Relevant bibliographies by topics / Hindi Hindi literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Hindi Hindi literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Hindi Hindi literature"

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Gupta, Charu. "'Dirty' Hindi Literature." South Asia Research 20, no. 2 (September 2000): 89–118. http://dx.doi.org/10.1177/026272800002000202.

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Devi, Asha. "NATURE IN HINDI LITERATURE." International Journal of Research -GRANTHAALAYAH 3, no. 9SE (September 30, 2015): 1–3. http://dx.doi.org/10.29121/granthaalayah.v3.i9se.2015.3264.

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The love of nature of Hindi writers is well known. Poetry has been composed on nature in all times during the ancient, medieval and modern times. The famous cinematic poet Jayashankar Prasadji writes-Let me forget my sailor slowly - where in the uninhabited deep-tinged love story in the ears of Sagar-Lahiri-Ambar - Avni of Taj BabelThe poet has here pointed out the peace of man. Humanity is not noisy, nor does he want such an earth. Nature has loved human as (wave of ocean) and (abar). This is what it is like, why is it, who is destroying the unbreakable relationship between human and nature. What are the conditions that are making the earth persist? A terrible environmental crisis is looming over us all. What should we do now .We all know that in Indian culture, nature is like a necklace in the bracelet, but when the great crisis is showing the destruction of this culture, then our values ​​of life, which teach us to love nature, should be cherished in Vedic era It is happening in the verses of the Vedas that we see the feeling of gratitude towards fire, sun, moon, air, water, earth, sky and clouds. Sanskrit literature is full of beautiful scenes of nature. There nature is companion, friend and its all. हिंदी साहित्यकारों का प्रकृति-प्रेम सर्वविदित है। आदिकाल , मध्यकाल और आधुनिककाल सभी कालों में प्रकृति पर काव्य-रचनाऐं होती रहीं । प्रसिद्ध छायावादी कवि जयशंकरप्रसादजी लिखते हैं-ले चल मुझे भुलावा देकर मेरे नाविक धीरे-धीरे-जहाँ निर्जन में सागर-लहरी-अंबर के कानों में गहरी-निच्छल प्रेमकथा कहती हो--तज कोलाहल की अवनि कवि ने यहाँ मानव की शांतिप्रियता को इंगित किया है ।मानव कोलाहलप्रिय नहीं है, और न ही वह ऐसी धरती चाहता है।( सागर की लहर) और (अबंर) के रूप में प्रकृति ने भी मानव से प्रेम ही किया है ।आज विचारणीय विषय यह है कि फिर ऐसा क्या है, क्यों है, कौन है जो मानव और प्रकृति के अटूट संबंधों को तहस-नहस कर रहा है । वे कौन सी परिस्थितियाँ लगातार बनती रही हैं जो धरती विदीर्ण कर रही हैं । एक भयावह पर्यावरणीय संकट हम सब पर मँडरा रहा है । अब हमें क्या करना चाहिए ।हम सभी जानते हैं कि भारतीय संस्कृति में प्रकृति कंगन में नग की भाँति जडी है पर जब बड़ा संकट इस संस्कृति के विनाश का दिखाई दे रहा है तो ऐंसे में वैदिककाल से सँजोए हमारे जीवन-मूल्य, जो हमें प्रकृति से प्रेम करना सिखाते हैं, समाप्त हो रहे हैं वेदों की ऋचाओं में हमें अग्नि,सूर्य, चंद्र, वायु, जल, पृथ्वी, आकाश और मेघों के प्रति कृतग्यता का भाव दिखाई देता है । संस्कृत-साहित्य तो प्रकृति के मनोहारी दृश्यों से भरा पड़ा है ।वहाँ प्रकृति मानव की सहचरी,सखी और उसका सर्वस्व है ।
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Chelnokova, Anna, and Liliia Streltcova. "Brahmarakshasa in Modern Hindi Literature." Rupkatha Journal on Interdisciplinary Studies in Humanities 8, no. 4 (January 14, 2017): 139–47. http://dx.doi.org/10.21659/rupkatha.v8n4.16.

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Gill, Gagan, Kunwar Narayan, Shrikant Verma, and Kedarnath Singh. "Four Hindi Poets." World Literature Today 68, no. 2 (1994): 325. http://dx.doi.org/10.2307/40150160.

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Perry, John Oliver, and Vidya Niwas Misra. "Modern Hindi Poetry." World Literature Today 65, no. 2 (1991): 365. http://dx.doi.org/10.2307/40147316.

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SAHA, SHANDIP. "A community of grace: the social and theological world of the Puṣṭi Mārga vārtā literature." Bulletin of the School of Oriental and African Studies 69, no. 2 (June 2006): 225–42. http://dx.doi.org/10.1017/s0041977x06000103.

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In the history of Hindi literature, the oldest extant text of medieval Hindi prose is the collection of hagiography known as the as the vārtā literature which, since the seventeenth century, has been central to the religious life of the Hindu devotional community known as the Puṣṭi Mārga. This article argues that a close examination of these texts in their proper social and historical context reveals that the vārtā literature was written and revised during a time when the Puṣṭi Mārga was slowly expanding its sphere of religious influence in Western and Central India. The result was a body of literature whose principal purpose was to shape the religious self-identity of the Puṣṭi Mārga by stressing the community as a close-knit and exclusive fellowship of believers who owed their final allegiance to Kṛṣṇna and the community's religious leaders who were known as mahārājas.
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LUNN, DAVID. "Across the Divide: Looking for the common ground of Hindustani." Modern Asian Studies 52, no. 6 (July 17, 2018): 2056–79. http://dx.doi.org/10.1017/s0026749x1600069x.

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AbstractThis article investigates some of the institutional and poetic practices around the idea of Hindustani in the period 1900–47. It charts the establishment of the Hindustani Academy in 1927 and explores some of its publishing activities as it attempted to make a positive institutional intervention in the Hindi–Urdu debate and cultural field more broadly. It then considers some aspects of poetic production in literary journals, including those associated with the Academy. Ultimately, it is an attempt to explore the grey areas that existed between Hindi/Hindu and Urdu/Muslim in the pre-Independence decades, and to make the case for studying the literature of both traditions simultaneously, along with emphasizing that attempts at compromise—including the perennially contested term ‘Hindustani’ itself—must be taken on their own terms.
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Rawat, Ramesh. "1857 and the 'Renaissance' in Hindi Literature." Social Scientist 26, no. 1/4 (January 1998): 95. http://dx.doi.org/10.2307/3517584.

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Akram, Dr Muhammad, and Dr Ayesha Qurrat ul Ain. "The Impact of the Partition of India on the Study of Hinduism in the Urdu Language." ĪQĀN 2, no. 04 (June 30, 2020): 69–86. http://dx.doi.org/10.36755/iqan.v2i04.147.

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Religion, language, and race have been among the most crucial factors behind the formation of various national and communal identities in modern South Asian history. Just like the political division of British India, the complex interplay of these factors also culminated in a bifurcation of linguistic boundaries along the religious lines according to which Urdu became associated with Islam and Muslims. In contrast, Hindi became increasingly connected to the Hindu culture. These historical developments also affected the extent and nature of the academic materials on Hinduism in the Urdu language, which the present paper examines. The paper takes stock of different relevant materials. Then, it discusses how the changed socio-political realities quantitatively and qualitatively affected the works on Hinduism in the Urdu language as the majority of the Hindu scholars lost enthusiasm to write on their religion in Urdu considering its increased perception of being a Muslim language. Muslims in Pakistan, on the other hand, lost opportunities of everyday interaction with Hindus and easy access to the original Hindi and Sanskrit sources resulting in a considerable decline in Hindu studies on their part. Thus, the overall production of literature on Hinduism in the Urdu language declined sharply. By implication, the paper hints at how decisively socio-political and historical contexts bear on the pursuit of the academic study of religion.
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Dwivedi, Sanjay K., and Pramod P. Sukhadeve. "English to Hindi Paraphrase Convention for Translating Homoeopathy Literature." International Journal of Artificial Life Research 3, no. 4 (October 2012): 66–74. http://dx.doi.org/10.4018/ijalr.2012100105.

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The rule based approach to machine translation (MT) confines grammatical rules between the source and the target language with the goal of constructing grammatical translation between the language pair. In this paper, we describe the structural representation of English stemmer, POS tagging and design transfer rules which can generate Hindi sentence from the structural representation of the English sentence. Due to the specific terminology of homoeopathic sentences and the linguistic gap between the two languages the translation of these literatures form English to Hindi is a challenging task. The rule sets are used to plug gap between the two languages. Further, rule sets are described for mapping preposition verbs, nouns, etc. Finally, a system architecture has been proposed for the translation of homoeopathy literature from English to Hindi Language.The system accuracy has been evaluated using Bleu score, which is found out to be 0.7501 and the accuracy percentage of the system is 82.23%.
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Dissertations / Theses on the topic "Hindi Hindi literature"

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Orsini, Francesca. "The Hindi public sphere, 1920-1940." Thesis, SOAS, University of London, 1996. http://eprints.soas.ac.uk/29537/.

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The 1920s and 1930s were decades of momentous changes and expansion in the Hindi literary sphere In this period Hindi became an established public language in print, education and politics and struggled successfully to become the future national language of India. A market for Hindi literature was first created, journals provided venues for debate and literary expression as well as professional employment, genres and styles were explored in many new directions, and new voices emerged, importantly those of women writers. The nationalist movement, too, entered a new phase which emphasized popular publics and vernacular institutions. Through the concept of 'public sphere' as expounded by Jurgen Habermas and other political scientists, this thesis analyzes those changes at the levels of institutions, actors, discourses and, to a limited extent, of audiences in their proper context and in relation to each other. Chapter 2 explores changes in the literary sphere, both its expansion chiefly through the medium of journals, and its institutionalization through a linguistic and literary agenda in the education system. Chapter 3 analyzes historical debates and narratives in order to trace the consolidation and diffusion of a nationalist historical consciousness. Chapter 4 examines the development of women's journals and the space they provided for a critique of discrimination against women and their public access, and for the exploration of women's roles and emotionality. Chapter 5 focuses on the making of Hindi's claim to be the 'national language', the strategies employed and the exclusions operated in the process of its political affirmation. Chapter 6 explores the relationship between the literary and the political spheres focusing on the role of Hindi intellectuals and political leaders. The institutional authority gained in one sphere underwrote that gained in the other, it shall be argued, and gave credence to an official nationalism that does not reflect the complexity and variety of cultural imagination and literary practices in that period.
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Wilkerson, Sarah Beth. "Hindi Dalit literature and the politics of representation." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614307.

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Pollock, Sandybell. "Hindi-Vindi and Pashto-Mashto : Comments on Various Types of Lexical Reduplication in Hindi and Pashto." Thesis, Uppsala universitet, Institutionen för lingvistik och filologi, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-276292.

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The purpose of this paper is to examine potential similarities in Hindi1 and Pashto grammar as regards to the arial feature of lexical reduplication, and to give a brief explanation of the phenomenon. It is my belief that this feature appears in both languages and that it functions in a similar way when it comes to: full reduplication, distribution and partial reduplication, so called echo-words. I will try to explain how these features function in Pashto based on the research already done in Hindi and the limited amount of description found in Pashto grammars that discuss this subject. The object of the paper is to prove that reduplication in Pashto takes similar form with similar meaning to the reduplications found in Hindi. To analyse this I will look at literary language in Hindi and Pashto using examples found in books, grammars, papers of other researchers, as well as examples found online in blogs and on newspaper sites. The first section of this paper will deal with full reduplication of nouns, pronouns, adjectives and adverbials, numerals and participles. It will show that various types of semantic meanings can be derived from reduplication such as intensification, attenuation, continuation or distribution. The second section will deal with partial reduplication and it will show that these also appears in the different word categories mentioned (though apparently not in both languages) and it aims to give an explanation as to what forms these partial reduplications can take, that is, how they are constructed, as well as how they may function.
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Harder, Hans. "Fiktionale Träume in ausgewählten Prosawerken von zehn Autoren der Bengali- und Hindiliteratur." Halle (Saale) : Institut für Indologie und Südasienwissenschaften der Martin-Luther-Universität Halle-Wittenberg, 2001. http://catalogue.bnf.fr/ark:/12148/cb38987404v.

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Hines, Naseem Akhtar. "The Sufi elements in the Indo-Sufi masnavī, with specific reference to Maulana Daud's Cāndayān /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/11140.

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Peter, Dass Rakesh. "Language and Religion in Modern India: The Vernacular Literature of Hindi Christians." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:32108297.

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A persistent interest in a particular type of Christian witness is found in a substantial amount of Hindi-language Protestant (hereafter, ‘Hindi Christian’) literature in modern India. Across a range of texts like Hindi translations of the Bible, theo-ethical works, hymns, biblical commentaries, and poems, this literature calls attention to a form of Christian witness or discipleship that both is credible and recognizable and is public. This witness aims to be credibly Christian: as I will show, Hindi Christian texts have regularly rejected a Hindu concept like avătār in favor of a neologism like dehădhāran to communicate a Christian notion of incarnation in a predominantly Hindu context. Yet, the variety of polytradition (or, shared) words found in Hindi Christian texts suggests a comfort with loose religious boundaries. The witness aims also to be recognizably Christian. For instance, Hindi Christian texts on theology and ethics persistently reflect on a virtuous Christian life with a view toward perceptions in multifaith contexts. Perceptions of Christians matter to the authors of these texts. The attention to Christian witness in such literature, then, is to a very public form of witness. A reading of the works of three prominent Hindi Christian scholars – Benjamin Khan, Din Dayal, and Richard Howell – will show how a focus on the pluralistic context of Hindi Christian witness has shaped influential texts on ethics, theology, and evangelism in Hindi. This dissertation is a first attempt in the academy of religion to study Hindi Christian texts in modern India. As a result, it seeks to achieve two goals: provide an introduction to Hindi Christian literature, and understand a prominent theme found in such literature. It is by no means an exhaustive study of Hindi Christian literature. Rather, it maps a literary landscape and subjects one trope therein to further examination. Protestant Christian literature in India has generally portrayed the purpose of Christian discipleship in two ways: by describing it as a response to salvific grace and by denying it is works righteousness. Hindi Christian texts shed light on another rationale: to present a credible and recognizable witness in a multifaith public context.
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Sarma, Ira Valeria. "The Laghukatha : a historical and literary analysis of a modern Hindi prose genre." Thesis, SOAS, University of London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271080.

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Orfall, Blair. "Bollywood retakes : literary adaptation and appropriation in contemporary Hindi cinema /." Connect to title online (ProQuest), 2009. http://proquest.umi.com/pqdweb?did=1883677651&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Mudigonda, Ramu. "Svårt val : Analys av Archana Painyulis novellsamling Highway E47." Thesis, Uppsala universitet, Institutionen för lingvistik och filologi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-396319.

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Banerjee, Rita. "The New Voyager: Theory and Practice of South Asian Literary Modernisms." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11044.

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My dissertation, The New Voyager: Theory and Practice of South Asian Literary Modernisms, investigates how literary modernisms in Bengali, Hindi, and Indian English functioned as much as a turning away and remixing of earlier literary traditions as a journey of engagement between the individual writer and his or her response to and attempts to re-create the modern world. This thesis explores how theories and practices of literary modernism developed in Bengali, Hindi, and Indian English in the early to mid-20th century, and explores the representations and debates surrounding literary modernisms in journals such as Kallol, Kavita, and Krittibas in Bengali, the Nayi Kavita journal and the Tar Saptak group in Hindi, and the Writers Workshop group in English. Theories of modernism and translation as proposed by South Asian literary critics such as Dipti Tripathi, Acharya Nand Dulare Bajpai, Buddhadeva Bose, and Bhola Nath Tiwari are contrasted to the manifestos of modernism found in journals such as Krittibas and against Agyeya's defense of experimentalism (prayogvad) from the Tar Saptak anthology. The dissertation then goes on to discuss how literary modernisms in South Asia occupied a vital space between local and global traditions, formal and canonical concerns, and between social engagement and individual expression. In doing so, this thesis notes how the study of modernist practices and theory in Bengali, Hindi, and English provides insight into the pluralistic, multi-dimensional, and ever-evolving cultural sphere of modern South Asia beyond the suppositions of postcolonial binaries and monolingual paradigms.
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Books on the topic "Hindi Hindi literature"

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Ganeri, Anita. Hindi. Chicago, Ill: Heinemann Library, 2012.

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Gupta, Gaṇapaticandra. Hindī bhāshā evaṃ sāhitya-viśvakośa =: Encyclopaedia of Hindi language & literature. Naī Dillī: Eṭalānṭika Pabliśarsa eṇḍa Ḍisṭribyūṭarsa, 1995.

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Jindal, K. B. A history of Hindi literature. 2nd ed. New Delhi: Munshiram Manoharlal Publishers, 1993.

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Keay, F. E. A history of Hindi literature. New Delhi: Asia Publishing House, 1989.

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Bhanot, Teerth Ram. Gyan sarita / Hindi literature: Part 4. New Delhi, India: Dreamland, 2000.

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Influence of Islam on Hindi literature. Delhi: Idarah-i-Adabiyat-Delli, 2000.

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Garg, Ganga Ram. An encyclopaedia of world Hindi literature. New Delhi: Concept Publishing Co., 1986.

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Gauṛa, Rāmaśaraṇa. Purāṇa kathā kośa. Dillī: Vibhūti Prakāśana, 1987.

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Gaṛhavāla meṃ patrakāritā aura Hindī sāhitya: Garhwal me patrkarita aur Hindi sahitya. Śrīnagara, Gaṛhavāla: Śrī Kamyūnikeśana, 2012.

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Aśka, Gopāla. Nepālakā Hindī sāhityakāra ra tinakā kr̥ti: Nepal's Hindi writers and their contributions. Kāṭhamāḍauṃ: Nepāla Prajñā-Pratishṭhāna, 2012.

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Book chapters on the topic "Hindi Hindi literature"

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Abidi, Shuby. "Annihilation of God in Hindi Literature." In Premchand on Culture and Education, 102–6. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003242260-34.

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Nair, Rukmini Bhaya. "Reading a Hindi Poem: Lost in Translation?" In Creativity in Language and Literature, 265–67. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-1-349-92482-0_21.

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Orsini, Francesca. "Reading Together: Hindi, Urdu, and English Village Novels." In Indian Literature and the World, 61–85. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-54550-3_3.

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Sen, Hemanshu. "Eternal Relation of Human Emotions and Rivers in Hindi Literature." In Springer Hydrogeology, 35–45. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-2984-4_3.

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Dimitrova, Diana. "The “Indian” Character of Modern Hindi Drama: Neo-Sanskritic, Pro-Western Naturalistic, or Nativistic Dramas?" In Theology and Literature, 173–83. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403982995_11.

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Rosenstein, Lucy. "Seeking God: Narratives of the Spiritual in Amrita Bharati’s Work and Hindi Poetry." In Religion in Literature and Film in South Asia, 23–44. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230105522_2.

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Loy, Thomas. "Fitrat, Abdur(r)auf: Bajonot-i sajjoh-i hindi." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_10057-1.

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Mohan, Anupama. "Hind Swaraj and Rural Utopia." In Utopia and the Village in South Asian Literatures, 35–59. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137031891_2.

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Stein, Eckart, and Annegret Stegmann. "Dryden, John: The Hind and the Panther." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8412-1.

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Joseph, Clara A. B. "Dialogue in Gandhi’s Hind Swaraj or Indian Home Rule or the Reader as Truth-Seeker." In Theology and Literature, 119–45. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403982995_9.

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Conference papers on the topic "Hindi Hindi literature"

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"Dushyant - Prince of Hindi Ghazal." In International Conference on Humanities, Literature and Management. International Centre of Economics, Humanities and Management, 2015. http://dx.doi.org/10.15242/icehm.ed0115010.

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"The Concept of Cosmos in Hindu Literature." In 55th International Astronautical Congress of the International Astronautical Federation, the International Academy of Astronautics, and the International Institute of Space Law. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2004. http://dx.doi.org/10.2514/6.iac-04-iaa.6.16.1.01.

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Setyani, T. "Heritage of Hindu-Buddhist Thought: Pradaksina and Prasavya Perspective in Tantu Panggelaran Text." In 2nd Workshop on Language, Literature and Society for Education. EAI, 2019. http://dx.doi.org/10.4108/eai.21-12-2018.2282768.

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Rahman, Ainur, and Burhan Nurgiyantoro. "Subalternity of Hindia Women in Racun untuk Tuan Short Story by Iksaka Banu: Postcolonial Studies." In 1st International Conference on Language, Literature, and Arts Education (ICLLAE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200804.074.

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Punia, I., Ni Luh Kebayantini, and M. Adityanandana. "The Shifting Role Of Balinese Hindu Women In Religious Life In Denpasar." In Proceedings of the First International Seminar on Languare, Literature, Culture and Education, ISLLCE, 15-16 November 2019, Kendari, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.15-11-2019.2296254.

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Feaster, Jeffrey, Francine Battaglia, Ralf Deiterding, and Javid Bayandor. "Validation of an Adaptive Meshing Implementation of the Lattice-Boltzmann Method for Insect Flight." In ASME 2016 Fluids Engineering Division Summer Meeting collocated with the ASME 2016 Heat Transfer Summer Conference and the ASME 2016 14th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/fedsm2016-7782.

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Abstract:
Insects, sustaining flight at low Reynolds numbers (500<Re<10,000), fly utilizing mechanically simple kinematics (3 degrees of freedom) at an extremely high flap frequency (150–200 Hz), resulting in a complicated vortical fluid field. These flight characteristics result in some of the most agile and maneuverable flight capabilities in the animal kingdom and are considered to be far superior to fixed wing flight, such as aircraft. Bees are of particular interest because of the utilization of humuli to attach their front and hind wings together during flight. A Cartesian-based adaptive meshing implementation of the Lattice-Boltzmann Method is utilized to resolve the complex flow field generated during insect flight and is verified against experimental and computational results present in the literature in two dimensions. The Lattice-Boltzmann Method was found to agree well in both qualitative and quantitative comparisons with both two-dimensional computational and three-dimensional experimental results.
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