Relevant bibliographies by topics / Hindi Hindu poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Hindi Hindu poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Hindi Hindu poetry"

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Kashif, Mohd, and Jawaid Alam. "Poetry, Politics, and Purity: The Khari Boli–Braj Bhasha Debate in Colonial North India." Synergy: International Journal of Multidisciplinary Studies 2, no. 2 (2025): 65–72. https://doi.org/10.63960/sijmds-2025-2265.

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This paper explores the Khari Boli–Braj Bhasha debate in colonial North India as a pivotal episode in the politics of language, where literary choices were deeply intertwined with questions of cultural identity, communal affiliation, and linguistic nationalism. At its surface, the debate appeared to center on dialectal preferences in Hindi poetry—Braj Bhasha, the classical medium of devotional verse, versus Khari Boli, the emerging standard for modern prose. However, the controversy reflected deeper ideological anxieties, shaped by the broader Hindi–Urdu controversy and the colonial state’s ro
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Dr Dharmendra Kumar Singh. "The Death of the Author—or Just a Rebirth? A Talk with Prof.Vikas Sharma on the Soul of Creativity in the Age of AI." Knowledgeable Research A Multidisciplinary Journal 4, no. 04 (2025): 70–76. https://doi.org/10.57067/pg31ev69.

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Professor Vikas Sharma is a distinguished author, poet, and researcher known for his work in Hindi and English literature. He is a Professor in the Department of English at Chaudhary Charan Singh University, Meerut (UP). His debut Hindi novel Raah Ke Patthar (2021) explores Hindu-Muslim unity and received widespread appreciation from readers. Beyond fiction, Professor Sharma has edited four anthologies on poetry, prose, and drama under the title Epiphanies. His literary portfolio includes several novels, such as Love's Not Time's Fool, I.A.S. Today, 498A: Fears and Dreams, Medicine: Light in T
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BUSCH, ALLISON. "“Unhitching the Oxcart of Delhi”: a Mughal-Period Hindi account of Political Insurgency." Journal of the Royal Asiatic Society 28, no. 3 (2018): 415–39. http://dx.doi.org/10.1017/s1356186317000712.

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AbstractThis article is part of a larger effort to broaden the source-base for understanding Mughal-period India by engaging with the Hindi literary archive. I analyze the vignettes of Aurangzeb and other Mughal figures that are available in Lāl Kavi's Chatraprakāś (Light of Chatrasal, c. 1710), a Brajbhasha (classical Hindi) historical poem commissioned by the Bundela ruler Chatrasal (1649–1731). Written shortly after Aurangzeb's death, the Chatraprakāś is in part a retrospective on Aurangzeb's reign. It is also a valuable source of regional history that gives voice to how the Mughal Empire w
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Arun Kumar Nishad. "Tribal-discussion depicted in 'Dhanuratnomi' poetry collection." Knowledgeable Research: A Multidisciplinary Journal 1, no. 10 (2023): 39–51. http://dx.doi.org/10.57067/kr.v1i10.81.

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The word Adivasi is made up of two words, Aadi and Vasi. Adi means 'original' and 'vasi' means resident. Tribal refers to the original inhabitants of the earth who live in dense forests, high mountains and inaccessible valleys. Tribals are those who live in remote places in the mountains and forests, away from the civilized world, use the same tribal dialect and mostly eat meat and live in semi-nude condition. The literal meaning of tribal is the caste living in the country since time immemorial.
 India is a country of cultural diversities. Different castes reside here. In which tribals h
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Perry, John Oliver, and Vidya Niwas Misra. "Modern Hindi Poetry." World Literature Today 65, no. 2 (1991): 365. http://dx.doi.org/10.2307/40147316.

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Dr. Kunvar Shekhar Gupta and Dr. Mrityunjay Rao Parmar. "Interweaving Worlds: Hindu Consciousness in the Poetry of A.K. Ramanujan." Voice of Creative Research 7, no. 1 (2025): 213–18. https://doi.org/10.53032/tvcr/2025.v7n1.24.

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This article explores the profound intersection of Hindu consciousness in the poetry of A.K. Ramanujan, a seminal figure in modern Indian literature. Ramanujan's verse intricately weaves together themes of Hindu mythology, philosophy, and cultural ethos, reflecting his deep engagement with both classical and folk traditions. Through a close analysis of selected poems, this study examines how Ramanujan navigates complex spiritual landscapes, delving into themes of identity, belief systems, and the interplay between the sacred and the secular. It highlights Ramanujan's unique poetic voice, which
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Devi, Pramila. "Modern Hindi Poetry and Women." International Journal of Research -GRANTHAALAYAH 5, no. 6 (2017): 693–95. http://dx.doi.org/10.29121/granthaalayah.v5.i6.2017.2102.

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In the field of Hindi literature, along with men, women writers have also contributed significantly with their valuable works. Here the pages of the history of the past India are filled with specific works of Indian women. At that time they had an opportunity to get education like men. In the course of time, bad practices in the society started increasing. Along with the independence of the country, the freedom of women was also abducted. It also stripped them of the right to equality and education.
 हिंदी साहित्य के क्षेत्र में पुरूषों के साथ-साथ नारी साहित्यकारों ने भी अपनी बहुमूल्य कृत
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Chaturvedi, Manjula, and Sunita Singh. "Environment in Contemporary Hindi Poetry." RESEARCH REVIEW International Journal of Multidisciplinary 7, no. 3 (2022): 35–37. http://dx.doi.org/10.31305/rrijm.2022.v07.i03.006.

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Environment today is a multifaceted term. The problem of environment is one of the most discussed problems in contemporary times. Environment has become the most discussed topic today. It is being discussed in many academic and non-academic contexts, for example, environment and society, green aesthetics etc. A new form of environment is emerging in Hindi literature, especially in contemporary Hindi literature. Contemporary poetry is composed by being compelled by the deep-pressures of thoughts. Here the normal human has come in the centre, ending the debate of great human and small human. In
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Gupta, Vivek. "Arabic in Hindustan: Comparative Poetics in the Eighteenth Century and Azad Bilgrami’s The Coral Rosary." Journal of South Asian Intellectual History 4, no. 2 (2022): 181–222. http://dx.doi.org/10.1163/25425552-12340034.

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Abstract This article examines the contributions of Ghulām ʿAlī “Āzād” Bilgrāmī (1704–1786) to our understanding of comparative poetics and Arabic in eighteenth-century Hindustan. It attends to Azad’s oeuvre through the lenses of translation, multilingualism, and literary science. Philological analysis reveals how Azad establishes analogues across these three literary languages that attest to the adaptive capacity of poetics. His sections on Hindi poetry in his Arabic work Subḥat al-marjān fī āthār Hindūstān (The Coral Rosary of Hindustan’s Traditions, 1763–64), and its later adaptation into P
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Mineshwari. "Place of 'Saket' in Hindi-poetry." International Journal of Research -GRANTHAALAYAH 7, no. 11 (2020): 82–84. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2020.335.

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Maithilisharan is such a seeker of Gupta Indian Manisha, who has been successful in connecting with the ancient Indian ideology and modern thought and way of life dedicated to the protection of humanity and culture. Saket was his successful attempt. It is a best-management poem that added an emotional tone to Indian beliefs and beliefs. The ancient content is presented in a new environment. The origins of the creation of 'Saket' were two inspirations - "(1) Rambhakti, (2) the desire to see and understand the Indian life in a holistic way." 1 Rambhakti naturally refers to Ramakavya, life-daring
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Dissertations / Theses on the topic "Hindi Hindu poetry"

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Hines, Naseem Akhtar. "The Sufi elements in the Indo-Sufi masnavī, with specific reference to Maulana Daud's Cāndayān /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/11140.

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du, Perron Lara. "The lyrics of Thumri : Hindi poetry in a musical genre." Thesis, SOAS, University of London, 2000. http://eprints.soas.ac.uk/29472/.

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Thumri is a vocal genre in North Indian (Hindustani) art music. It was traditionally used in songstress-courtesan performance, in the early nineteenth century as an accompaniment to interpretive dance, and later as a lyrical and emotive song form. Thumri is now one of the most popular genres in contemporary art music. The lyrics of thumri have not been the subject of extensive academic enquiry. This dissertation examines thumri texts from two perspectives: linguistic and contextual. It is primarily based on song texts collected during field work in North India in 1996-97, as well as on materia
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Rosenstein, Ludmila Lupu. "The devotional poetry of Svami Haridas : a study of early Braj Bhasa verse." Thesis, SOAS, University of London, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515220.

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Ritter, Valerie. "Useful absences and the nature of the modern : Ayodhyāsiṁh Upādhyāy "Hariaudh" (1865-1947), his Priyapravās (1914), and Hindi poetry /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/11068.

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Rohatgi, Rashi. "Fighting cane and canon : reading Abhimanyu Unnuth's Hindi poetry in and outside of literary Mauritius." Thesis, SOAS, University of London, 2012. http://eprints.soas.ac.uk/16627/.

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Fighting Cane and Canon: Reading Abhimanyu Unnuth's Hindi Poetry In and Outside of Literary Mauritius interrogates the development and persistence of Hindi poetry in Mauritius with a focus on the early poetry of Abhimanyu Unnuth. His second work, The Teeth of the Cactus, brings together questions about the value of history, of relationships forged by labour, and of spirituality in a trenchant examination of a postcolonial people choosing to pursue prosperity in an age of globalization. It captures a distinct point of view - Unnuth's connection to the Hindi language is an unusual reaction to th
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Cover, Jennifer Joy. "Bodhasar̄a by Narahari an eighteenth century Sunskrit treasure /." Connect to full text, 2008. http://hdl.handle.net/2123/4085.

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Thesis (Ph. D.)--University of Sydney, 2008.<br>Title from title screen (viewed March 11, 2009) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Indian Sub-Continental Studies. Includes bibliographical references.
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Burn, Helen Mary. "Learning from Langland : theo-poetic resources for the post-Hind landscape." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3296.

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In the last ten years the Church of England has tried, by means of two reports leading to what I term the ‘Hind settlement’, to re-configure its provision of theological education. The tensions generated by the attempt to hold together different discourses and to impose regional re-organisation in the context of complex developments both in higher education and in patterns of lay and ordained ministry form the basis of my critique of Hind. I argue that Hind’s recourse to the image of the ‘body of Christ’ in the service of an instrumentalist model of ministry exposes inadequacies of a theologic
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PELLO', Stefano. "Poeti hindu e circoli intellettuali persiani tra Delhi e Lucknow (1680-1856): un caso di interazione letteraria." Doctoral thesis, Roma : Università La Sapienza, 2006. http://hdl.handle.net/10278/17467.

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Lotz, Barbara [Verfasser]. "Poesie, Poetik, Politik. Engagement und Experiment im Werk des Hindi Autors Gajanan Madhav Muktibodh (1917-1964) / Barbara Lotz." Heidelberg : Universitätsbibliothek Heidelberg, 2019. http://d-nb.info/1198309873/34.

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Green, Sarah Virginia Houston. "The individual in the nation : locating identity at the transition from didactic nationalism to the lyrical in early twentieth-century Hindi poetry." 2008. http://hdl.handle.net/2152/18354.

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Books on the topic "Hindi Hindu poetry"

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Madhukara, Umeśacandra. Uttara Hindī Rāma-kāvya dhārā. Jānakī Prakāśana, 1986.

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Pāṭhaka, Jayā. Ādhunika Hindī prabandhakāvyoṃ meṃ paurāṇika cetanā kā samāhāra evaṃ ākalana. Bhāratīya Grantha Niketana, 1989.

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Pāṭhaka, Jayā. Ādhunika Hindī prabandhakāvyoṃ meṃ paurāṇika cetanā kā samāhāra evaṃ ākalana. Bhāratīya Grantha Niketana, 1989.

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Rākeśagupta. Kr̥shṇa kāvya aura nāyikābheda. Tārāmaṇḍala, 1987.

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Lal, Lallu. Premasāgara: Śrīkr̥shṇacandra ānandakanda Śrīrādhikājīvana Parabrahma Parameśvarakī ādyopānta sukhamaya parama ramaṇīya kathā. Khemarāja Śrīkr̥shṇadāsa, 1985.

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Naipālasiṃha. Uttarī Bhārata ke sāṃskr̥tika vikāsa meṃ santoṃ kā yogadāna, 15 vīṃ-16 vīṃ śatābdī. Tārāmaṇḍala, 1986.

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Kohalī, Mr̥dulā. Paurāṇika ākhyāna aura ādhunika Hindī mahākāvya. Aditi Prakāśana Kendra, 1998.

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Śarmā, Mālatī. Byāhuloṃ kī loka paramparā aura Mahādeva kā byāha. Nīraja Prakāśana, 1991.

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Manohar, Pandey Shyam, and Caudharī Śivnāth d. 1982, eds. The Hindi oral epic tradition, Bhojpurī lorikī. Sahitya Bhawan, 1995.

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Miśra, Anila Kumāra. Rāmakathā meṃ jīvana mūlya. Satsāhitya Prakāśana, 1991.

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Book chapters on the topic "Hindi Hindu poetry"

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Strelkova, Guzel’. "The Translation of Russian Literature into Hindi." In Translating Russian Literature in the Global Context. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.25.

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This chapter examines the history of Russian literary translations into Hindi, starting with the founder of modern Hindi literature, Munshi Premchand (1880-1936), who translated Lev Tolstoy. Many Hindi writers were influenced by Russian literature, translations of which appeared in India from the Soviet publishing houses ‘Foreign Literature’, ‘Progress’, and ‘Raduga’. Some Russian classics were not only widely translated, but even re-translated. Prominent Hindi translators include the writer Bhishma Sahni (1915-2003), who translated Tolstoy’s Resurrection, and later Madan Lal Madhu (1925-2014)
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Ahmad, Shakeeb, and Pushkar Joglekar. "Urdu and Hindi Poetry Generation Using Neural Networks." In Data Management, Analytics and Innovation. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-2600-6_34.

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Rosenstein, Lucy. "Seeking God: Narratives of the Spiritual in Amrita Bharati’s Work and Hindi Poetry." In Religion in Literature and Film in South Asia. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230105522_2.

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Iqbal, Muhammad. "The Principle of Movement in the Structure of Islam." In Liberal Islam. Oxford University Press, 1998. http://dx.doi.org/10.1093/oso/9780195116212.003.0028.

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Abstract Muhammad Iqbal (India, 1877-1938)-poet, philosopher, lawyer-is widely considered the spiritual father of Pakistan. His presidential address to the Muslim League in 1930 helped to launch the movement toward the partition of British South Asia into two nations, the predominantly Muslim Pakistan and the predominantly Hindu lndia. As important as his political legacy is Iqbal’s position as “a driving force for Islamic modernism in South Asia.” Iqbal leveled sharp criticism against the rigidity of traditional religious exegesis and called for a renewed emphasis on “movement” in the interpr
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Jahanbegloo, Ramin. "Poetry against Fanaticism." In Talking Poetry. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192869180.003.0005.

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Abstract Vajpeyi’s earliest influences came from Hindi literature, from people like Tulsi Das who incidentally has been notoriously interpreted as a Hindu poet in a narrow sense. Anyway, and then later, when I became a little more inquisitive… he read Rilke, Rilke was a big influence on him and others such as Yeats and Eliot, Then novels of Tolstoy, Dostoevsky, they opened an entirely new world that where again it was difficult to find simple enemies or binaries.
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Patton, Laurie L. "Introduction." In Jewels of Authority. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195134780.003.0001.

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Abstract The pages of this book glitter with the images of jewelry. Yet its chapters are not concerned only with the colorful worlds of Indian myth, epic, and poetry. They are also the ritual manuals of the ancient Indian sacrifice, the legal texts of the Dharma Sastras, the Tamil commentaries of medieval Vaisnavas, and the Hindi manuals of contemporary organizations of Hindu nationalists. Why does jewelry bring together such disparate topics? If there is any one thing that symbolizes the relationship between women and the brahminical textual tradition of India, it is their jewelry.
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Pillai, Sohini Sarah. "Remembering Rama." In Krishna's Mahabharatas. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197753552.003.0007.

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Abstract Chapter 6 contends that the prevalence of certain kinds of allusions to the Ramayana narrative tradition throughout the Bhasha (Old Hindi) Mahābhārat identifies Sabalsingh Chauhan as both a devotee of the Hindu god Rama (an incarnation of Vishnu and the hero of the Ramayana tradition) and a connoisseur of the sixteenth-century Rama-centric Bhasha poetry of the beloved bhakti poet Tulsidas. The chapter demonstrates this with examinations of three types of Ramayana allusions in Sabalsingh Chauhan’s Mahābhārat. The first is invocations to Rama and other Ramayana figures in the opening pr
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Mody, Sujata S. "Image-Inspired Poetry and the Art of Compromise." In The Making of Modern Hindi. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199489091.003.0004.

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Chapter 3 further examines Dwivedi’s visually oriented strategies to establish literary authority amidst resistance, especially from critics who publicly decried his brand of poetry as crude, and from poets who continued to publish in Braj Bhasha. Dwivedi’s response was pragmatic: he attempted to bring sophistication to Khari Boli poetry through a cultivated association with art; and he modelled poetry that adhered to a modified agenda. He authored and commissioned a series of image-poems, poetry inspired by and published alongside paintings by Ravi Varma (1848–1906) as well as other contempor
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"HIND, Steven." In International Who's Who in Poetry 2005. Routledge, 2004. http://dx.doi.org/10.4324/9780203325803-205.

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Sinha, Raman P. "Poetry in Ragas or Ragas in Poetry?" In Text and Tradition in Early Modern North India. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199478866.003.0006.

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In this chapter Raman P. Sinha makes a bold effort to uncover broad correlations between the verbal content of poetry that is typically set to music and the ragas in which these poems are performed—not at the level of specific compositions but in regard to a poet’s entire oeuvre. Using standard editions as his base, he deals with padas attributed to four leading Hindi poets of the early modern period: Kabir, Surdas, Mirabai, and Tulsidas. Correlating the life stories of these poets with the musical dimensions of their poetic output, Sinha comes to a number of thought-provoking conclusions. Chi
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Conference papers on the topic "Hindi Hindu poetry"

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Bafna, Prafulla, and Jatinderkumar R. Saini. "Hindi Poetry Classification using Eager Supervised Machine Learning Algorithms." In 2020 International Conference on Emerging Smart Computing and Informatics (ESCI). IEEE, 2020. http://dx.doi.org/10.1109/esci48226.2020.9167632.

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Bansal, Jayshri, Pratosh Bansal, and Rajesh Kumar Chakrawarti. "Analysis of Hindi-English Poetry Translation through Machine Translation Systems." In 2021 5th International Conference on Information Systems and Computer Networks (ISCON). IEEE, 2021. http://dx.doi.org/10.1109/iscon52037.2021.9702364.

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Audichya, Milind Kumar, and Jatinderkumar R. Saini. "Computational linguistic prosody rule-based unified technique for automatic metadata generation for Hindi poetry." In 2019 1st International Conference on Advances in Information Technology (ICAIT). IEEE, 2019. http://dx.doi.org/10.1109/icait47043.2019.8987239.

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GÜZEL, bdurrahman. "THE INFLUENCE OF ALI SHIR NAVOI ON Mughal NORTH INDIA." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/bzai2996.

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India, which has been a long-time ally of Turkic states throughout history, has had a dense Turkish population, especially as a result of the expeditions made by the Ghaznels, Timur and Baburls to North India. During the campaigns of Mahmud of Ghazni, many families with the surname Türkîolan can be found even today in Muradâbâd, Sambhal and Rampurgibi regions in Northern India, where the Turkish population settled. It is known that a significant Turkish population settled here during Timur's expeditions to Kabul, Punjab, Sind and Delhi after Ghazni. As a matter of fact, the Kutbils (1206-1266)
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