Relevant bibliographies by topics / Hidden Secrets, fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Hidden Secrets, fiction'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Hidden Secrets, fiction"

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Walsh, Richard G. "Passover Plots." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 3, no. 2-3 (2010): 201–22. http://dx.doi.org/10.1558/post.v3i2/3.3.201.

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Various modern fictions, building upon the skeptical premises of biblical scholars, have claimed that the gospels covered up the real story about Jesus. Dan Brown’s The Da Vinci Code is one recent, popular example. While conspiracy theories may seem peculiar to modern media, the gospels have their own versions of hidden secrets. For Mark, e.g., Roman discourse about crucifixion obscures two secret plots in Jesus’ passion, which the gospel reveals: the religious leaders’ conspiracy to dispatch Jesus and the hidden divine program to sacrifice Jesus. Mark unveils these secret plots by minimizing
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Jarkas, Najla. "West Meets East as Monks Purge 'Infidels' in The Historian." International Journal of Arabic-English Studies 9, no. 1 (2008): 37–58. http://dx.doi.org/10.33806/ijaes2000.9.1.3.

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One more time, a work featuring the grotesque figure of the vampire emerges from the shackles of the Middle Ages to top the list of recent fiction best sellers. Already being translated into thirty-five languages and having been purchased for two million dollars from its first time novelist even before its publication, The Historian (2005) by Elisabeth Kostova entraps its readers in a series of breath-taking events promising to unravel deeply hidden ancient secrets and crucial truths. This paper looks at these so-called deeply held secrets showing that through the genre of the fantastic, rathe
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Zeuske, Michael. "Hidden markers, open secrets: on naming, race-marking, and race-making in Cuba." New West Indian Guide / Nieuwe West-Indische Gids 76, no. 3-4 (2002): 211–41. http://dx.doi.org/10.1163/13822373-90002535.

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Focuses on how in Cuba race-marking was interrelated with surname-giving, also after the abolition of slavery. Through researching life histories on the local level in the Cienfuegos region, the author examines names of former slaves, finding that these were after abolition in notarial records often marked with the adjectives s.o.a., or "sin otro apellido" (without other surname, taking into account the Iberian double surname tradition). This, according to him, points to a stigmatization of these black citizens and related to their former status as possession, and is thus a racial marker, only
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Grigorian, A. I. "THE FRAME STRUCTURE OF THE CONCEPT “SECRET” IN ENGLISH LITERARY DISCOURSE." Writings in Romance-Germanic Philology, no. 2(51) (December 19, 2023): 55–66. http://dx.doi.org/10.18524/2307-4604.2023.2(51).296820.

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The article is focused on the study of the frame structure of the concept of secret based on English-language literary fiction. A concept is a mental representation of knowledge about a certain object, phenomenon, feature, or action. There are different types of knowledge representation structures: mental model, scheme, image, frame, scenario, gestalt. It is the frame that allows us to cognitively represent knowledge about the world. A frame is a structure of information used to represent a stereotypical situation, which is why this study focuses on the frame representation of the analyzed con
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Heryliv, Nataliia. "FICTION TEXT AS A SHELTER FOR THE TRUE PAST." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 36 (2024): 30–35. http://dx.doi.org/10.17721/1728-2659.2024.36.05.

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Background. The article is devoted to the study of the problem of post-totalitarian trauma in modern Ukrainian literature, in particular in novels, which, thanks to their genre features, are able to depict not only phenomena, facts, but also broad contexts. The relevance of the research lies in the analysis of various human behavioral models caused by the activities of the totalitarian system, the so-called big changes that are finally reflected in the literary texts of modern authors as those who are ready to offer for articulation the silenced and hidden. The purpose of the study is to demon
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Teron, Recho Benjamin. "Revision, recreation and infusion of ancient mythological/legendary symbolism in the popular modern children's fiction - the Harry Potter canon by J.K. Rowling." International Journal of English Literature and Social Sciences 10, no. 4 (2025): 082–86. https://doi.org/10.22161/ijels.104.13.

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The Harry Potter books written by British author J.K. Rowling has been the most widely read of all contemporary children's fiction surpassing all sales records of the genre. Set in modern times but in a magical world co-existing with the non-magical, one of the most noticeably prominent characteristic of the Harry Potter canon is the clever use of ancient myths/folktales/legends in the magical world of Harry Potter, revising and bringing them to life for youthful modern readers. The paper seeks to study and compare the earliest records of the myths/legends and the incorporation and recreation
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Sebastian Serwiak. "Cyberterroryzm – nowe zagrożenie dla bezpieczeństwa." Archives of Criminology, no. XXVIII (January 29, 2006): 345–65. http://dx.doi.org/10.7420/ak2005-2006w.

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The face of terrorism is changing. Even the motivations do not remain the same as 10–20 years ago. Now, we are facing the emergence of a new category of an offensive gear unknown before. Intelligent networks, telecommunications infrastructure, security procedures and computer equipment once designed and expected to serve and protect people have become terrorist weapons. States and nations are currently almost powerless against this new and destructive phenomenon. The procedures and methods of countering terrorism, which world's specialists have created and perfected over the past decades, are
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Viidalepp, Auli. "Representations of robots in science fiction film narratives as signifiers of human identity." Információs Társadalom 20, no. 4 (2020): 19. http://dx.doi.org/10.22503/inftars.xx.2020.4.2.

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Recent science fiction has brought anthropomorphic robots from an imaginary far-future to contemporary spacetime. Employing semiotic concepts of semiosis, unpredictability and art as a modelling system, this study demonstrates how the artificial characters in four recent series have greater analogy with human behaviour than that of machines. Through Ricoeur’s notion of identity, this research frames the films’ narratives as typical literary and thought experiments with human identity. However, the familiar sociotopes and technoscientific details included in the narratives concerning data, priv
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Fox, Renée. "Gothic Realism, or Reading is Believing in Dracula." Irish University Review 53, no. 1 (2023): 9–26. http://dx.doi.org/10.3366/iur.2023.0587.

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This essay explores the ways Bram Stoker brings eighteenth-century affective gothic reading practices to bear on Victorian fiction’s investments in realism. By investigating modes of affective reading in Dracula, the essay develops a definition of ‘gothic realism’ to describe an affective experience of the real that gothic fiction offers in place of verisimilitude and representations of everyday life. Beginning by tracing the explicit and implicit histories of this term through both literary criticism and the gothic tradition, the essay turns to Dracula to discover an alternative definition of
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Pyykkö, Sonja. "Disclosing Structures: Scenes of Confession in Pale Fire." Nabokov Studies 19, no. 1 (2023): 23–46. http://dx.doi.org/10.1353/nab.2023.a937381.

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Abstract: The role that confession plays in Nabokov's fiction remains poorly understood, though the same can be said for confessional fiction in general. Part of the problem lies in the slipperiness of the word "confession" itself, which is why this essay begins by defining confession as a performative speech act through which the speaking or writing subject seeks to form, reform, and transform herself, addressing herself to another who is called to act as a witness to this creative act of self(trans)formation—a process akin to Nabokov's own description of a poet (not a "loony") who "peels off
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Dissertations / Theses on the topic "Hidden Secrets, fiction"

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Baldwin, Jolynn. "The Secrets We Hide." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1408054761.

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Books on the topic "Hidden Secrets, fiction"

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Steele, Michael Anthony. Hidden secrets. Scholastic, 2005.

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Pridgen, J. Leon. Hidden secrets, hidden lives: A novel. Strebor Books, 2011.

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Bishop, Bernardine. Hidden knowledge. Sceptre, 2014.

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Adams, Elizabeth. Hidden meaning. Guideposts, 2014.

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Goyer, Tricia. All things hidden. Guideposts, 2009.

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Miller, Judith. A hidden truth. Thorndike Press, 2013.

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Läckberg, Camilla. The hidden child. Pegasus Crime, 2015.

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Ignatow, Amy. The less-than-hidden secrets and final revelations of Lydia Goldblatt & Julie Graham-Chang. Amulet Books, 2014.

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Cartland, Barbara. Lovers in Lisbon. Jove Books, 1988.

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Scott, Amanda. The secret clan: hidden heiress. Warner Books, 2002.

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Book chapters on the topic "Hidden Secrets, fiction"

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de Salazar, Asier Altuna-García. "Silence in Donal Ryan’s Fiction." In New Directions in Irish and Irish American Literature. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-30455-2_9.

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AbstractThis chapter examines acclaimed Irish author Donal Ryan’s writing with a view to analysing the relevance of variations of the theme of silence and, more specifically, to exploring how silence conforms to the representations of communities and individuals in his work. Drawing on the theoretical tenets of silence in the work of Pierre Macherey, Pierre Bourdieu, George Steiner, William Franke and Michel Foucault, this chapter examines how Ryan’s writing represents individual and community minor/major traumas, tensions, hidden secrets, shame, crises, violence and prejudice. Ultimately, the
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Foster, John Burt. "Contrasting Modes of Creativity." In Secrets of Creativity. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190462321.003.0014.

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This chapter probes the distinction between higher and lower levels of artistic creativity developed in works by an intergenerational cohort of supremely gifted Russian writers, with Nietzsche’s disillusionment in Wagner as a parallel. In imagined renditions of exceptional achievement in music, painting, or fiction, Pushkin, Tolstoy, and Nabokov enact their own high literary aspirations even as they allow for rivalries with lesser talents, for the blindness and hostility of various authorities, and for the urgency imparted by Russian belatedness vis-à-vis the West. In Pushkin’s tragedy of Moza
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Marcus, Laura. "The Intimacies of the Modernist Diary." In Modernist Intimacies. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474441834.003.0009.

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This chapter considers the intimate contents and functions of the diaries kept by a group of modern writers in the 1930s, including David Gascoyne, Antonia White and Anaïs Nin. Gascoyne and Nin not only published fragments from their diaries in the 1930s but also exchanged their diary-writing between themselves, a practice that raises central questions about the diary as a private or public document. For Nin, the diary was something secret and hidden, as well as the repository of secrets, but it also had a public face for her: here the ‘intimacy of the diary’ (in Nin’s phrase) is rendered as a
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"The Impersonator and his Fictions." In Hidden Treasures & Secret Lives. Routledge, 2012. http://dx.doi.org/10.4324/9780203038093-23.

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Richardson, Brian. "From James to Conrad and Ford: Suppressed Narratives, Subaltern Reading, and the Drama of Interpretation." In The Reader in Modernist Fiction. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399528368.003.0002.

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This provides an overview of the representation of readers in the work of Henry James, with particular attention given to “The Figure in the Carpet.” The rest of the chapter explores the effects of reading and the theme of interpretation in Conrad, especially as it appears in Lord Jim, and unearths the hidden narratives cached within “The Secret Sharer.” It argues that the tale embodies modernist poetics more fully than is generally recognized: its narrator is more fallible and its drama of misinterpretation more extreme than Conrad criticism has acknowledged. It end with an analysis of the de
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Pepper, Andrew. "Secrecy and Transparency in Hideo Yokoyama’s Six Four." In Criminal Moves. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620580.003.0009.

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This chapter analyses Hideo Yokoyama’s Six Four (2012), drawing on Clare Birchall’s theory of transparency and secrecy to complicate the classic understanding of crime fiction in terms of a progressive uncovering of the truth. For Pepper, Yokoyama’s novel evokes instead a world where transparency is only ever partial, where secrecy is used tactically or as a mode of resistance within bureaucratic units as they engage in territorial struggles against other units, and where the investigation inevitably leaves a residue of what is ‘unknowable’. If these manoeuvres challenge the value placed on tr
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Duzhina, Natalia I. "A WRITER AND A CRITIC (ANDREY PLATONOV AND FOREIGN LITERATURE)." In Andrey Platonov’s “Country of Philosophers”: Unanswered Questions, vol. 9: Anniversary Issue. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/978-5-9208-0745-8-26-64.

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The article deals with Platonov’s critical writing about the works of Richard Aldington, John Steinbeck, Ernest Hemingway, Karel Čapek, Washington Irving, and Grey Owl (in total, eight articles). Their ideas, including in comparison with the concept of socialist realism, and their particular (or “secret”) language allowed the writer to talk about the political situation in his own country and develop additional meanings (in other words, their “hidden” themes). Platonov’s language and ideas in these articles allow us to pull back the curtain on his reading circle, which clarifies his own fictio
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Stan, Marcela Cristina. "NARRATIVE TECHNIQUES OF THE IRISH POSTMODERN NOVEL." In Education, Society, Family. Interdisciplinary Perspectives and Analyses. Eikon Publishing House, 2021. http://dx.doi.org/10.56177/epvl.ch29.2021.en.

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The spatial circle of postmodernism narrows from Western Europe to the “most Western” point of the continent and that is to Ireland. Contemporary Irish fiction gives a new perspective on Irish history and that is a multilayered view of the puppa russa because it hides secrets behind its strata. The novel written in 2003 by Keith Ridgeway is entitled The Parts. The novel is formally structured in four sections: Firstly, Life, Death and Lastly. It is amazing that the author is able to set the reader into context by using only three words, issuing place, characters’ ontological status that of exi
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Godden, Richard. "No End to the Work?" In Fictions of Finance at the End of an American Century. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192867759.003.0005.

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Abstract Taking the expulsion and extension of a desired abuser as the primal scene of each of Phillips’ first three novels, I find its source in the regional distinctiveness of Phillips’ West Virginia, understood as part of a separate Southern labor market, ceasing to be a distinctive economic entity during the 50s and 60s (Phillips’ focal decades). Using the Marx of Grundrisse, on the “unevenness” of “formal subsumption,” the chapter locates Phillips’ fascination for “desired abuse,” through which a daughter “secretly” retains a blue-collar father and his receding country, as evidencing the
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Hsu, Hui-Lin. "Toward China’s Rejuvenation." In When the Yellow River Floods. Hong Kong University Press, 2024. http://dx.doi.org/10.5790/hongkong/9789888842773.003.0006.

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The final chapter identifies the Taigu school, a secret religious cult to which Liu E was a lifelong adherent, and flood control as distinct but highly interrelated themes in The Travels of Lao Can. Chapter 5 first illustrates that the music playing during the gathering in Peach Blossom Mountain in the novel encapsulates the Taigu school at its crucial historical moment of revival and articulates Liu E’s vehement call to perpetuate the school’s legacy. The chapter further explores the connotation of political resistance in the music-playing scene by discussing the link between the fictional mu
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