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Relevant bibliographies by topics / Heroides (Ovid)

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Academic literature on the topic 'Heroides (Ovid)'

Author: Grafiati

Published: 26 July 2024

Last updated: 30 July 2024

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Journal articles on the topic "Heroides (Ovid)"

1

Leventi, Maria. "The Hero's Narrative in Ovid's Heroides 9 and 13." Illinois Classical Studies 47, no. 1 (2022): 74–101. http://dx.doi.org/10.5406/23285265.47.1.04.

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Abstract Some letters in Ovid's Heroides include stories which the heroines imagine their lovers narrating. Thus, in some letters Ovid has constructed both a heroine's and a hero's narrative (the latter probably mediated by the former). This paper argues that there are similarities in the narrative strategies of the stories that Ovid attributes to the heroine and the hero in Heroides 9 (Deianira and Hercules) and 13 (Laodamia and Protesilaus), and then analyzes the interpretative possibilities that arise from this type of narrative assimilation. Through the use of intertextuality and relative

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2

Leigh, Matthew. "Ovid, Heroides 6.1–2." Classical Quarterly 47, no. 2 (1997): 605–7. http://dx.doi.org/10.1093/cq/47.2.605.

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It is a characteristic of Ovid's Heroides for each epistle implicitly to establish the dramatic time, context and motive for its composition by the particular heroine to whom it is attributed. In this way the poet is able to exploit the tension between the heroine's inevitably circumscribed awareness of the development of her story and the superior information which can be deployed by a reader acquainted with the mythical tradition or master-text which dictates what is actually going to follow: Penelope hands over a letter to a man whom the reader familiar with Homer can identify as Ulysses ev

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3

Davis, P. J. "‘A Simple Girl’? Medea in Ovid Heroides 12." Ramus 41, no. 1-2 (2012): 33–48. http://dx.doi.org/10.1017/s0048671x00000242.

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For Homer's Circe the story of Argo's voyage was already well known. Although we cannot be sure that the Odyssey's first audience was aware of Medea's role in Jason's story, we do know that by the time that Ovid came to write Heroides, she had already appeared in numerous Greek and Latin texts, in epic and lyric poetry and on the tragic stage. Given her complex textual and dramatic history, it seems hardly likely that any Ovidian Medea could actually be ‘a simple girl'. And yet precisely this charge of ‘simplicity’ has been levelled against Heroides 12 and its Active author. I propose to argue

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4

Ramírez de Verger, A. "Ovid, Heroides 7.113." Classical Quarterly 54, no. 2 (2004): 650–51. http://dx.doi.org/10.1093/clquaj/bmh075.

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5

Ramirez de Verger, A. "Ovid, Heroides 7.113." Classical Quarterly 54, no. 2 (2004): 650–51. http://dx.doi.org/10.1093/cq/54.2.650.

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6

Nagle, Betty Rose, Ovid, and Peter E. Knox. "Ovid: "Heroides": Select Epistles." Classical World 91, no. 6 (1998): 583. http://dx.doi.org/10.2307/4352171.

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7

Anderson, William S., and E. J. Kenney. "Ovid "Heroides": XVI-XXI." Classical World 92, no. 5 (1999): 478. http://dx.doi.org/10.2307/4352337.

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8

Maystrenko, Lyudmyla. "THE EXPRESSION OF DESTRUCTIVE LOVE IN OVID’S HEROIDS WITH EMOTIONAL MEANS." Fìlologìčnì traktati 12, no. 1 (2020): 82–89. http://dx.doi.org/10.21272/ftrk.2020.12(1)-8.

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The search of scientists of the XXI century is increasingly focused on a sphere that is not available for direct observation – the sphere of emotions. Therefore, the issue of the emotive component of a literary text at different levels relates to priority areas not only of modern linguistics. Emotions represent the linguistic picture of the artistic universe of the poet, reveal the inner world of his characters. The existential-sensual sphere is a manifestation of the subjective attitude of a person to the surrounding reality and himself in the mental space of the artist. Ovid subtly reproduce

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9

Hanson, Hans-Peder. "Ovid's Use of the Epistolary Mode in Heroides 3." Ramus 40, no. 2 (2011): 130–45. http://dx.doi.org/10.1017/s0048671x00000370.

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In his influential reading of Heroides 1, Duncan Kennedy argues that successful fictional letters can be felt to arise naturally from or be motivated by the depicted events and, ideally, be seen as agents in the forward movement of those events. Building on Kennedy's arguments, Peter Knox asserts that Ovid reconfigures his heroines in the Heroides to develop serious issues raised by his literary models from a new perspective. In this paper, I shall follow Kennedy's and Knox's suggestions to propose a new reading of Heroides 3. I shall first discuss how Briseis' letter can be felt to be both na

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10

Schubert, Christoph. "Zu Ovid, Heroides 7,33 f." Hermes 146, no. 3 (2018): 368. http://dx.doi.org/10.25162/hermes-2018-0031.

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