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Relevant bibliographies by topics / High and low arts / Journal articles

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Journal articles on the topic 'High and low arts'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Bogart, Michele H., Kirk Varnedoe, and Adam Gopnik. "High and Low." Art Journal 50, no. 2 (1991): 80. http://dx.doi.org/10.2307/777168.

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2

Cohen, Ted. "High and Low Thinking about High and Low Art." Journal of Aesthetics and Art Criticism 51, no. 2 (1993): 151. http://dx.doi.org/10.2307/431380.

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3

Cohen, Ted. "High and Low Art, and High and Low Audiences." Journal of Aesthetics and Art Criticism 57, no. 2 (1999): 137. http://dx.doi.org/10.2307/432308.

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4

COHEN, TED. "High and Low Art, and High and Low Audiences." Journal of Aesthetics and Art Criticism 57, no. 2 (1999): 137–44. http://dx.doi.org/10.1111/1540_6245.jaac57.2.0137.

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5

Karp, Ivan. "High and Low Revisited." American Art 5, no. 3 (1991): 12–17. http://dx.doi.org/10.1086/424117.

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6

Stone, David C. "22. High to Low Tide: The High School–University Transition." Collected Essays on Learning and Teaching 3 (June 13, 2011): 133. http://dx.doi.org/10.22329/celt.v3i0.3252.

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In this paper I summarize some key findings from a three-year study of the high school-university transition for students attending a large arts and science faculty, within the context of their first university chemistry course. I then discuss these results within the broader context of research on success in higher education. Final conclusions are drawn from both my own observations and participant discussion from the session at the 2009 Society for Teaching and Learning in Higher Education (STLHE) conference at the University of New Brunswick.

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7

Betz, M. "High and low and in between." Screen 54, no. 4 (2013): 495–513. http://dx.doi.org/10.1093/screen/hjt044.

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8

Roeder, Katherine. "Looking High and Low at Comic Art." American Art 22, no. 1 (2008): 2–9. http://dx.doi.org/10.1086/587910.

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9

Williams, Robert, and Patricia Emison. "Low and High Style in Italian Renaissance Art." Art Bulletin 82, no. 2 (2000): 356. http://dx.doi.org/10.2307/3051383.

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10

Rattray, Charles. "Claus and Kaan: high theory and low practice." Architectural Research Quarterly 2, no. 3 (1997): 26–37. http://dx.doi.org/10.1017/s1359135500001408.

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The work of Amsterdam architects Felix Claus and Kees Kaan is moving away from formulae associated with modern architecture. This paper studies their attempt to find meaning which is at once more abstract and more direct, and notes that a guiding light in their search is a fundamental concern with the physical realities and compromises of the building process.

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11

Shea, Kristina. "Digital canopy: high-end computation/low-tech construction." Architectural Research Quarterly 6, no. 3 (2002): 230–45. http://dx.doi.org/10.1017/s1359135503001738.

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The design and construction of this canopy and landscape for a small courtyard [1] took the form of an adventure in digital design and low-tech construction. The installation was for the end of year party in June 2002 at the Academie van Bouwkunst in Amsterdam. The courtyard occupies a central space in the school adjacent to the main lecture hall and contains a historic cobblestone court [2]. One of the design team, Neil Leach, proposed that it should be transformed into an enchanted garden suggestive of Dutch greenhouses and Shakespeare's A Midsummer Night's Dream.

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12

Spoor, Philip S., and Robert A. Hiller. "Low‐cost demonstrations in acoustics for high school or liberal arts science courses." Journal of the Acoustical Society of America 104, no. 3 (1998): 1793. http://dx.doi.org/10.1121/1.423540.

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13

van Schaik, Leon. "Practising in the Margins: High Turnover, Low Unit Cost." Architectural Design 88, no. 5 (2018): 128–33. http://dx.doi.org/10.1002/ad.2354.

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14

Wan, Li, and Edward Ng. "High Science and Low Technology for Sustainable Rural Development." Architectural Design 90, no. 4 (2020): 74–81. http://dx.doi.org/10.1002/ad.2593.

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15

Gallivan, William P. "High efficiency, low axial profile, low noise, axial flow fan." Journal of the Acoustical Society of America 97, no. 5 (1995): 3221. http://dx.doi.org/10.1121/1.411808.

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16

Klayman, Arnold I. "High efficiency low frequency speaker system." Journal of the Acoustical Society of America 94, no. 2 (1993): 1183. http://dx.doi.org/10.1121/1.406867.

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17

Whitehead, Lorne A. "High pressure low impedance electrostatic transducer." Journal of the Acoustical Society of America 100, no. 1 (1996): 21. http://dx.doi.org/10.1121/1.415924.

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18

Dreisbach, Laura E., and Tom Frank. "Low‐ and high‐frequency threshold reliability." Journal of the Acoustical Society of America 89, no. 4B (1991): 1975. http://dx.doi.org/10.1121/1.2029739.

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19

Van Peer, W. "“High”/“Low” Cultural Products and Their Social Functions." Empirical Studies of the Arts 15, no. 1 (1997): 29–39. http://dx.doi.org/10.2190/hjmk-p7y6-w282-7wh0.

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This article discusses the opposition between “high” and “low” forms of culture as related to the emergence of literacy in society. Some empirical evidence (for the differences between high and low artistic products in terms of object properties and users' expectations) is discussed. The origin of the difference lies, so the argument runs, in the codification of high products and values through the writing system, which can subsequently act as external and independent quality control. Hence the acquisition of literacy is indicative and mimetic with respect to the initiation into high culture.

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20

Rosenbloom, Tova. "Color Preferences of High and Low Sensation Seekers." Creativity Research Journal 18, no. 2 (2006): 229–35. http://dx.doi.org/10.1207/s15326934crj1802_8.

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21

Kiteck, Paul D. "Low‐noise and high efficiency doffing gun." Journal of the Acoustical Society of America 87, no. 6 (1990): 2799. http://dx.doi.org/10.1121/1.399040.

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22

Parpia, Jeevak M. "High Q, low‐temperature oscillators: Some examples." Journal of the Acoustical Society of America 95, no. 5 (1994): 2810. http://dx.doi.org/10.1121/1.409739.

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23

Newman, Raymond J., and David E. Carlson. "High output loudspeaker for low frequency reproduction." Journal of the Acoustical Society of America 85, no. 1 (1989): 532. http://dx.doi.org/10.1121/1.397621.

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24

Grimshaw, J. "High, "Low," and Plastic Arts: Philip Glass and the Symphony in the Age of Postproduction." Musical Quarterly 86, no. 3 (2002): 472–507. http://dx.doi.org/10.1093/musqtl/gdg019.

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25

Murray, Soraya. "High Art/Low Life: The Art of Playing Grand Theft Auto." PAJ: A Journal of Performance and Art 27, no. 2 (2005): 91–98. http://dx.doi.org/10.1162/1520281053850866.

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26

Webster, Nicky L. "High poly to low poly workflows for real-time rendering." Journal of Visual Communication in Medicine 40, no. 1 (2017): 40–47. http://dx.doi.org/10.1080/17453054.2017.1313682.

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27

Denham, Scott, Reinhold Grimm, and Jost Hermand. "High and Low Cultures: German Attempts at Mediation." German Studies Review 18, no. 3 (1995): 564. http://dx.doi.org/10.2307/1431824.

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28

Jin and You. "Do Discounts in Ticket Prices Induce Sustainable Profit to Performing Arts Suppliers?" Sustainability 11, no. 14 (2019): 3829. http://dx.doi.org/10.3390/su11143829.

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： This study investigates the effect of price promotions for musicals on consumer perception of fairness toward other similar musicals and the role of consumer involvement in performing arts as a moderating variable. A threshold regression estimation which was performed using data from a survey on South Korean consumers showed a decrease in consumers’ fairness perception once they became aware of discounts on similar performing arts and, consequently, a decrease in their intent to purchase tickets at regular prices. The results also showed that the samples can be split into low- and high-invol

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29

Le, Huong, Bridget Jones, Tandi Williams, and Sara Dolnicar. "Communicating to culture audiences." Marketing Intelligence & Planning 34, no. 4 (2016): 462–85. http://dx.doi.org/10.1108/mip-05-2015-0102.

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Purpose – The purpose of this paper is to provide novel insights into arts consumption behaviour and patterns of communication displayed by arts consumers using Peterson’s theoretical framework, and to identify differences in the use of communication channels across arts segments. Design/methodology/approach – The authors conducted an a priori market segmentation study, with two variables serving as segmentation criteria, namely, the frequency of and the variety of arts events attended. The authors tested for differences in communication patterns. Findings – Four segments were created: low-fre

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30

Marshall, William J. "A low‐frequency high‐power magnetic drive transducer." Journal of the Acoustical Society of America 87, S1 (1990): S94. http://dx.doi.org/10.1121/1.2028435.

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31

Bucaro, Joseph A., Nicholas Lagakos, Brian H. Houston, Jacek Jarzynski, and Maxim Zalalutdinov. "Miniature, high performance, low-cost fiber optic microphone." Journal of the Acoustical Society of America 118, no. 3 (2005): 1406–13. http://dx.doi.org/10.1121/1.2000749.

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32

Kemmerer, Jason, and Eric Douglas Guarin. "Loudspeaker with low distortion and high output power." Journal of the Acoustical Society of America 115, no. 5 (2004): 1865. http://dx.doi.org/10.1121/1.1757130.

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33

Roy, Kenneth P., and Sean D. Browne. "Low impact renovations with high performance sound insulation." Journal of the Acoustical Society of America 117, no. 4 (2005): 2527. http://dx.doi.org/10.1121/1.4788389.

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34

Young, Chris M., Jay W. Benze, Randy D. Curry, et al. "High level, low‐frequency, plasma‐induced bubble transducer." Journal of the Acoustical Society of America 96, no. 5 (1994): 3333. http://dx.doi.org/10.1121/1.410683.

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35

Østhagen, Andreas. "Norway’s Arctic policy: still high North, low tension?" Polar Journal 11, no. 1 (2021): 75–94. http://dx.doi.org/10.1080/2154896x.2021.1911043.

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36

Leavitt, Jacqueline, and Teresa Lingafelter. "Low Wage Workers and High Housing Costs." Labor Studies Journal 30, no. 2 (2005): 41–60. http://dx.doi.org/10.1177/0160449x0503000203.

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37

Ivanov, R. Y., S. V. Puzanov, and Y. M. Yashnov. "Experimental observation of high-voltage, low-current vacuum arcs." IEEE Transactions on Plasma Science 23, no. 6 (1995): 899–901. http://dx.doi.org/10.1109/27.476472.

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38

Weissman, Myrna M., Priya Wickramaratne, Yoko Nomura, et al. "Families at High and Low Risk for Depression." Archives of General Psychiatry 62, no. 1 (2005): 29. http://dx.doi.org/10.1001/archpsyc.62.1.29.

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39

Freeman, Tyler E., and Lester C. Loschky. "Low and high spatial frequencies are most useful for drawing." Psychology of Aesthetics, Creativity, and the Arts 5, no. 3 (2011): 269–78. http://dx.doi.org/10.1037/a0021537.

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40

Muzakky, Imam, Dwi Umi Novitasari, and Siti Hamidah. "Comparative Study Dynamics of Psychology of Pencak Silat Groups (Iks.Pi Kera Sakti, Persaudaraan Setia Hati Terate, Dan Pagarnusa)." GATR Global Journal of Business Social Sciences Review 1, no. 1 (2013): 114–19. http://dx.doi.org/10.35609/gjbssr.2013.1.1(12).

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Indonesia as a country that offers a wide range of diversity offers its own uniqueness. But unfortunately the diversity it also has the potential for conflict ( Rahardjo , 2010) . Not only the conflict between cultures and groups, as happened in intercollegiate martial arts such as pagarnusa, PSHT and Kerasakti. Objective The purpose of this study to determine the level of aggressiveness, collective pride and tolerance in three martial arts college , this is one of the factors of conflict is high aggressiveness, collective pride and a low level of tolerance. Methodology/Technique The study inv

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41

Mendible, Myra. "High Theory/Low Culture: Postmodernism and the Politics of Carnival." Journal of American Culture 22, no. 2 (1999): 71–76. http://dx.doi.org/10.1111/j.1542-734x.1999.2202_71.x.

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42

Dubus, Bertrand, Patrice Bigotte, Frank Claeyssen, Nicolas Lhermet, Gilles Grosso, and Didier Boucher. "High‐power, low‐frequency magnetostrictive TRIPODE and JANUS projectors." Journal of the Acoustical Society of America 100, no. 4 (1996): 2584. http://dx.doi.org/10.1121/1.417539.

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43

Sherrick, Carl E., Roger W. Cholewiak, and Amy A. Collins. "The localization of low‐ and high‐frequency vibrotactile stimuli." Journal of the Acoustical Society of America 88, no. 1 (1990): 169–79. http://dx.doi.org/10.1121/1.399937.

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44

Hata, Kazue, and Yoko Hasegawa. "The perception of the low‐high (LH) tonal sequence." Journal of the Acoustical Society of America 86, S1 (1989): S35. http://dx.doi.org/10.1121/1.2027473.

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45

Gorga, Michael P., Stephen T. Neely, Darcia M. Dierking, et al. "Low-frequency and high-frequency cochlear nonlinearity in humans." Journal of the Acoustical Society of America 122, no. 3 (2007): 1671–80. http://dx.doi.org/10.1121/1.2751265.

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46

Massa, Frank. "Electromagnetic transducers for underwater low‐frequency high‐power use." Journal of the Acoustical Society of America 83, no. 1 (1988): 407. http://dx.doi.org/10.1121/1.396221.

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47

Massa, Frank. "Electromagnetic transducer for underwater low‐frequency high‐power use." Journal of the Acoustical Society of America 84, no. 6 (1988): 2308–9. http://dx.doi.org/10.1121/1.396772.

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48

Massa, Frank. "Electromagnetic transducers for underwater low‐frequency high‐power use." Journal of the Acoustical Society of America 84, no. 5 (1988): 1960. http://dx.doi.org/10.1121/1.397133.

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49

Patra, Harisadhan, Christina M. Roup, and Lawrence L. Feth. "Masking of low-frequency signals by high-frequency, high-level narrow bands of noise." Journal of the Acoustical Society of America 129, no. 2 (2011): 876–87. http://dx.doi.org/10.1121/1.3518778.

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50

Summers, Van, and Mary Cord. "Effects of high intensity on recognition of low‐ and high‐frequency speech in noise." Journal of the Acoustical Society of America 117, no. 4 (2005): 2606. http://dx.doi.org/10.1121/1.4777837.

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