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Journal articles on the topic 'Heterosexual men in motion pictures'

Author: Grafiati
Published: 4 June 2021
Last updated: 24 January 2023

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1

Lübke, Katrin T., Charlotte Sachse, Matthias Hoenen, and Bettina M. Pause. "Mu-Suppression as an Indicator of Empathic Processes in Lesbian, Gay, and Heterosexual Adults." Archives of Sexual Behavior 49, no. 2 (2019): 635–44. http://dx.doi.org/10.1007/s10508-019-01491-2.

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Abstract Self-reported empathy differs with gender and sexual orientation. The current study investigated whether mu-suppression, reflecting brain activity especially related to state empathy, also is modulated by gender and sexual orientation. Pictures of painful and non-painful actions were presented to 20 lesbians, 20 gay men, 20 heterosexual men and 20 heterosexual women, while EEG was recorded. Individual peak frequencies of mu-activity (electrodes C3, C4) were detected within the 6–11 Hz band for each participant, and mu-suppression indices were calculated. Further, verbal indicators of
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Aboyoun, Darren C., and James M. Dabbs. "THE HESS PUPIL DILATION FINDINGS: SEX OR NOVELTY?" Social Behavior and Personality: an international journal 26, no. 4 (1998): 415–19. http://dx.doi.org/10.2224/sbp.1998.26.4.415.

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Pupil dilation research initially focused upon emotional reactions and then shifted almost entirely to information processing. The present study returns to the initial research and addresses the question of whether pupil dilation in response to nudity reflects general arousal or more specific sexual arousal. Among heterosexual subjects, pictures of opposite sex nudes should produce sexual arousal, while pictures of nudes of either sex should produce a general novelty reaction. Pupil dilation was monitored among men and women viewing pictures of clothed men, clothed women, nude men, and nude wo
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Hirschman, Elizabeth C. "Consumer Preferences in Literature, Motion Pictures, and Television Programs." Empirical Studies of the Arts 5, no. 1 (1987): 31–46. http://dx.doi.org/10.2190/3c9d-4vf6-v7nt-hbpw.

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This study examined the relationship between five motives—sensory arousal, cognitive arousal, escapism, mastery-control, and emotional involvement—and preferences for different types of content in three cultural media—television programs, motion pictures, and books. The findings both confirmed and extended prior theorization and found some intriguing differences in content preferences between women and men.
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Albury, Kath, and Paul Byron. "Queering Sexting and Sexualisation." Media International Australia 153, no. 1 (2014): 138–47. http://dx.doi.org/10.1177/1329878x1415300116.

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Recent Australian research on ‘sexting’ (the production and exchange of naked and semi-naked digital pictures) has observed that formal legal and educational discourses have failed to fully account for young people's understandings and experiences. While there is a proliferation of scholarly and popular texts focusing on the risks that sexting might pose to young (heterosexual) women, there is a relative absence of academic, educational or popular discourse acknowledging same sex-attracted young people's participation in cultures of creating and sharing pictures via dating and hook-up apps. Th
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Albury, Kath. "Just because it’s public doesn’t mean it’s any of your business: Adults’ and children’s sexual rights in digitally mediated spaces." New Media & Society 19, no. 5 (2017): 713–25. http://dx.doi.org/10.1177/1461444816686322.

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This article engages with media responses to the 2015 Ashley Madison hack (which largely exposed the sexual details of adult heterosexual men) and the 2014 ‘Fappening’ hack (which exposed private sexual images of adult female celebrities). It draws on Petchesky’s concept of positive sexual rights and Warner’s framework of sexual ethics to reflect on the ways current educational and policy responses to ‘teen sexting’ (or sharing nude/semi-nude pictures) might change if young people’s sexual rights were recognized as being similar (if not the same) to those of the adult victims of the 2014 and 2
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Kosonogov, Vladimir, José M. Martínez-Selva, Ginesa Torrente, Eduvigis Carrillo-Verdejo, Aurelio Arenas, and Juan P. Sánchez-Navarro. "Head Motion Elicited by Viewing Affective Pictures as Measured by a New LED-Based Technique." Multisensory Research 32, no. 7 (2019): 575–88. http://dx.doi.org/10.1163/22134808-20191363.

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Abstract The complex sensory input and motor reflexes that keep body posture and head position aligned are influenced by emotional reactions evoked by visual or auditory stimulation. Several theoretical approaches have emphasized the relevance of motor reactions in emotional response. Emotions are considered as a tendency or predisposition to act that depends on two motivational systems in the brain — the appetitive system, related to approach behaviours, and the defensive system, related to withdrawal or fight-or-flight behaviours. Few studies on emotion have been conducted employing kinemati
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Danel, Dariusz P., Kasper Kalinowski, Natalia Nowak-Szczepanska, et al. "Shifts in Female Facial Attractiveness during Pregnancy." International Journal of Environmental Research and Public Health 17, no. 14 (2020): 5176. http://dx.doi.org/10.3390/ijerph17145176.

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It has been proposed that women’s physical attractiveness is a cue to temporal changes in fertility. If this is the case, we should observe shifts in attractiveness during pregnancy—a unique physiological state of temporal infertility. The aim of this study was to examine how women’s facial attractiveness changes during the subsequent trimesters of pregnancy and how it compares to that of nonpregnant women. Sixty-six pictures of pregnant women (22 pictures per trimester) and 22 of nonpregnant women (a control group) were used to generate four composite portraits, which were subsequently assess
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Kobayashi, Maiko, Koyo Nakamura, and Katsumi Watanabe. "Sex Differences in the Motivation for Viewing Sexually Arousing Images." Evolutionary Psychological Science 7, no. 3 (2021): 273–83. http://dx.doi.org/10.1007/s40806-021-00276-y.

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AbstractSexual motivation strongly influences mate choice and dating behavior and can be triggered by merely viewing sexually arousing visual images, such as erotic pictures and movies. Previous studies suggested that men, more than women, tend to search for sexual cues that signal promiscuity in short-term mates. However, it remains to be tested whether sex differences in the motivation to view sexual cues can be observed by using robust and well-controlled behavioral measures. To this end, we employed a pay-per-view key-pressing task. Japanese self-identified heterosexual male and female par
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Nangimah, Musrifatun. "The cultural repertoire of recontextualized superhero in the Avengers sequels." EduLite: Journal of English Education, Literature and Culture 6, no. 2 (2021): 353. http://dx.doi.org/10.30659/e.6.2.353-368.

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This research presents content analysis to the cultural repertoire of Marvel Cinematic Universe�s superhero motion pictures. It investigates the content, theme, and core ideas of Avengers sequels: The Avengers (2012), Avengers: Age of Ultron (2015), Avengers: Infinity War (2018), and Avengers: Endgame (2019). It explores how the Avengers sequels portrays recontextualization of superhero characters and whether as well as to what extent it provides US cultural monomyth. The finding shows that each character of the Avengers has flaws and vulnerabilities as common human beings that leave them from
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Marwah, Diniati, Ismunandar Ismunandar, and Regaria Tindarika. "BENTUK PENYAJIAN TARI LANGKAH DUA BELAS DI DESA SUNGAI BUNGKOK KALIMANTAN BARAT." Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) 11, no. 6 (2022): 421. http://dx.doi.org/10.26418/jppk.v11i6.55840.

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This research aims to describe the Langkah Dua Belas dance. This study used qualitative approach with method of interview, observation and document analysis. The documents that the author used in this study were written documents, pictures and videos. The authors concluded that Langkah Dua Belas dance has an opening movement structure, namely the motion of respect, the core movement which consists of 12 steps and the closing motion is the motion of the throne. The number of dancers must be even, namely 4, 6, 8, and so on. This dance can be danced by both men and women. The floor pattern is a s
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Stetz, Margaret D. "“BALLADS IN PROSE”: GENRE CROSSING IN LATE-VICTORIAN WOMEN'S WRITING." Victorian Literature and Culture 34, no. 2 (2006): 619–29. http://dx.doi.org/10.1017/s1060150306051345.

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“Oh, it is indeed a burning shame that there would be one law for men and another law for women. I think that there should be no law for anybody” (Beckson, I Can Resist 100). So said Oscar Wilde to a journalist interviewing him in January 1895. And for the first five years of the 1890s, it looked as though the British literary and publishing worlds, at least, were increasingly in accord with this Wildean perspective. Texts challenging the double standard of heterosexual conduct proliferated, even as bold articulations of same-sex desire appeared. At the same time, laws of all sorts that govern
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Saliba, Debra, Sarah MacCarthy, Biayna Darabidian, and Marc N. Elliott. "CULTURALLY COMPETENT CARE FOR OLDER SEXUAL MINORITY ADULTS: A SYSTEMATIC REVIEW FOR HEALTHCARE DELIVERY." Innovation in Aging 3, Supplement_1 (2019): S742. http://dx.doi.org/10.1093/geroni/igz038.2718.

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Abstract Recent attention to culturally competent care has largely overlooked the needs of older LGB adults. To address this, we conducted a systematic literature review and make recommendations for how the healthcare workforce can reduce sexual-orientation-based disparities. We searched PubMed, PsycINFO & CINAHL for manuscripts 1/1/10-6/19/18 (n=799), deduplicating, dually-screening abstracts (n=80), reviewing full-text articles (n=44), and classifying relevant articles (n=27) into five domains of cultural competency and associated recommendations: 1) Physical environment: display picture
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Edenheim, Sara. "Jakten på det "queera ögonblicket". Om det subversivas (o)möjligheter." Tidskrift för genusvetenskap 24, no. 1 (2022): 29–46. http://dx.doi.org/10.55870/tgv.v24i1.4180.

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The main question in this article is how and where subversion is possible. As a point of departure the author uses the work of Tiina Rosenberg, a researcher of theatre and gender at Stockholm university, who presents a theory on subversion, or "queer moment", produced by women in male clothing on stage. The article argues against the idea that this genre disturbs the heterosexual normativity and order of gender; instead it seems to reproduce that same order, partially through the relations between the characters and partially through the reason for female cross-dressing presented both within a
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14

Vorontsov, D. V. "Gender Representations of Young Female “Boy’s Love” Fans." Social Psychology and Society 13, no. 4 (2022): 124–41. http://dx.doi.org/10.17759/sps.2022130408.

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<p style="text-align: justify;"><strong>Objective. </strong>To describe the relations between liking visual representations of male same-sex romance and gender representations of young female fans of BL. <strong>Background. </strong>Nowadays there is a globally spread interest in manga among teenagers. Manga has a vast diversity of styles, genres, and followers. Nevertheless, some heterosexual girls quite often demonstrate stable interest in the manga sub-genre focusing on homoerotic relationships between young – and frequently androgynous – ma
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15

Murmulaitytė, Daiva. "Lithuanian Neologisms: the Aspect of Sex Expression." Lietuvių kalba, no. 16 (December 30, 2021): 51–69. http://dx.doi.org/10.15388/lk.2021.3.

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The article discusses the nouns with the (potential) seme of sex in “The Database of Lithuanian Neologisms“ in terms of their origin, word formation, semantics and usage. The majority of names of animated beings (people, animals as well as phantasy creatures, personified phenomena, etc.) are motion nouns (substantiva mobilia), while the others are of masculine, feminine or neutral gender.
 New coinages (separate, occasional as well as usual ones) show that more means of naming objects according to their sex differences are used in modern Lithuanian language compared to the ones provided f
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Nguyen, Anh-Dung, Michelle C. Boling, Carrie A. Slye, Emily M. Hartley, and Gina L. Parisi. "Various Methods for Assessing Static Lower Extremity Alignment: Implications for Prospective Risk-Factor Screenings." Journal of Athletic Training 48, no. 2 (2013): 248–57. http://dx.doi.org/10.4085/1062-6050-48.2.08.

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Context: Accurate, efficient, and reliable measurement methods are essential to prospectively identify risk factors for knee injuries in large cohorts. Objective: To determine tester reliability using digital photographs for the measurement of static lower extremity alignment (LEA) and whether values quantified with an electromagnetic motion-tracking system are in agreement with those quantified with clinical methods and digital photographs. Design: Descriptive laboratory study. Setting: Laboratory. Patients or Other Participants: Thirty-three individuals participated and included 17 (10 women
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Jerrentrup, Maja Tabea. "Boys at their Best Cultural Values and Self-Presentation on Social Networks." Journal of Media & Management, March 31, 2021, 1–7. http://dx.doi.org/10.47363/jmm/2019(3)119.

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Especially on social media, people represent their identity with photographs that are meant to communicate something about the person. In this context, unspecialized dating platforms likek Tinder receive special attention, since a very large quantity of photos is conceivable and the goal of success with potential partners suggests the consideration of socio-cultural values. The article explores the question of which values are communicated through photographs on Tinder and whether Tinder promotes or rather prevents the representation of diversity among heterosexual men. It becomes apparent tha
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Jerrentrup, Maja Tabea. "Boys at their Best Cultural Values and Self-Presentation on Social Networks." Journal of Media & Management, March 30, 2021, 1–7. http://dx.doi.org/10.47363/jmm/2021(3)118.

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Especially on social media, people represent their identity with photographs that are meant to communicate something about the person. In this context, unspecialized dating platforms likek Tinder receive special attention, since a very large quantity of photos is conceivable and the goal of success with potential partners suggests the consideration of socio-cultural values. The article explores the question of which values are communicated through photographs on Tinder and whether Tinder promotes or rather prevents the representation of diversity among heterosexual men. It becomes apparent tha
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Paasonen, Susanna, and Jenny Sundén. "Shameless dicks: On male privilege, dick pic scandals, and public exposure." First Monday, March 17, 2021. http://dx.doi.org/10.5210/fm.v26i4.11654.

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Academic debates on shame and the involuntary networked circulation of naked pictures have largely focused on instances of hacked accounts of female celebrities, on revenge porn, and interconnected forms of slut-shaming. Meanwhile, dick pics have been predominantly examined as vehicles of sexual harassment within heterosexual contexts. Taking a somewhat different approach, this article examines leaked or otherwise involuntarily exposed dick pics of men of notable social privilege, asking what kinds of media events such leaked data assemble, how penises become sites of public interest and atten
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Christian, Michael, Howard Sarmento Giam, and Amelia Suryani. "ANALISIS TINGKAT PENGARUH ELEVATOR SPEECH-OFFICIAL MOVIE TRAILER DAN BRAND AWARENESS RUMAH PRODUKSI (PH) TERHADAP KEPUTUSAN PEMBELIAN MOVIEGOERS (STUDI KASUS : FILM MAN OF STEEL – WARNER BROS PICTURES DAN IRON MAN 3 – WALT DISNEY STUDIO MOTION PICTURES." Business Management Journal 9, no. 2 (2017). http://dx.doi.org/10.30813/bmj.v9i2.752.

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<p>For almost all sales men, the strategy of time becomes the main key of selling effectiveness. Having appointment in a product’s presentation is oftenly measured by a very short times to deliver. In many cases, delivering the detail of products must be done at a sudden spot and extremely short time where he/she does not imagine before. This needs skill of designing the points of products and how to execute well in order to get the best memorable experience. Entertainment industry especially movie has a very unique on its competition. The development of technology totally delivers big c
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Erik, H., M. Çolaklar, M. Yardım, and H. Özcebe. "Tobacco control laws and smoking in Turkish movies between 1992-2016." European Journal of Public Health 30, Supplement_5 (2020). http://dx.doi.org/10.1093/eurpub/ckaa166.1244.

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Abstract Background Advertisement and promotion of tobacco products were banned in 1996; sponsorships ban was in 2008. Smoking in movies are not accepted as advertisement, but they can interfere young people' beliefs about smoking. In this study, the relation between tobacco control law and tobacco scenes in movies were evaluated. Materials and Methods The sampling of this descriptive research was 50 films selected two most watched Turkish movies from Turkish Cinema Studies and Box Office between 1992-2016. The movies were evaluated in three time intervals according to 1996 and 2008 Laws. The
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Zeevi, Lior, Nathalie klein Selle, Eva Ludmilla Kellmann, Gal Boiman, Yuval Hart, and Shir Atzil. "Bio-behavioral synchrony is a potential mechanism for mate selection in humans." Scientific Reports 12, no. 1 (2022). http://dx.doi.org/10.1038/s41598-022-08582-6.

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AbstractThe decision with whom to form a romantic bond is of great importance, yet the biological or behavioral mechanisms underlying this selective process in humans are largely unknown. Classic evolutionary theories of mate selection emphasize immediate and static features such as physical appearance and fertility. However, they do not explain how initial attraction temporally unfolds during an interaction, nor account for mutual physiological or behavioral adaptations that take place when two people become attracted. Instead, recent theories on social bonding emphasize the importance of co-
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Rutherford, Amanda, and Sarah Baker. "Upgrading The L Word: Generation Q." M/C Journal 23, no. 6 (2020). http://dx.doi.org/10.5204/mcj.2727.

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The L Word: Generation Q is the reboot of The L Word, a long running series about a group of lesbians and bisexuals in Los Angeles in the early 2000s. Both programmes are unique in their positioning of lesbian characters and have been well received by audiences and critics alike. These programmes present a range of characters and narratives, previously excluded from mainstream film and television, bringing a refreshing change from the destructive images typically presented before. We argue that the reboot Generation Q now offers more meaningful representation of the broader lesbian and transge
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Brabazon, Tara. "Welcome to the Robbiedome." M/C Journal 4, no. 3 (2001). http://dx.doi.org/10.5204/mcj.1907.

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One of the greatest joys in watching Foxtel is to see all the crazy people who run talk shows. Judgement, ridicule and generalisations slip from their tongues like overcooked lamb off a bone. From Oprah to Rikki, from Jerry to Mother Love, the posterior of pop culture claims a world-wide audience. Recently, a new talk diva was added to the pay television stable. Dr Laura Schlessinger, the Mother of Morals, prowls the soundstage. attacking 'selfish acts' such as divorce, de facto relationships and voting Democrat. On April 11, 2001, a show aired in Australia that added a new demon to the decade
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Felton, Emma. "The City." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1958.

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In the television series Sex and the City, there is a scene which illustrates a familiar contempt for suburban life as dull and boring. Implicit is the oppositional view that urban life by comparison, is the more exciting one. Charlotte (one of four women whose sexual and romantic relationships are the focus of the series), has spent time with her in-laws in an upper middle class suburban enclave, and is confessing to her three girl friends her fantasies and ultimate sexual encounter with her in-law's hunk of a gardener. She's racked with guilt over the incident, not least because she is marri
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Thompson, Jay Daniel. "Porn Sucks: The Transformation of Germaine Greer?" M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1107.

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Introduction In a 1984 New York Times interview, Germaine Greer discussed the quite different views that have surrounded her supposed attitude towards sex. As she put it, “People seem to think I'm Hugh Hefner and that the reason women started having sex is because I told them to” (qtd. in De Lacy). This view had, however, shifted by the 1980s. As she told reporter Justine De Lacy, “Now they are saying that I'm against sex.” In this article, I tease out Greer’s remarks about the supposed transformation of her political persona. I do so with reference to her work on Suck Magazine, which was bill
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Green, Lelia. "Sex." M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.2000.

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This paper addresses that natural consort of love: sex. It particularly considers the absence of actual sex from mainstream popular culture and the marginalisation of 'fun' sex as porn, requiring its illicit circulation as ‘illegitimate’ videos. The absence of sex from films classified and screened in public venues (even to over-18s) prevents a discourse about actual sex informing the discourse of love and romance perpetuated through Hollywood movies. The value of a variety of representations of sexual practice in the context of a discussion of love, sex and romance in Western cinema was brief
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Bartlett, Alison. "Business Suit, Briefcase, and Handkerchief: The Material Culture of Retro Masculinity in The Intern." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1057.

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IntroductionIn Nancy Meyers’s 2015 film The Intern a particular kind of masculinity is celebrated through the material accoutrements of Ben Whittaker (Robert De Niro). A retired 70-year-old manager, Ben takes up a position as a “senior” Intern in an online clothing distribution company run by Jules Ostin (Anne Hathaway). Jules’s company, All About Fit, is the embodiment of the Gen Y creative workplace operating in an old Brooklyn warehouse. Ben’s presence in this environment is anachronistic and yet also stylishly retro in an industry where “vintage” is a mode of dress but also offers alternat
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Miletic, Sasa. "‘Everyone Has Secrets’: Revealing the Whistleblower in Hollwood Film in the Examples of Snowden and The Fifth Estate." M/C Journal 23, no. 4 (2020). http://dx.doi.org/10.5204/mcj.1668.

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In one of the earliest films about a whistleblower, On the Waterfront (1954), the dock worker Terry Malloy (Marlon Brando), who also works for the union boss and mobster Johnny Friendly (Lee J. Cobb), decides to testify in court against him and uncover corruption and murder. By doing so he will not only suffer retribution from Friendly but also be seen as a “stool pigeon” by his co-workers, friends, and neighbours who will shun him, and he will be “marked” forever by his deed. Nonetheless, he decides to do the right thing. Already it is clear that in most cases the whistleblowers are not simpl
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Sharma, Sarah. "The Great American Staycation and the Risk of Stillness." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.122.

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The habitual passenger cannot grasp the folly of traffic based overwhelmingly on transport. His inherited perceptions of space and time and of personal pace have been industrially deformed. He has lost the power to conceive of himself outside the passenger role (Illich 25).The most basic definition of Stillness refers to a state of being in the absence of both motion and disturbance. Some might say it is anti-American. Stillness denies the democratic freedom of mobility in a social system where, as Ivan Illich writes in Energy and Equity, people “believe that political power grows out of the c
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Lisle, Debbie. "The 'Potential Mobilities' of Photography." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.125.

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In the summer of 1944, American Sergeant Paul Dorsey was hired by the Naval Aviation Photography Unit (NAPU) to capture “the Marines’ bitter struggle against their determined foe” in the Pacific islands (Philips 43). Dorsey had been a photographer and photojournalist before enlisting in the Marines, and was thus well placed to fulfil the NAPU’s remit of creating positive images of American forces in the Pacific. Under the editorial and professional guidance of Edward Steichen, NAPU photographers like Dorsey provided epic images of battle (especially from the air and sea), and also showed Ameri
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Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2345.

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 From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha
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Williams, Kathleen. "Never Coming to a Theatre near You: Recut Film Trailers." M/C Journal 12, no. 2 (2009). http://dx.doi.org/10.5204/mcj.139.

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IntroductionRecut trailers typically mix footage from one or more films to create a preview for a feature that will never exist. Challenging the trailer’s assumed function as existing merely to gain an audience for a main attraction, the recut trailer suggests that the trailer can exist separately from a film. This paper will ask if recut trailers are evidence of fan enthusiasm and question precisely where this enthusiasm is directed. Do recut trailers demonstrate there are fans for the feature film that is recut, or does this enthusiasm extend beyond an appreciation and anticipation for a fea
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Morris, Ieuan. "Interruption/Interaction/Collaboration: A Critical Appraisal of the Textual @traction Interactive Event." M/C Journal 9, no. 2 (2006). http://dx.doi.org/10.5204/mcj.2622.

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This article reflects upon the process of the making and screening of an interactive short film called Textual @traction, which I wrote and directed. The film is 12 minutes long, 35mm film, and shows how a series of messages sent to a lost mobile phone inadvertently allows two gay men to declare their love for each other. In the form of a puzzle, the film denies sight of the crucial messages sent between the characters, messages which motivate their actions. However, through the simple use of SMS (Short Message System) text technology, the audience can receive each of these messages on their o
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Collins, Steve. "Recovering Fair Use." M/C Journal 11, no. 6 (2008). http://dx.doi.org/10.5204/mcj.105.

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IntroductionThe Internet (especially in the so-called Web 2.0 phase), digital media and file-sharing networks have thrust copyright law under public scrutiny, provoking discourses questioning what is fair in the digital age. Accessible hardware and software has led to prosumerism – creativity blending media consumption with media production to create new works that are freely disseminated online via popular video-sharing Web sites such as YouTube or genre specific music sites like GYBO (“Get Your Bootleg On”) amongst many others. The term “prosumer” is older than the Web, and the conceptual co
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