Dissertations / Theses on the topic 'Hesing'
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Dubrau, Alexander. "Jakob Hessing: Mir soll's geschehen / [rezensiert von] Alexander Dubrau." Universität Potsdam, 2005. http://opus.kobv.de/ubp/volltexte/2009/3956/.
Full textCassia, Cristina. "Les œuvres attribuées à Hesdin." Thesis, Tours, 2017. http://www.theses.fr/2017TOUR2004.
Full textAbout thirty compositions attributed to Hesdin (masses, motets, Magnificat and chansons) are included in plenty of musical sources copied or edited during the sixteenth-century, in France, Italy and the Netherlands. However, nothing is known about the biography and the career of this composer. Among the many hypothesis proposed on Hesdin’s identity, none is based on objective informations. This study attempts to offer an overview as comprehensive as possible of Hesdin, through the study of his compositions, of the diffusion of the musical sources and of the reception of Hesdin’s music during the centuries. The style of his music reveals clear links to the compositions of other composers of the first half of thesixteenth-century, Josquin, Willaert and Gombert above all. Moreover, it shows that the toponym “Hesdin” may possibly hide two different composers. The final section of this study is devoted to the critical edition of the whole corpus ascribed to Hesdin
Cassia, Cristina. "Les oeuvres attribuées à Hesdin." Doctoral thesis, Universite Libre de Bruxelles, 2017. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/246226.
Full textAbout thirty compositions attributed to Hesdin (masses, motets, Magnificat and chansons) are included in plenty of musical sources copied or edited during the sixteenth-century, in France, Italy and the Netherlands. However, nothing is known about the biography and the career of this composer. Among the many hypothesis proposed on Hesdin’s identity, none is based on objectives informations. This study attemps to offer an overview as comprehensive as possible of Hesdin, through the study of his compositions, of the diffusion of the musical sources and of the reception of Hesdin’s music during the centuries. The style of his music reveals clear links to the compositions of other composers of the first half of the sixteenth-century, Josquin, Willaert and Gombert above all. Moreover, it shows that the toponym « Hesdin » may possibly hide two different composers.The final section of this study is devoted to the critical edition of the whole corpus ascribed to Hesdin.
Doctorat en Histoire, histoire de l'art et archéologie
info:eu-repo/semantics/nonPublished
Heseding, Johannaes [Verfasser]. "Baukastensysteme für den Antriebsstrang von Elektrofahrzeugen / Johannaes Heseding." Garbsen : TEWISS - Technik und Wissen GmbH, 2020. https://www.tewiss-verlag.de/.
Full textStoddard, Kathryn. "The narrative voice in the "Theogony" of Hesiod /." Leiden : Brill, 2004. http://catalogue.bnf.fr/ark:/12148/cb39219259j.
Full textSchumacher, Johannes [Verfasser], Gabriele [Akademischer Betreuer] Hessling, Peter [Gutachter] Ewert, and Gabriele [Gutachter] Hessling. "Katheterablation akzessorischer Leitungsbahnen bei Kindern und Jugendlichen im Zeitraum von 2004-2013 / Johannes Schumacher ; Gutachter: Peter Ewert, Gabriele Hessling ; Betreuer: Gabriele Hessling." München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/1185069496/34.
Full textSchulze-Hessing, Maaike [Verfasser]. "Stabilität verschiedener Elastisch stabiler intramedullärer Osteosynthesen bei diaphysären Femurkeilfrakturen : Biomechanische Untersuchungen am Kunstknochenmodell / Maaike Schulze-Hessing." Lübeck : Zentrale Hochschulbibliothek Lübeck, 2017. http://d-nb.info/1137036052/34.
Full textHessing, Piet [Verfasser], Stefan [Akademischer Betreuer] Eisebitt, Stefan [Gutachter] Eisebitt, and Jan [Gutachter] Lüning. "Interference-based spectroscopy with XUV radiation / Piet Hessing ; Gutachter: Stefan Eisebitt, Jan Lüning ; Betreuer: Stefan Eisebitt." Berlin : Technische Universität Berlin, 2021. http://d-nb.info/1238141242/34.
Full textFakas, Christos. "Der Hellenistische Hesiod : Arats Phainomena und die Tradition der antiken Lehrepik /." Wiesbaden : Dr. Ludwig Reichert Verlag, 2001. http://catalogue.bnf.fr/ark:/12148/cb38969094m.
Full textBoparai, Jaspreet Singh. "Politian's Hellenism : Homer, Hesiod, Theocritus, Aratus and Callimachus translated, adapted and commented." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708799.
Full textAsquith, Helen Catherine Aeronwy. "Listed narratives in Greek poetry from Hesiod to Callimachus : the development of a genre." Thesis, University of Cambridge, 2006. https://www.repository.cam.ac.uk/handle/1810/251986.
Full textPark, Arum. "Parthenogenesis in Hesiod’s Theogony." Penn State University Press, 2014. http://hdl.handle.net/10150/622192.
Full textMráz, Patrik. "Analýza technologií pro distribuci výpočtu při lámání hesel." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2019. http://www.nusl.cz/ntk/nusl-403191.
Full textHeseding, Christiane [Verfasser], Ann [Akademischer Betreuer] Ehrenhofer-Murray, and George [Akademischer Betreuer] Iliakis. "Characterization of the MYST histone acetyltransferase Mof2 in Drosophila melanogaster / Christiane Heseding. Gutachter: Ann Ehrenhofer-Murray ; George Iliakis." Duisburg, 2015. http://d-nb.info/1070170550/34.
Full textMartenn, Kristopher Andrew. "Ouranos." Bowling Green, Ohio : Bowling Green State University, 2010. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1268071854.
Full textDocument formatted into pages; contains 1 score (33 p.) For flute, oboe, clarinet in B♭, bassoon, horn in F, piano and strings. Duration: 11 min. Includes bibliographical references.
SOARES, DIONISIO OLIVEIRA. "HESIOD AND DANIEL: THE RELATIONS BETWEEN THE MYTH OF AGES AND THE NEBUCHADNEZZAR S DREAM OF A COMPOUND STATUE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=8970@1.
Full textCONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
A análise da correspondência entre Hesíodo e Daniel revelou-se, surpreendentemente, profícua, especialmente no que diz respeito ao mito das cinco raças, em Os Trabalhos e os dias, do primeiro, e ao sonho da estátua compósita, no livro que leva o nome do segundo. A analogia revela que, guardadas as devidas proporções em termos de marco social, língua e cultura de uma forma geral, os pontos de contato se dão a partir das fontes comuns, repercutidas na estrutura e no gênero literário. O objetivo desta dissertação é averiguar em que medida Hesíodo teria influenciado o livro de Daniel, tendo em vista ser o poeta grego cerca de seis séculos anterior ao livro do redator judeu. Assim sendo, o trabalho começa com uma análise e tradução do mito grego, seguindo sempre as etapas do método histórico-crítico; em seguida, é feito um estudo acerca da origem e das características do gênero que os aproxima, o apocalíptico; posteriormente, a análise e tradução da perícope de Daniel para, por fim, sumariar a aproximação entre os dois, o que, de certa forma, já acontece ao longo do trabalho.
The analysis of the correspondence between Hesiod and Daniel turn out to be, surprinsingly, proficient, specially with regard to the myth of ages, in the Works and days, belonging to the first, and the dream of compound statue, in the book that has the name of the second. The analogy shows that, retaining the proportions due to each one in terms of setting, language and culture on the whole, the contact points occur from the common sources, having repercutions on the framework and literary gender. The aim of this research is to verify in which measure Hesiod would have influenced the book of Daniel, having in mind that Greek poet lived at about six centuries before the Jewish editor´s book. In this way, the research begins analysing and translating the Greek myth, following always the stages of the historical-critical method. Next, is made a study about the origin and features of the apocalyptic gender that brings the two texts close to each other. Subsequently, the analysis and translation of the extract of Daniel to, finally, summarize the proximity between them, which, anyway, has already been occuring along the research.
Murray, Karen T., Carolyn S. Merriman, and Carolyn Adamson. "Use of the HESI Admission Assessment to Predict Student Success." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etsu-works/8518.
Full textAmato, Maria Luisa. "Yichan xiao hesheng, dal web agli scaffali: proposta di traduzione del fumetto e sottotitolazione di due miniepisodi della serie animata." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/22151/.
Full textHattori, Austin A. "Dreams of Mount Helicon: Callimachus and Oneiric Inspiration." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1613732017667735.
Full textSchott, C. Joseph. "Hesiod's 'Eris and Vergil's labor in the Georgics /." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487854314870809.
Full textFalcone, Vincent. "An Age Worse than Iron: The Evolution of the Myth of the Ages." Thesis, Boston College, 2004. http://hdl.handle.net/2345/440.
Full textThe idea that mankind's history is one of regress rather than of progress has been seen as central to the classical outlook on life. Bury and others have gone so far as to state that the idea of Progress in its modern sense could not have even occurred to the Greeks. This is perhaps too extreme, but it does reflect an important point: if regression over time was not the only idea for the Greeks, it was at least the dominant one. No story in classical literature reflects this idea more clearly than the Myth of the Ages. The earliest extant version of the story comes in Hesiod's Works and Days (c. 700 B.C.), after which it appears dozens of times throughout ancient literature. The myth in its standard form tells that the history of mankind takes the form of four ages, each represented by a metal: the first is a happy and virtuous Golden Age; the next is a less perfect Silver Age, followed by a warlike (and even worse) Bronze Age; and the last, the most impious and wretched of all, is the current Iron Age. The early Hesiodic version uses this framework merely as a means to show man that he has fallen from divine favor and is left with a life of hardship that he must deal with through honest work and reverence for the gods. As other authors pick up the myth, alluding to it in genres as diverse as philosophy, theology, humor, and panegyric, the story changes in several ways. Each author of course uses it for his own purposes and alters it accordingly. In addition the Myth of the Ages undergoes an overall change: after Hesiod authors such as Aratus, Ovid, Seneca, and Maximus use the myth as a means to pair material progress with moral regression. These authors do not merely tell a story; they present a model, a simple and pre-civilized way of living that they see as vastly superior to modern “advanced” society. These authors look at the results of technological progress and see only negatives; for them the ship and the sword have brought nothing but greed and violence. They present a simple and virtuous Golden Age that lacks the fruits of civilization and a wretched and bloodied Iron Age that is flooded by them. The implication is clear: mankind has fallen from a life of primeval bliss at its own hands as a direct result of technological and societal advances. This becomes the dominant message of the Myth of the Ages, so much so that by the time of the Romans the myth had become little more than a literary cliché for criticizing civilization
Thesis (BA) — Boston College, 2004
Submitted to: Boston College. College of Arts and Sciences
Discipline: Classical Studies
Discipline: College Honors Program
Naddaf, Gerard. "La alegoría. Orígenes y desarrollo de la filosofía desde los presocráticos hasta la Ilustración." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/113274.
Full textMucho se ha escrito sobre la célebre transición del muthos al logos, o del mito a la razón. Sin embargo, el tratamiento que se le ha dado al asunto de cómo respondieron los defensores del mito es más bien escaso. Ellos respondieron con mutho-logia; es decir, con un logos sobre el mito. Esta aproximación racional invocaba el mismo logos con el que generalmente se asocia la filosofía. De hecho, la philosophía y la muthología están tan estrechamente relacionadas por momentos que hasta el período de la Ilustración suele ser difícil distinguirlas entre sí. Esto se debe al encanto del mito o, más precisamente, a la interpretación alegórica del mito. En este ensayo pretendo esclarecer el origen y el desarrollo de este poco notado, aunque notable, evento en la historia de la filosofía.
Peck-Janssen, Shannon Marie. "Animal Husbandry at Tell el Hesi (Israel): Results from Zooarchaeological and Isotopic Analysis." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001437.
Full textDiLorenzo, Kate. ""To share in the roses of Pieria" relationships to the Muses' gift in the epic poets and Sappho /." Diss., Connect to the thesis, 1992. http://hdl.handle.net/10066/1475.
Full textAguiar, Heloíse Cardoso da Silva. "Possíveis paralelismos entre Os trabalhos os dias de Hesíodo e a República de Platão." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8905.
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In Plato's Republic books II and III, Plato examines the poets' methods and their effects before the public, and in doing so concludes that they are not compatible with his educational goal, as they oppose his ethical conception and political project. However, when we read the poem Works and Days, we find a discourse that seeks to ground human action in an absolute conception of justice. And precisely because of this, it provides an important background for the construction of the conception of justice present in the Republic. Hence, this dissertation intends to establish parallelisms between the conception of justice of the poet Hesiod and the one Plato presents in the Republic with the objective of determining if, in fact, the poet's conception is so opposed to that of the philosopher as he presents it in the mentioned dialogue.
Nos livros II e III da República, Platão examina os métodos dos poetas e seus efeitos diante do público e ao fazê-lo conclui que não são compatíveis com seu objetivo educacional, pois se opõem à sua concepção ética e ao seu projeto político. No entanto, quando fazemos uma leitura do poema Os trabalhos e os dias, encontramos um discurso que procura fundamentar a ação humana numa concepção absoluta de justiça. E justamente por isso, fornece um importante pano de fundo para a construção da concepção de justiça presente na República. Em virtude disso, esta dissertação pretende estabelecer os paralelismos entre a concepção de justiça do poeta Hesíodo e a que Platão apresenta na República com o objetivo de determinar se efetivamente a concepção do poeta é tão oposta à do filósofo como ele a apresenta no mencionado diálogo.
Mota, Késia Viviane da. "Estudo do mito através da análise literária d"O Certame Homero-Hesíodo"." Universidade Federal da Paraíba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/6271.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This research, entitled STUDY OF MYTH THROUGH LITERARY ANALYSIS OF "THE CONTEST OF HOMER AND HESIOD", aims to present a theoretical study on the myth from the analysis of a literary text whose authorship is attributed to Hesiod, The Contest of Homer and Hesiod. In order to achieve its objective, the research part of the reflection on the myth considering its polysemy, that is, the different senses that the institute may have, that is, its different facets. The theoretical foundation is basically the authors, in alphabetical order, Aristotle (1991), Barthes (2001), Burkert (2001), Campbell (2007), Detienne [19--], Eliade (2010), Hegel (2004) and Vernant (1990 and 2006). The translation of the corpus, whose original is written in Greek, used in the research is that of Torrano (2005), the only version available for Portuguese language. The work is divided as follows: the first chapter presents a brief theoretical study of the myth, considering it as a narrative, as language and in its religious content, highlighting the issue of genealogy and funeral rituals, as well as a study of the function the poet in the classical world. The second chapter presents a contextualization of the corpus, especially its characterization according to gender. The third chapter presents the analysis of the literary text under consideration, The Contest of Homer and Hesiod.
A presente pesquisa, intitulada ESTUDO DO MITO ATRAVÉS DA ANÁLISE LITERÁRIA D"O CERTAME HOMERO-HESÍODO", tem como objetivo apresentar um estudo teórico sobre o mito a partir da análise de um texto literário cuja autoria é atribuída a Hesíodo, O Certame Homero-Hesíodo. A fim de alcançar o seu objetivo, a pesquisa parte da reflexão sobre o mito considerando a sua polissemia, isto é, os diversos sentidos que o instituto pode ter, as suas diferentes facetas. A fundamentação teórica está basicamente nos autores, em ordem alfabética, Aristóteles (1991), Barthes (2001), Burkert (2001), Campbell (2007), Detienne [19--], Eliade (2010), Hegel (2004) e Vernant (1990 e 2006). A tradução do corpus, cujo original é escrito em grego clássico, utilizada na pesquisa é a de Torrano (2005), única versão para a língua portuguesa disponível a que foi possível ter acesso. O trabalho está assim dividido: o primeiro capítulo apresenta um breve estudo teórico sobre o mito, considerando-o como narrativa, como linguagem e em seu teor religioso, com destaque para a questão da genealogia e dos rituais fúnebres, além de um estudo sobre a função do poeta no mundo clássico. O segundo capítulo apresenta uma contextualização do corpus, especialmente a sua caracterização quanto ao gênero. O terceiro capítulo apresenta a análise do texto literário em apreço, O Certame Homero-Hesíodo.
Naddaf, Gerard. "Algunas reflexiones sobre la noción griega temprana de inspiración poética." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/112947.
Full textBolvanský, Dávid. "Lámání hesel pomocí algoritmu PRINCE v systému Fitcrack." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2020. http://www.nusl.cz/ntk/nusl-433602.
Full textHessling, Jan-Thomas [Verfasser]. "Speicheldrüsentumoren im Mund-, Kiefer- und Gesichtsbereich : Eine retrospektive Analyse von 18 Jahren aus der Klinik und Poliklinik für Mund-, Kiefer- und Plastische Gesichtschirurgie der Universität Bonn im Vergleich zur aktuellen Literatur / Jan-Thomas Hessling." Bonn : Universitäts- und Landesbibliothek Bonn, 2014. http://d-nb.info/1077270593/34.
Full textLištiak, Filip. "Zdokonalení pravděpodobnostních metod pro lámání hesel." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2019. http://www.nusl.cz/ntk/nusl-403174.
Full textGravel, Tammy Lee. "Predicting Certification Success for the Family Nurse Practitioner." ScholarWorks, 2018. https://scholarworks.waldenu.edu/dissertations/5341.
Full textMarshall, Connie. "Pre-Entrance Factors and Student Success in an A.A.S. Nursing Program." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3835.
Full textBuckner, Martha M., Mary S. Dietrich, Carolyn Merriman, and Jennifer Peterson Keeley. "Identifying at-Risk Nursing Students Using a Midcurricular Examination." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/8516.
Full textChacón, Leiva Natalia. "Βίος et ζωή chez Aristote : qu’est-ce que la vie pour un biologiste?" Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080042.
Full textThe reconstitution of the notion of life within the ancient philosophy is the principal idea of the present study. The aim is to re-establish the conception of this notion within the Greek language and culture, especially within the knowledge of early philosophers and the philosophy of Aristotle. The arrangement of this contribution is based on the meaning and relation of the words βίος and ζωή, two fundamental terms, exclusive to the Greek language. The first part of the study shed new light on the formal constitution and «original» meaning of these words. In particular the linguistic and cultural factors which converge in their formation and evolution are investigated in detail. The reconstruction of the historical and linguistic context of the words βίος and ζωή gives rise to the second part of the study by the means of reconstructing the notion of life within the poetical tradition and investigation of nature, conducted by the early philosophers. The third part of the study approaches the notion of life in the philosophy of Aristotle from the principle question at issue: whether the idea of life is reduced to the investigation of living organisms and his theory of soul or if it exceeds the biologic purpose to encompass other categories of his philosophy. This analysis of the notion of life within the philosophy of Aristotle is conducted by an integrating and dynamic perspective. The reconstitution of the notion of life in the work of Aristotle leads to a reflection about the closeness of his ideas to anterior investigations of natural objects and processes done by the early philosophers. Apart from being a pioneer in the investigation of life, he is also tributary to a particular kind of thinking in ancient Greece. Aristotle’s way of thinking, although far-reaching, is based within his period and preceding traditions
Wang, Chengtao. "Assessment of the Occurrence and Potential Effects of Pharmaceuticals and Personal Care Products in South Florida Waters and Sediments." FIU Digital Commons, 2012. http://digitalcommons.fiu.edu/etd/689.
Full textZanon, Camila Aline. "Onde vivem os monstros: criaturas prodigiosas na poesia hexamétrica arcaica." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-13022017-130921/.
Full textThe aim of this thesis is to analyse the creatures often considered monstrous as well as the words generally translated as monster in three poems belonging to the tradition of archaic hexametric poetry, namely, Hesiod\'s Theogony, the Homeric Hymn to Apollo, and Homer\'s Odyssey. The analysis of the creatures focuses on the ways they are described and the role they play in the narratives presented in those poems. The theoretical and methodological approach used to such analysis is the traditional referenciality proposed and developed by John Miles Foley in the 1990\'s in addition to the perspective that such poems that inform the archaic hexametric tradition constitute a history of the cosmos, as developed by Barbara Graziosi and Johannes Haubold during the 2000\'s. The analysis of the creatures, in one hand, and of the words translated by monster, in the other, results in questioning the validity of the monster category as usually taken for granted in the modern world, considering that it might not exist in archaic hexametric poetry, since those creatures are part of a system of thought in a world not yet disenchanted in Weberian terms, in which the empirical reality and the divine sphere as representative of the supernatural are deeply entangled. As theoretical and methodological framework for questioning the existence of monster as a category in such poetical tradition, this thesis adopted the theories of categorization formulated by Wittgenstein during the 1940\'s and 1950\'s, as well as the theories developed by Eleanor Rosch and her team during the 1970\'s, along with the ones presented by George Lakoff from 1980\'s onward. The proposition that the category of monster as pressuposed and understood by the modern world is non-existent in archaic hexametric poetry has consequences to the modern understanding of those creatures which must be perceived as part of a cosmos that does not separate the supernatural, the wonderful, and the divine in the same terms as the modern western world does, revealing the need to understand those creatures under the point of view of the tradition that created them or incorporated and ressignified them.
Tedeschi, Guillaume. "Etude philologique du texte d'Hésiode aux époques hellénistique et romaine." Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209752.
Full textDoctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
Miller-Dorangeon, Emeline. "Aristophane et l’épopée : Formes et fonctions des parodies, citations et imitations épiques dans les comédies d’Aristophane." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE3031.
Full textThis study tries to describe the various forms of Aristophanic borrowing to epic poetry, in order to define the relationship between the two genres: mockery or homage to the poet, ideological break or continuity, poetic filiation or innovation?
Hütwohl, Dannu. "The Birth of Sacrifice: Ritualized Deities in Eastern Mediterranean Mythology." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1606754016335887.
Full textSolntseva, Irina. "Les récits de Platon sur le passé : entre le mythe et l'histoire." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040083.
Full textIn view of the diversity of Plato's texts about the past, the commentators have most commonly suggested to consider them either as a unitary, profoundly pessimistic, conception of history or as a rhetoric form that enables Plato to defend his different ideas. By calling into question the historicising interpretation of the narratives discussing the origin and the decline of the ideal state in the Republic and of the cosmic myth of the Statesman, we offer an synchronic reading of them, taking in consideration the connections between these passages and the Hesiodic and Sophistic tradition of narratives about the past. We suggest to distinguish, on the other hand, a specific category of the Platonic historical accounts that could be called the «myths about the past of Athens» : the Atlantis story and the historical section of the Funeral oration of Socrates in the Menexenus that we could understand the most clearly, in our opinion, if we take in consideration the notion of the “Noble Lie” that Plato introduced in the Republic. Finally, we're focusing our attention on the status of the narrative of the past in the Laws III, often considered as the most historical text in Plato, and we try to show, from this example, how Plato manages to combine the concrete historic facts and his political and psychological theories, following the same approach as in his accounts in the Republic II and VIII – IX
Violas, Aurore. "Les préverbes a)na- et kata- en grec ancien (Homère, Hésiode, Hérodote) : étude linguistique." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040216.
Full textThe preverbs a)na- et kata- are usually considered as a couple, because for motion verbs a)na- bears an up motion and kata- a down motion. These two preverbs have nevertheless been employed variously and more widely than for merely spatial indications.Studying the compound verbs of the works of Homer, Hesiod and Herodotus allows us to identify the essential conno-tations linked to these preverbs since early literature. Even if we cannot find the Urbedeutung, it’s possible to unders-tand how the meaning of these preverbs has progressed from a concret meaning to an abstract. The ordered investiga-tion of these compound verbs, by distinguishing the different categories of meaning, help us discover some semantic classes which seem to be essential for each preverb. Thus we see that the preverb a)na- is mostly linked to motion verbs, whereas the preverb kata- is more combined with stative verbs or verbs which discribe a disappearance.The question of aspect for the preverbs is also fundamental. The study of these two preverbs allows us to understand how they could, both of them, own an aspectual value to emphazise the process accomplishment. But we can see that it’s not the same accomplishment, since a)na- indicates a creative accomplishment, while kata- most often highlights the accomplishment of a dying process
Bishop, Patricia Jean. "The Use of Preprogram and Within-Program Cognitive Attributes to Predict Midprogram Outcomes in Baccalaureate Nursing Education." University of Akron / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=akron1374966045.
Full textMilan, Johan. "Vers une grammaire du désir : dire l’union et la chair en grec préclassique (étymologie, lexicologie et sémantique)." Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL086.pdf.
Full textHow to express erotic desire and its success? From Homeric epics to Pindar’s odes, from Hesiod’s cosmogony to the harsh moral invective, and the passion of lyrics poets, this study examines all the linguistic material from the archaic period to show that process. Desire and sexuality are considered an idiom of their own, within ancient Greek, using their own words, syntax and stylistics. Their words dwell in those of the common tongue and build concepts of desire inside a specific timeline. French is often blind to such a differentiation. Desire turns into an overpowering force and a formidable magical artefact. The syntax of sexual congress and procreation – at the heart of genealogies – thrives through strong constraints, such as decency – and, although eroticism is fundamental in building characters or structuring the world, it is seen as inappropriate – and obscene excess, while fighting for morality. Eroticism is hard to express: it uses the implicit or the caricature, and follows complex conventions. Its stylistics, at last, words its embodiment: desire becomes an object one can touch, wear like an amulet or an ornament, and see, thanks to its glow and material. It is staged, especially in nature, because it reflects its inner ambivalence, between fascination and danger. Erotic and sexual metaphors call out landscapes, plants, and animals, in order to insert desiring human beings into the world. The grammar of desire forms a complex mechanism based on complicity and the questioning human nature
Hessing, Sabine [Verfasser]. "Die Rolle der MTHFR-C677T-Mutation bei der akuten Abstoßung von Nierentransplantaten / vorgelegt von Sabine Hessing." 2003. http://d-nb.info/967954932/34.
Full textRaphael, Rebecca. "Divine work, divine song : inspiration and authority in Hesiod and First Isaiah /." 1997. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9729865.
Full textStamatopoulou, Zoe. "Boiotos aner tade phonesen : the reception of Hesiod in epinician poetry /." 2008. http://wwwlib.umi.com/dissertations/fullcit/3326993.
Full textPang, Colin Cromwell. "Hesiod and the critique of Homer in Quintus of Smyrna's Posthomerica." Thesis, 2019. https://hdl.handle.net/2144/39001.
Full textΒάλβης-Γερογιάννης, Μάριος. "Η χρήση του Ησιόδου από τον Πλάτωνα στους πρώιμους και μέσους διαλόγους." Thesis, 2011. http://hdl.handle.net/10889/5285.
Full textIn this master thesis are examined the ways and methods with which Plato made usage of the archaic epic poet Hesiod during the early and the middle period of his philosophical work.
Yildiz, Ünveren Hesna Hülya [Verfasser]. "Hydroformylation of long chain olefins in microemulsion / vorgelegt von Hesna Hülya Yildiz Ünveren." 2004. http://d-nb.info/972892109/34.
Full textSivro, Aida. "The functional role of IRF1 polymorphisms in susceptibility to HIV-1 infection." 2014. http://hdl.handle.net/1993/24031.
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