.</em>

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Rakai Hino Galeswangi. "URGENSI STILASI BUDAYA DALAM PENDIDIKAN ISLAM DI AMPEL DENTA ABAD XV." Batuthah: Jurnal Sejarah Padaban Islam 1, no. 2 (2022): 100–121. http://dx.doi.org/10.38073/batuthah.v1i2.734.

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This research contains about how islam spreads widely from Surabaya City. The spread of Islam has been done by learning way. The founding teacher built a hermitage as the facility to support the learning process. This research has purpose to analyze and interpret an invention at 15th century in East Java, more precisely in the region of Surabaya. The object of this research is The Hermitage of Ampel Denta with the influential figure named Mohammad Ali Rahmatullah or well known as Sunan Ampel. The method of this research is library research with historical study. The data collection was carried out with library study with secondary data review. This research uses structural analysis on written sources, especially sources in foreign language. The result of this analysis is finding the existence of stylization proofs which has been done by Sunan Ampel for doing dawah and learning process in The Hermitage of Ampel Denta. By finding this interpret, this research may be useful for the next researches, especially in Islamic Religion field, education, and history.

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Loginova, E. Ju. "PHANTOM SCYTHIANS MOUND NEAR THE SUMY CITY." Archaeology and Early History of Ukraine 27, no. 2 (2018): 321–29. http://dx.doi.org/10.37445/adiu.2018.02.22.

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In 1926 collection of items that allegedly were founded in a mound near the Sumy city of Kharkov province was transferred to the State Hermitage museum from the storehouse of antiquities of the State Academy for the History of Material Culture. According to the information given in the museums inventory book, this mound was excavated by N. E. Makarenko in 1915. However we couldn’t find any documents confirming this research. Even if the mound near the Sumy city existed, details of its structure as well as circumstances of the items discovery are still unknown. The most of peculiar interest items in the Hermitage collection are numerous iron parts of two Scythian-type wagons. In this article we have proposed the reconstruction of the wheels of these wagons that based in the analysis of the items. For some parts of wagons we have found analogies in the Scythian mounds in the Dnieper and the Kuban areas. At the same time, in the Hermitage collection there are Sindo-Meotian type swords and Meotian pottery of the IV century BC. Considering this fact, we have reviewed an alternative version of the origin of wagons parts. Some indirect signs allow us to correlate items from a mound near the Sumy city with the famous Elizabethan burial mounds. This fact is confirmed also by the comparison items from Hermitage collection with archive documents of excavations of the Elizabethan burial ground, in particular, with the photo of the wheels that were founded in the mound, excavated in 1915.

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Sokolova, Olga. "The Nymphaion Expedition of the State Hermitage Museum (2014–2018)." Hyperboreus 25, no. 1 (2019): 143–54. https://doi.org/10.36950/efux7179.

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Cera, Valeria. "Rapid Speleological Survey Procedures for Hermitages.The Cave of the Angel in Montesano (SA)." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-2/W8-2024 (December 14, 2024): 85–91. https://doi.org/10.5194/isprs-archives-xlviii-2-w8-2024-85-2024.

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Abstract. The paper presents an experiment having the objective of verifying the use of low-cost sensors such as solid-state Lidar embedded in a smartphone for cave surveying. The case study is a micaelic hermitage in Montesano sulla Marcellana (Italy) and is part of a research that deals with the analysis and digitization of rupestrian architecture, especially, hermitages dedicated to the cult of St. Michael present in Campania (Italy). In order to evaluate the application potential of Lidar for cave surveying, comparisons were made between the results of different surveying campaigns performed both with traditional speleological techniques and by TLS sensors. The experimentation provides quantitative assessments of the possibility of using these new sensors that would make the acquisition steps even faster. In addition, the outcomes of the survey shed light on previously unknown aspects of the case study.

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Butyagin, Alexander. "Investigations of the Myrmekion Expedition in 2014–2018." Hyperboreus 25, no. 1 (2019): 161–69. https://doi.org/10.36950/oxml4157.

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Sedano-Espejo, E., P. MacKinlay, D. Sanz-Arauz, M. Sánchez-Aparicio, and L. J. Sánchez-Aparicio. "USE OF GEOGRAPHICAL INFORMATION SYSTEM APPROACHES FOR THE DIAGNOSIS OF SAN ISIDORO RUINS (MADRID, SPAIN)." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-M-1-2021 (August 28, 2021): 677–84. http://dx.doi.org/10.5194/isprs-archives-xlvi-m-1-2021-677-2021.

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Abstract. This article shows the application of different geoinformatic approaches for the diagnosis of a small hermitage located at the Spanish capital of Madrid. More specifically Structure from Motion photogrammetry for the 3D digitalization and orthophoto generation, and Geographical Information System (GIS) for uploading and management of the information were used. Both strategies were carried out using open-source software. In the case of the GIS approach the QGIS platform was chosen and some additional features were programmed to facilitate the diagnosis such as the creation of standardized HTML files to improve the interoperability. The pre-diagnosis phase was carried out by means of the Qfield android application that allows capturing the data on field. Additionally, several previous test, i.e. X-ray diffraction, microscopy and physical tests were carried out with the aim of understanding the severe degradation process that this Hermitage is suffering. This multidisciplinary approach allows us to understand the current status and degradation mechanisms of the Hermitage on which the most prominent damages are the features induced by material loss. This damage is related with the environmental conditions of the sites as well as the physical and chemical properties of the stone used during its construction.

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Novoselova, Nadezda. "‘The House of Archelaos’: Archaeological Investigations of the State Hermitage Expedition in Quarter XX of the Tauric Chersonesos in 2014–2018." Hyperboreus 25, no. 1 (2019): 107–17. https://doi.org/10.36950/ntcz4226.

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Kattsova, Alexandra. "Investigation of the Ancient Settlement of Kytaion in 2015–2018: Archaeological Expedition of the State Hermitage Museum." Hyperboreus 25, no. 1 (2019): 126–32. https://doi.org/10.36950/dqfk7960.

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Maines, Clark, Walter Horn, Jenny White Marshall, and Grellan D. Rourke. "The Forgotten Hermitage of Skellig Michael." American Journal of Archaeology 95, no. 4 (1991): 758. http://dx.doi.org/10.2307/505916.

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KRUTIKOV, P. G., and Y. A. MEDVEDEV. "The Hermitage: We Have Only One." Heat Transfer Engineering 10, no. 1 (1989): 54–59. http://dx.doi.org/10.1080/01457638908939692.

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Bogdanov, Aleksei. "Technologies and the Hermitage: New Opportunities." Museum International 55, no. 1 (2003): 27–32. http://dx.doi.org/10.1111/1468-0033.00409.

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Haltunen, Maria. "The Greater Hermitage: A Grand Future." Museum International 55, no. 1 (2003): 33–38. http://dx.doi.org/10.1111/1468-0033.00410.

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Fursenko, A. A. "The guardian of the hermitage treasures." Herald of the Russian Academy of Sciences 78, no. 1 (2008): 99–103. http://dx.doi.org/10.1134/s1019331608010127.

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Taran, Shaurya. "Between a hermitage and a hospital." Canadian Medical Association Journal 190, no. 44 (2018): E1308—E1309. http://dx.doi.org/10.1503/cmaj.180552.

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Kakovkin, A. Ya. "The Coptic Collection of the Hermitage." Ancient Civilizations from Scythia to Siberia 1, no. 2 (1995): 224–29. http://dx.doi.org/10.1163/157005794x00093.

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Magomedov, Amirbek Dzhalilovich. "THE OUTSTANDING SCIENTIST-ORIENTALIST, IRANIST, ART CRITIC (IN MEMORY OF A. A. IVANOV)." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 27 (September 22, 2021): 61–65. http://dx.doi.org/10.31029/vestiyali27/10.

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The article is dedicated to the memory of the outstanding scientist – the scholar of Iranian studies, art critic, head of the Department of the East of the State Hermitage Museum A. A. Ivanov, who worked at the Hermitage for al-most 70 years and distinguished himself with encyclopedic knowledge in many fields of science, was the greatest expert on antique values of many countries of the East. His role in the study of the culture and art of Iran, the study and promotion of Kubachinsky art is evaluated. The great role of A. A. is Ivanov in the study of Dagestan culture, arts and crafts of the village of Kubachi.

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