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Journal articles on the topic 'Heym'

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Published: 4 June 2021

Last updated: 29 January 2023

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1

de Juan, Lucï¿½a, Julio ï¿½lvarez, Beatriz Romero, Javier Bezos, Elena Castellanos, Alicia Aranaz, Ana Mateos, and Lucas Domï¿½nguez. "Comparison of Four Different Culture Media for Isolation and Growth of Type II and Type I/III Mycobacterium avium subsp. paratuberculosis Strains Isolated from Cattle and Goats." Applied and Environmental Microbiology 72, no. 9 (September 2006): 5927–32. http://dx.doi.org/10.1128/aem.00451-06.

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ABSTRACT Culture is considered the definitive technique for Johne's disease diagnosis, and it is essential for later applications of certain molecular typing techniques. In this study, we have tested four solid media (Herrold's egg yolk medium [HEYM] with sodium pyruvate and mycobactin [HEYMm-SP], HEYM with mycobactin and without sodium pyruvate [HEYMm], Middlebrook 7H11 with mycobactin [Mm], and Lï¿½wenstein-Jensen with mycobactin [LJm]) for isolation of Mycobacterium avium subsp. paratuberculosis strains in 319 tissue samples from cattle herds and goat flocks. We have shown that each of the two main groups of M. avium subsp. paratuberculosis (type II and type I/III) has different requirements for growth in the culture media studied. The recommended solid media for isolation of type I/III strains are LJm and Mm, since the combination of both media allowed the recovery of all these strains. The most widespread culture medium, HEYM, is not suitable for the isolation of this group of M. avium subsp. paratuberculosis strains. Regarding the type II strains, HEYMm-SP was the medium where more strains were isolated, but the other three media are also needed in order to recover all type II strains. The incubation period is also related to the strain type. In conclusion, because the type of strain cannot be known in advance of culture, coupled with the fact that cattle and goats can be infected with both groups of strains, we recommend the use of the four solid media and the prolongation of the incubation period to more than 6 months to detect paratuberculous herds/flocks and to determine the true prevalence of the infection.

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2

Colombat, Rémy. "Hermann Korte, Georg Heym." Arbitrium 3, no. 2 (1985): 198–200. http://dx.doi.org/10.1515/arbi.1985.3.2.198.

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3

Fischer, Andreas, Jürgen Klattig, Burkhard Kneitz, Holger Diez, Manfred Maier, Bettina Holtmann, Christoph Englert, and Manfred Gessler. "Hey Basic Helix-Loop-Helix Transcription Factors Are Repressors of GATA4 and GATA6 and Restrict Expression of the GATA Target Gene ANF in Fetal Hearts." Molecular and Cellular Biology 25, no. 20 (October 15, 2005): 8960–70. http://dx.doi.org/10.1128/mcb.25.20.8960-8970.2005.

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ABSTRACT The Hey basic helix-loop-helix transcription factors are downstream effectors of Notch signaling in the cardiovascular system. Mice lacking Hey2 develop cardiac hypertrophy, often associated with congenital heart defects, whereas combined Hey1/Hey2 deficiency leads to severe vascular defects and embryonic lethality around embryonic day E9.5. The molecular basis of these disorders is poorly understood, however, since target genes of Hey transcription factors in the affected tissues remain elusive. To identify genes regulated by Hey factors we have generated a conditional Hey1 knockout mouse. This strain was used to generate paired Hey2- and Hey1/2-deficient embryonic stem cell lines. Comparison of these cell lines by microarray analysis identified GATA4 and GATA6 as differentially expressed genes. Loss of Hey1/2 leads to elevated GATA4/6 and ANF mRNA levels in embryoid bodies, while forced expression of Hey factors strongly represses expression of the GATA4 and GATA6 promoter in various cell lines. In addition, the promoter activity of the GATA4/6 target gene ANF was inhibited by Hey1, Hey2, and HeyL. Protein interaction and mutation analyses suggest that repression is due to direct binding of Hey proteins to GATA4 and GATA6, blocking their transcriptional activity. In Hey2-deficient fetal hearts we observed elevated mRNA levels of ANF and CARP. Expression of ANF and Hey2 is normally restricted to the trabecular and compact myocardial layer, respectively. Intriguingly, loss of Hey2 leads to ectopic ANF expression in the compact layer, suggesting a direct role for Hey2 in limiting ANF expression in this cardiac compartment.

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4

Krause, Frank. "Getarnte Vitalität. Von Alfred Doves Caracosa (1894) zu Georg Heyms Bagrow (1911)." Literatur für Leser 41, no. 3 (January 1, 2021): 175–88. http://dx.doi.org/10.3726/lfl.2018.03.02.

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Anfang der 1970er Jahre hatte Gunter Martens die vitalistischen Perspektiven des literarischen Werks von Georg Heym detailliert herausgearbeitet. Der Glaube, im gesteigerten Erleben der aktiven Erfüllung unabweisbarer Bedürfnisse offenbare sich der sinnstiftende Ursprung des Lebensprozesses, leitet Heyms Darstellungen spontaner Aufbrüche aus gefühlsarmer Sinnleere ebenso wie seine Diagnosen zerstörter Hoffnungen auf ein erfülltes Leben; noch Heyms Szenen der sinnlich faszinierenden Vernichtung lebensfeindlicher Stätten und seine paradoxen Motive einer vitalisierten Todesmacht, die eben jene berauschende Energie verausgabt, an denen es ihren Opfern mangelt, bewegen sich im Horizont vitalistischen Denkens.1

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5

Pender, Malcolm, and Peter Hutchinson. "Stefan Heym: The Perpetual Dissident." Modern Language Review 89, no. 3 (July 1994): 807. http://dx.doi.org/10.2307/3735223.

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6

Pender, Malcolm, Peter Hutchinson, and Verena Jung. "Stefan Heym: Dissident auf Lebenszeit." Modern Language Review 97, no. 1 (January 2002): 240. http://dx.doi.org/10.2307/3735691.

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7

Wallace, Ian. "Stefan Heym in den USA." Études Germaniques 252, no. 4 (2008): 689. http://dx.doi.org/10.3917/eger.252.0689.

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8

Costabile-Heming, Carol Anne, and Peter Hutchinson. "Stefan Heym: The perpetual Dissident." German Quarterly 68, no. 1 (1995): 114. http://dx.doi.org/10.2307/408062.

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9

Ristow, Paula, Marlei Gomes Silva, Leila de Souza Fonseca, and Walter Lilenbaum. "Evaluation of Mycobacterium avium subsp. paratuberculosis faecal culture protocols and media." Pesquisa Veterinária Brasileira 26, no. 1 (March 2006): 1–4. http://dx.doi.org/10.1590/s0100-736x2006000100001.

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Paratuberculosis is an important enteritis of ruminants caused by Mycobacterium avium subsp. paratuberculosis (Map). The disease is officially considered exotic in Brazil, but recent serological surveys and the isolation of the agent suggest it may occur in our herds. The aim of this study was to evaluate three different formulations of Herrold's egg yolk agar with mycobactin J (HEYM) and four faecal culture protocols considering their ability for Map growth as well as cost and ease of application. Three formulations of HEYM were inoculated with two suspensions of Map. Spiked faeces and naturally contaminated faecal samples were treated by the four faecal culture protocols. Centrifugation protocol and HEYM recommended by OIE showed the best results on the recovery of Map.

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10

Romero, Magali Andrea, María Fiorella Alvarado Pinedo, Luis Maria Peralta, Pedro Sebastián Sosa, Roberto Damián Moyano, Maria de la Paz Santangelo, and Gabriel Eduardo Travería. "Medio de cultivo líquido para el diagnóstico de paratuberculosis bovina. Aplicación y análisis comparativo con el medio de Herrold: resultados preliminares." Analecta Veterinaria 38, no. 1 (June 22, 2018): 50–55. http://dx.doi.org/10.24215/15142590e025.

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La paratuberculosis es una enfermedad crónica producida por un bacilo ácidoalcohol resistente (BAAR), el Mycobacterium avium subsp. paratuberculosis (Map). No existe tratamiento ni vacuna aprobada por SENASA para esta enfermedad, por lo que es imprescindible el diagnóstico de los animales positivos para controlar la enfermedad antes de que infecten a otros. Se probó la implementación de un medio de cultivo líquido para el diagnóstico de paratuberculosis en bovinos, modificado a partir del medio Middlebrook M7H9 caldo. Para probar la efectividad del medio se realizó la siembra pareada de muestras de materia fecal y tejidos animales en el medio de cultivo sólido de Herrold con micobactina (HEYM) y en el medio de cultivo líquido modificado a partir del M7H9 caldo. Además, se lograron comparar el tiempo de detección de colonias en el medio sólido con el de detección de BAAR formando grupos en el medio de cultivo líquido en estudio. Se corroboró que hay diferencias significativas entre el medio de cultivo líquido y el medio HEYM, tanto en el tiempo de detección como en la cantidad de muestras positivas detectadas, observando BAAR en el medio líquido o colonias bacterianas en el medio HEYM. Sobre la base de estos resultados se concluye que el medio líquido probado posee una mayor sensibilidad analítica y un tiempo de detección del crecimiento menor con respecto a los del medio HEYM.

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11

Boase-Beier, Jean. "Georg Heym: Poems, translated by Anthony Hasler." Translation and Literature 14, no. 2 (September 2005): 266–71. http://dx.doi.org/10.3366/tal.2005.14.2.266.

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12

Riesco Chueca, Pascual. "GEORG HEYM, DIECINUEVE VENTANAS A SU POESÍA." Esferas Literarias, no. 1 (November 9, 2018): 99–122. http://dx.doi.org/10.21071/elrl.vi1.11453.

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Estas líneas proponen un recorrido por la producción poética de Georg Heym, figura iniciática del Expresionismo alemán. El objeto de la selección realizada es mostrar la diversidad de fuentes que nutren al autor, y que someten su obra a un delicado pulso entre herencia e innovación. La cuidada métrica resiste la presión de una temática rebosante de obsesión y presagio. Una cultura potente y suicida, la de la Alemania de anteguerras, desborda por boca del autor en una alocución donde creación y destrucción conviven en misterioso e íntimo connubio.

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13

Sevin, Dieter, and Regina U. Hahn. "The Democratic Dream: Stefan Heym in America." German Studies Review 27, no. 3 (October 2004): 674. http://dx.doi.org/10.2307/4141040.

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14

Lauckner, Nancy A. "Stefan Heym: 5 Tage im Juni. Roman." GDR Bulletin 16, no. 2 (October 17, 1990): 36–37. http://dx.doi.org/10.4148/gdrb.v16i2.974.

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15

Dietrich, Walter. "Stefan Heym und das jüdisch-biblische Erbe." Evangelische Theologie 52, no. 3 (May 1, 1992): 277–81. http://dx.doi.org/10.14315/evth-1992-0307.

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16

Hutchinson, Peter. "THE STEFAN HEYM ARCHIVE IN CAMBRIDGE UNIVERSITY LIBRARY*." German Life and Letters 46, no. 3 (July 1993): 291–96. http://dx.doi.org/10.1111/j.1468-0483.1993.tb00993.x.

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17

Navarro Fuentes, Carlos Alberto. "Georg Heym. El poeta que vio a Berlín en llamas en 1911." Sincronía XXVII, no. 83 (January 1, 2023): 172–93. http://dx.doi.org/10.32870/sincronia.axxvii.n83.10a23.

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El ensayo tiene que objetivo principal ofrecer un panorama general sobre algunos de los poemas más representativos del poeta alemán expresionista Georg Heym (1887-1912), quien vivió en Alemania a finales del siglo XIX y principios del XX, no alcanzando ni siquiera los 30 años de vida. No obstante, el dato anterior, su legado poético fue lo suficientemente rico y significativo como para considerársele uno de los más grandes poetas en lengua alemana de la historia de sus letras que, además visionó con gran precisión, la hecatombe que se cernía sobre Europa y se haría realidad durante la primera mitad del siglo XX. Por lo anterior, el texto presenta precisamente algunos poemas que dan cuenta en su contenido de imágenes y escenas que estarían por venir, es decir, antes de que se convirtieran en hechos factuales como parte del período histórico e imaginario sociocultural de la época (Zeitgeist) en el que tanto el lenguaje como la literatura se vieron afectados e impactados por la atmósfera que impregnaran el nacionalismo y el fascismo. La manera en la cual procede la exposición de este ensayo es simplemente poniendo a los ojos del lector, algunos de estos poemas mencionados para su goce y conocimiento de lo que se afirma como testimonio en cuestión a partir de su lectura.

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18

Matrosov, Konstantin V., and Anton V. Chorny. "My Dreams by Georg Heym as a Literary Source." Studia Litterarum 4, no. 1 (2019): 348–69. http://dx.doi.org/10.22455/2500-4247-2019-4-1-348-369.

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19

Challot, Christian. "Emile Verhaeren et Georg Heym, poètes des grandes métropoles." Revue belge de philologie et d'histoire 77, no. 3 (1999): 751–64. http://dx.doi.org/10.3406/rbph.1999.4380.

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20

König, Fritz H. "Stefan Heym and Werner Heiduczek, eds.: Die sanfte Revolution." GDR Bulletin 17, no. 2 (October 17, 1991): 28–29. http://dx.doi.org/10.4148/gdrb.v17i2.1012.

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21

Neymeyr, Barbara. "Zeitkritik und Zukunftsutopie im Zeichen Nietzsches und Schopenhauers. Zum Geistesaristokratismus in Georg Heyms Essay Über Genie und Staat (im Kontext seiner Kleinen Schriften und Tagebücher)." Literatur für Leser 41, no. 3 (January 1, 2021): 239–58. http://dx.doi.org/10.3726/lfl.2018.03.07.

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In der essayistischen Skizze Über Genie und Staat (1912) aus Heyms letzter Lebensphase fallen markante Spannungsfelder auf: Individuum und Gesellschaft – Ohnmacht des Genies und öffentliche Macht – kulturelle Leistung und politische Herrschaft – Genius und Menschheit – Décadence und Vitalismus – Ordnung und Chaos – Gegenwartsmisere und Zukunftsutopie – Maskerade und Authentizität – Aristokratie und Massengesellschaft. Diese Themen prägen den Gedankengang in Heyms Essay Über Genie und Staat. In deutlicher Affinität zu Konzepten Nietzsches entfaltet er hier gesellschaftskritische Perspektiven und verbindet sie zugleich mit einer kulturpolitischen Utopie. Zunächst benennt Heym eklatante Missstände, die seines Erachtens für die Misere genialer Individuen verantwortlich sind: Da er die Genies unter dem Druck staatlicher Machtinstitutionen zur Wirkungslosigkeit verdammt sieht, formuliert er gemäß seiner eigenen Devise ,Genies an die Macht‘ eine utopische Alternative: ,,Igitur man biete dem, der sonst etwas Großes leistet, auch die politische Macht an. Ich glaube, er wird mit beiden Händen zugreifen. Das Bewußtsein verdienter Herrschaft muß ihm sicher eine Quelle starker und großer Lebensfreuden werden“, zumal er dadurch zugleich die nötigen Voraussetzungen erhält, um seine ,,besonderen Utopien“ auch ,,in Taten umzusetzen“ (2, 175).1

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22

Maldonado Alemán, Manuel. "La gran ciudad en las "Berlin-Gedichte" de Georg Heym. Realidad y visión." Philologia Hispalensis 1, no. 6 (1991): 181–90. http://dx.doi.org/10.12795/ph.1991.v06.i01.17.

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23

Iehl, Dominique. "Démons, enfer et spectres chez Heym : entre sécularisation et fascination." Cahiers d’études germaniques 63, no. 63 (October 1, 2012): 355–65. http://dx.doi.org/10.4000/ceg.10857.

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24

Bonnellier, Roseline. "Avant la nuit, quand point le jour : Heym, expressionnisme, psychanalyse." Topique 146, no. 2 (2019): 181. http://dx.doi.org/10.3917/top.146.0181.

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25

Midgley, David. "THE SUBVERSIVE APPROPRIATION OF POETIC FORMS: GEORG HEYM (1887–1912)." Oxford German Studies 41, no. 3 (December 2012): 295–309. http://dx.doi.org/10.1179/0078719112z.00000000018.

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26

Attar, K. E. "The Archive and the Artist: The Stefan Heym Archive Revisited." German Life and Letters 53, no. 1 (January 2000): 73–88. http://dx.doi.org/10.1111/1468-0483.00153.

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27

Heyman, Matthias. "‘Een drummer wandelt een café binnen…’ Kick It - A Social History of the Drum Kit." Forum+ 28, no. 1 (February 1, 2021): 68–69. http://dx.doi.org/10.5117/forum2021.1.heym.

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28

Heyman, Matthias. "“And I think to myself what a wonderful world.” Op zoek naar Louis Armstrong's Brusselse collage." Forum+ 24, no. 1 (February 17, 2017): 18–22. http://dx.doi.org/10.5117/forum2017.1.heym.

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29

Heyman, Matthias. "‘A whole lot of dead copycats’." Forum+ 24, no. 3 (November 17, 2017): 34–37. http://dx.doi.org/10.5117/forum2017.3.heym.

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30

Heyman, Matthias. "Afrika + Europa x Amerika = jazz?" Forum+ 25, no. 3 (November 1, 2018): 58–59. http://dx.doi.org/10.5117/forum2018.3.heym.

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31

Heyman, Matthias. "Meer dan ooit een compagnon de route: The Routledge Companion to Jazz Studies." Forum+ 26, no. 3 (November 1, 2019): 82–83. http://dx.doi.org/10.5117/forum2019.3.heym.

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32

Paulsen, Wolfgang, Patrick Bridgwater, and Georg Heym. "Poet of Expressionist Berlin: The Life and Work of Georg Heym." German Quarterly 65, no. 3/4 (1992): 480. http://dx.doi.org/10.2307/407630.

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33

Ritchie, J. M., Georg Heym, and Patrick Bridgwater. "Poet of Expressionist Berlin: The Life and Work of Georg Heym." Modern Language Review 88, no. 2 (April 1993): 524. http://dx.doi.org/10.2307/3733876.

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34

Robertson, R. "Poet of Expressionist Berlin: The Life and Work of Georg Heym." German History 10, no. 2 (January 1, 1992): 251. http://dx.doi.org/10.1093/gh/10.2.251a.

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35

Rubio, Ana. "El motivo de Ofelia en la lírica expresionista alemana: denuncia social, política y marginalidad." Futhark. Revista de Investigación y Cultura, no. 15 (2020): 159–67. http://dx.doi.org/10.12795/futhark.2020.i15.10.

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El trágico motivo de Ofelia ha sido utilizado para transmitir diversos mensajes en la lírica expresionista alemana. Poetas como Georg Heym, Gottfried Benn, Bertolt Brecht y Peter Huchel han utilizado a Ofelia como vehículo para expresar su descontento con la sociedad del momento y como arma de denuncia social y política. El propósito de este artículo es exponer y analizar los principales poemas en los que aparece esta figura.

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36

Kim, Choong-Nam. "Das Wahnsinn-Motiv in der expressionistischen Prosa. Der Irre von Georg Heym." Koreanische Zeitschrift für Germanistik 50, no. 3 (September 2009): 104–23. http://dx.doi.org/10.31064/kogerm.2009.50.3.104.

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37

Wallace, Ian. "Translingual Identities: Language and the Self in Stefan Heym and Jakov Lind." Journal of Contemporary European Studies 22, no. 4 (October 2, 2014): 546–48. http://dx.doi.org/10.1080/14782804.2014.975467.

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38

Kramer, Andreas. "Liebes Leben. Formen des erotischen Vitalismus in Georg Heyms nachgelassener Kurzprosa." Literatur für Leser 41, no. 3 (January 1, 2021): 189–98. http://dx.doi.org/10.3726/lfl.2018.03.03.

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Heyms Prosatexte Die Novella der Liebe (1907), Kleines Viaticum für eine Dame (1910/11), Der Höhenmesser zeigte… (1911) und Das Geheimnis der Liebe (1911)1 befassen sich mit Erscheinungs- und Ausdrucksformen der Liebe zwischen Mann und Frau. Sie thematisieren dabei, in unterschiedlicher Gewichtung, sinnlich-erotische Bedürfnisse und Erlebnisse sowie gesellschaftliche und moralische Normen, denen das Handeln der Liebenden unterliegt oder die von ihnen überschritten werden. Mit dieser Themenwahl haben die Texte aus Heyms Nachlass sicher an der ,,erotischen Rebellion“ der literarischen Bohème im frühen 20. Jahrhundert teil.2 Zugleich verknüpfen sie die ,erotische Rebellion‘ mit vitalistischen Denk- und Ausdrucksformen, wodurch sie sich mit dem literarischen Expressionismus verbinden lassen.3 Wie stark Heyms literarisches Werk von vitalistischen Gedanken und Bildern geprägt ist, ist seit Gunter Martens’ Untersuchung bekannt.4 Im hier untersuchten Nachlasskorpus bilden Liebesbeziehungen zwischen Mann und Frau einen vitalistischen Topos: Die erotische Liebe erscheint als lebenssteigernde Erfüllung sinnlicher Bedürfnisse, zugleich als vitalisierte Todesmacht; beide Erscheinungsformen des erotischen Vitalismus werden als sinnhafter Ausdruck und Beglaubigung des machtvollen Lebensprozesses gedeutet. Hermann Korte warnt davor, vitalistische Perspektiven bei Heym bereits als politische oder gesellschaftliche Kritik zu begreifen.5 Dennoch, so die hier verfolgte These, kann man den sich in diesen Nachlasstexten manifestierenden erotischen Vitalismus als Herausforderung an die lebensunterdrückenden Wertvorstellungen der zeitgenössischen Kultur, v.a. die Normen der bürgerlichen Sexualmoral, verstehen. Ein Blick auf die Frauen- und Männerbilder in diesen Texten soll darüber hinaus zeigen, wie der antibürgerliche erotische Vitalismus mit Geschlechterstereotypen umgeht und ob seine Ausdrucksformen in der Nachlassprosa auch ästhetische Konventionen herausfordern.

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39

Bellefeuille, Carol-Ann. "Stefan Heym, Christa Wolf, Heiner Müller et la chute du mur de Berlin." Vingtième Siècle. Revue d'histoire 136, no. 4 (2017): 99. http://dx.doi.org/10.3917/ving.136.0099.

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40

Cushing, Adele. "A case study of mobile learning in teacher training - MENTOR ME (Mobile Enhanced Mentoring)." Mobile Learning in Widening Contexts: Concepts and Cases 19, Mobile Learning (June 6, 2011): 1–14. http://dx.doi.org/10.21240/mpaed/19/2011.06.06.x.

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With announcements such as «more than half the world own a cell phone» (Lefkowitz, 2010) plus the convergence of multi-media elements in handsets, it is perhaps not surprising that education is calling for an increased use of mobile phones to support learning (Hartnell-Young & Heym, 2008). Phone use will contribute to cost efficiencies by subsidising IT budgets (Yorston, 2010) and support personalised learning and students’ underpinning knowledge. However, the reality is often ‹blanket bans› on mobiles in schools (Hartnell-Young & Heym, 2008) due to teaching staff who are nervous of possible disruption and uncertain of pedagogic application. MENTOR ME (Mobile Enhanced Mentoring) was a pilot project with 20 teacher training students at Barnet College, North London. The limited time available to mentors and trainee teachers to engage in mentoring was solved by providing all students and mentors with email-activated mobile phones for ease of communication and support, facilitating situated learning (Naismith et al., 2004). Face-to-face meetings were partially replaced by capturing students’ formal and informal learning with mobile functionality. This was shared with peers, tutors, mentors and lesson observers to further improve the mentoring and teaching experience. Self-reflection, peer assessment, peer support and idea-sharing contributed to improving trainees’ practice and employability. In addition, teachers’ confidence and ability in using technology improved, particularly in supporting learning and underpinning knowledge. The success of this project has influenced the organisation to adopt mobile learning across the curriculum by facilitating student use of personal devices.

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41

Rogister, Margaret, and Nina Schneider. "Georg Heym, 1887-1912. Eine Ausstellung der Staats- und Universitatsbibliothek-Carl von Ossietzky, Hamburg." Modern Language Review 85, no. 2 (April 1990): 522. http://dx.doi.org/10.2307/3731925.

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42

Košenina, Alexander. "Gefährliche Bilder? Wie Kunstbetrachtung literarische Figuren ver-rückt (Goethe, Kleist, Th. Mann, Heym, Schnitzler)." Zeitschrift für Germanistik 27, no. 3 (January 1, 2017): 491–509. http://dx.doi.org/10.3726/92158_491.

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43

Joanna Meadvin. "At Heym in the Hoyf: Mimi Pinzón's Argentine Yiddish World." Prooftexts 36, no. 1-2 (2017): 167. http://dx.doi.org/10.2979/prooftexts.36.1-2.07.

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44

Heath, John. "'GREAT UPHEAVALS MAKE FOR GREAT OPPORTUNITIES': A SHORT STORY BY STEFAN HEYM, WITH COMMENTARY." Modern Language Review 104, no. 4 (2009): 1063–80. http://dx.doi.org/10.1353/mlr.2009.0037.

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Challot, Christian. "Émile Verhaeren-Georg Heym. Essais de lecture comparée à la lumière de l’expressionnisme allemand." Textyles, no. 11 (January 1, 1994): 171–85. http://dx.doi.org/10.4000/textyles.2087.

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Fisher, R. W. "THE STATE AGAINST STEFAN HEYM: FACT AND FICTION IN HEYM'S THE QUEEN AGAINST DEFOE." German Life and Letters 45, no. 1 (January 1992): 94–107. http://dx.doi.org/10.1111/j.1468-0483.1992.tb00349.x.

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Malý, Radek. "The Figure of Ophelia in Expressionist Poetry: German and Czech Comparison." Porównania 27, no. 2 (December 15, 2020): 197–217. http://dx.doi.org/10.14746/por.2020.2.10.

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The study deals with the rendition of the figure of Ophelia in Czech modern poetry in comparison with the poetry of European Expressionism. The image of Ophelia’s aesthetic death from Shakespeare’s drama Hamlet has influenced and inspired a whole range of artworks. It strongly reverberated in German Expressionist poetry, especially that by Georg Heym, Gottfried Benn and Georg Trakl. The Czech poets who approached this topic in the spirit of Expressionism include Jan Skácel, Vladimír Holan and Jiří Orten. The study further addresses these works in the light of the Ophelia complex as defined by Bachelard.

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Sokolova, Elizaveta. "FORESINGING THE FIRST WORLD WAR: OSCILLATING IMAGE OF WAR IN GERMAN LYRICS OF 1911-1914." Herald of Culturology, no. 3 (2021): 44–59. http://dx.doi.org/10.31249/hoc/2021.03.03.

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The article shows that an ambivalent image of war is specific for the German lyrics of 1911-1914. Along with the «terrible» principle, bringing pain, suffering and death, the opposite one may be clearly traced in all sorts of poetic representations of the idea of war as well - almost a joyful anticipation of destruction of all false, useless, obsolete, not allowing «beautiful new» to come. The described dualitу manifests itself most clearly in the lyrics of incipient expressionism. Some model poems of G. Heym, A. Lichtenstein and E. Stadler are here analyzed from the specified point of view.

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Whan, Lynne, Hywel J. Ball, Irene R. Grant, and Michael T. Rowe. "Occurrence of Mycobacterium avium subsp. paratuberculosis in Untreated Water in Northern Ireland." Applied and Environmental Microbiology 71, no. 11 (November 2005): 7107–12. http://dx.doi.org/10.1128/aem.71.11.7107-7112.2005.

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ABSTRACT Mycobacterium avium subsp. paratuberculosis is the known cause of Johne's disease of both domestic and wild ruminants and has been implicated as a possible cause of Crohn's disease in humans. The organism is shed in the feces of infected animals and can survive for protracted periods in the environment and hence could be present in catchment areas receiving agricultural runoff. A limited survey was undertaken in Northern Ireland to test for M. avium subsp. paratuberculosis in untreated water entering nine water treatment works (WTWs) over a 1-year period. Three detection methods were employed, viz., immunomagnetic separation-PCR and culture on Herrold's egg yolk medium (HEYM) and BACTEC 12B medium, the latter both supplemented with mycobactins. Of the 192 untreated water samples tested, 15 (8%) tested M. avium subsp. paratuberculosis positive by one or more of the three detection methods. M. avium subsp. paratuberculosis was successfully isolated from eight untreated water samples, three by BACTEC culture and five by culture on HEYM. Although the highest incidence of M. avium subsp. paratuberculosis was found in spring, overall, there was no statistically significant difference between the seasons. No significant correlation was found between numbers of coliforms or fecal coliforms and the presence of M. avium subsp. paratuberculosis. In general, a higher incidence of M. avium subsp. paratuberculosis was found in untreated water entering those WTWs that had a high mean water pH value over the sampling period. This work indicates the need to determine the efficacy of water treatment processes to either kill or remove M. avium subsp. paratuberculosis from untreated water and the possible risks posed by contact with recreational water sources.

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HAVRYLIV, Tymofii. "THE CITY IN THE MODERNIST POETRY. URBAN POEMS BY BOHDAN IHOR ANTONYCH AND GEORG HEYM." Ukraine: Cultural Heritage, National Identity, Statehood 33 (2020): 480–93. http://dx.doi.org/10.33402/ukr.2020-33-480-493.

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For the first time in literary studies, a comparative analysis of the urbanistic poetry of Bohdan Ihor Antonych and Georg Heym is realized. The common and divergent in semantic codes and characteristic practices from which the poetics of both authors grows are investigated. The city is the defining topos of modernist writing and the central category of the modernist worldview. In no other epoch did the city enjoy the attention of writers as at the end of the 19th century and in the first third of the 20th century. The modern city acquires its outlines only in the middle of the 18th century, and the modernist city from the second half of the 19th century, but especially in the early 20th century through dialectical denial and overcoming the «city of enlightenment». The metaphor of the sea and the semantics of the element, usually water, characterize expressionist speech. Expressionist lyrics are imbued with apocalyptic visions. Urban modernist poetry is an extrapolation of the inner world (states of consciousness) to the outer world. Negative fascination is a defining feature of urbanistic discourse in expressionist poetry. Expressionist urbanistic lyricism is a romantic revolt against urbanization as a defining structural element of the civilizational evolution of mankind, and demonization is the main instrument of criticism of the city in expressionist lyricism. Special attention is paid to the function of memory and remembrance in big-city modernist poetry. While in Heym, a representative of early expressionism in German literature, the city appears as a topos of the apocalypse, in Antonych, the picture of the city is significantly more differentiated – and figuratively, and tonally, and substantial. The thematic blurring of Heym's urban landscapes is opposed by Antonychʼs structural urban subtopoi, the key one being the square. Antonychʼs poetics moves from the concrete to the abstract; his apocalypse is more mundane, aestheticized and playful, and the trumpets of the last day trumpet in the squares, which lovers meet. Antonychʼs city is more vitalistic than Heimʼs, even when the lyrical subject inflicts a flood on him. Not only expressionist but also formalistic and cubist melodies are heard in it. The article uses methods of textual, paratext, and contextual analysis, method of distributive analysis, method of poetic analysis, method of semantic analysis, method of stylistic analysis, method of phonological analysis, hermeneutic and post-structuralist methods. Keywords: modernism, expressionism, urbanistic lyrics, urban landscape, memory, remembrance.

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