Relevant bibliographies by topics / Hideout

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Hideout'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Hideout"

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McGough, Greta. "Hideout." Nursing Standard 27, no. 24 (2013): 28. http://dx.doi.org/10.7748/ns2013.02.27.24.28.p10514.

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Hurtley, S. M. "MICROBIOLOGY: Secret Hideout." Science 303, no. 5660 (2004): 927b—927. http://dx.doi.org/10.1126/science.303.5660.927b.

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Bush, Elizabeth. "Hideout by Watt Key." Bulletin of the Center for Children's Books 70, no. 5 (2017): 220. http://dx.doi.org/10.1353/bcc.2017.0029.

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Hardt, Wolf-Dietrich. "Homed to the hideout." Nature 527, no. 7578 (2015): 309–10. http://dx.doi.org/10.1038/nature15647.

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Kugelberg, Elisabeth. "Marking the HIV hideout." Nature Reviews Immunology 17, no. 4 (2017): 218. http://dx.doi.org/10.1038/nri.2017.33.

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Lawrence, Peter A. "Last hideout of the unknown?" Nature 429, no. 6989 (2004): 247. http://dx.doi.org/10.1038/429247a.

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Molloy, Sheilagh. "Second hideout for HIV-1." Nature Reviews Microbiology 8, no. 5 (2010): 314. http://dx.doi.org/10.1038/nrmicro2359.

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Manchanda, Aarti, Subhash Patel, Jesse Jiang, and Ambika Babu. "Thyroid: An Unusual Hideout for Sarcoidosis." Endocrine Practice 19, no. 2 (2013): e40-e43. http://dx.doi.org/10.4158/ep12131.cr.

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Ray, Katrina. "Helicobacter pylori hideout in gastric glands." Nature Reviews Gastroenterology & Hepatology 16, no. 7 (2019): 390. http://dx.doi.org/10.1038/s41575-019-0159-1.

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Rajagopalan, Jayagayathri, Anupama Joy, Dayakar Yadalla, and Fatima Amanath Assadi. "A Rare Hideout for Caterpillar Hairs." Ophthalmic Plastic & Reconstructive Surgery 36, no. 4 (2020): e93-e94. http://dx.doi.org/10.1097/iop.0000000000001607.

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Dissertations / Theses on the topic "Hideout"

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Harvey, Rosemarie Gail. "Synthesis and solubility of nickel and iron "hideout" reaction products with aqueous sodium and ammonium phosphate under steam generator conditions /." Internet access available to MUN users only, 2003. http://collections.mun.ca/u?/theses,155866.

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Jackson, Edward William. "David Foster Wallace's hideous neoliberal spermatics." Thesis, University of Birmingham, 2018. http://etheses.bham.ac.uk//id/eprint/8538/.

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This thesis investigates male sexuality and neoliberalism in the work of David Foster Wallace. I argue that his texts conceive of male sexuality through neoliberal logics regarding responsibility, risk, contract, property, and austerity. Informing such conceptions are spermatic metaphors of investment, waste, blockage, and release. These dynamics allow Wallace’s texts to ground masculinity in an apparently incontestable sexual hideousness, characterised in particular by negativity and violence. By figuring male sexuality as a neutral economic issue, and one that lends itself to spermatic metaphors, his fiction and nonfiction present such hideousness as a fact to be accommodated for rather than changed. My analysis is broadly revisionist. I depart from readings that stress his texts’ opposition to neoliberalism by showing how they are embedded in, and complicit in reproducing, its key logics. I also nuance considerations of Wallace’s gender politics by arguing that their sexual traditionalism is indicative of an attachment to male hideousness, not their author’s intentions or failings. In these ways my thesis evaluates the complex pessimism animating Wallace’s treatment of male sexuality. I trace the interaction between neoliberal logics and spermatic metaphors throughout his oeuvre to consider how and why Wallace presents male sexuality as being so immutably rotten.
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Thomas, Susan J. "Hideous Progeny: Postcolonial Fiction and the Gothic Tradition." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/344423.

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Hideous Progeny: Postcolonial Fiction and the Gothic Tradition explores the vexed relationship between postcolonial fiction and the Anglo-European-American Gothic mode. Gothic motifs figure abundantly in postcolonial works, but they are not always meant to be taken seriously; often they take a comic and ironic stance toward the subject matter. When horror does appear in these works, it is usually not situated in the abject Other (the pharmakos figure), but in the projecting mindset of the dominant culture. As the title Hideous Progeny implies, such postcolonial novels are the rebellious offspring of the Gothic canon; they can even be dubbed Frankenstein's monsters, created from the disjecta membra of the nineteenth-century Gothic tradition and reassembled into a newly vital, global Gothic literature. Or, to use a different metaphor, they function as inverted mirror images, as photographic negatives, of the nineteenth-century Gothic novel, neutralizing its familiar tropes with an injection of "magical realist" motifs from diverse cultural traditions. This study uses a psychoanalytic methodology to analyze the Gothic source echoes in selected novels by Toni Morrison, Gabriel García Márquez, and Salman Rushdie. Through the lens of post-Freudian theorists Nicolas Abraham, Maria Torok, and Julia Kristeva, in particular, these novels will be depicted as Gothic--suspended between a haunted past and a technologically disorienting present--and also anti-Gothic. If the Gothic novel explored the unconscious anxieties of late eighteenth- and nineteenth-century Western culture, as many have suggested, the postcolonial Gothic novel explores the unconscious anxieties of an emerging global culture in the late twentieth century. Unlike its Anglo-American precursor, however, postcolonial Gothic fiction does not recoil from the unknown, but embraces the "liminal" zone, finding in it both "tiger and lady," both terror and potential renewal.
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Karlsson, Michael. "Bathroom Hideouts : A search for new ways of storing." Thesis, Linnéuniversitetet, Institutionen för design, DE, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-14163.

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My examination project during spring 2011 has been carried out in collaboration with DuoBad, a bathroom furniture company situated in Alsterbro, Småland. Their focus is to develop, manufacture and market bathroom furnitures with genuine craftsmanship. Through their partnership with some of the most influential manufacturers of quality bathroom products they can create an entirely new room to enjoy.I initiated the collaboration with DuoBad for the examination project and have not started from a specific task, but together with the company I have been focused on adding new thinking regarding storage in bathroom furniture.The goal with the project has been to, together with DuoBad, develop a conceptual set of bathroom furniture that provides new ways of storing.The project was a close collaboration with users where experience gained through contextual interviews became the main source of inspiration.The result of the project is a bathroom furniture serie called Mill. The name comes from the manufacturing technique of milling, which is the identifying form language of the product.
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Colatrella, Marie-Luce Delon Michel. ""Ce hideux chef-d'oeuvre"." Paris : Université Paris Sorbonne - Paris IV, 2007. http://www.theses.paris4.sorbonne.fr/colatrella/paris4/2005/colatrella/html/index-frames.html.

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Österberg, Marika. "Satire and Social Criticism in C. S. Lewis' That Hideous Strength." Thesis, Högskolan Väst, Avd för utbildningsvetenskap och språk, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hv:diva-5162.

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The essay at hand is a New Historicist reading of C. S. Lewis’ dystopian fantasy novel That Hideous Strength. According to New Historicist theory it is informed by many disciplines, namely, philosophy, history, literary theory, theology, social science, and psychology, and it attempts to lessen injustices of race and class. The essay examines how satire operates in the novel, focusing on its societal targets: totalitarianism, laboratory animals, and education. Lewis’ philosophical idea expressed in his “The Abolition of Man” – that a society that averts from what he calls universal, timeless, objective values will eventually lead to a loss of that which is truly humane – is a main theme of the novel as well as for this essay. Another, complementary, main theme is that a cultivation of the heart is necessary for individuals of society since childhood if society is going to stay humane.
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Okoye, Ikemefuna Stanley Ifejika. ""Hideous architecture" : mimicry, feint and resistance in turn of the century southeastern Nigerian building." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/11452.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture and Planning, 1994.<br>Includes bibliographical references (v. 3, leaves 718-730).<br>This dissertation reconstructs the histories of some exceptional, hitherto unstudied buildings, erected in southeastern Nigeria between 1889 and 1939; they are part of a larger group, dispersed over the African Atlantic coast and 'interior'. To architectural scholarship, these kinds of building have seemed unfathomable , if they emerge at all from invisibility (and thus from being unamenable to study). Typically, they are viewed through a lens which distorts them in one of two mutually complementary ways; one identifies some of them with an extended European architecture. The other consigns the rest a characteristic resistance to change, and situates them within an unhistoricized traditional world. These frames emerge from how the academy views non- western society and from local African representations and feints; both their architecture historical frames tend, then, to frustrate attempts to flee their fields of vision for more clarified accounts. The buildings in this study, and the larger class to which they belong, thus resist an adequately descriptive, coherent, historicized interpretation. Far more than is imagined, textual witness is shown to be available, by 1890, for constructing a part-documentary history that challenges Europeanizing historiographic frames. Moreover oral narratives garnered from the buildings' communities (biographies of builders and of their patrons for whom architecture seems well developed as a form of representation) are founded as this history's necessary and equal complement. Thus, these buildings become recognizable as products of their particular sites (speaking both theoretically and in constructional terms); a recognition encouraged by granting them a categorical distinctiveness that elides, partially, the architecture of the European colony. It will moreover have been shown that transformationality, as opposed to a particular moment of change, was a property of southe~stern Nigerian culture, and that all its customs (and specifically, the latter's architectural tradition) must be regarded as non-stable and eternally reinvented.<br>by Ikemefuna Stanley Ifejika Okoye.<br>Ph.D.
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Frampton, Sara. "“I Bid My Hideous Progeny Go Forth and Prosper”: Frankenstein’s Homosocial Doubles and Twentieth Century American Literature." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/24370.

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This dissertation explores the reoccurrence of Mary Shelley’s Frankenstein within twentieth-century American novels. While the inaccurate 1931 film version by James Whale remains the best known adaptation of Frankenstein, I argue that Willa Cather, Ralph Ellison, Toni Morrison, and Chuck Palahniuk return to Shelley’s 1818 novel to critique racist and misogynistic responses to anxieties about gender and racial power in the age of industrial consumer culture. In doing so, I extend existing scholarship on the American Gothic to demonstrate that The Professor’s House, Invisible Man, Beloved, and Fight Club represent a specifically Shelleyan Gothic tradition in twentieth-century American literature. My project draws upon influential feminist and postcolonial readings of Frankenstein and on the theoretical work of Eve Kosofsky Sedgwick and later critics who have developed her theory to show how the twentieth-century novels echo themes and motifs from Shelley’s novel to critique the destructive effects of male homosociality. Each novel contains a protagonist that resembles Victor Frankenstein and responds to historically specific anxieties about gender, race, and industrial technoscience by creating a doppelgänger who enables participation in a homosocial bond that is initially empowering but proves destructive to women, racial minorities, and eventually the creature and creator figures themselves. My reading reveals unexpected similarities between Cather’s The Professor’s House and Palahniuk’s Fight Club. Cather’s novel appears to glorify Tom Outland as the ideal masculine hero but ultimately reveals him to be a monstrous doppelgänger who acts out the Professor’s oppressive impulses; similarly, Fight Club seems to romanticize the male violence instigated by the doppelgänger figure Tyler Durden but actually echoes Shelley’s critique of male homosociality as monstrous. My reading also reveals previously overlooked similarities between Invisible Man and Beloved, both of which feature a black protagonist who surprisingly resembles Victor Frankenstein by creating a doppelgänger to challenge his or her disempowerment by the structures of white male homosociality but end up emulating the destructive homosocial structures they critique. My dissertation shows how all of these writers share Shelley’s critique yet move beyond it by offering alternatives to the destructive cycle of violence, embodied in each case by a female figure who resists or reclaims the position of the abject other in the homosocial triangle.
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Ninomiya, Hiroyuki. "La pensée de Kobayashi Hideo 1942-1948." Paris, INALCO, 1988. http://www.theses.fr/1988INAL0005.

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L'originalité de Kobayashi Hideo (1902-1983) à la fois comme écrivain et comme penseur s'affirma dans les années 1942-1948. La première partie est consacrée à l'étude des activités que mena l'écrivain au sein de l'équipe de la revue Bungakukai, notamment lors de la table ronde "Kindai no chokoku comment dépasser la modernité?" ( en juillet 1942 ). Dans ses prises de position face aux problèmes concernant la rencontre des civilisations apparaissent ses idées personnelles sur l'histoire, le rapport du mental et du corps, ou l'importance de la langue maternelle pour la pensée. La deuxième partie porte sur Mujo to iu koto ce qu'on appelle l'impermanence (1942-1946). L'analyse de l'œuvre met en lumière la signification profonde des "rencontres", qui se produisirent grâce à l'acte de se souvenir, entre certaines œuvres classiques et cette conscience critique moderne. La troisième partie traite "Watashi no jinseikan ma manière de voir la vie (1948) et dégage la dimension universelle de la "sagesse" qui s'appuie sur l'expérience vécue du beau. L'éthique et l'esthétique s'y trouvent foncièrement unies. L'"analogie" se révèle à travers ces trois parties comme fil conducteur de la démarche du penser chez Kobayashi Hideo<br>The originality of Kobayashi Hideo (1902-1983) both as a writer and a thinker became apparent between the years 1942 and 1948. The first section is concerned with the activities in which Kobayashi Hideo took part as a founding member of the literary magazine Bungakukai, and especially his participation in the round table entitled "Kindai no chokoku going beyond modernity" in July of 1942. His personal ideas on history, the relation between the mental and the physical, and the importance of one's native language in thought appear in the positions he takes regarding the problems inherent in the meeting of civilisations. The second section is development based on the work Mujo to iu koto the sense of evanescence (1942-1946). This analysis highlights the deeper meaning of "convergences", which occurred through the act of remembrance, between certain classics and Kobayashi Hideo 's modern critical consciousness. The third section deals with Watashi no jinseikan my view of life (1948) and exposes the universal dimension of "wisdom" which is based on the living experience of the beautiful. Here, ethics and aesthetics are inextricably united. Throughout the three sections, analogy appears as the constant in the treatment of thought by Kobayashi Hideo
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Valent, Joseph Arthur. "An examination of the conducting method of Hideo Saito." Virtual Press, 2000. http://liblink.bsu.edu/uhtbin/catkey/1173782.

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The ideas of Hideo Saito regarding conducting and conducting pedagogy are a valuable addition to the field, an addition that English-speaking people are likely to be unfamiliar with. Besides devising a unique collection of terms for talking about conducting, and assembling a set of exercises designed to facilitate the practice of a variety of gestures, Saito develops and operates from a framework which allows for the description and evaluation of almost any conceivable rhythmic gesture. While he pays attention to time, space, direction, size, and expectations, he often explores the ways velocity and changes in velocity can be employed to elicit desired sounds from players and singers. He is certainly not the first teacher to focus on the role of velocity in conducting gestures. However, the level of sophistication and thoroughness of his examination of velocity, and changes in velocity, is unique. His diagrams are noteworthy as well.Saito's conducting method is very popular in Japan. Seiji Ozawa, the Music Director/Conductor of the Boston Symphony Orchestra for more than 25 years, is just one of Saito's students who have had very successful conducting careers.This dissertation, in combination with accompanying videotaped examples of Morihiro Okabe teaching in the authentic Saito tradition, will provide the reader with an introduction to and an evaluation of the Saito conducting method. The reader will learn how to interpret Saito's diagrams of conducting motions, discover who the key people are, and view a Saito teacher instructing students. The reader will be introduced to the core teachings of Professor Saito, see what Saito's primary musical exercises are, and see how these exercises are used to promote musical and technical competence in conducting. This dissertation seeks to give the reader a foundation for further investigation of Saito's ideas and practices.This dissertation proposes, and employs English names for many gestures Saito labeled in Japanese. The Japanese terms are very descriptive of the motions. Providing equally descriptive English terms should be helpful to readers who are not fluent in Japanese.<br>School of Music
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Books on the topic "Hideout"

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Clifton, Eugene. Hideout. Linford, 2008.

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Hideout. Minotaur Books, 2011.

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Hideout. Robert Hale, 2007.

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Hideout. Farrar, Straus & Giroux, 2017.

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Heuck, Sigrid. The hideout. Dutton, 1988.

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Bunting, Eve. The hideout. Trumpet Club, 1992.

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Laura, Thomas, ed. Halloween Hideout. Grosset & Dunlap, 2007.

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Blaze, John. Lawless hideout. Hale, 1990.

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Jack, Curtis. Hideout canyon. Center Point Pub., 2010.

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Hideout canyon. Gunsmoke, 2008.

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Book chapters on the topic "Hideout"

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McInnes, Andrew. "Hideous progeny." In Wollstonecraft's Ghost. Routledge, 2016. http://dx.doi.org/10.4324/9781315523170-5.

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Hammond, J. R. "A Hideous Grimace." In H. G. Wells and the Short Story. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1057/9780230376670_6.

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Legault, Marianne. "Hideous and Mutilated." In Bodies of Information. Routledge, 2019. http://dx.doi.org/10.4324/9780429343544-4.

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Manlove, C. N. "That Hideous Strength (1945)." In C. S. Lewis: His Literary Achievement. Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18909-0_5.

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Muntersbjorn, Madeline. "Hideous Fictions and Horrific Fates." In Westworld and Philosophy. John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781119437932.ch13.

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Königsberg, Matthew. "Riibi Hideo." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_21177-1.

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Quinn, Emelia. "Monstrous Vegan Narratives: Margaret Atwood’s Hideous Progeny." In Thinking Veganism in Literature and Culture. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73380-7_7.

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Grossman, Julie. "Introduction." In Literature, Film, and Their Hideous Progeny. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137399021_1.

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Grossman, Julie. "Cape Fear, The Simpsons, and Anne Washburn’s Post-Apocalyptic Mr. Burns, A Post-Electric Play." In Literature, Film, and Their Hideous Progeny. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137399021_10.

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Grossman, Julie. "Epilogue." In Literature, Film, and Their Hideous Progeny. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137399021_11.

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Conference papers on the topic "Hideout"

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Willis, Karl D. D., Takaaki Shiratori, and Moshe Mahler. "HideOut." In the 7th International Conference. ACM Press, 2013. http://dx.doi.org/10.1145/2460625.2460682.

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Rao, Qinyang, and Barclay G. Jones. "Numerical Simulation of Surface Tension Driven Flows and Boron Concentrations Around a Vapor Bubble During Sub-Cooled Boiling in Boric Acid Solution." In 12th International Conference on Nuclear Engineering. ASMEDC, 2004. http://dx.doi.org/10.1115/icone12-49144.

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In this study, the previously developed hemispherical bubble model has been extended to a full spherical bubble, in which the bubble contact angle can range from 0° to 90°. The surface tension driven flow and boron concentration distributions around the bubble under sub-cooled boiling are simulated with constant wall temperature. Bubble contact angle and sub-cooling level are studied on their effects on boron concentration distribution. Boron precipitation under these circumstances is discussed. This is of possible concern in precipitation of boron from the solution at the triple interface during sub-cooled boiling. The deposition of porous compounds on fuel cladding provides one of the possible hideout mechanisms for Boron, which may eventually result in Axial Offset Anomaly (AOA) in PWRs.
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Lu, Yucheng. "Effect of Hazardous Impurities on Steam Generator Tube Degradation." In 18th International Conference on Nuclear Engineering. ASMEDC, 2010. http://dx.doi.org/10.1115/icone18-30120.

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Steam generator (SG) tubing materials are susceptible to corrosion degradation in certain electrochemical corrosion potential (ECP) regions under aggressive local chemistry conditions developed under deposits or in SG crevices. Because of the hideout of impurities, the areas under sludge and inside SG crevices may be very aggressive and contain high concentrations of chlorides and other impurities. These areas are the locations where SG tubing materials are susceptible to the major forms of degradation such as pitting, crevice corrosion, intergranular attack (IGA) and stress corrosion cracking (SCC). The corrosion susceptibility of each SG alloy is different and is a function of ECP and chemical environment. Electrochemical corrosion behaviors of major SG tube alloys were studied under plausible aggressive crevice chemistry conditions. The potential hazardous conditions leading to SG tube degradation and the conditions, which can minimize SG tube degradation, have been determined and documented in a form of safe ECP/pH zones for SG operation. SCC tests and accelerated corrosion tests were carried out to verify and revise the safe ECP/pH zones. This information has been incorporated and updated into a system health monitor tool, ChemAND®, which was developed by AECL for utilities to monitor online the status of the SG alloys and prevent material degradation surprises through appropriate SG water chemistry management. Recently, further studies were performed to investigate the effect of several aggressive SG impurities on the boundary conditions that will lead to the degradation of SG alloys. These aggressive species include chloride, different sulphur species, lead, copper, magnesium, and calcium. This paper presents the effect of chloride concentration and copper contamination on Alloy 800 SG tubing corrosion degradation at 300°C under SG crevice chemistry conditions. The data provide important information to support SG materials degradation and life management.
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Reports on the topic "Hideout"

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HiDEOS release notes. HiDEOS control system. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/188640.

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