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Journal articles on the topic 'Hindi Hindu poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Kashif, Mohd, and Jawaid Alam. "Poetry, Politics, and Purity: The Khari Boli–Braj Bhasha Debate in Colonial North India." Synergy: International Journal of Multidisciplinary Studies 2, no. 2 (2025): 65–72. https://doi.org/10.63960/sijmds-2025-2265.

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This paper explores the Khari Boli–Braj Bhasha debate in colonial North India as a pivotal episode in the politics of language, where literary choices were deeply intertwined with questions of cultural identity, communal affiliation, and linguistic nationalism. At its surface, the debate appeared to center on dialectal preferences in Hindi poetry—Braj Bhasha, the classical medium of devotional verse, versus Khari Boli, the emerging standard for modern prose. However, the controversy reflected deeper ideological anxieties, shaped by the broader Hindi–Urdu controversy and the colonial state’s ro

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Dr Dharmendra Kumar Singh. "The Death of the Author—or Just a Rebirth? A Talk with Prof.Vikas Sharma on the Soul of Creativity in the Age of AI." Knowledgeable Research A Multidisciplinary Journal 4, no. 04 (2025): 70–76. https://doi.org/10.57067/pg31ev69.

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Professor Vikas Sharma is a distinguished author, poet, and researcher known for his work in Hindi and English literature. He is a Professor in the Department of English at Chaudhary Charan Singh University, Meerut (UP). His debut Hindi novel Raah Ke Patthar (2021) explores Hindu-Muslim unity and received widespread appreciation from readers. Beyond fiction, Professor Sharma has edited four anthologies on poetry, prose, and drama under the title Epiphanies. His literary portfolio includes several novels, such as Love's Not Time's Fool, I.A.S. Today, 498A: Fears and Dreams, Medicine: Light in T

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BUSCH, ALLISON. "“Unhitching the Oxcart of Delhi”: a Mughal-Period Hindi account of Political Insurgency." Journal of the Royal Asiatic Society 28, no. 3 (2018): 415–39. http://dx.doi.org/10.1017/s1356186317000712.

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AbstractThis article is part of a larger effort to broaden the source-base for understanding Mughal-period India by engaging with the Hindi literary archive. I analyze the vignettes of Aurangzeb and other Mughal figures that are available in Lāl Kavi's Chatraprakāś (Light of Chatrasal, c. 1710), a Brajbhasha (classical Hindi) historical poem commissioned by the Bundela ruler Chatrasal (1649–1731). Written shortly after Aurangzeb's death, the Chatraprakāś is in part a retrospective on Aurangzeb's reign. It is also a valuable source of regional history that gives voice to how the Mughal Empire w

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Arun Kumar Nishad. "Tribal-discussion depicted in 'Dhanuratnomi' poetry collection." Knowledgeable Research: A Multidisciplinary Journal 1, no. 10 (2023): 39–51. http://dx.doi.org/10.57067/kr.v1i10.81.

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The word Adivasi is made up of two words, Aadi and Vasi. Adi means 'original' and 'vasi' means resident. Tribal refers to the original inhabitants of the earth who live in dense forests, high mountains and inaccessible valleys. Tribals are those who live in remote places in the mountains and forests, away from the civilized world, use the same tribal dialect and mostly eat meat and live in semi-nude condition. The literal meaning of tribal is the caste living in the country since time immemorial. India is a country of cultural diversities. Different castes reside here. In which tribals h

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Perry, John Oliver, and Vidya Niwas Misra. "Modern Hindi Poetry." World Literature Today 65, no. 2 (1991): 365. http://dx.doi.org/10.2307/40147316.

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Dr. Kunvar Shekhar Gupta and Dr. Mrityunjay Rao Parmar. "Interweaving Worlds: Hindu Consciousness in the Poetry of A.K. Ramanujan." Voice of Creative Research 7, no. 1 (2025): 213–18. https://doi.org/10.53032/tvcr/2025.v7n1.24.

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This article explores the profound intersection of Hindu consciousness in the poetry of A.K. Ramanujan, a seminal figure in modern Indian literature. Ramanujan's verse intricately weaves together themes of Hindu mythology, philosophy, and cultural ethos, reflecting his deep engagement with both classical and folk traditions. Through a close analysis of selected poems, this study examines how Ramanujan navigates complex spiritual landscapes, delving into themes of identity, belief systems, and the interplay between the sacred and the secular. It highlights Ramanujan's unique poetic voice, which

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Devi, Pramila. "Modern Hindi Poetry and Women." International Journal of Research -GRANTHAALAYAH 5, no. 6 (2017): 693–95. http://dx.doi.org/10.29121/granthaalayah.v5.i6.2017.2102.

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In the field of Hindi literature, along with men, women writers have also contributed significantly with their valuable works. Here the pages of the history of the past India are filled with specific works of Indian women. At that time they had an opportunity to get education like men. In the course of time, bad practices in the society started increasing. Along with the independence of the country, the freedom of women was also abducted. It also stripped them of the right to equality and education. हिंदी साहित्य के क्षेत्र में पुरूषों के साथ-साथ नारी साहित्यकारों ने भी अपनी बहुमूल्य कृत

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Chaturvedi, Manjula, and Sunita Singh. "Environment in Contemporary Hindi Poetry." RESEARCH REVIEW International Journal of Multidisciplinary 7, no. 3 (2022): 35–37. http://dx.doi.org/10.31305/rrijm.2022.v07.i03.006.

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Environment today is a multifaceted term. The problem of environment is one of the most discussed problems in contemporary times. Environment has become the most discussed topic today. It is being discussed in many academic and non-academic contexts, for example, environment and society, green aesthetics etc. A new form of environment is emerging in Hindi literature, especially in contemporary Hindi literature. Contemporary poetry is composed by being compelled by the deep-pressures of thoughts. Here the normal human has come in the centre, ending the debate of great human and small human. In

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Gupta, Vivek. "Arabic in Hindustan: Comparative Poetics in the Eighteenth Century and Azad Bilgrami’s The Coral Rosary." Journal of South Asian Intellectual History 4, no. 2 (2022): 181–222. http://dx.doi.org/10.1163/25425552-12340034.

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Abstract This article examines the contributions of Ghulām ʿAlī “Āzād” Bilgrāmī (1704–1786) to our understanding of comparative poetics and Arabic in eighteenth-century Hindustan. It attends to Azad’s oeuvre through the lenses of translation, multilingualism, and literary science. Philological analysis reveals how Azad establishes analogues across these three literary languages that attest to the adaptive capacity of poetics. His sections on Hindi poetry in his Arabic work Subḥat al-marjān fī āthār Hindūstān (The Coral Rosary of Hindustan’s Traditions, 1763–64), and its later adaptation into P

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Mineshwari. "Place of 'Saket' in Hindi-poetry." International Journal of Research -GRANTHAALAYAH 7, no. 11 (2020): 82–84. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2020.335.

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Maithilisharan is such a seeker of Gupta Indian Manisha, who has been successful in connecting with the ancient Indian ideology and modern thought and way of life dedicated to the protection of humanity and culture. Saket was his successful attempt. It is a best-management poem that added an emotional tone to Indian beliefs and beliefs. The ancient content is presented in a new environment. The origins of the creation of 'Saket' were two inspirations - "(1) Rambhakti, (2) the desire to see and understand the Indian life in a holistic way." 1 Rambhakti naturally refers to Ramakavya, life-daring

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Mathur, Shikha. "Ideological Beauty in Hindi Sant Poetry." RESEARCH REVIEW International Journal of Multidisciplinary 7, no. 4 (2022): 86–90. http://dx.doi.org/10.31305/rrijm.2022.v07.i04.011.

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In the Middle Ages, there were many such saints-Mahatmas and great men on the holy land of Bharat, who understood and felt the meaning of human society, the world and the whole pastoral nature, and then shared those thoughts and great words for all people's happiness, public welfare, public welfare, public welfare. Expressed, who have been an exemplary ideal for universal and eternal human beings in every sphere of life and will always be. Among such saint poets, the names of Kabirdas, Raidas, Guru Nanak Dev, Dadoodayal, Rajabdas, Malukdas, Dharamdas, Sunderdas, Charandas, Sahajobai etc. are p

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Solanki, Pratibha. "COLOR COMBINATION IN MEDIEVAL HINDI POETRY." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–3. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3602.

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There is a close interplay of literature and painting. Through both, the deep objectives of life are fulfilled. If the words of a litterateur can elicit our feeling, then the lines and colors inscribed from the painter's paint also have a wonderful power to touch the soft side of our heart. Both poets and painters create beauty through their art talent. The beauty of words in poetry and the color and lines in pictures is present. साहित्य और चित्रकला का पारस्परिक घनिष्ठ अंतर्सबंध है। दोनो के माध्यम से जीवन के गहन उद्देष्यों की पूर्ति होती है। साहित्यकार के शब्द यदि हमारी भावना को उद्वेलित

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13

Mudliar, P.R. "Contemporary Hindi Poetry and Women's Sensibility." Journal of Indian Studies 12, no. 1 (2007): 349–84. http://dx.doi.org/10.21758/jis.2007.12.1.349.

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14

Deniz, Sebahat. "The Role of the Great Turkish Khan Babur and his Generatıon in the Development of Turkish Literature." Uzbekistan: language and culture 3 (September 10, 2023): 43–57. http://dx.doi.org/10.52773/tsuull.uzlc.2023.3/azvw9681.

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In the state tradition of the Turks, the vast majority of Turkish khans were also poets. It is even known that some of them had a diwan (a collection of poems by one author) or had enough poems to compile a diwan. These Khans, who were poets themselves, gathered poets in the- ir court, gave them patronage, and rewarded them in various ways for the poems they wrote. Babür is also one of the leading figures in Turkish history holding the title of a ruler with a diwan. In his memoir (Vekayi/ Babürname), he mentions the names of some of the poets in the royal circle and shares his thoughts about t

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15

Czekalska, Renata. "The idea of freedom and the expression of artistic protest in modern Hindi poetry." Politeja, no. 31 (2014): 111–31. http://dx.doi.org/10.12797/politeja.11.2014.31_1.06.

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Muhammad, Yaseen Khan, Adil Rao Muhammad, Wasi Shaukat, Ahmed Minai Twaha, and Muhammad Khaliq-ur-Rahman Raazi Syed. "Edit distance-based search approach for retrieving element-wise prosody/rhymes in Hindi-Urdu poetry." Indian Journal of Science and Technology 13, no. 39 (2020): 4189–201. https://doi.org/10.17485/IJST/v13i39.1489.

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Abstract <strong>Background:</strong> Prosody (rhyming words) is a connatural element of poetry, throughout its reach, across thousands of languages in the world. Since medieval era, the Indic poetry (principally the Hindi/Urdu poetry) has created an impactful flamboyance w.r.t the subjects, styles, and other creative aspects in poetry. Besides the message of heartfelt poetry, we see the Qafiya (i.e., rhyming words) is the core element, without which we may not consider anything Hindi/Urdu poetry but merely a piece of writing; alongside it, Radif (i.e., a phrasal suffix to qafiya) is also

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17

Al-Fawwaz, Alreem. "The Semiotics of Place in Saudi Women’s Poetry: Ashjan Hindi as a Model." Journal of Umm Al-Qura University for Language Sciences and Literature, SI Arabic Poetry (September 19, 2024): 209–24. http://dx.doi.org/10.54940/ll63076538.

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This research delves into the artistic structures and semiotic connotations of place in the poetry of Ashjan Hindi. In her poetry, place is not merely a tangible geographical patch, but rather it is rich with symbolic meanings and connotations that reflect the poet's philosophical vision of her surroundings. Therefore, it became necessary to explore the semiotic perspectives of place through analysis and interpretation. The research adopted a semiotic approach to investigate the artistic structures of place in Ashjan Hindi's poetry, drawing on the foundational concepts of the metaphorical disc

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18

Strelkova, Guzel V., and Ksenia A. Lesik. "Socially-engaged narrative in contemporary Hindi poetry." RUDN Journal of Studies in Literature and Journalism 28, no. 2 (2023): 284–92. http://dx.doi.org/10.22363/2312-9220-2023-28-2-284-292.

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The influence of Marxist ideology has played a peculiar role in the formation of Hindi literature. Many writers believed that a literary word, illuminating the problems of inequality and oppression, could awake effective political, social and economic actions that could change an ordinary person’s life. In contemporary Hindi poetry there is the rise of young poets’ interest in socially-engaged narrative, which they clarify with the concept of “socialist”. It is aimed at criticizing the world order surrounding them and the desire to point out the problems of social peace. The authors discuss an

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Strelkova, Guzel Vladimirovna, and Anastasia Georgievna Guria. "Images of cities in the creative work of the Indian poet Kunwar Narain (1927-2017)." Philology. Issues of Theory and Practice 17, no. 2 (2024): 377–88. http://dx.doi.org/10.30853/phil20240051.

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The aim of the study is to outline the place of the poet Kunwar Narain in the Hindi poetry of the 20th century, as well as to identify the main features of the images of cities in his creative work and the author’s worldview behind his approach to depicting urban images. The scientific novelty of the study lies in the fact that “new poetry” in Hindi and the Kunwar Narain’s creative work remain little studied. The paper is the first in Russian Indology to consider in a comprehensive manner the urban images in Kunwar Narain’s creative work and to raise the question about the further development

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20

Pinch, William R. "Who Killed Arjun Singh?" Comparative Studies of South Asia, Africa and the Middle East 42, no. 2 (2022): 370–80. http://dx.doi.org/10.1215/1089201x-9987853.

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Abstract In this essay William R. Pinch probes whether and how we might understand early Hindi poetry as a form of history, a theme that Allison Busch explored in a series of essays. His focus is on two late eighteenth-century poems that Allison, Dalpat Rajpurohit, and Pinch translated between 2009 and 2017, especially on the climactic event of the poems: the killing and beheading of the Rajput Arjun Singh by Anupgiri Gosain (a.k.a. Himmat Bahadur). In the course of the essay Pinch describes two visits to eastern Bundelkhand in search of traces of the events and personalities described in the

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Khan, Muhammad Yaseen. "Edit distance-based search approach for retrieving element-wise prosody/rhymes in Hindi-Urdu poetry." Indian Journal of Science and Technology 13, no. 39 (2020): 4189–201. http://dx.doi.org/10.17485/ijst/v13i39.1489.

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Background: Prosody (rhyming words) is a connatural element of poetry, throughout its reach, across thousands of languages in the world. Since medieval era, the Indic poetry (principally the Hindi/Urdu poetry) has created an impactful flamboyance w.r.t the subjects, styles, and other creative aspects in poetry. Besides the message of heartfelt poetry, we see the Qafiya (i.e., rhyming words) is the core element, without which we may not consider anything Hindi/Urdu poetry but merely a piece of writing; alongside it, Radif (i.e., a phrasal suffix to qafiya) is also considered next to the intrins

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AIT MOUHEB, Samia. "Estudio de los personajes míticos, exóticos y sobrenaturales en las leyendas orientales de Gustavo Adolfo Bécquer." ALTRALANG Journal 5, no. 01 (2023): 459–79. http://dx.doi.org/10.52919/altralang.v5i01.301.

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Study of the Mythical, Exotic and Supernatural Characters in the Oriental Legends of Gustavo Adolfo Bécquer ABSTRACT: This article aims to shed light on different crossings, interferences, interculturalities and considerable literary evolution between East and West, that was inherited from remote times creating an influence which look like a pearl necklace where the first pearl complete the next one. Spanish literature has always been inspired by traditional oriental Arabic poetry such as the Qasidah, located in the Andalusian historical past that had its roots in the pre-Islamic Arabic

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Rosenstein, Lucy. "'New Poetry' in Hindi: a Quest for Modernity." South Asia Research 20, no. 1 (2000): 47–62. http://dx.doi.org/10.1177/026272800002000103.

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Dr Barkha Saxena. "Hindu Vision in the Poetry of Robert Browning." Creative Launcher 4, no. 2 (2019): 27–32. http://dx.doi.org/10.53032/tcl.2019.4.2.04.

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Robert Browning is a positive poet among the great poets of the Victorian age. He is an optimistic, moralist and religious instructor. He occupies a unique place in English Literature. He seeks optimism in any situation of life by preaching universality of soul and advocacy of God. In his poems, Religion holds a prominent place, and religious teachings get expression in a commendable manner. Religion is subject dear to Browning's heart, and several of his poems deal with the theme of religion Faith in God and immortality of the soul. Besides, staunch faith in godly ways and equally profound fa

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Ishtwal, Narendra, and Rahul Sharma. "Features of Contemporary Poems of Modern Hindi Literature Published in Jansatta." RESEARCH HUB International Multidisciplinary Research Journal 9, no. 2 (2022): 66–71. http://dx.doi.org/10.53573/rhimrj.2022.v09i02.012.

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The "Teesra Saptak" was published in 1959, till this period is considered to be the period of new poetry. In the post-1960 period, there was an individualist-modernist poetic line of new poetry, which developed more rapidly. Although the poets who emerged in this period wrote differently from their earlier poetic lines. But the poetry of the first decade after sixties, which is also named as Sathotari poetry, expresses itself with many names and movements. With various names like Akvita, Rebel poetry, beat poetry, Sanatan and Suryoori poetry, Yutsawadi poetry, Nutan poetry, Sahaj poetry, Vicha

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Adnan, Mohammed Ahmed Khan. "Literature and Hindi Cinema." Aksharasurya Journal 05, no. 05 (2025): 108 to 113. https://doi.org/10.5281/zenodo.14619614.

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Hindi cinema has a history of more than 100 years old. Dadasaheb Phalke after understanding the audience’s interest, screened a speechless film named “Raja Harishchandra” on 3 May 1913 at the Coronation Cinema House in Bombay. This is how the foundation of Indian cinema was laid. This was the first film to be fully recognized as the first Indian feature film. On March 14, 1931, Ardeshar Irani made the first spoken film in Hindi titled ‘Alam Ara’ through engineering cinema. The first talkie film presented by Prabhat Film was ‘Ayodhya Ka Raja’ which was

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Naved, Shad. "Teaching Indo-Islamic poetry: Sexuality in the global classroom." Thesis Eleven 162, no. 1 (2021): 46–61. http://dx.doi.org/10.1177/0725513621990989.

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The article argues that a critical encounter with pre-modern literatures from the national past is long overdue under the impact of a globalized discourse of sexuality. Its effects are already felt at the level of both pedagogy and literary reading, one reconstituting the other, in the ‘global classroom’, a self-conscious pedagogical space imagined by the new educational policy to bring about a globally accredited cultural homogeneity. The case study comes from teaching erotic poetry at an Indian university, from the joint literary complex of Hindi and Urdu in South Asia, a theme uncomfortably

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Madaan, Vishu, and Prateek Agrawal. "Anuvaad." International Journal of Social Ecology and Sustainable Development 13, no. 1 (2022): 1–14. http://dx.doi.org/10.4018/ijsesd.295088.

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Machine Translation is best alternative to traditional manual translation. The corpus of Sanskrit literature includes a rich tradition of philosophical and religious texts as well as poetry, music, drama, scientific, technical and other texts. Due to the modernization of tradition and languages, Sanskrit is not on everyone's lips. Translation makes it convenient for users to understand the unknown text. This paper presents a language Machine Translation System from Hindi to Sanskrit and Sanskrit to Hindi using a rule-based technique. We developed a machine translation tool 'anuvaad' which tran

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Kabirova, Nargiza Kaxramonovna. "AFG'ONISTON DARIYZABON ADABIYOTIDA HIND USLUBINING RIVOJI." Oriental Renaissance: Innovative, educational, natural and social sciences 2, no. 25 (2022): 330–35. https://doi.org/10.5281/zenodo.7394941.

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<em>Afg‘oniston </em><em>adabiyotining, jumladan she’riyatning, an’anaviy tor doiradan tashqariga chiqishi, uning mavzulari hamda uslubida o‘zgarishlar yuzaga kelishiga sabab bo‘ldi. Ammo bu o‘zgarishlar birdaniga emas, balki tadrijiy ravishda yuzaga kelgani tufayli uzoq vaqt davomida yangi tamoyillar an’anaviy yo‘nalishlar bilan yonma-yon rivojlanishi. Mustaqillik davrining ilk o‘n yilliklarida ham shunday hodisani kuzatish, poeziyada yangilikka intilish tamoyili ma’rifatparvarlik g‘oyalarining sodda, hammabop tilda t

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Solanki, Pratibha. "HINDI GEETI - INTERACTION AND INNOVATION OF POETRY AND MUSIC." International Journal of Research -GRANTHAALAYAH 3, no. 1SE (2015): 1–2. http://dx.doi.org/10.29121/granthaalayah.v3.i1se.2015.3468.

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Both music and literature are important means of expressing human emotions. With the coordination of both, the supernatural beauty is the creation of rain, which gives the human mind the realization of Sachchidananda and realization of Satyam-Shivam-Sundaram. According to the Varahapanishad, music is the perfect song, Bhagavata Purana refers to singing presented with dance and musical instruments and the goal of music is to provide pleasure. The same purpose is also for literature. Literature provides syllable Brahma and Shabda Brahma and music with Nadabrahm and Talbrahm. Both literature and

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Jain, Chhaya. "OVERALL VIEW ON HINDI CINEMA." International Journal of Research -GRANTHAALAYAH 7, no. 4 (2019): 141–46. http://dx.doi.org/10.29121/granthaalayah.v7.i4.2019.883.

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In today's era, cinema is such a genre, towards which a child of two years and an old man of eighty years is also attracted. Even a person from a small town to a small town is not untouched by its hypnosis. Cinema is a complete genre in itself, as it includes all arts like painting, theatrical art, poetry, fiction. The cinema that we see today has a developed and sophisticated form in front of us, a century of hard work behind it. In the present times, cinema has taken the form of industry but it has not only given us entertainment, but also education, so it has become a powerful medium to exp

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Devi, Asha. "NATURE IN HINDI LITERATURE." International Journal of Research -GRANTHAALAYAH 3, no. 9SE (2015): 1–3. http://dx.doi.org/10.29121/granthaalayah.v3.i9se.2015.3264.

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The love of nature of Hindi writers is well known. Poetry has been composed on nature in all times during the ancient, medieval and modern times. The famous cinematic poet Jayashankar Prasadji writes-Let me forget my sailor slowly - where in the uninhabited deep-tinged love story in the ears of Sagar-Lahiri-Ambar - Avni of Taj BabelThe poet has here pointed out the peace of man. Humanity is not noisy, nor does he want such an earth. Nature has loved human as (wave of ocean) and (abar). This is what it is like, why is it, who is destroying the unbreakable relationship between human and nature.

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Marta, Tiutiunnyk. "Metaphysical Horizon in Wanda Dynowska's Indian Poems." Indian Journal of Social Science and Literature (IJSSL) 3, no. 4 (2024): 1–6. https://doi.org/10.54105/ijssl.D1123.03040424.

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<strong>Abstract: </strong>The article concerns the works of literature published by the Polish poet Wanda Dynowska (1888-1971). The sacred theme, which is ubiquitous in her works, will be analysed and interpreted. As a writer, translator, social activist and promoter of Indian culture in Poland and Polish culture in India and Tibet, Dynowska was an extraordinary woman. She does not belong to the group of the most outstanding Polish poets such as Wisława Szymborska, Czesław Miłosz or Zbigniew Herbert, yet her poetry is definitely unique due to the subject matter that is hardly found in Polish

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Lesik, Ksenia A. "Kafkaesque motifs in Kunwar Narain’s novels." RUDN Journal of Studies in Literature and Journalism 25, no. 4 (2020): 705–13. http://dx.doi.org/10.22363/2312-9220-2020-25-4-705-713.

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Since the 19th century European literary tradition indisputably influenced the development of Indian literature. Indian intellectuals, familiarizing particularly with the inheritance of European modernism, follow works of modernist writers, accept their key themes and motifs, thereby bring new literary devices and images into Indian literature. One of the main authors, whose novels have made a deep impact on the development of Hindi literature, is Franz Kafka. The influence of his works is extremely visible across India. Indian writers create Kafkaesque worlds and protagonists in their own nov

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Verma, Suresh Kumar. "Youth Mindset in Hindi Poetry of Rajasthan: From the Pen of Young Composers." RESEARCH HUB International Multidisciplinary Research Journal 10, no. 2 (2023): 72–75. http://dx.doi.org/10.53573/rhimrj.2023.v10n02.015.

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The influence of literature is like a continuous flowing river which steals the stages of mass life every moment and pens them as immediate reality. Every aspect related to life, sorrow-happiness, joy, sadness, hope-disappointment, disillusionment, pain, panic, suffocation, ideal-realistic moods, instant truth, all these become the subjects of literature. Today's poetry is not the poetry of individual, society, politics and common issues of civilization and writing about them only. It is a poem living the world being seen anew every moment and its changing dynamic reality. Human life and poetr

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Peterson, Indira Viswanathan, and Karine Schomer. "Mahadevi Varma and the Chhayavad Age of Modern Hindi Poetry." Journal of the American Oriental Society 105, no. 1 (1985): 188. http://dx.doi.org/10.2307/601583.

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Barz, Richard, and Karine Schomer. "Mahadevi Varma and the Chhayavad Age of Modern Hindi Poetry." Pacific Affairs 58, no. 1 (1985): 156. http://dx.doi.org/10.2307/2758044.

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Mahendra Pal Sharma. "Socio-Cultural Scenario of Medieval India and Hindi Bhakti Poetry." Journal of South Asian Studies 14, no. 1 (2008): 329–53. http://dx.doi.org/10.21587/jsas.2008.14.1.013.

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Lee Jihyun. "A Study on Popularity of Hindi Poetry by Amir Khusrau." Journal of South Asian Studies 24, no. 2 (2018): 51–72. http://dx.doi.org/10.21587/jsas.2018.24.2.003.

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Sharma, Kavita. "Dalit self-awakening : expressions of resistance in contemporary Hindi poetry." Shodhaamrit 02, no. 02 (2025): 35–42. https://doi.org/10.71037/shodhaamrit.v2i2.05.

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यह शोध “दलित आत्म‑जागरण: समकालीन हिंदी कविता में प्रतिरोध की अभिव्यक्तियाँ” शीर्षक के अंतर्गत समकालीन हिंदी दलित कविताओं में आत्म‑स्वीकृति एवं सामाजिक प्रतिरोध के स्वरूपों का बहुआयामी विश्लेषण प्रस्तुत करता है। अध्ययन का उद्देश्य दलित कवियों द्वारा भाषा, छन्द तथा शैली में अपनाई गई प्रमुख रेटोरिकल रणनीतियों की पहचान करना है, जो जातिगत असमानता के विरुद्ध सशक्त प्रतिवाद उत्पन्न करती हैं। शोध में गुणात्मक पद्धति अपना कर ग्रंथ-आधारित एवं पाठ्य-आधारित विश्लेषण किया गया; मुख्यतः पार्वती तिर्की के फिर उगना और ओमप्रकाश वाल्मीकि की जूथन पर आधारित कविताओं को केस-स्टडी के रूप में लिया गया।

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Akhter, Khaleda. "Communalism and Relevance to Nazrul." Global Mainstream Journal 1, no. 1 (2024): 19–23. http://dx.doi.org/10.62304/ijass.v1i1.151.

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Kazi Nazrul Islam, renowned for his poetry and literary works, championed Hindu-Muslim unity and secularism in India. Born into poverty and influenced by revolutionary ideals, Nazrul's writings emphasized humanity over religious divisions. He critiqued both Hindu and Muslim extremism, promoting a universalistic approach to religion. His literature sought to bridge communal divides, advocating for the harmony of souls and the recognition of truth across faiths. Nazrul's legacy of secularism remains profoundly relevant today, offering guidance in a world still grappling with religious intoleranc

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Ha, Do Thu. "Localizing India’s Values of Ramayana in Southeast Asia- The Case of Hikayat Seri Rama." International Journal of Religion 5, no. 11 (2024): 910–20. http://dx.doi.org/10.61707/4vqpgs68.

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Intercultural communication is the communication among different cultures, different communities with different lifestyles and worldviews, which is a dispensable and unavoidable trend. The Ramayana is one of the largest ancient epics in world literature and has had an important influence on later Sanskrit poetry and Hindu life and culture because it presents the teachings of ancient Hindu sages in narrative allegory, interspersing philosophical and ethical elements. The characters Rama, Sita, Lakshmana, Bharata, Hanuman and Ravana are all fundamental to the cultural consciousness of India, Nep

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Kumar, Sanjay. "Effect of Gandhism on Hindi Literature." RESEARCH HUB International Multidisciplinary Research Journal 11, no. 2 (2024): 32–35. http://dx.doi.org/10.53573/rhimrj.2024.v11n2.005.

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The literature of any nation is highly influenced by the culture, society, history, geography of that nation as well as its ideology. India did not have any clear ideology during the colonial period but most of the Indian population was influenced by Gandhi's ideas. With time, Gandhi's role in the national movements covered his ideas as an ideology and its effect in Indian Hindi literature was clearly felt after the Dwivedi era. Gandhi's ideas were successful in influencing those people of the whole world who believed in non-violence. Thus, Gandhi's ideas had a proper influence in Indian Hindi

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Amanda Weidman. "Hindi Poetry in a Musical Genre: Thumri Lyrics (review)." Asian Music 39, no. 2 (2008): 186–88. http://dx.doi.org/10.1353/amu.0.0006.

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Kumar, Akshaya. "Negotiating Nationalism(s): Hindi Poetry During and After the Colonial Period." South Asian Review 28, no. 2 (2007): 47–75. http://dx.doi.org/10.1080/02759527.2007.11932516.

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Munandar, Agus Aris. "BANGUNAN KEAGAMAAN HINDU-BUDDHA MENURUT URAIAN KAKAWIN NAGARAKRTAGAMA." Estoria: Journal of Social Science and Humanities 2, no. 1 (2021): 162–90. http://dx.doi.org/10.30998/je.v2i1.597.

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During the Majapahit era, the Nagarakrtagama book in the form of kakawin (Old Javanese poetry) was composed by Mpu Prapanca, the kakawin was completed in 1365 AD. no longer exist because it collapsed or the location is not yet known. Using an archaeological-historical approach, this study discusses several sacred buildings mentioned in the Nagarakrtagama whose existence can still be known archaeologically. The analysis was carried out by combining the written data from Nagarakrtagama with archaeological data in the form of temples on the site, to then review some of the features of the temple

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Dr. Aamar Iqbal and Dr. Mazhar Iqbal Kalyar. "Academic And Literary Services Of Daim Iqbal Daim "A Research Review"." Dareecha-e-Tahqeeq 3, no. 3 (2023): 104–13. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i3.55.

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This study highlighted the literary and poetry efforts of Daim Iqbal Daim. He spotted the love for his fields, hills, and plains in his poetry. He blended the traditions with new culture showing passion for patriotism and nationalism. Daim poetry consisted of Naat verses in all aspects with humbleness. Daim writings are in Urdu, Hindi, Punjabi and Persian on progressiveness with emphasizing on national, religious and ethical values. He also contributed in Naat, Manqabat and Karbala Nama. Daim translated the Persian writings into Punjabi and Urdu. His efforts and also in islamic preaching as we

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Avish, Setia. "Bollywood Songs: Reflection of Wounded Nation in the Post-Independence." Shanlax International Journal of English 6, no. 3 (2018): 1–5. https://doi.org/10.5281/zenodo.1298582.

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The present paper examines how the Bombay-based Hindi film cinema culturally obliges to respond to the national crisis in the post-independence era. The paper will deal with Bollywood lyrics in general and how they highlight the crisis of the nation one after the other, for instance, brutal partition, Indo-China War, Indo-Pak War, White-Revolution, and Green-Revolution. Along with, the brief discussion will be on the lampooned religious identities and religious tensions shown in Bollywood songs in the aftermath of partition of India/Pakistan. Songs were often based on communal harmony, and the

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Dr, (Mrs) Suhanya Aravinthon. "THIRUPPUGAZH –WORSHIP THROUGH CHANDAM-." Pranav Journal of Fine Arts 2, no. 2 (2021): 97–106. https://doi.org/10.5281/zenodo.6549612.

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Hindu culture at its core is very much religious and spiritual. So the Hindu traditional music is also spiritual, in its own way. Playing classical music is like meditation: it is not only meant to entertain, but to take us to a higher domain of consciousness. The very structure of Indian classical music is spiritual. It lifts the spirit; it is for the soul. Indian music can also be a medium to self-realization. History of Tamil Thevara Mum moorthikal shows us the power of the worship through music. Pray the load by sung Thevaara Thirumuraikal got the spring of the divine blessings. Especially

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Aziz, Tariq, and Saqlain Ahmad Khan. "Mir Gul Khan Naseers’ Urdu Poetry: Unveiling hid Poetic Brilliance." Noor e Tahqeeq 8, no. 03 (2024): 38–53. http://dx.doi.org/10.54692/nooretahqeeq.2024.08032242.

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The Balochistan region is home to speakers and understanders of numerous languages. The inhabitants of Balochistan are not fully conversant in Urdu, even in this day and age of print and electronic media. About 80 years ago, Mir Gul Khan Naseer brought the scent of Urdu language to the people living in this desolate region. In the color of Urdu poetry, Balochistan was rather a boring tone before him. He may not be a native speaker, yet his poetry in Urdu has a unique fluidity and elegance. His works accurately capture the circumstances and happenings around him. His use of similes and details

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