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Journal articles on the topic 'Heroes lost and fallen'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Weeks, Jeffrey. "Fallen Heroes? All about Men." Irish Journal of Sociology 14, no. 2 (December 2005): 53–65. http://dx.doi.org/10.1177/079160350501400204.

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The question of what men are and what they want has become central to public debates and private concerns but we cannot understand what is happening if we see it as a problem for men alone. It needs to be considered as part of a long process in which masculinity and femininity, sexual normality and abnormality, and the nature of intimate life are being profoundly shaken. The emergence of a crisis discourse around masculinity has served to obscure the different conditions under which men live their lives, and to exaggerate in turn the radical dichotomy of men and women. Binary divisions along gender and sexual lines can be seen as an historical fiction which conceals a much more confused mixture of fears, anxieties and desires about what being a man means. The dramatic social and cultural changes that we are now witnessing provide conditions for reinventing the relations of gender and sexuality.

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2

Vogel, Carola. "Fallen Heroes?—Winlock's ‘Slain Soldiers’ Reconsidered." Journal of Egyptian Archaeology 89, no. 1 (December 2003): 239–45. http://dx.doi.org/10.1177/030751330308900114.

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3

Liang, Shiau Bo. "Una llamada por la justicia medioambiental en El zorro de arriba y el zorro de abajo de José María Arguedas // A Call for Environmental Justice in José María Arguedas's El zorro de arriba y el zorro de abajo." Ecozon@: European Journal of Literature, Culture and Environment 9, no. 2 (October 24, 2018): 56–71. http://dx.doi.org/10.37536/ecozona.2018.9.2.2285.

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Resumen Este artículo muestra cómo en su novela El zorro de arriba y el zorro de abajo, José María Arguedas combina su voz de autor con la de figuras míticas antiguas para hacer un alegato más poderoso por la justicia ambiental a favor de los pueblos indígenas en el contexto de la industrialización del Perú moderno. A diferencia de sus anteriores novelas realistas Yawar fiesta, Los ríos profundos y Todas las sangres, que tienen una visión más antropológicamente descriptiva de los indios y sus relaciones con los pueblos colonizadores, esta novela se encuadra dentro del realismo mágico y se centra en el paraíso perdido de Chimbote, una ciudad costera. La imagen que Arguedas nos ofrece de la ciudad explotada como una mujer caída es una crítica profética, que confirma los principios del discurso de Val Plumwood y otras ecofeministas contemporáneas. Este narrador reinterpreta la figura mítica del héroe burlador (trickster) a través de una actualización literaria de los zorros míticos de la cultura Moche con el fin de crear una forma moderna de pensamiento mitológico. A través del diálogo entre dos zorros, el novelista es capaz de trascender el tiempo y el espacio para brindar a los lectores una amplia perspectiva ecocrítica del transcurso de la degradación ambiental y social que la industrialización desenfrenada produce en el Perú del siglo XX.Abstract This paper argues that in El zorro de arriba y el zorro de abajo, José María Arguedas combines his authorial voice with ancient mythical figures to make a powerful call for environmental justice for indigenous peoples in the context of the industrialization of modern Peru. Unlike his previous realistic novels Yawar fiesta, Los ríos profundos and Todas las sangres, which have a more anthropologically descriptive view of Indians and their relations to the colonizing peoples, this novel adopts magic realism and is about the lost paradise of Chimbote, a coastal city. Arguedas’ image of the exploited city as a fallen woman is a prescient critique, which confirms tenets of the discourse of Val Plumwood and other contemporary ecofeminists. Although the mythical “zorros” from the highlands and the lowlands are derived from Moche culture and other Peruvian legends, in his new myth recreated in their dialogue, the “zorros” become “trickster heroes” in a modern age with their mythic voices. Through their dialogue, Arguedas is able to transcend time and space to give the readers a broad eco-critical perspective of the course of environmental and social degradation under rampant industrialization in 20th century Peru.

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4

Thompson, David R. "The lost heroes of nursing." Journal of Advanced Nursing 75, no. 11 (July 21, 2019): 2267–69. http://dx.doi.org/10.1111/jan.14145.

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5

Van den Wyngaert, Tim, Manon T. Huizing, Eric Fossion, and Jan B. Vermorken. "Bisphosphonates in Oncology: Rising Stars or Fallen Heroes." Oncologist 14, no. 2 (January 29, 2009): 181–91. http://dx.doi.org/10.1634/theoncologist.2008-0209.

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6

Chaurasia, Bipin, Harsh Deora, Nasser M. F. El-Ghandour, Nelson M. Oyesiku, Raushan Kumar Chaurasia, Michael Schulder, Jose Antonio Soriano Sanchez, et al. "In Memoriam: A Memoir for Our Fallen “Heroes”." Neurosurgery 87, no. 4 (July 13, 2020): 854–56. http://dx.doi.org/10.1093/neuros/nyaa314.

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Abstract Even though neurosurgeons exercise these enormous and versatile skills, the COVID-19 pandemic has shaken the fabrics of the global neurosurgical family, jeopardizing human lives, and forcing the entire world to be locked down. We stand on the shoulders of the giants and will not forget their examples and their teachings. We will work to the best of our ability to honor their memory. Professor Harvey Cushing said: “When to take great risks; when to withdraw in the face of unexpected difficulties; whether to force an attempted enucleation of a pathologically favorable tumor to its completion with the prospect of an operative fatality, or to abandon the procedure short of completeness with the certainty that after months or years even greater risks may have to be faced at a subsequent session—all these require surgical judgment which is a matter of long experience.” It is up to us, therefore, to keep on the noble path that we have decided to undertake, to accumulate the surgical experience that these icons have shown us, the fruit of sacrifice and obstinacy. Our tribute goes to them; we will always remember their excellent work and their brilliant careers that will continue to enlighten all of us.

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7

Tejkalová, Alice N. "Twenty Years After: Czech Heroes and Fallen Heroes of the Nagano 1998 Olympic Games." MedienJournal 43, no. 1 (July 30, 2019): 83–100. http://dx.doi.org/10.24989/medienjournal.v43i1.1794.

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In February 1998, the entire Czech Republic was in jubilation over the gold medal victory of its ice-hockey team at the Olympic Games in Nagano, Japan. The players were spectacularly welcomed home by tens of thousands of fans, including ordinary citizens and political figures. Goal-keeper Dominik Hašek, the famous NHL star Jaromír Jágr, and team captain Vladimír R?ži?ka, were heavily covered by the media. The three athletes went on to have successful careers after Nagano. Czech media coverage played a significant role in the „Naganomania“ of the time and was later also to assist in the social fall of some of those heroes. Based on the theory of myths in sports journalism, the concept of fallen heroes, and the media frame analysis, this paper presents the development within the media coverage of the four above-mentioned athletes in selected Czech dailies. The media portrayals of these athletes so similarly celebrated in 1998 are shown to have diversely evolved over a twenty year span.

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8

Harland, David M. "Fallen Astronauts: Heroes Who Died Reaching for the Moon." Journal of Cold War Studies 20, no. 4 (December 2018): 241–43. http://dx.doi.org/10.1162/jcws_r_00831.

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9

DENNIS, MICHAEL ROBERT, and ADRIANNE DENNIS KUNKEL. "FALLEN HEROES, LIFTED HEARTS: CONSOLATION IN CONTEMPORARY PRESIDENTIAL EULOGIA." Death Studies 28, no. 8 (October 2004): 703–31. http://dx.doi.org/10.1080/07481180490483373.

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10

Twohey, Denise. "What About Men?" Psychology of Women Quarterly 19, no. 2 (June 1995): 295–97. http://dx.doi.org/10.1177/036168439501900204.

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11

Simon, Bennett. "Psychoanalytic Reflections on Heroism in a Time of Fallen Heroes." Journal of Nervous and Mental Disease 192, no. 3 (March 2004): 171–77. http://dx.doi.org/10.1097/01.nmd.0000116530.23640.a3.

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12

Buckley, Cynthia. "Men in Contemporary Russia: The Fallen Heroes of Post-Soviet Change?" Contemporary Sociology: A Journal of Reviews 36, no. 4 (July 2007): 338–39. http://dx.doi.org/10.1177/009430610703600413.

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13

Meissner, W. W. "In a Time of Fallen Heroes: The Re-creation of Masculinity." American Journal of Psychotherapy 48, no. 2 (April 1994): 302–3. http://dx.doi.org/10.1176/appi.psychotherapy.1994.48.2.302.

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14

Mathur, Nameeta. "Men in Contemporary Russia: The Fallen Heroes of Post-Soviet Change?" Comparative Sociology 7, no. 2 (2008): 242–44. http://dx.doi.org/10.1163/156913308x260493.

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15

SLIPP, SAMUEL. "In a Time of Fallen Heroes: The Re-Creation of Masculinity." American Journal of Psychiatry 151, no. 9 (September 1994): 1387. http://dx.doi.org/10.1176/ajp.151.9.1387.

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16

Zuern, Elke, and James M. Jasper. "Heroes and Victims in Divided Nationalism: The Case of Namibia." Journal of Nationalism, Memory & Language Politics 14, no. 1 (July 28, 2020): 1–27. http://dx.doi.org/10.2478/jnmlp-2020-0006.

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AbstractHeroes play a role in every nation's founding narrative, embodying a group's strength and courage, its dedication to protecting all within its fold, and its most important traditions and promises. Yet hero images and tropes have not received the attention they deserve in the social science literature on nations and nationalism. Recent theories of character work – the rhetorical construction of heroes, villains, victims, and minions – reveal the challenges of building an inclusive nationalism in post-colonial states. We engage the debates over some of Namibia's most prominent and contested heroes through the memorials dedicated to them and the commemorations honoring victims of past struggles. We study the victims that these heroes sought to defend and trace the process by which victims become heroes of endurance. The Namibian state has, after its recent independence, constructed a memorial to fallen heroes, Heroes Acre, and an Independence Memorial Museum. Alongside these state-sanctioned memorial sites, a range of citizens have sought to honor and defend their own heroes. By honoring different heroes, they have defined alternative understandings of the nation. We also demonstrate the power of victims in mobilizing present day campaigns for justice and reparations. In Namibia, as elsewhere, greater attention to victims could shift the balance of political power. This article demonstrates how a focus on struggles over the legitimacy of particular heroes and victims can provide unanticipated insights into the study of divided nationalism.

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17

Fuller, Watson. "Unravelling the double helix: the lost heroes of DNA." Crystallography Reviews 26, no. 1 (November 4, 2019): 61–64. http://dx.doi.org/10.1080/0889311x.2019.1683732.

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18

Anderson, Douglas. "Unfallen Marriage and the Fallen Imagination in Paradise Lost." Studies in English Literature, 1500-1900 26, no. 1 (1986): 125. http://dx.doi.org/10.2307/450699.

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19

Simons, John. "Bees and Fallen Angels: A Note on Paradise Lost." Milton Quarterly 21, no. 1 (March 1987): 21–22. http://dx.doi.org/10.1111/j.1094-348x.1987.tb00697.x.

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20

Hoover, Kevin D. "Lost Causes." Journal of the History of Economic Thought 26, no. 2 (June 2004): 149–64. http://dx.doi.org/10.1080/1042771042000219000.

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Often papers begin with an idea. Once the paper is written, sometimes little sometimes much effort goes into finding a title. This lecture worked the other way round. It started with the title, which I passed on to Roy Weintraub, my successor as President of the Society, when I still had but the vaguest idea ol what I would write. When Roy heardmy title he pointed me to a passage from C. Vann Woodward, that he hadhimself quotedin Stablizing Dynamics:Lost causes, especially those that foster loyalties and nostalgic memories are among the most prolific breeders of historiography. If survivors deem the cause not wholly lost andperhaps in some measure retrievable, the search of the past becomes more frantic and the books about it more numerous. Blame must be fixed, villains found, heroes celebrated, old quarrels settled, old dreams restored, and motives vindicated. Amid the ruins controversy thrives and books proliferate (quoted by Weintraub 1991, p. 125, from Vann Woodward 1986).

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21

Edwards, Jonathan. "Should Humanitarians be Heroes?" International Journal of Applied Philosophy 34, no. 2 (2020): 255–70. http://dx.doi.org/10.5840/ijap2021413152.

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Humanitarian aid workers typically reject the accolade of hero as both untrue and undesirable. Untrue when they claim not to be acting beyond the call of duty, and undesirable so far as celebrating heroism risks elevating “heroic” choices over safer, and perhaps wiser ones. However, this leaves unresolved a tension between the denial of heroism and a sense in which certain humanitarian acts really appear heroic. And, the concern that in rejecting the aspiration to heroism an opportunity is lost to inspire more and better humanitarian action. Having set out this problem in more detail in Part I, the argument in Part II will suggest that a virtue ethics approach to humanitarian moral obligations can make good sense of our intuitions concerning the role of heroism in humanitarian action. In Part III I will argue that at least “professional” humanitarians, instead of rejecting heroism, should aim to be heroes, in the sense of displaying a virtue of humanity in high-stakes contexts, because this is consistent with the aim of humanitarian action. Finally, some lingering problems of demandingness and motivation are considered.

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22

Adebayo, Mojisola, Valerie Mason-John, and Deirdre Osborne. "‘No Straight Answers’: Writing in the Margins, Finding Lost Heroes." New Theatre Quarterly 25, no. 1 (February 2009): 6–21. http://dx.doi.org/10.1017/s0266464x09000025.

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Mojisola Adebayo and Valerie Mason-John are two distinctive voices in contemporary writing and performance, representing an Afro-Queer diasporic heritage through the specific experience of being black, British, and lesbian. Creating continuities from contorted or erased histories (personal, social, and cultural), their drama demonstrates both Afro-centric and European theatrical influences, which in Mason-John's case is further consolidated in her polemic, poetry, and prose. Like Britain's most innovative and prominent contemporary black woman dramatist, debbie tucker green, they reach beyond local or national identity politics to represent universal themes and to centralize black women's experiences. With subject matter that includes royal families, the care system, racial cross-dressing, and global ecology, Adebayo and Mason-John have individually forged a unique aesthetic and perspective in work which links environmental degradation with social disenfranchisement and travels to the heart of whiteness along black-affirming imaginative routes. Deirdre Osborne is a lecturer in drama at Goldsmiths College, University of London, and has published essays on the work of black British dramatists and poets, including Kwame Kwei-Armah, Dona Daley, debbie tucker green, Lennie James, Lemn Sissay, SuAndi, and Roy Williams. She is the editor of Hidden Gems (London: Oberon Books, 2008), a collection of plays by black British dramatists.

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23

Sikorski, Radek. "How We Lost Poland: Heroes Do Not Make Good Politicians." Foreign Affairs 75, no. 5 (1996): 15. http://dx.doi.org/10.2307/20047740.

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24

Mirza, Shireen. "Lost worlds." Contributions to Indian Sociology 51, no. 2 (April 26, 2017): 221–48. http://dx.doi.org/10.1177/0069966717697419.

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This article thinks about decline as part of the sociology of time, by exploring ways former politically dominant communities seek to negotiate their ritual traditions by forging newer relationships to modern time. It offers an ethnography of decline among the Shia community of Hyderabad old city, whose weakened political status by colonial modernity speaks in different ways of the experience of the contemporary as diachronic and not in succession with the past. These perceptions of decline describe the moral loss of the Shia community through the spatial decline of Hyderabad old city, as a fallen state that has been produced by Muslim actors in time. It reflects on the contradictory perceptions of decline that describes the deprivations produced by time as well as implicates community actors as offenders in time who persist with the performance of what appear to be meaningless rituals in the present context. What are the relations to time that make communities redefine culture in ways that are temporally meaningful to them is of interest here.

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25

Franch, Pere. "Praising the fallen heroes: Storytelling in US war presidential rhetoric, from Johnson to Obama." Language and Literature: International Journal of Stylistics 27, no. 4 (November 2018): 311–28. http://dx.doi.org/10.1177/0963947018805651.

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This paper analyses the use of storytelling by United States presidents in their war speeches, from the Vietnam War to the War on Terror. The study proposes a dual concept of storytelling in political communication: first, the global story that lies behind the presidential rhetoric aimed at justifying war; and second, the use of a specific technique consisting of inserting particular, personal stories into the speeches in order to communicate specific messages to the audience. The methodology used consists of an in-depth, interpretive, qualitative content analysis of a sample of presidential speeches. The findings confirm, firstly, that US presidents’ war storytelling aims to reinforce the political myth of America’s duty to preserve freedom, an argument that helps make the burden of the war understandable and bearable for the people, thereby reaffirming American collective identity. It is a reductionist narrative, as all wars are presented as having the same causes and goals. Secondly, the presidential use of personal stories is confirmed to have increased exponentially from the Vietnam War era. In most cases, these stories consist of a personification of some basic values attributed to the whole nation, by means of which these values are reinforced: heroism, patriotism, sense of duty, and, above all – again – the defence of freedom. The results also show that, in this aspect of their war rhetoric, the differences between George W. Bush and Barack Obama are at least blurred, despite their ideological and political differences.

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26

Гололобов, Иван. "Men in Contemporary Russia: The Fallen Heroes of Post-Soviet Change? by Rebecca Kay." Ab Imperio 2006, no. 4 (2006): 516–23. http://dx.doi.org/10.1353/imp.2006.0045.

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27

Bartha, Eszter. "Fallen Heroes in Global Capitalism: Workers and the Restructuring of the Polish Steel Industry." Europe-Asia Studies 66, no. 7 (August 9, 2014): 1188–89. http://dx.doi.org/10.1080/09668136.2014.934132.

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28

Савин, Андрей Иванович. "HEROISM AS AN IDEOLOGICAL CONCEPT OF STALIN’S ERA." Тверского государственного университета. Серия: История, no. 3(55) (December 25, 2020): 93–108. http://dx.doi.org/10.26456/vthistory/2020.3.093.

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Автор показывает, как большевики трансформировали в 1910-е - 1930-е гг. положение марксизма, согласно которому единственно важными акторами и героями истории являются народные массы. В период Гражданской войны большевики частично пересмотрели марксистские взгляды на роль героической личности в истории и начали процесс постепенной индивидуализация героев, первой формой которой стало формирование культа павших героев. Курс на индивидуализацию советских героев в годы Гражданской войны нашёл своё развитие в создании первых институциональных героев - кавалеров ордена Красного Знамени. Период нэпа знаменовался релятивацией концепта индивидуального героизма, и на роль героев в полном соответствии с марксистской догмой предлагались целые рабочие коллективы. В середине 1930-х гг. произошёл окончательный переход от догматической марксистской трактовки героизма к новаторскому для большевиков пониманию ключевой роли отдельных героев. По мнению автора, это было обусловлено необходимостью появления героев, персонально олицетворяющих социалистическое строительство и являющихися необходимыми примерами для выработки советской идентичности. The article focuses on the origins of ideological concept of soviet heroism during 1910-1930s. Basing on the variety of literature data and archival sources, the article demonstrates how Bolsheviks have transformed one of the key statements of Marxism - that the only truly important actors and heroes of history are the masses. Pragmatic consequences of Civil War victory forced Bolsheviks to partially reconsider Marxist views on the role of heroic personality in history, and they started to gradually individualize the heroes. The first step was forming the cult, dedicated to Fallen Heroes. Individualization of soviet heroes during the Civil War logically resulted in the creation of first institutionalized heroes: recipients of the Order of the Red Banner. During NEP the concept of individual heroes began to change. During 1920s, egalitarian ideas once again began to triumph heroization of individual people. In full accordance with Marxist dogma, whole labor collectives were nominated as heroes. Transition from dogmatic Marxist understanding of heroism to innovative, for Bolsheviks, understanding of key role of distinct heroes finalized during 1930s, because of the necessity in heroes, who would personally embody social construction, while being absolutely necessary for emulation and the emergence of soviet identity.

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29

Little, Walter, and Jimmy Burns. "The Land That Lost Its Heroes: Argentina, the Falklands, and Alfonsín." Bulletin of Latin American Research 8, no. 1 (1989): 131. http://dx.doi.org/10.2307/3338904.

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30

Launius, Roger D. "Fallen Astronauts: Heroes Who Died Reaching for the Moon. By Colin Burgess and Kate Doolan." Oral History Review 44, no. 2 (2017): 412–14. http://dx.doi.org/10.1093/ohr/ohx050.

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31

Porat. "A Gift for the State: Commemorating Fallen Heroes in Israeli Children's Picture Books." Israel Studies 26, no. 2 (2021): 152. http://dx.doi.org/10.2979/israelstudies.26.2.07.

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32

Arzikulova, Khurshida. "NATIONALISM OF THE HEROES OF THE TRAGEDY COMEDY “SID”." INTERNATIONAL JOURNAL OF WORD ART 6, no. 3 (June 30, 2020): 213–19. http://dx.doi.org/10.26739/2181-9297-2020-6-29.

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This article shows the heroes of the tragicomedy “Sid” by Pierre Cornell, the great representative of the XVII the century French drama, fulfilling their duty to the family and the homeland, despite the fact that they lost their love. The patriotism of the protagonists shows that Don Rodrigo and Jimena have both fall in love and fulfilled their duty to their families.

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33

Trubowitz, Rachel J. "Body Politics in Paradise Lost." PMLA/Publications of the Modern Language Association of America 121, no. 2 (March 2006): 388–404. http://dx.doi.org/10.1632/003081206x129611.

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For most readers of Milton's late prose and mature verse, his positive depictions of the human body deeply inform his monism and antimonarchical politics. This essay argues that Milton's perspectives on mind and body are more ambivalent than the critical consensus allows: that the poet equally needs and does not need the body. I demonstrate that Milton's shifting perspectives on mind and body, spirit and flesh, emanate from his opposition to dynastic kingship. They also shape his emerging modern nationalism, which is marked by contradictions and liminality. By focusing on the fallen Adam's soliloquy, I show how Milton's equivocal body politics appropriates and disembodies Hebraic traditions and the concreteness of the Hebraic past (and other histories of others), as well as the very matter of cultural memory. (RJT)

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34

Gamba, Virginia. "The land that lost its heroes: the Falklands, the postwar and Alfonsín." International Affairs 63, no. 4 (1987): 719. http://dx.doi.org/10.2307/2619758.

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35

Kind-Kovács, Friederike. "The heroes’ children: Rescuing the Great War’s orphans." Journal of Modern European History 19, no. 2 (March 24, 2021): 183–205. http://dx.doi.org/10.1177/1611894421992688.

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World War I and its aftermath produced a particularly vulnerable group of child victims: war orphans. This group included children whose fathers had fallen in battle, who had disappeared, or who had not (yet) returned home. Most of Europe’s war and postwar societies witnessed the massive presence of these child victims, and responded in various ways to rescue them and secure their future survival. This article offers an exploration of the ways in which the Hungarian part of the Austro-Hungarian monarchy, and then later the post-imperial Hungarian state, became invested in providing care and relief to Hungarian war orphans. In contrast to other groups of child victims, whose parents were blamed for neglecting their parental duties, war orphans as the offspring of ‘war heroes’ profited from the public appreciation of their fathers’ sacrifice for the war effort and the Hungarian nation. The public discourse in the contemporary Hungarian media offers a glimpse into the emergence of a new public visibility of these child victims and of a new recognition of the societal obligation to care for them. Exploring World War I and its aftermath as a telling example of political transformation in the 20th century, the article showcases how war orphans were taken to personify essential notions of war- and postwar destruction, while also capturing visions of postwar recovery. It furthermore examines how welfare discourses and relief practices for Hungary’s war orphans were embedded in contemporary gender norms, notions of proper Christian morality and ethnic nationalism. On this basis, the article assesses the ways in which the case of Hungary’s war orphans not only mirrors the professionalization but also the fundamental transformation of child welfare in the aftermath of World War I.

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Eisenberg, Rebecca S., and Robert Cook-Deegan. "Universities: The Fallen Angels of Bayh-Dole?" Daedalus 147, no. 4 (October 2018): 76–89. http://dx.doi.org/10.1162/daed_a_00521.

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The Bayh-Dole Act of 1980 established a new default rule that allowed nonprofit organizations and small businesses to own, as a routine matter, patents on inventions resulting from research sponsored by the federal government. Although universities helped get the Bayh-Dole Act through Congress, the primary goal, as reflected in the recitals at the beginning of the new statute, was not to benefit universities but to promote the commercial development and utilization of federally funded inventions. In the years since the passage of the Bayh-Dole Act, universities seem to have lost sight of this distinction. Their behavior as patent seekers, patent enforcers, and patent policy stakeholders often seems to work against the commercialization goals of the Bayh-Dole Act and is difficult to explain or justify on any basis other than the pursuit of revenue.

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37

Ferri, Rolando. "PS.-Seneca, Octavia 889 and Vergil, Aeneid 12.539FF." Classical Quarterly 46, no. 1 (May 1996): 311–14. http://dx.doi.org/10.1093/cq/46.1.311.

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At 876ff. Octavia's partisans lament the ruinous intervention of the Roman mob in support of the heroine's legitimate claims against Poppaea. A series of paradigmatic figures illustrates the sentence ‘o funestus multis populi dirusque fauor’: the two Gracchi, first, then Livius Drusus, the tribunus plebis of 91 B.C., stabbed to death in his house in the year of his tribunate. The gallery of historical characters suits the Roman atmosphere of the play, the fallen heroes of Republican times are presented as noble and disinterested figures, struck by disaster and evil fortune. This is the description of Livius' fate (887–90; text and colometry given as in Zwierlein's OCT):

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38

Miller, Worth Robert. "The Lost World of Gilded Age Politics." Journal of the Gilded Age and Progressive Era 1, no. 1 (January 2002): 49–67. http://dx.doi.org/10.1017/s1537781400000098.

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The rambunctious world of Gilded Age politics, with its boisterous partisan rallies and three-hour long declamations on the finer points of tariff schedules and monetary policy, passed from the scene of American politics rather abruptly about a century ago. Despite its superficial similarities with politics today — sex scandals, corporate influence, and partisan gridlock in Washington — the spirit and substance of Gilded Age politics was quite different from political discourse today. Politics was a national obsession to nineteenth century Americans. Partisanship was open and vigorous because common people believed the issues were important and political parties represented divergent viewpoints. Men (and in a few places women) of every ethnic and racial background, and from every walk of life, overwhelmingly participated in America's democratic experiment. This made Gilded Age politicians some of the greatest heroes and villains of the era.

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Hendrawan, Jodi, and Ika Devi Perwitasari. "APLIKASI PENGENALAN PAHLAWAN NASIONAL DAN PAHLAWAN REVOLUSI BERBASIS ANDROID." JURNAL TEKNOLOGI INFORMASI 3, no. 1 (July 20, 2019): 34. http://dx.doi.org/10.36294/jurti.v3i1.685.

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Abstract - Heroes of revolution are titles or titles given to military officers who died in the betrayal tragedy of the G30S / PKI Indonesian Communist Party (PKI) which took place in Jakarta and Yogyakarta on September 30, 1965. National heroes are titles given to Indonesian citizens who fighting against occupation that had fallen in the battlefield. So that during his lifetime he left behind achievements or progress for the Republic of Indonesia. Where currently there is minimal knowledge of students or students regarding hero figures and lack of media for the introduction of heroes in Indonesia. With this, the application of national hero recognition and android-based revolution heroes is designed. So that it can increase the knowledge and interests of students or students and increase their sense of nationalism. System development is carried out with the watefall model and uses the concept of object-oriented development, OOP (Object Oriented Programming) and uses the UML modeling process (Unified Modeling Language) for the development of national recognition applications and android-based revolution heroes.Keywords - Android, Applications, UML, OOP, Heroes. Abstrak - Pahlawan revolusi merupakan gelar atau sebutan yang diberikan kepada perwira militer yang gugur dalam tragedi pengkhianatan Partai Komunis Indonesia (PKI) G30S/PKI yang terjadi di Jakarta dan Yogyakarta pada tanggal 30 September 1965. Pahlawan nasional adalah gelar yang diberikan kepada warga negara Indonesia yang berjuang melawan penjajahan yang telah gugur dimedan peperangan. Sehingga semasa hidupnya meninggalkan prestasi atau kemajuan untuk Negara Republik Indonesia. Dimana saat ini minim sekali pengetahuan siswa/i atau pelajar mengenai tokoh-tokoh pahlawan serta kurangnya media untuk pengenalan para pahlawan di Indonesia. Dengan adanya hal ini maka dilakukan perancangan aplikasi pengenalan pahlawan nasional dan pahlawan revolusi berbasis android. Sehingga dapat meningkatkan pengetahuan dan minat siswa/i atau pelajar serta menigkatkan rasa nasionalisme. Pengembangan sistem dilakukan dengan model watefall dan menggunakan konsep pengembangan berorientasi objek, OOP (Object Oriented Programming) serta menggunakan proses pemodelan UML (Unified Modeling Language) untuk pengembangan aplikasi pengenalan pahlawannasional dan pahlawan revolusi berbasis android.Keywords - Android,Aplikasi, UML, OOP, Pahlawan.

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Smith, Archie. "The Fallen and the Forgotten: Henry Brooks, Howard Thurman, and All Sheroes and Heroes of Long Ago." Pastoral Psychology 67, no. 4 (June 29, 2018): 419–28. http://dx.doi.org/10.1007/s11089-018-0824-2.

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Ono, Yoko. "Lost Heroes: A Comparative Study of Contemporary Japanese and Hong Kong Gangster Films." Asian Cinema 16, no. 2 (September 1, 2005): 147–54. http://dx.doi.org/10.1386/ac.16.2.147_1.

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42

Martin, Scott C., and Elaine Frantz Parsons. "Manhood Lost: Fallen Drunkards and Redeeming Women in the Nineteenth-Century United States." Journal of the Early Republic 23, no. 4 (2003): 639. http://dx.doi.org/10.2307/3595037.

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43

Browne, Ray B. "Manhood Lost: Fallen Drunkards and Redeeming Women in the Nineteenth-Century United States." Journal of American Culture 27, no. 1 (March 2004): 116. http://dx.doi.org/10.1111/j.1537-4726.2004.121_8.x.

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44

Langer, Ayelet. "Identity over Time in Paradise Lost." University of Toronto Quarterly 90, no. 1 (June 2021): 42–57. http://dx.doi.org/10.3138/utq.90.1.03.

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This essay proposes that in Paradise Lost Milton represents the conscious self as constructed over time, thereby anticipating the early eighteenth- century formulation of identity as a problem of diachronic identity. Milton represents this process of self-constitution by situating the mind’s act of unifying itself in the present moment, which he models on Aristotle’s definition of the now as both a connection and a boundary of time. Aristotle’s bivalency of the now serves in Paradise Lost to distinguish between the capacity of prelapsarian and postlapsarian individuals to constitute their self by organizing their experiences in time. As a connection of time, the Aristotelian now grounds Milton’s representation of the way in which the prelapsarian individual constitutes his or her own self. As a boundary of time, it marks the failure of the postlapsarian mind to achieve such constitution, which leads to a disintegration of the self. Thus, Aristotle’s distinction between the two contrasting aspects of the now becomes, in Milton’s representation of the self, the prism through which Milton forms a clear distinction between two fundamental structures of identity, fallen and unfallen.

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Okuhata, Yutaka. "Rousseau in a Post-Apocalyptic Context: Angela Carter’s Heroes and Villains and Science Fiction." Humanities 8, no. 3 (August 21, 2019): 142. http://dx.doi.org/10.3390/h8030142.

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The present paper discusses Angela Carter’s Heroes and Villains (1969), which parodies both “post-apocalyptic” novels in the Cold War era and Jean-Jacques Rousseau’s theory on civilisation. By analysing this novel in comparison, not only to Rousseau’s On the Origin of Inequality (1755), but also to the works of various science fiction writers in the 1950s and 1960s, the paper aims to examine Carter’s reinterpretation of Rousseau in a post-apocalyptic context. As I will argue, Heroes and Villains criticises Rousseau from a feminist point of view to not only represent the dystopian society as full of inequality and violence, but also to show that human beings, having forgotten the nuclear war as their great “sin” in the past, can no longer create a bright future. Observing the underlying motifs in the novel, the paper will reveal how Carter attempts to portray a world where human history has totally ended, or where people cannot make “history” in spite of the fact that they biologically survived the holocaust. From this perspective, I will clarify the way in which Carter reinterprets Rousseau’s notion of “fallen” civilisation in the new context as a critique of the nuclear issues in the late twentieth century.

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King, Fergus J., and Dorothy A. Lee. "Lost in translation: rethinking words about women in 1–2 Timothy." Scottish Journal of Theology 74, no. 1 (February 2021): 52–66. http://dx.doi.org/10.1017/s0036930621000053.

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AbstractSt Paul and the tradition which follows in his wake have often fallen victim to the circumstances and ideologies of their interpreters: used as ambassadors for patriarchy by some and rejected as misogynistic by others. This article reviews some of the contentious passages in 1 and 2 Timothy and concludes that they both challenge the mores of their environment and resonate with other (deutero-)Pauline teachings. To ensure that such claims do not fall prey to circularity in their arguments, a methodology is developed and applied in which claims of resonance are not predicated on the content of other writings.

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Stipić, Davor. "1951-1952 competition for the Monument to the fallen Jewish soldiers and victims of fascism in the Sephardi cemetery in Belgrade." Nasledje, no. 21 (2020): 177–90. http://dx.doi.org/10.5937/nasledje2021177s.

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In their wish to preserve the memory to the compatriots who lost their lives in the Holocaust, the Jewish community in Yugoslavia started erecting monuments to Jewish civil victims and fallen soldiers as early as the first few post-WWII years. The Monument to the Fallen Jewish Soldiers and Victims of Fascism put up in the Sephardi cemetery in Belgrade in 1952, potent with artistic and political significance, stood out from the rest of the monuments of the period. It was dedicated to all the Jews from the Socialist Republic of Serbia who lost their lives in the World War II. The purpose of this article is to analyse the competition for the design of the monument by examining the documents from the Archives of the Jewish Historical Museum in Belgrade, thus making a contribution to the research of the culture of Holocaust remembrance in the Yugoslav Socialism, but also to show artistic, social and ideological aspirations of the time when, after the Cominform schism, Yugoslavia was at political crossroads. By exploring the symbolism and aesthetic values of this work, the research presented in this paper attempts to enhance the understanding of architect Bogdan Bogdanović's early creative efforts.

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Karpasitis, Susie. "Awake, Arise, or be Forever Fallen: Satan’s Post-traumatic Recovery in Milton’s “Paradise Lost”." International Journal of the Humanities: Annual Review 9, no. 5 (2012): 15–26. http://dx.doi.org/10.18848/1447-9508/cgp/v09i05/43225.

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49

Roberts, Diane. "A Precarious Pedestal: The Confederate Woman in Faulkner's Unvanquished." Journal of American Studies 26, no. 2 (August 1992): 233–46. http://dx.doi.org/10.1017/s0021875800030772.

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The Confederate Woman.… It took the civilization of an Old South to produce her — a civilization whose exquisite but fallen fabric now belongs to the Dust of Dreams. But we have not lost the blood royal of the ancient line; and in the veins of an infant Southland still ripples the heroic strain. The Confederate Woman, in her silent influence, in her eternal vigil, still bides.

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Keat, Preston. "Fallen heroes: explaining the failure of the Gdansk shipyard, and the successful early reform strategies in Szczecin and Gdynia." Communist and Post-Communist Studies 36, no. 2 (June 1, 2003): 209–30. http://dx.doi.org/10.1016/s0967-067x(03)00026-6.

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In this paper, I examine the causes of failure in the Gdansk shipyard, and alternatively, the determinants of success in Szczecin and Gdynia. I give particular attention to the role of the initial owner of these companies—the Polish government. Why were these three firms treated differently by the government, and how did this affect their approaches to restructuringŒ I find that in the cases of Szczecin and Gdynia, initial government aid conditionality, combined with pro-active employee support of reforms, produced environments where restructuring had a real chance. In Gdansk, the government and company employees failed to reach agreement on a strategy for initiating reforms. Both feared the potential consequences (economic for the workers and political for the government) of embarking on reforms that were in no way guaranteed to succeed. What emerged was an ongoing stalemate, with company management rejecting a series of reform projects and the government continuing to offer soft credits to keep the unprofitable firm alive. This stalemate, or sub-optimal equilibrium, was linked to the shipyard’s uniquely credible threats of intransigence.

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