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Journal articles on the topic 'Heroism number "N"'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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1

Sadigova, S. "THE WORKS OF THE WRITER SADIK GARAYEV DEDICATED TO OUR HISTORICAL CHRONICLE OF VICTORY AS A VALUABLE SOURCE OF INFORMATION IN THE GROWTH OF THE YOUNG GENERATION IN THE NATIONAL SPIRIT." Scientific heritage, no. 151 (December 26, 2024): 18–23. https://doi.org/10.5281/zenodo.14555996.

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The article discusses the books of the writer Sadig Garayev “Heroism No. “N”” and “Ideology of Azerbaijanism” and their role in educating the future generation in the national spirit. These works are valuable works that will play an important role in preserving our historical memory and developing our national identity. In the work, all our brave sons of Azerbaijan, from the first years of the war for Karabakh to our Victory, are glorified as the heroism of the united Azerbaijani people. The author describes the great victory with both sadness and joy, but s
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2

Podlesnaia, Mariia, and Oleg Shevchenko. "The frontier factor in the formation of the hero's image in Russian society." Science. Culture. Society 30, no. 3 (2024): 42–60. http://dx.doi.org/10.19181/nko.2024.30.3.3.

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The article examines the concept of a hero in relation to the concept of a frontier, which the authors understand as a "contact field", a boundary that connects rather than separates the spatio-temporal field of conjugation of two or more realities. Particular attention is paid to the development of the frontier as a point of assembly and the personality of the hero and the new social normality. The need for a comparative analysis of the concepts of subject, actor, and hero that already exist in sociology is indicated. An attempt is made to differentiate these concepts, the main features of th
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3

Kaplun, Marianna V. "Gender projections in the novel Soul in A Mask by N. V. Nedobrovo." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 60 (2021): 188–200. http://dx.doi.org/10.37816/2073-9567-2021-60-188-200.

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The prose novel by N. V. Nedobrovo Soul in A Mask, written in 1914, incorporates basic ideas of the writer’s work and continues development of gender (feminine) discourse of the modern era. To a large extent, the search for a “soul in a mask”, the ability to express a lyrical “I”, coupled with the theatricality of being, the need for a social masquerade, are characteristic of the majority of modernist works. The theme of masks is equally present in the lyrics of symbolism and close to Nedobrovo acmeism (for example, in the work of A. A. Akhmatova, Nedobrovo’s closest friend). The masquerade pe
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4

Mohammed, Wijdan A. "N. V. Gogol’s motives in the Russian plays at the turn of the 20–21st centuries (Pannochka by N. Sadur / Viy by V. Sigarev)." Izvestiya of Saratov University. Philology. Journalism 22, no. 1 (2022): 114–19. http://dx.doi.org/10.18500/1817-7115-2022-22-1-114-119.

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The attention of the playwrights and theatre to Gogol’s prosaic text opens new forms of understanding of the classical text, and allows to find in it both deeply personal author’s content and something relevant to the society of a different time. In the plays Pannochka by N. Sadur and Viy by V. Sigarev, the transformation of Gogol’s motives reveals the deep meanings of the story. These are Gogol’s favorite motives of a vague fear of women, eschatological forebodings, the fear of oblivion. The clash of male and female in Nina Sadur’s version is associated with the weakness of the protagonist, e
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Moskvin, Vasily P. "O. Mandelstam’s Poem Skillful Mistress of Guilty Glances...: Comments on Obscure Places." Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, no. 4 (2022): 173–87. http://dx.doi.org/10.15826/izv2.2022.24.4.071.

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This article interprets O. Mandelstam’s poem, which is not quite clear in its content, and therefore controversial. To achieve this purpose, the author employs consituational and contextual analysis, as well as techniques of the experimental method, more particularly, transformational analysis. To confirm the linguistic reality of the revealed metaphorical images, the author uses the analogy technique, which determines the choice of sources of illustrative examples. The study demonstrates that in this poem, direct and indirect, primarily metaphorical nominations are intertwined, being signific
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6

Klimova, M. N. "Lady Macbeth in the Context of Russian Culture: From a Character to a Plot." Studies in Theory of Literary Plot and Narratology 15, no. 1 (2020): 73–88. http://dx.doi.org/10.25205/2410-7883-2020-1-73-88.

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Lady Macbeth, the ambitious wife of the title character of the Scottish tragedy of W. Shakespeare, became a household name. Her name is represented in collective consciousness both as a symbol of insidiousness and as a reminder of the torments of a guilty conscience. Lady Macbeth entered the world culture, as an image of a strong and aggressive woman, who is ready for a conscious violation of ethical norms and rises even against the laws of her nature. N. S. Leskov describes appearance of that kind of a character in a musty atmosphere of a Russian province in his famous novella “Lady Macbeth o
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7

Lemosquet, S., C. Dardillat, M. Jailler, and J. P. Dulphy. "Voluntary intake and gastric digestion of two hays by llamas and sheep: influence of concentrate supplementation." Journal of Agricultural Science 127, no. 4 (1996): 539–48. http://dx.doi.org/10.1017/s0021859600078771.

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SUMMARYThe efficiency with which llamas and sheep digest various roughages was compared in France in 1993. Six llamas (three of which were rumen-cannulated) and six rumen-cannulated sheep were simultaneously given three different diets: (i) a grass hay low in N content (HLN), (ii) the same hay with barley, representing 25% of the total dry matter (HLN+B) and (iii) a cocksfoot grass hay, rich i n nitrogen (HRN). Daily forage dry matter intake was slightly, but not significantly, lower in llamas (55·9 g/kg W0·75 ν. 60·3 g/kg W0·75 in sheep). Intake behaviour was similar for the two species excep
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8

Miguel, Ángel Díaz Camacho. "El proyecto doméstico como laboratorio. Industrialización y procesos en la obra de Alejandro de la Sota = Lab for dwelling design. Processes and Industrialization on Alejandro de la Sota's work." rita_ Revista Indexada de Textos Académicos, no. 2 (October 9, 2014): 124–31. https://doi.org/10.24192/2386-7027(2014)(v2)(09).

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Alejandro de la Sota enuncia en numerosas ocasiones su interés por la vivienda unifamiliar como ejercicio coyuntural: la oportunidad de explorar los límites de nuevas soluciones constructivas y materiales. El compromiso experimental con el ejercicio doméstico se presenta como común denominador de proyectos y obras pertenecientes a distintos periodos, aunque circunscritos en un único tiempo sublimado. La vivienda aislada se presenta como un instrumento inmejorable para la canalización de este objetivo: la obra “pequeña” permite minimi
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9

Lilik, Olha O., and Olena V. Sazonova. "DEFORMATION OF THE MELODRAMA GENRE IN UKRAINIAN POSTMODERN LITERATURE: IREN ROZDOBUDKO AND NATALIA HURNYTSKA." Alfred Nobel University Journal of Philology 2, no. 26/1 (2023): 47–65. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-4.

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In the conditions of postmodernism, the content and formative components of the melodrama genre (issues, portrayal, narration, plot structure, system of characters, type of protagonist) undergo certain transformations. Today, there is a lack of literary studies devoted to the specifics of the expression of postmodern melodramatism in the works of contemporary writers, namely representatives of “women’s literature” by N. Hurnytska and I. Rozdobudko. Accordingly, there is a need to understand the deformational genre shifts that took place in melodrama under the influence of postmodernist aesthet
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10

Glembotskaya, Yana, and Ilya Kuznetsov. "Semyon Sakseev’s Stage Version of “Lady Macbeth of Mtsensk” Staged by Pyotr Shereshevsky." Ideas and Ideals 17, no. 1-2 (2025): 400–412. https://doi.org/10.17212/2075-0862-2025-17.1.2-400-412.

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The article examines N. Leskov’s novel “Lady Macbeth of Mtsensk” and the setting based on it, performed by Peter Shereshevsky at the Novosibirsk State Academic Drama Theater “Red Torch”. The research methodology is based on a hermeneutical approach, as well as on comparative analysis techniques. As a result of the analysis, the naturalistic intention of the production was established, which required the genre form of the essay which the writer initially chose for his text. The resulting realistic nature of the work is also shown, correlating an impartial depiction of life with the obligatory h
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11

Lamzina, Anna Vladislavovna, and Lyubov' Gennad'evna Kikhnei. "The “echo” of Edgar Poe in Anna Akhmatova’s “Poem without a Hero” and poems later period." Litera, no. 1 (January 2021): 1–14. http://dx.doi.org/10.25136/2409-8698.2021.1.34645.

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The subject of this research is the hidden allusions to the novels of Edgar Poe in Anna Akhmatova’s “Poem without a Hero” and poems later period. The research material contains the framework text of the “Poem without a Hero” – the set of epigraphs to different parts of the poem, authorial commentaries, history of used and discarded epigraphs at various stages of revision of the poem, text of the “Poem without a Hero”, as well as the author's “Prose about the Poem” and a number of poems created d
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12

Shmorlivska, L. "Life as a tragedy caused by war: the story of Denys Lukianovych "My son!"." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 16, no. 28 (2023): 158–65. http://dx.doi.org/10.34079/2226-3055-2023-16-28-158-165.

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The article examines the little-known story of the Ukrainian writer and literary critic Denys Lukiyanovych (1873–1965) "My Son!" (1935). It was printed in its time only in the well-known literary and arts magazine Nazustrich (1934–1938). An attempt was made to characterize the ideological and thematic content and genre-stylistic specificity of the named work, thereby "writing" it into the history of Ukrainian literature of the 1920s–1930s. The relevance of the study is determined by the anti-war pathos of D. Lukiyanovych's story. Special attention is paid to the author's creation of a female i
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13

Thaning, Kaj. "Hvem var Clara? 1-3." Grundtvig-Studier 37, no. 1 (1985): 11–46. http://dx.doi.org/10.7146/grs.v37i1.15940.

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Who was Clara?By Kaj ThaningIn this essay the author describes his search for Clara Bolton and her acquaintance with among others Benjamin Disraeli and the priest, Alexander d’Arblay, a son of the author, Fanny Burney. He gives a detailed account of Clara Bolton and leaves no doubt about the deep impression she made on Grundtvig, even though he met her and spoke to her only once in his life at a dinner party in London on June 24th 1830. Kaj Thaning has dedicated his essay to Dr. Oscar Wood, Christ Church College, Oxford, and explains why: “Just 30 years ago, while one of my daughters was worki
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14

Чепалов, Александр. "Компаративный анализ сценических интерпретаций балета Арама Хачатуряна «Спартак»". Journal of Art Studies, 30 травня 2024, 51–66. http://dx.doi.org/10.54503/2579-2830-2023.2(10)-51.

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Представлен сравнительный анализ основных постановок балета А. Хачатуряна «Спартак» в исторической последовательности и по мере их приближения к симфонической сущности балетной музыки А. Хачатуряна на пути от хореодрамы. Рассмотрены стилизационная (Л. Якобсона), драмбалетная (И. Моисеева и ей подобные) постановки, а также принципиально новая художественно и идеологически выдержанная версия Ю. Григоровича. Последняя также послужила основой для подражания и вызвала целый ряд рефлексий на тему освободительной борьбы и других актуальных лозунгов советской идеологии в странах Восточной Европы и в А
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15

Romero Mendoza, Martha, Denize Meza-Mercado, Rosario Martínez-Martínez, Carlos Magis-Rodríguez, Arturo Ortiz Castro, and Maria Elena Medina-Mora. "People who inject drugs (PWID) and HIV/aids cases in Mexico City: 1987–2015." Substance Abuse Treatment, Prevention, and Policy 14, no. 1 (2019). http://dx.doi.org/10.1186/s13011-019-0246-x.

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Abstract Background The purpose of this study is to describe the characteristics of individuals who inject drugs, to explore use trends in the past 25 years, and to review the profile of users of various drugs, both legal and illegal, that have been used intravenously without medical prescription in Mexico City. Methods Information was drawn from the Drug Information Reporting System (SRID, 1987–2015) and data from the National Center for the Prevention and Control of HIV/aids (CENSIDA, 1983–2018). SRID is based on two 30-day cross-sectional evaluations carried out during June and November. It
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16

Comerford, Chris, and Tracey Woolrych. "Becoming the Shadows." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3142.

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Introduction The dark silhouette of Batman (Robert Pattinson) emerges from the shadows on a rainy night, confronting a gang at a train station. One of their members asks, “what the hell are you supposed to be?”, before moving to attack. Batman quickly disarms the gang member, but in contrast to many of the character’s incarnations – on the screen and the comic book page – who would knock the criminal out before moving on, this Batman pummels the gang member even after he’s been knocked to the ground. With a throaty growl Batman responds, “I’m vengeance”, then proceeds to violently assault the
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17

Ellis, Katie M. "Breakdown Is Built into It: A Politics of Resilience in a Disabling World." M/C Journal 16, no. 5 (2013). http://dx.doi.org/10.5204/mcj.707.

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Resilience is an interdisciplinary concept that has been interrogated and investigated in a number of fields of research and practice including psychology, climate change, trauma studies, education and disaster planning. This paper considers its position within critical disability studies, popular understandings of disability and the emergence of a disability culture. Patrick Martin-Breen and J. Marty Anderies offer a colloquial definition of resilience as: Bouncing back after stress, enduring greater stress, and being less disturbed by a given amount of stress. … To be resilient is to withsta
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18

Hackett, Lisa J., and Jo Coghlan. "The History Bubble." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2752.

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Introduction Many people’s knowledge of history is gleaned through popular culture. As a result there is likely a blurring of history with myth. This is one of the criticisms of historical romance novels, which blur historical details with fictional representations. As a result of this the genre is often dismissed from serious academic scholarship. The other reason for its disregard may be that it is largely seen as women’s fiction. As ‘women’s fiction’ it is largely relegated to that of ‘low culture’ and considered to have little literary value. Yet the romance genre remains popular and lucra
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19

Mathur, Suchitra. "From British “Pride” to Indian “Bride”." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2631.

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 The release in 2004 of Gurinder Chadha’s Bride and Prejudice marked yet another contribution to celluloid’s Austen mania that began in the 1990s and is still going strong. Released almost simultaneously on three different continents (in the UK, US, and India), and in two different languages (English and Hindi), Bride and Prejudice, however, is definitely not another Anglo-American period costume drama. Described by one reviewer as “East meets West”, Chadha’s film “marries a characteristically English saga [Austen’s Pride and Prejudice] with classic Bollywood format “transf
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20

Stevens, Carolyn Shannon. "Cute But Relaxed: Ten Years of Rilakkuma in Precarious Japan." M/C Journal 17, no. 2 (2014). http://dx.doi.org/10.5204/mcj.783.

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Introduction Japan has long been cited as a major source of cute (kawaii) culture as it has spread around the world, as encapsulated in Christine R. Yano’s phrase ‘Pink Globalization’. This essay charts recent developments in Japanese society through the cute character Rilakkuma, a character produced by San-X (a competitor to Sanrio, which produces the famed Hello Kitty). His name means ‘relaxed bear’, and Rilakkuma and friends are featured in comics, games and other products, called kyarakutā shōhin (also kyarakutā guzzu, which both mean ‘character goods’). Rilakkuma is pictured relaxing, sle
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Henry, Hill. "B3 常春藤計畫:漢家天子33天立法和四千萬歲開文明9LC33×CC35721 解放80億絕對猶太奴隸宣言". 19 липня 2022. https://doi.org/10.5281/zenodo.6894697.

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<strong>B3&nbsp; </strong><strong>常春藤計畫:漢家</strong><strong>天子</strong><strong>33</strong><strong>天立法和四千萬歲開文明</strong><strong>9LC33</strong><strong>&times;</strong><strong>CC35721</strong> <strong>解放</strong><strong>80</strong><strong>億絕對猶太奴隸宣言</strong> <strong>IVY Project of </strong><strong>8 Billion Absolute Jew Slaves</strong><strong>:</strong><strong>40 Million Years Civilization and 33 Skies Legislation of </strong><strong>Son</strong><strong> &amp; The Emancipation Proclamatio</strong><strong>n</strong> <strong>阿紫宝宝</strong><strong>(Henry)</strong> &nbsp; It is the most terrible discover
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Henry, Hill. "IVY Project of 8 Billion Absolute Jew Slaves:40 Million Years Civilization and 33 Skies Legislation of Son & The Emancipation Proclamation." July 19, 2022. https://doi.org/10.5281/zenodo.6894768.

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<strong>B3&nbsp; </strong><strong>常春藤計畫:漢家</strong><strong>天子</strong><strong>33</strong><strong>天立法和四千萬歲開文明</strong><strong>9LC33</strong><strong>&times;</strong><strong>CC35721</strong> <strong>解放</strong><strong>80</strong><strong>億絕對猶太奴隸宣言</strong> <strong>IVY Project of </strong><strong>8 Billion Absolute Jew Slaves</strong><strong>:</strong><strong>40 Million Years Civilization and 33 Skies Legislation of </strong><strong>Son</strong><strong> &amp; The Emancipation Proclamatio</strong><strong>n</strong> <strong>阿紫宝宝</strong><strong>(Henry)</strong> &nbsp; It is the most terrible discover
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