Relevant bibliographies by topics / Hillary Chute

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  1. Journal articles
  2. Dissertations / Theses
  3. Book chapters

Academic literature on the topic 'Hillary Chute'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Hillary Chute"

1

Ruddick, Lisa. "Public Conversation: Alison Bechdel and Hillary Chute." Critical Inquiry 40, no. 3 (March 2014): 203–19. http://dx.doi.org/10.1086/677373.

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Bulson, Eric. "Disaster Drawn: Visual Witness, Comics, and Documentary Form by Hillary Chute." Modernism/modernity 24, no. 1 (2017): 203–6. http://dx.doi.org/10.1353/mod.2017.0013.

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Fawcett, Christina. "Outside the box: interviews with contemporary cartoonists, by Hillary L. Chute." Journal of Graphic Novels and Comics 7, no. 2 (April 28, 2015): 229–31. http://dx.doi.org/10.1080/21504857.2015.1039143.

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Lavin, Maud. "Graphic Women: Life Narrative & Contemporary Comics by Hillary L. Chute." Design and Culture 3, no. 2 (July 2011): 275–77. http://dx.doi.org/10.2752/175470811x13002771868481.

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Gardner, Jared. "A Nice Neighborhood." Publications of the Modern Language Association of America 134, no. 3 (May 2019): 595–600. http://dx.doi.org/10.1632/pmla.2019.134.3.595.

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Why Comics? is a celebration of all that has changed both in comics and for comics over the last generation, written by the person most qualified to host the party. Indeed, our being where we are today owes a good deal to Hillary Chute, who began her career writing some of the field's most intelligent and informative reviews and interviews and went on to write two of the most influential books in comics studies, Graphic Women (2010) and Disaster Drawn (2016). I first met Chute when she was working on her dissertation, and although the decade between us placed me in the role of outside reader on her committee, she was already leading the way forward for all of us in the field.
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Earle, Harriet. "Disaster Drawn: Visual Witness, Comics, and Documentary Form by Hillary L. Chute." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 44, no. 4 (2017): 810–12. http://dx.doi.org/10.1353/crc.2017.0065.

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Prorokova, Tatiana. "Disaster drawn: Visual witness, comics, and documentary form, by Hillary L. Chute." Journal of Graphic Novels and Comics 8, no. 1 (June 16, 2016): 100–102. http://dx.doi.org/10.1080/21504857.2016.1195761.

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8

Warhol, Robyn. "Disaster Drawn: Visual Witness, Comics, and Documentary Form by Hillary L. Chute." Inks: The Journal of the Comics Studies Society 1, no. 2 (2017): 261–63. http://dx.doi.org/10.1353/ink.2017.0018.

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Silady, Matt. "Three Wishes for Why Comics?" Publications of the Modern Language Association of America 134, no. 3 (May 2019): 620–24. http://dx.doi.org/10.1632/pmla.2019.134.3.620.

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With its enticing question splashed across the cover, Hillary Chute's Why Comics? invites the reader to consider the connections among comics, comics creators, and the medium's everexpanding audience. Through ten chapters all prefaced by “Why” (“Disaster,” “Superheroes,” “Sex,” “he Suburbs,” “Cities,” “Punk,” “Illness & Disability,” “Girls,” “War,” and “Queer”), Chute examines why the shape-shifting form of comics continues to serve as the perfect vessel for visual storytellers attempting to capture the complexity of the human condition.
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10

Fratz, Deborah M. "Rev. of Graphic Women: Life Narrative and Contemporary Comics, by Hillary L. Chute." a/b: Auto/Biography Studies 29, no. 1 (January 2, 2014): 175–78. http://dx.doi.org/10.1080/08989575.2014.921990.

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Dissertations / Theses on the topic "Hillary Chute"

1

Buckwalter, Anne H. "Gendercomic." Oberlin College Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1453810773.

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Book chapters on the topic "Hillary Chute"

1

Galvan, Margaret. "From Julie Doucet to Gabrielle Bell." In The Comics of Julie Doucet and Gabrielle Bell, 3–22. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496820570.003.0001.

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This chapter examine show the histories of women's comics have failed to capture and contextualize the full range of women's work. Assessing the recuperative scholarship of Hillary Chute and Trina Robbins sets the stage for understanding the various reasons why women's work is overlooked. This frame then turns to cartoonists Julie Doucet and Gabrielle Bell and situates them in abroad er genealogy of histories of women's comics. This chapter engages both artists' work in anthologies comics and trace show second-wave, under ground feminist cartoonists have influenced and connect these artists together.
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Journal articles
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