Relevant bibliographies by topics / Hindi literature

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Academic literature on the topic 'Hindi literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 June 2025

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Journal articles on the topic "Hindi literature"

1

Gupta, Charu. "'Dirty' Hindi Literature." South Asia Research 20, no. 2 (2000): 89–118. http://dx.doi.org/10.1177/026272800002000202.

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Devi, Asha. "NATURE IN HINDI LITERATURE." International Journal of Research -GRANTHAALAYAH 3, no. 9SE (2015): 1–3. http://dx.doi.org/10.29121/granthaalayah.v3.i9se.2015.3264.

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The love of nature of Hindi writers is well known. Poetry has been composed on nature in all times during the ancient, medieval and modern times. The famous cinematic poet Jayashankar Prasadji writes-Let me forget my sailor slowly - where in the uninhabited deep-tinged love story in the ears of Sagar-Lahiri-Ambar - Avni of Taj BabelThe poet has here pointed out the peace of man. Humanity is not noisy, nor does he want such an earth. Nature has loved human as (wave of ocean) and (abar). This is what it is like, why is it, who is destroying the unbreakable relationship between human and nature. What are the conditions that are making the earth persist? A terrible environmental crisis is looming over us all. What should we do now .We all know that in Indian culture, nature is like a necklace in the bracelet, but when the great crisis is showing the destruction of this culture, then our values ​​of life, which teach us to love nature, should be cherished in Vedic era It is happening in the verses of the Vedas that we see the feeling of gratitude towards fire, sun, moon, air, water, earth, sky and clouds. Sanskrit literature is full of beautiful scenes of nature. There nature is companion, friend and its all.
 हिंदी साहित्यकारों का प्रकृति-प्रेम सर्वविदित है। आदिकाल , मध्यकाल और आधुनिककाल सभी कालों में प्रकृति पर काव्य-रचनाऐं होती रहीं । प्रसिद्ध छायावादी कवि जयशंकरप्रसादजी लिखते हैं-ले चल मुझे भुलावा देकर मेरे नाविक धीरे-धीरे-जहाँ निर्जन में सागर-लहरी-अंबर के कानों में गहरी-निच्छल प्रेमकथा कहती हो--तज कोलाहल की अवनि कवि ने यहाँ मानव की शांतिप्रियता को इंगित किया है ।मानव कोलाहलप्रिय नहीं है, और न ही वह ऐसी धरती चाहता है।( सागर की लहर) और (अबंर) के रूप में प्रकृति ने भी मानव से प्रेम ही किया है ।आज विचारणीय विषय यह है कि फिर ऐसा क्या है, क्यों है, कौन है जो मानव और प्रकृति के अटूट संबंधों को तहस-नहस कर रहा है । वे कौन सी परिस्थितियाँ लगातार बनती रही हैं जो धरती विदीर्ण कर रही हैं । एक भयावह पर्यावरणीय संकट हम सब पर मँडरा रहा है । अब हमें क्या करना चाहिए ।हम सभी जानते हैं कि भारतीय संस्कृति में प्रकृति कंगन में नग की भाँति जडी है पर जब बड़ा संकट इस संस्कृति के विनाश का दिखाई दे रहा है तो ऐंसे में वैदिककाल से सँजोए हमारे जीवन-मूल्य, जो हमें प्रकृति से प्रेम करना सिखाते हैं, समाप्त हो रहे हैं वेदों की ऋचाओं में हमें अग्नि,सूर्य, चंद्र, वायु, जल, पृथ्वी, आकाश और मेघों के प्रति कृतग्यता का भाव दिखाई देता है । संस्कृत-साहित्य तो प्रकृति के मनोहारी दृश्यों से भरा पड़ा है ।वहाँ प्रकृति मानव की सहचरी,सखी और उसका सर्वस्व है ।
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Wiśniewska-Singh, Justyna. "“Helpless Indian”: The Sacred Cow as the Symbol of Hindu-Muslim Unity in a Late Nineteenth-Century Hindi Novel." Cracow Indological Studies 23, no. 1 (2021): 219–38. http://dx.doi.org/10.12797/cis.23.2021.01.08.

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In the colonial North India of the late 19th century, the cow emerged as a powerful symbol of imagining the nation. The present paper explores how the image of the sacred cow was reinterpreted in the new sociopolitical context and subsequently employed in the Hindi novel, the development of which coincided with massive campaigns for cow protection. To this end, I study one of the earliest Hindi novels, Nissahāy hindū, written by Rādhākr̥ṣṇadās in 1881 and published in 1890. The novel can be read as a documentary evidence of polemics surrounding the process of identity formation and circumstances attending it, as articulated in the Hindi vernacular during the last decades of the 19th century. The agitation for cow protection is the novel’s leitmotif revolving around the theme of Hindu-Muslim unity, framed in an original and unconventional way. It introduces the bold idea of a Muslim agitating for cow protection and sacrificing himself for the movement. The analysis of the novel, alongside Bhāratendu Hariścandra’s seminal speech of 1884, reveals growing concerns regarding the Hindu-Muslim-British relations at the time of momentous religious, social and economic changes.
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Yadav, Urmila. "Age perception in Hindi literature." RESEARCH REVIEW International Journal of Multidisciplinary 7, no. 1 (2022): 104–8. http://dx.doi.org/10.31305/rrijm.2022.v07.i01.014.

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When the analytical or critical situation is seen in all the genres of literature, then it is necessary to pay attention to the traditional sources. Philosophy, analysis and marking of the country's conditions gives an introduction to the then era-environment. The interrelationship of human tendencies, problems, events and ideologies gives place in literature to the so-called trends, relevance, experiences of the epoch situations, this is Yugabodh. Yugabodh is the concept of knowledge of contemporary situations. Contemporary conditions include the political, social, economic, religious and cultural conditions of a period. Artistic and literary works are created from the era and also reveal it. Modernity has an inextricable relationship with the present, so each era is a modern era in itself.
 
 Abstract in Hindi Language:
 जब साहित्य की सभी विधाओं में विश्लेषणात्मक या समीक्षात्मक स्थिति देखी जाये, उस समय परम्परागत स्रोतों की ओर ध्यानाकर्षण आवश्यक है। देशकाल परिस्थितियों का दर्शन, विश्लेषण एवं अंकन से तत्कालीन युग-परिवेश का परिचय होता है। मानवीय प्रवृत्तियों, समस्याओं, घटनाओं एवं विचारधाराओं का परस्पर सम्बन्ध युगीन परिस्थितियों की तथाकथित प्रवृत्तियों, प्रासंगिकताओं, अनुभवों को साहित्य में स्थान देता है, यही युगबोध है। युगबोध समसामयिक परिस्थितियों के ज्ञान की अवधारणा हैं। समसामयिक परिस्थितियों में किसी काल की राजनीतिक, सामाजिक, आर्थिक, धार्मिक एवं सांस्कृतिक स्थितियाँ शामिल होती हैं। कलात्मक और साहित्यिक रचनाएँ युगबोध से निर्मित होती हैं तथा उसका प्रकटन भी करती हैं। आधुनिकता का वर्तमान से अटूट सम्बन्ध रहता है इसलिए प्रत्येक युग अपने आप में एक आधुनिक युग हैं।
 Keywords: युगबोध, आधुनिकता, प्रवृत्तियों, साहित्य
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Chelnokova, Anna, and Liliia Streltcova. "Brahmarakshasa in Modern Hindi Literature." Rupkatha Journal on Interdisciplinary Studies in Humanities 8, no. 4 (2017): 139–47. http://dx.doi.org/10.21659/rupkatha.v8n4.16.

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Orsini, Francesca. "World Literature as a Special Issue." Journal of World Literature 8, no. 2 (2023): 290–312. http://dx.doi.org/10.1163/24056480-00802006.

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Abstract In India, as in other parts of the world, readers’ exposure to the world and to world literatures largely took place through the pages of magazines, via translations, reviews, snippets of information, survey articles, and so on. The 1950s to 1970s were the golden age of magazine publishing in Hindi. Several Hindi magazines devoted to the short story not only showcased new literary talent but also invested much effort in translating writings from foreign literatures and from other Indian languages. Competing Cold War efforts to promote literatures from their rival spheres of influence produced a profusion of literary translations in magazine and book form, on which enterprising Hindi editors freely drew. This essay focuses on the spectacular special issues curated by Kamleshwar for two Hindi story magazines to explore the nexus between the short story, the magazine, and the world.
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Kumar, Sanjay. "Effect of Gandhism on Hindi Literature." RESEARCH HUB International Multidisciplinary Research Journal 11, no. 2 (2024): 32–35. http://dx.doi.org/10.53573/rhimrj.2024.v11n2.005.

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The literature of any nation is highly influenced by the culture, society, history, geography of that nation as well as its ideology. India did not have any clear ideology during the colonial period but most of the Indian population was influenced by Gandhi's ideas. With time, Gandhi's role in the national movements covered his ideas as an ideology and its effect in Indian Hindi literature was clearly felt after the Dwivedi era. Gandhi's ideas were successful in influencing those people of the whole world who believed in non-violence. Thus, Gandhi's ideas had a proper influence in Indian Hindi literature. When the Dwivedi era ends, the Gandhi era emerges in Indian politics. It is clear that the literature written in the Bharatendu or Dwivedi era cannot be considered to be influenced by Gandhism, although it echoes all those movements and sentiments that Mahatma Gandhi later adopted or developed. What is called the Premchand era in fiction and the Chhayavaad era in poetry or the third period of the rise of the new trend, is called the Gandhi era in politics. Abstract in Hindi Language: किसी भी राष्ट्र के साहित्य पर उस राष्ट्र की संस्कृति, समाज, इतिहास, भूगोल के साथ-साथ वहां विचारधारा का अत्यधिक प्रभाव दृष्टिगोचर होता है। औपनेविशिक काल में भारत की स्पष्ट रूप से कोई विचारधारा नही थी परन्तु गांधी के विचारो से भारत की अधिकांश जनसंख्या प्रभावित थी। समय के साथ राष्ट्रीय आंदोलनो में गांधी जी की भूमिका ने उनके विचारो का विचाराधारा के रूप में आवरन हुआ और भारतीय हिन्दी साहित्य में इसका प्रभाव द्विवेदी युग के बाद स्पष्ट रूप में अनुभव किया गया। गांधी के विचार सम्पूर्ण विश्व के उन लोगो को प्रभावित करने में सफल हुऐ जो अंहिसा में विश्वास करते थे। इस प्रकार गांधी के विचारो को भारतीय हिन्दी साहित्य में उचित प्रभाव रहा। द्विवेदी युग के समाप्त होने पर भारतीय राजनीति में गांधीयुग का उदय होता है। स्पष्ट है कि भारतेन्दु या द्विवेदीयुग में रचित साहित्य पर गांधीवाद का प्रभाव नही माना जा सकता, हालांकि उसमें उन सब आंदोलनो और भावनाओं की प्रतिध्वनि मिलती है जिन्हें आगे चलकर महात्मा गांधी ने अपनाया अथवा विकसित किया। कथा-साहित्य में जिसे प्रेमचन्द युग कहा जाता है और कविता में जिसे छायावाद युग अथवा नई धारा का तृतीय उत्थान काल, राजनीति में उसे ही गांधी-युग के नाम से अभिहित किया जाता है। Keywords: साहित्य, संस्कृति, इतिहास, आंदोलन, भारतीय हिन्दी साहित्य
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SAHA, SHANDIP. "A community of grace: the social and theological world of the Puṣṭi Mārga vārtā literature". Bulletin of the School of Oriental and African Studies 69, № 2 (2006): 225–42. http://dx.doi.org/10.1017/s0041977x06000103.

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In the history of Hindi literature, the oldest extant text of medieval Hindi prose is the collection of hagiography known as the as the vārtā literature which, since the seventeenth century, has been central to the religious life of the Hindu devotional community known as the Puṣṭi Mārga. This article argues that a close examination of these texts in their proper social and historical context reveals that the vārtā literature was written and revised during a time when the Puṣṭi Mārga was slowly expanding its sphere of religious influence in Western and Central India. The result was a body of literature whose principal purpose was to shape the religious self-identity of the Puṣṭi Mārga by stressing the community as a close-knit and exclusive fellowship of believers who owed their final allegiance to Kṛṣṇna and the community's religious leaders who were known as mahārājas.
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Perry, John Oliver, and Vidya Niwas Misra. "Modern Hindi Poetry." World Literature Today 65, no. 2 (1991): 365. http://dx.doi.org/10.2307/40147316.

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Gill, Gagan, Kunwar Narayan, Shrikant Verma, and Kedarnath Singh. "Four Hindi Poets." World Literature Today 68, no. 2 (1994): 325. http://dx.doi.org/10.2307/40150160.

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Dissertations / Theses on the topic "Hindi literature"

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Wilkerson, Sarah Beth. "Hindi Dalit literature and the politics of representation." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614307.

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Orsini, Francesca. "The Hindi public sphere, 1920-1940." Thesis, SOAS, University of London, 1996. http://eprints.soas.ac.uk/29537/.

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The 1920s and 1930s were decades of momentous changes and expansion in the Hindi literary sphere In this period Hindi became an established public language in print, education and politics and struggled successfully to become the future national language of India. A market for Hindi literature was first created, journals provided venues for debate and literary expression as well as professional employment, genres and styles were explored in many new directions, and new voices emerged, importantly those of women writers. The nationalist movement, too, entered a new phase which emphasized popular publics and vernacular institutions. Through the concept of 'public sphere' as expounded by Jurgen Habermas and other political scientists, this thesis analyzes those changes at the levels of institutions, actors, discourses and, to a limited extent, of audiences in their proper context and in relation to each other. Chapter 2 explores changes in the literary sphere, both its expansion chiefly through the medium of journals, and its institutionalization through a linguistic and literary agenda in the education system. Chapter 3 analyzes historical debates and narratives in order to trace the consolidation and diffusion of a nationalist historical consciousness. Chapter 4 examines the development of women's journals and the space they provided for a critique of discrimination against women and their public access, and for the exploration of women's roles and emotionality. Chapter 5 focuses on the making of Hindi's claim to be the 'national language', the strategies employed and the exclusions operated in the process of its political affirmation. Chapter 6 explores the relationship between the literary and the political spheres focusing on the role of Hindi intellectuals and political leaders. The institutional authority gained in one sphere underwrote that gained in the other, it shall be argued, and gave credence to an official nationalism that does not reflect the complexity and variety of cultural imagination and literary practices in that period.
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Harder, Hans. "Fiktionale Träume in ausgewählten Prosawerken von zehn Autoren der Bengali- und Hindiliteratur." Halle (Saale) : Institut für Indologie und Südasienwissenschaften der Martin-Luther-Universität Halle-Wittenberg, 2001. http://catalogue.bnf.fr/ark:/12148/cb38987404v.

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Pollock, Sandybell. "Hindi-Vindi and Pashto-Mashto : Comments on Various Types of Lexical Reduplication in Hindi and Pashto." Thesis, Uppsala universitet, Institutionen för lingvistik och filologi, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-276292.

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The purpose of this paper is to examine potential similarities in Hindi1 and Pashto grammar as regards to the arial feature of lexical reduplication, and to give a brief explanation of the phenomenon. It is my belief that this feature appears in both languages and that it functions in a similar way when it comes to: full reduplication, distribution and partial reduplication, so called echo-words. I will try to explain how these features function in Pashto based on the research already done in Hindi and the limited amount of description found in Pashto grammars that discuss this subject. The object of the paper is to prove that reduplication in Pashto takes similar form with similar meaning to the reduplications found in Hindi. To analyse this I will look at literary language in Hindi and Pashto using examples found in books, grammars, papers of other researchers, as well as examples found online in blogs and on newspaper sites. The first section of this paper will deal with full reduplication of nouns, pronouns, adjectives and adverbials, numerals and participles. It will show that various types of semantic meanings can be derived from reduplication such as intensification, attenuation, continuation or distribution. The second section will deal with partial reduplication and it will show that these also appears in the different word categories mentioned (though apparently not in both languages) and it aims to give an explanation as to what forms these partial reduplications can take, that is, how they are constructed, as well as how they may function.
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Peter, Dass Rakesh. "Language and Religion in Modern India: The Vernacular Literature of Hindi Christians." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:32108297.

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A persistent interest in a particular type of Christian witness is found in a substantial amount of Hindi-language Protestant (hereafter, ‘Hindi Christian’) literature in modern India. Across a range of texts like Hindi translations of the Bible, theo-ethical works, hymns, biblical commentaries, and poems, this literature calls attention to a form of Christian witness or discipleship that both is credible and recognizable and is public. This witness aims to be credibly Christian: as I will show, Hindi Christian texts have regularly rejected a Hindu concept like avătār in favor of a neologism like dehădhāran to communicate a Christian notion of incarnation in a predominantly Hindu context. Yet, the variety of polytradition (or, shared) words found in Hindi Christian texts suggests a comfort with loose religious boundaries. The witness aims also to be recognizably Christian. For instance, Hindi Christian texts on theology and ethics persistently reflect on a virtuous Christian life with a view toward perceptions in multifaith contexts. Perceptions of Christians matter to the authors of these texts. The attention to Christian witness in such literature, then, is to a very public form of witness. A reading of the works of three prominent Hindi Christian scholars – Benjamin Khan, Din Dayal, and Richard Howell – will show how a focus on the pluralistic context of Hindi Christian witness has shaped influential texts on ethics, theology, and evangelism in Hindi. This dissertation is a first attempt in the academy of religion to study Hindi Christian texts in modern India. As a result, it seeks to achieve two goals: provide an introduction to Hindi Christian literature, and understand a prominent theme found in such literature. It is by no means an exhaustive study of Hindi Christian literature. Rather, it maps a literary landscape and subjects one trope therein to further examination. Protestant Christian literature in India has generally portrayed the purpose of Christian discipleship in two ways: by describing it as a response to salvific grace and by denying it is works righteousness. Hindi Christian texts shed light on another rationale: to present a credible and recognizable witness in a multifaith public context.
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Hines, Naseem Akhtar. "The Sufi elements in the Indo-Sufi masnavī, with specific reference to Maulana Daud's Cāndayān /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/11140.

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Sarma, Ira Valeria. "The Laghukatha : a historical and literary analysis of a modern Hindi prose genre." Thesis, SOAS, University of London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271080.

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Orfall, Blair. "Bollywood retakes : literary adaptation and appropriation in contemporary Hindi cinema /." Connect to title online (ProQuest), 2009. http://proquest.umi.com/pqdweb?did=1883677651&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Mudigonda, Ramu. "Svårt val : Analys av Archana Painyulis novellsamling Highway E47." Thesis, Uppsala universitet, Institutionen för lingvistik och filologi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-396319.

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Banerjee, Rita. "The New Voyager: Theory and Practice of South Asian Literary Modernisms." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11044.

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My dissertation, The New Voyager: Theory and Practice of South Asian Literary Modernisms, investigates how literary modernisms in Bengali, Hindi, and Indian English functioned as much as a turning away and remixing of earlier literary traditions as a journey of engagement between the individual writer and his or her response to and attempts to re-create the modern world. This thesis explores how theories and practices of literary modernism developed in Bengali, Hindi, and Indian English in the early to mid-20th century, and explores the representations and debates surrounding literary modernisms in journals such as Kallol, Kavita, and Krittibas in Bengali, the Nayi Kavita journal and the Tar Saptak group in Hindi, and the Writers Workshop group in English. Theories of modernism and translation as proposed by South Asian literary critics such as Dipti Tripathi, Acharya Nand Dulare Bajpai, Buddhadeva Bose, and Bhola Nath Tiwari are contrasted to the manifestos of modernism found in journals such as Krittibas and against Agyeya's defense of experimentalism (prayogvad) from the Tar Saptak anthology. The dissertation then goes on to discuss how literary modernisms in South Asia occupied a vital space between local and global traditions, formal and canonical concerns, and between social engagement and individual expression. In doing so, this thesis notes how the study of modernist practices and theory in Bengali, Hindi, and English provides insight into the pluralistic, multi-dimensional, and ever-evolving cultural sphere of modern South Asia beyond the suppositions of postcolonial binaries and monolingual paradigms.
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Books on the topic "Hindi literature"

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Gupta, Gaṇapaticandra. Hindī bhāshā evaṃ sāhitya-viśvakośa =: Encyclopaedia of Hindi language & literature. Eṭalānṭika Pabliśarsa eṇḍa Ḍisṭribyūṭarsa, 1995.

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Jindal, K. B. A history of Hindi literature. 2nd ed. Munshiram Manoharlal Publishers, 1993.

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Keay, F. E. A history of Hindi literature. Asia Publishing House, 1989.

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Ganeri, Anita. Hindi. Heinemann Library, 2012.

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Bhanot, Teerth Ram. Gyan sarita / Hindi literature: Part 4. Dreamland, 2000.

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Garg, Ganga Ram. An encyclopaedia of world Hindi literature. Concept Publishing Co., 1986.

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Gauṛa, Rāmaśaraṇa. Purāṇa kathā kośa. Vibhūti Prakāśana, 1987.

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Gopal, Madan. Origin and development of Hindi/Urdu literature. Deep & Deep Publications, 1996.

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Akademi, Sahitya, ред. Bīsavīṃ sadī kā Hindī mahilā lekhana: Beesvin sadi ka Hindi mahila lekhan. Sāhitya Akādemī, 2015.

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Chandra, Sudhir. Communal elements in late nineteenth century Hindi literature. Nehru Memorial Museum and Library, 1986.

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Book chapters on the topic "Hindi literature"

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Patil, Sangita. "Hindi Literature and Ecofeminism." In The Routledge Handbook of Ecofeminism and Literature. Routledge, 2022. http://dx.doi.org/10.4324/9781003195610-9.

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Sabu, Urvashi. "Institutions for Hindi Literature." In Premchand on Literature and Life. Routledge, 2023. http://dx.doi.org/10.4324/9781003392866-47.

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Nagpal, Ruchi. "The Hindi Sahitya Sammelan." In Premchand on Literature and Life. Routledge, 2023. http://dx.doi.org/10.4324/9781003392866-45.

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Ansari, Ameena Kazi. "Publishing Books in Hindi." In Premchand on Literature and Life. Routledge, 2023. http://dx.doi.org/10.4324/9781003392866-50.

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Ansari, Ameena Kazi. "The Hindi Lekhak Sangh." In Premchand on Literature and Life. Routledge, 2023. http://dx.doi.org/10.4324/9781003392866-31.

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Priyanka, Prachi. "Humanistic Approaches in Hindi Literature." In The Routledge Companion to Humanism and Literature. Routledge, 2022. http://dx.doi.org/10.4324/9781003046004-12.

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Strelkova, Guzel’. "The Translation of Russian Literature into Hindi." In Translating Russian Literature in the Global Context. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.25.

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This chapter examines the history of Russian literary translations into Hindi, starting with the founder of modern Hindi literature, Munshi Premchand (1880-1936), who translated Lev Tolstoy. Many Hindi writers were influenced by Russian literature, translations of which appeared in India from the Soviet publishing houses ‘Foreign Literature’, ‘Progress’, and ‘Raduga’. Some Russian classics were not only widely translated, but even re-translated. Prominent Hindi translators include the writer Bhishma Sahni (1915-2003), who translated Tolstoy’s Resurrection, and later Madan Lal Madhu (1925-2014), who spent most of his life in the USSR, during which he translated into Hindi more than a hundred works of Russian prose and poetry, many directly from Russian. This chapter will revisit their achievements and legacy.
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Abidi, Shuby. "Annihilation of God in Hindi Literature." In Premchand on Culture and Education. Routledge, 2021. http://dx.doi.org/10.4324/9781003242260-34.

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Ansari, Ameena Kazi. "The Hindi Sahitya Sammelan at Indore." In Premchand on Literature and Life. Routledge, 2023. http://dx.doi.org/10.4324/9781003392866-35.

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Ansari, Ameena Kazi. "The Hindi Sahitya Parishad at Patna." In Premchand on Literature and Life. Routledge, 2023. http://dx.doi.org/10.4324/9781003392866-38.

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Conference papers on the topic "Hindi literature"

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"Dushyant - Prince of Hindi Ghazal." In International Conference on Humanities, Literature and Management. International Centre of Economics, Humanities and Management, 2015. http://dx.doi.org/10.15242/icehm.ed0115010.

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"The Concept of Cosmos in Hindu Literature." In 55th International Astronautical Congress of the International Astronautical Federation, the International Academy of Astronautics, and the International Institute of Space Law. American Institute of Aeronautics and Astronautics, 2004. http://dx.doi.org/10.2514/6.iac-04-iaa.6.16.1.01.

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"Photography in Indonesian Archaeology of the 19th to the Early 20th Century | Fotografi dalam Arkeologi Indonesia pada Abad ke-19 sampai Awal Abad ke-20 Masehi." In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-28.

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In Dutch East India, photographic documentation for antiquities was as up-to-date as in Europe that was developed in the last half of the 19th century. Photography became a tool for archaeological surveys which resulted in thousands of enormous resources. In this paper, the historical background regarding how these old photographs were collected and how the material circulated within archaeological activities will be elaborated. The timeline studied is limited to pre-independence Indonesia with the subject mostly focused on Hindu-Buddhist remains. The method used is literature review of both relevant new publications as well as significant old publications. Its turns out that photographic surveys of archaeology in Indonesia during the colonial period developed from early archaeological activities into systematic institutional programs. The qualities of photography were appreciated in miscellaneous application and offered substantial benefits. Photography became a documentation medium, publication complementary, archive, and object representation and substitution. This historical background of photography in the context of Indonesian archaeology marks the significant value of these photographs so that it can be the foundation of preservation for the future. Di Hindia Belanda, dokumentasi fotografis pada tinggalan purbakala sangat mutakhir sebagaimana di Eropa yang dikembangkan sejak paruh terakhir abad ke-19 M. Fotografi menjadi perangkat untuk survei arkeologi yang menghasilkan ribuan sumber daya. Dalam tulisan ini, latar belakang sejarah terkait pengumpulan foto lama tersebut serta penggunaannya dalam berbagai aktifitas arkeologi akan dijabarkan. Lini masa yang dikaji dibatasi pada Indonesia pra-kemerdekaan dengan subjek yang berfokus pada tinggalan Hindu-Buddhis. Metode yang digunakan adalah kajian pustaka, baik terbitan terbaru yang relevan maupun terbitan lama yang penting. Ternyata survei fotografi pada arkeologi Indonesia selama periode kolonial berkembang sejak aktifitas arkeologis yang masih dini hingga menjadi program institusi yang sistematis. Kualitas fotografi juga diapresiasi dalam beragam penerapan serta menawarkan manfaat yang substansial, Fotografi menjadi media dokumentasi, pelengkap publikasi, arsip, serta representasi dan substitusi objek. Latar belakang sejarah fotografi dalam konteks arkeologi Indonesia semacam ini menjadikan nilai penting dari foto-foto tersebut sehingga dapat dijadikan fondasi dalam pelestarian untuk masa depan.
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Setyani, T. "Heritage of Hindu-Buddhist Thought: Pradaksina and Prasavya Perspective in Tantu Panggelaran Text." In 2nd Workshop on Language, Literature and Society for Education. EAI, 2019. http://dx.doi.org/10.4108/eai.21-12-2018.2282768.

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Rahman, Ainur, and Burhan Nurgiyantoro. "Subalternity of Hindia Women in Racun untuk Tuan Short Story by Iksaka Banu: Postcolonial Studies." In 1st International Conference on Language, Literature, and Arts Education (ICLLAE 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200804.074.

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Punia, I., Ni Luh Kebayantini, and M. Adityanandana. "The Shifting Role Of Balinese Hindu Women In Religious Life In Denpasar." In Proceedings of the First International Seminar on Languare, Literature, Culture and Education, ISLLCE, 15-16 November 2019, Kendari, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.15-11-2019.2296254.

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Feaster, Jeffrey, Francine Battaglia, Ralf Deiterding, and Javid Bayandor. "Validation of an Adaptive Meshing Implementation of the Lattice-Boltzmann Method for Insect Flight." In ASME 2016 Fluids Engineering Division Summer Meeting collocated with the ASME 2016 Heat Transfer Summer Conference and the ASME 2016 14th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/fedsm2016-7782.

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Insects, sustaining flight at low Reynolds numbers (500<Re<10,000), fly utilizing mechanically simple kinematics (3 degrees of freedom) at an extremely high flap frequency (150–200 Hz), resulting in a complicated vortical fluid field. These flight characteristics result in some of the most agile and maneuverable flight capabilities in the animal kingdom and are considered to be far superior to fixed wing flight, such as aircraft. Bees are of particular interest because of the utilization of humuli to attach their front and hind wings together during flight. A Cartesian-based adaptive meshing implementation of the Lattice-Boltzmann Method is utilized to resolve the complex flow field generated during insect flight and is verified against experimental and computational results present in the literature in two dimensions. The Lattice-Boltzmann Method was found to agree well in both qualitative and quantitative comparisons with both two-dimensional computational and three-dimensional experimental results.
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Reports on the topic "Hindi literature"

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Groot, A., T. Singh, A. Pandey, et al. Literature Review of Critical Climate-Stress Moments in the Hindu Kush Himalaya; A Resource Kit. International Centre for Integrated Mountain Development (ICIMOD), 2018. http://dx.doi.org/10.53055/icimod.727.

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Groot, A., T. Singh, A. Pandey, et al. Literature Review of Critical Climate-Stress Moments in the Hindu Kush Himalaya; A Resource Kit. International Centre for Integrated Mountain Development (ICIMOD), 2018. http://dx.doi.org/10.53055/icimod.727.

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