Academic literature on the topic 'Heroism number "N"'

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Journal articles on the topic "Heroism number "N""

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Sadigova, S. "THE WORKS OF THE WRITER SADIK GARAYEV DEDICATED TO OUR HISTORICAL CHRONICLE OF VICTORY AS A VALUABLE SOURCE OF INFORMATION IN THE GROWTH OF THE YOUNG GENERATION IN THE NATIONAL SPIRIT." Scientific heritage, no. 151 (December 26, 2024): 18–23. https://doi.org/10.5281/zenodo.14555996.

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The article discusses the books of the writer Sadig Garayev “Heroism No. “N”” and “Ideology of Azerbaijanism” and their role in educating the future generation in the national spirit. These works are valuable works that will play an important role in preserving our historical memory and developing our national identity. In the work, all our brave sons of Azerbaijan, from the first years of the war for Karabakh to our Victory, are glorified as the heroism of the united Azerbaijani people. The author describes the great victory with both sadness and joy, but s
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Podlesnaia, Mariia, and Oleg Shevchenko. "The frontier factor in the formation of the hero's image in Russian society." Science. Culture. Society 30, no. 3 (2024): 42–60. http://dx.doi.org/10.19181/nko.2024.30.3.3.

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The article examines the concept of a hero in relation to the concept of a frontier, which the authors understand as a "contact field", a boundary that connects rather than separates the spatio-temporal field of conjugation of two or more realities. Particular attention is paid to the development of the frontier as a point of assembly and the personality of the hero and the new social normality. The need for a comparative analysis of the concepts of subject, actor, and hero that already exist in sociology is indicated. An attempt is made to differentiate these concepts, the main features of th
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Kaplun, Marianna V. "Gender projections in the novel Soul in A Mask by N. V. Nedobrovo." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 60 (2021): 188–200. http://dx.doi.org/10.37816/2073-9567-2021-60-188-200.

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The prose novel by N. V. Nedobrovo Soul in A Mask, written in 1914, incorporates basic ideas of the writer’s work and continues development of gender (feminine) discourse of the modern era. To a large extent, the search for a “soul in a mask”, the ability to express a lyrical “I”, coupled with the theatricality of being, the need for a social masquerade, are characteristic of the majority of modernist works. The theme of masks is equally present in the lyrics of symbolism and close to Nedobrovo acmeism (for example, in the work of A. A. Akhmatova, Nedobrovo’s closest friend). The masquerade pe
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Mohammed, Wijdan A. "N. V. Gogol’s motives in the Russian plays at the turn of the 20–21st centuries (Pannochka by N. Sadur / Viy by V. Sigarev)." Izvestiya of Saratov University. Philology. Journalism 22, no. 1 (2022): 114–19. http://dx.doi.org/10.18500/1817-7115-2022-22-1-114-119.

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The attention of the playwrights and theatre to Gogol’s prosaic text opens new forms of understanding of the classical text, and allows to find in it both deeply personal author’s content and something relevant to the society of a different time. In the plays Pannochka by N. Sadur and Viy by V. Sigarev, the transformation of Gogol’s motives reveals the deep meanings of the story. These are Gogol’s favorite motives of a vague fear of women, eschatological forebodings, the fear of oblivion. The clash of male and female in Nina Sadur’s version is associated with the weakness of the protagonist, e
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Moskvin, Vasily P. "O. Mandelstam’s Poem Skillful Mistress of Guilty Glances...: Comments on Obscure Places." Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, no. 4 (2022): 173–87. http://dx.doi.org/10.15826/izv2.2022.24.4.071.

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This article interprets O. Mandelstam’s poem, which is not quite clear in its content, and therefore controversial. To achieve this purpose, the author employs consituational and contextual analysis, as well as techniques of the experimental method, more particularly, transformational analysis. To confirm the linguistic reality of the revealed metaphorical images, the author uses the analogy technique, which determines the choice of sources of illustrative examples. The study demonstrates that in this poem, direct and indirect, primarily metaphorical nominations are intertwined, being signific
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Klimova, M. N. "Lady Macbeth in the Context of Russian Culture: From a Character to a Plot." Studies in Theory of Literary Plot and Narratology 15, no. 1 (2020): 73–88. http://dx.doi.org/10.25205/2410-7883-2020-1-73-88.

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Lady Macbeth, the ambitious wife of the title character of the Scottish tragedy of W. Shakespeare, became a household name. Her name is represented in collective consciousness both as a symbol of insidiousness and as a reminder of the torments of a guilty conscience. Lady Macbeth entered the world culture, as an image of a strong and aggressive woman, who is ready for a conscious violation of ethical norms and rises even against the laws of her nature. N. S. Leskov describes appearance of that kind of a character in a musty atmosphere of a Russian province in his famous novella “Lady Macbeth o
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Lemosquet, S., C. Dardillat, M. Jailler, and J. P. Dulphy. "Voluntary intake and gastric digestion of two hays by llamas and sheep: influence of concentrate supplementation." Journal of Agricultural Science 127, no. 4 (1996): 539–48. http://dx.doi.org/10.1017/s0021859600078771.

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SUMMARYThe efficiency with which llamas and sheep digest various roughages was compared in France in 1993. Six llamas (three of which were rumen-cannulated) and six rumen-cannulated sheep were simultaneously given three different diets: (i) a grass hay low in N content (HLN), (ii) the same hay with barley, representing 25% of the total dry matter (HLN+B) and (iii) a cocksfoot grass hay, rich i n nitrogen (HRN). Daily forage dry matter intake was slightly, but not significantly, lower in llamas (55·9 g/kg W0·75 ν. 60·3 g/kg W0·75 in sheep). Intake behaviour was similar for the two species excep
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Miguel, Ángel Díaz Camacho. "El proyecto doméstico como laboratorio. Industrialización y procesos en la obra de Alejandro de la Sota = Lab for dwelling design. Processes and Industrialization on Alejandro de la Sota's work." rita_ Revista Indexada de Textos Académicos, no. 2 (October 9, 2014): 124–31. https://doi.org/10.24192/2386-7027(2014)(v2)(09).

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Alejandro de la Sota enuncia en numerosas ocasiones su interés por la vivienda unifamiliar como ejercicio coyuntural: la oportunidad de explorar los límites de nuevas soluciones constructivas y materiales. El compromiso experimental con el ejercicio doméstico se presenta como común denominador de proyectos y obras pertenecientes a distintos periodos, aunque circunscritos en un único tiempo sublimado. La vivienda aislada se presenta como un instrumento inmejorable para la canalización de este objetivo: la obra “pequeña” permite minimi
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Lilik, Olha O., and Olena V. Sazonova. "DEFORMATION OF THE MELODRAMA GENRE IN UKRAINIAN POSTMODERN LITERATURE: IREN ROZDOBUDKO AND NATALIA HURNYTSKA." Alfred Nobel University Journal of Philology 2, no. 26/1 (2023): 47–65. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-4.

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In the conditions of postmodernism, the content and formative components of the melodrama genre (issues, portrayal, narration, plot structure, system of characters, type of protagonist) undergo certain transformations. Today, there is a lack of literary studies devoted to the specifics of the expression of postmodern melodramatism in the works of contemporary writers, namely representatives of “women’s literature” by N. Hurnytska and I. Rozdobudko. Accordingly, there is a need to understand the deformational genre shifts that took place in melodrama under the influence of postmodernist aesthet
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Glembotskaya, Yana, and Ilya Kuznetsov. "Semyon Sakseev’s Stage Version of “Lady Macbeth of Mtsensk” Staged by Pyotr Shereshevsky." Ideas and Ideals 17, no. 1-2 (2025): 400–412. https://doi.org/10.17212/2075-0862-2025-17.1.2-400-412.

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The article examines N. Leskov’s novel “Lady Macbeth of Mtsensk” and the setting based on it, performed by Peter Shereshevsky at the Novosibirsk State Academic Drama Theater “Red Torch”. The research methodology is based on a hermeneutical approach, as well as on comparative analysis techniques. As a result of the analysis, the naturalistic intention of the production was established, which required the genre form of the essay which the writer initially chose for his text. The resulting realistic nature of the work is also shown, correlating an impartial depiction of life with the obligatory h
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Book chapters on the topic "Heroism number "N""

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Huskinson, Janet. "Mythological Paradigms." In Roman Children’s Sarcophagi. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198140863.003.0019.

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Abstract In this section I want to explore how aspects of human childhood whose depiction I have charted are also represented on these sarcophagi by mythological equivalents.1 In looking at images which commemorate the dead child I have already noted the use of mythological figures combined with human portraits (Sect. 14), and something of the same desire to exalt or dignify human life through reference to these well-known heroic tales must underlie the use of many of these mythological scenes. Others may have been chosen primarily as narratives of childhood and youth. Yet others served to com
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Palamar, Joseph J., Monica J. Barratt, Leigh Coney, and Silvia S. Martins. "Synthetic Cannabinoid Use Among High School Seniors." In Medical Risks of Marijuana. American Academy of Pediatrics, 2017. http://dx.doi.org/10.1542/9781610022767-synthetic_cannabinoid.

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OBJECTIVES In this study, we examined the prevalence and correlates of current synthetic cannabinoid (SC) use among high school seniors in the United States. METHODS Monitoring the Future, an annual nationally representative survey of high school seniors, began querying current (30-day) SC use in 2014. Data were examined from the 2 most recent cohorts (2014–2015; N = 7805). Prevalence of self-reported use was examined and differences in demographics and recency and frequency of other drug use was compared between current marijuana-only users and current SC (plus marijuana) users using χ2 and g
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Conference papers on the topic "Heroism number "N""

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Toporova, Tatyana. "OLD ICELANDIC GARÐR ‘FENCED SPACE’ AND COGNATE MYTHOLOGICAL TOPONYMS IN THE “ELDER EDDA”." In VII Readings in Memory of V. N. Yartseva. Institute of Linguistics of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.37892/978-5-6049527-5-7-1.

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The choice of OIcel. garðr ‘fenced space’ and its derivatives as objects of study is not accidental since this lexeme is used in the “Elder Edda” to nominate key concepts of the local-temporal continuum, namely the sphere of habitation of gods (cf. OIcel. ásgarðr) and people (cf. OIcel. mið garðr). For an adequate study of the epic word and the denotations encoded by it, a special description scheme has been developed, taking into account a variety of factors influencing the constitution of its meaning. Context as the immediate environment of the existence of a word acquires decisive importanc
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