Relevant bibliographies by topics / Hindi cinema

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Hindi cinema'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Hindi cinema.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Hindi cinema"

1

Wankhede, Harish S. "Examining the Presence of Dalit identity in Hindi Cinema." Current Research Journal of Social Sciences and Humanities 5, no. 2 (2023): 76–82. http://dx.doi.org/10.12944/crjssh.5.2.03.

Full text
Abstract:
A century of Bombay’s popular cinema has overtly celebrated the upper caste hero on screen. Major genres of Hindi cinema are stuffed with the Hindu-Brahmanical cultural values, social themes and political interests. The caste and question of Untouchability not even figured as the peripheral aspects of the cinema. The narratives revolve around certain abstract upper caste Hindu identities, divorced from the idea that in the actual Hindu social order caste distinctions play a crucial role. Bombay’s popular Hindi cinema though showcased artistic and intellectual agency by representing the problem
APA, Harvard, Vancouver, ISO, and other styles
2

Adnan, Mohammed Ahmed Khan. "Literature and Hindi Cinema." Aksharasurya Journal 05, no. 05 (2025): 108 to 113. https://doi.org/10.5281/zenodo.14619614.

Full text
Abstract:
Hindi cinema has a history of more than 100 years old. Dadasaheb Phalke after understanding the audience’s interest, screened a speechless film named “Raja Harishchandra” on 3 May 1913 at the Coronation Cinema House in Bombay. This is how the foundation of Indian cinema was laid. This was the first film to be fully recognized as the first Indian feature film. On March 14, 1931, Ardeshar Irani made the first spoken film in Hindi titled ‘Alam Ara’ through engineering cinema. The first talkie film presented by Prabhat Film was ‘Ayodhya Ka Raja’ which was
APA, Harvard, Vancouver, ISO, and other styles
3

Bhugra, Dinesh. "Psychoanalysis in Hindi cinema." Acta Neuropsychiatrica 20, no. 2 (2008): 96–97. http://dx.doi.org/10.1111/j.1601-5215.2008.00275.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Saini, Rahul Kumar. "The interpretation of Hindi cinema (with special reference to fiction)." RESEARCH REVIEW International Journal of Multidisciplinary 8, no. 7 (2023): 167–70. http://dx.doi.org/10.31305/rrijm.2023.v08.n07.023.

Full text
Abstract:
Hindi cinema has been concerned with literature and society since its heyday. Literature and cinema have an interdependent relationship. In cinema we can see the society. That is why more or less cinema compiles material from literature. Hindi fiction includes both novels and short stories. Thus, in the research article presented, Hindi novels and films based on Hindi stories have been studied.
 Abstract in Hindi Language:
 हिंदी सिनेमा अपने उत्कर्ष काल से ही साहित्य और समाज से सरोकार रखता आया है। साहित्य और सिनेमा का अन्योन्याश्रित संबंध है। सिनेमा में हम समाज को देख सकते हैं। यही क
APA, Harvard, Vancouver, ISO, and other styles
5

Jain, Chhaya. "OVERALL VIEW ON HINDI CINEMA." International Journal of Research -GRANTHAALAYAH 7, no. 4 (2019): 141–46. http://dx.doi.org/10.29121/granthaalayah.v7.i4.2019.883.

Full text
Abstract:
In today's era, cinema is such a genre, towards which a child of two years and an old man of eighty years is also attracted. Even a person from a small town to a small town is not untouched by its hypnosis. Cinema is a complete genre in itself, as it includes all arts like painting, theatrical art, poetry, fiction. The cinema that we see today has a developed and sophisticated form in front of us, a century of hard work behind it. In the present times, cinema has taken the form of industry but it has not only given us entertainment, but also education, so it has become a powerful medium to exp
APA, Harvard, Vancouver, ISO, and other styles
6

Bhugra, Dinesh, and Susham Gupta. "Psychoanalysis and the Hindi cinema." International Review of Psychiatry 21, no. 3 (2009): 234–40. http://dx.doi.org/10.1080/09540260902747672.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Kumar, Dheeraj. "Dynamic Society and Hindi Cinema." RESEARCH REVIEW International Journal of Multidisciplinary 10, no. 2 (2025): 93–96. https://doi.org/10.31305/rrijm.2025.v10.n2.010.

Full text
Abstract:
All societies are dynamic. However, some evolve in a negative direction, while others progress positively. Time keeps changing, and experiments continue to take place in films. Despite this, literature has always served as an inspiration and foundation for cinema. If we examine the journey of Hindi cinema from its inception to the present, we find that films based on evergreen literary works have been appreciated across different time periods. Perhaps this is why filmmakers and directors are inclined to create films based on literary works. The success or failure of these films depends on seve
APA, Harvard, Vancouver, ISO, and other styles
8

Oza, Preeti. "GAGGED NARRATIVES FROM THE MARGIN: INDIAN FILMS AND THE SHADY REPRESENTATION OF CASTE." GAP GYAN - A GLOBAL JOURNAL OF SOCIAL SCIENCES 2, no. 3 (2019): 131–34. http://dx.doi.org/10.47968/gapgyan.230021.

Full text
Abstract:
Popular Hindi cinema provides a fascinating account of Indian life history and cultural politics. Hindi cinema is always a mirror of the Indian society but films also have fascinated entertained the Indian public for more than a hundred years and sometimes when we analyze the history of Indian cinema we can get an amazingly interesting but actual history of the contemporary society with all its virtues and vices in different colors. This paper deliberates on the various issues pertaining to the portrayal of specific caste, especially the Dalits in Indian films- both Hindi and regional.
APA, Harvard, Vancouver, ISO, and other styles
9

Parda, Małgorzata. "Determinants of the spatial diffusion of Bollywood cinema." Miscellanea Geographica 23, no. 1 (2019): 33–38. http://dx.doi.org/10.2478/mgrsd-2018-0030.

Full text
Abstract:
Abstract The aim of the paper is to indicate which determinants had the major impact on the spatial diffusion of the Bollywood cinema in two aspects: the first appearance of this cinema in different countries and the number of films distributed there. The distance between the country and Mumbai and the size of the diaspora were taken as key determinants. The concept of Hägerstrand was adopted as the spatial diffusion model. The procedure involved gathering data for 5,832 Hindi movies produced in Mumbai distributed in cinemas in 76 countries from 1970 to 2010. The hypotheses were verified and i
APA, Harvard, Vancouver, ISO, and other styles
10

Japee, Dr Gurudutta. "INDIAN FILMS IN GLOBAL CONTEXT - MONEY OR CREATIVITY!" GAP GYAN - A GLOBAL JOURNAL OF SOCIAL SCIENCES 1, no. 1 (2018): 24–29. http://dx.doi.org/10.47968/gapgyan.11003.

Full text
Abstract:
‘Art does not go global because its creator is consciously working towards a worldwide impact.’ It ought to be straightforward to present a description of the ‘world’s biggest film industry’, but Indian film scholars find it difficult to come to terms with its diversity and seeming contradictions. The biggest single mistake that non-Indian commentators make is to assume that ‘Indian Film Industry ’ is the same thing as Indian Cinema. It is not. The Indian film industry is always changing and as traditional cinemas close in the South and more multiplexes open, there may be a shift towards main
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Hindi cinema"

1

Morcom, Anne Frances. "Hindi film songs and the cinema." Thesis, SOAS, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268674.

Full text
Abstract:
This thesis explores the relationship of Hindi film songs with Hindi cinema from the 1950s, especially emphasizing the present day. It is based on fieldwork completed in Bombay from 1998-2000 and the analysis of film songs and their picturizations. The main question addressed is: 'How far can film songs be seen as an independent tradition of popular music and how far are they a part of their parent films and Indian cinema?' Chapter 1 surveys previous scholarship on film songs and introduces their cinematic study. Chapter 2 deals with the production process of film songs, identifying the role o
APA, Harvard, Vancouver, ISO, and other styles
2

Orfall, Blair. "Bollywood retakes : literary adaptation and appropriation in contemporary Hindi cinema /." Connect to title online (ProQuest), 2009. http://proquest.umi.com/pqdweb?did=1883677651&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Gaur, Meenu. "Kashmir on screen : region, religion and secularism in Hindi cinema." Thesis, SOAS, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561285.

Full text
Abstract:
The Kashmir dispute has led to two wars (1947-1948, 1965), serious military encounters (1999,2001) between India and Pakistan, as well as a militant and nonmilitant separatist movement seeking independence for Kashmir (1989- ). While this conflict has been subjected to sustained analysis by academics and journalists, Kashmir's centrality to the public culture ofIndia, explored here through a study of Hindi cinema, has received little to no attention in the considerable literature on the area. The articulations of Kashmir in Hindi cinema - as a paradise on earth, sacred site of Hinduism, home o
APA, Harvard, Vancouver, ISO, and other styles
4

Vitali, Valentina. "The aesthetics of cultural modernisation : Hindi cinema in the 1950s." Thesis, University of Ulster, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268856.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Datta, Pulkit. "Bollywoodizing Diasporas: Reconnecting to the NRI through Popular Hindi Cinema." Miami University Honors Theses / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1209924713.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Mecklai, Noorel-nissa S. "Abrogated identity : Muslim representation in Hindi popular cinema 1947-2000." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2006. https://ro.ecu.edu.au/theses/352.

Full text
Abstract:
This thesis asks the question: How do the representations of Muslims in Hindi Popular Cinema deny the community identification with the nation. It establishes Hindi cinema as the 'de facto' national cinema and explores the nature of identity and communal relations between the two major Indian religious communities, Hindus and Muslims through an analysis of popular films. It identifies an imbalance in representations of Muslim life where few films show Hindus and Muslims as sharing social and cultural life or where Muslims are represented as modern subjects: an absence of films on 'partition',
APA, Harvard, Vancouver, ISO, and other styles
7

Budha, Kishore N. "Market reforms, media deregulation and the Hindi film : a study of the ideology of Hindi cinema and the media." Thesis, University of Leeds, 2008. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496120.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Vasudevan, Ravi. "Errant males and the divided woman melodrama and sexual difference in the Hindi social film of the 1950s /." Thesis, Boston Spa, U.K. : British Library Document Supply Centre, 1991. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.303507.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Azevedo, Amandine d'. "Cinéma indien, mythes anciens, mythes modernes : résurgences, motifs esthétiques et mutations des mythes dans le film populaire hindi contemporain." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030126.

Full text
Abstract:
Le cinéma populaire indien est à la fois un lieu de création de mythes filmiques puissants et un univers qui interagit avec un autre corpus, celui des mythes et des épopées classiques, plus particulièrement le Ramayana et le Mahabharata. Si ces derniers ont souvent été l’objet d’adaptations, surtout dans les premières décennies du cinéma indien, le cinéma contemporain compose des rapports complexes et singuliers vis-à-vis des héros et de leurs hauts faits. Les mythes traditionnels surgissent au détour d’un plan, à la manière d’une résurgence morale, narrative et/ou formelle, tout comme – dans
APA, Harvard, Vancouver, ISO, and other styles
10

Sathe, Namrata. "You Only Live Once: Bollywood, Neoliberal Subjectivity and the Hindutva State." OpenSIUC, 2020. https://opensiuc.lib.siu.edu/dissertations/1812.

Full text
Abstract:
In 1991, India entered the global market as a liberalized economy when, coerced by the International Monetary Fund, it adopted “structural adjustment” policies. The early period of economic liberalization in India engendered a sense of optimism and forward-looking aspiration in the national imaginary and culture. This faith in novelty and change, for the urban middle-classes, was a result of the increase in incomes in white-collar jobs and the availability of greater choices in the commodity market for consumers. Thirty years later, the fantasy of wealth and abundance that was supposed to tran
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Hindi cinema"

1

Encyclopaedia Britannica (India) Pvt. Ltd., ed. Encyclopaedia of Hindi cinema. Encyclopaedia Britannica (India) Pvt. Ltd., 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Viswamohan, Aysha Iqbal, and Clare M. Wilkinson, eds. Stardom in Contemporary Hindi Cinema. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0191-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Chopra, Satish. Forgotten masters of Hindi cinema. LG Publishers Distributors, 2015.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Agravāla, Prahalāda. Hindī sinemā: Ādi se ananta = Hindi cinema : aadi se anant. Sāhitya Bhaṇḍāra, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Iqbal Viswamohan, Aysha, ed. Women Filmmakers in Contemporary Hindi Cinema. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-10232-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Raheja, Dinesh. The hundred luminaries of Hindi cinema. India Book House Publishers, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Narwekar, Sanjit. Crafting movies: Exploring Hindi mainstream cinema. Mindscape, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Gehlawat, Ajay. Reframing Bollywood: Theories of popular Hindi cinema. SAGE Publications, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Dwyer, Rachel. Cinema India: The visual culture of Hindi film. Oxford University Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Dwyer, Rachel. Cinema India: The visual culture of Hindi film. Reaktion Books, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Hindi cinema"

1

Singh, Vivek. "Disability and Hindi Cinema." In The Discourse of Disability. Routledge India, 2024. http://dx.doi.org/10.4324/9781032722054-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Dwyer, Rachel. "The Biopic in Hindi Cinema." In A Companion to the Historical Film. Blackwell Publishing Ltd., 2013. http://dx.doi.org/10.1002/9781118322673.ch11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Chakraborty, Abin. "Hindutva, History and Hindi Cinema." In Engaging with a Nation. Routledge India, 2024. http://dx.doi.org/10.4324/9781003504504-9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Barat, Ipsita. "Digital Horror in Hindi Cinema." In Indian Cinema Today and Tomorrow. Routledge India, 2024. http://dx.doi.org/10.4324/9781003491651-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Mubarki, Meraj Ahmed. "Indian Cinema and Ideology." In The Horror in Hindi Cinema. Routledge India, 2024. https://doi.org/10.4324/9781003588856-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Bharat, Meenakshi. "Introduction." In Hindi Cinema and Pakistan. Routledge India, 2024. http://dx.doi.org/10.4324/9781003514053-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Bharat, Meenakshi. "Conclusion." In Hindi Cinema and Pakistan. Routledge India, 2024. http://dx.doi.org/10.4324/9781003514053-8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Bharat, Meenakshi. "Proxy Wars." In Hindi Cinema and Pakistan. Routledge India, 2024. http://dx.doi.org/10.4324/9781003514053-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Bharat, Meenakshi. "War Clouds." In Hindi Cinema and Pakistan. Routledge India, 2024. http://dx.doi.org/10.4324/9781003514053-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Bharat, Meenakshi. "Loving the Other." In Hindi Cinema and Pakistan. Routledge India, 2024. http://dx.doi.org/10.4324/9781003514053-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Hindi cinema"

1

Gladkova, Anna G. "INDOLOGY AND AUDIOVISUAL TRANSLATION." In II All-Russian scientific-practical conference with international participation "Translation and foreign languages in the global dialogue of cultures". St. Petersburg State University, 2024. http://dx.doi.org/10.21638/11701/9785288064289.08.

Full text
Abstract:
Research on audiovisual translation is becoming more and more numerous, but the problems of Indology in film translation are not reflected in them, which determines the relevance of this work, since recently Asian and, in particular, Indian content has begun to penetrate en masse into the Russian market. The article examines the problem of sociolinguistic competence of an audiovisual translator and raises the question of the need for expert knowledge of language and culture of the source material to perform high-quality translation. The author provides examples of translation of Indian cinema
APA, Harvard, Vancouver, ISO, and other styles
2

Tawatia, Kunal, Nishant Jain, and Suman Kundu. "Hindi Document Extractive Summarization: Neural Method on A New Data Set." In 2022 5th International Conference on Computational Intelligence and Networks (CINE). IEEE, 2022. http://dx.doi.org/10.1109/cine56307.2022.10037327.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Hindi cinema' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography