Relevant bibliographies by topics / Hindi Songs

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Hindi Songs'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Hindi Songs.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Hindi Songs"

1

Viswamohan, Aysha Iqbal. "English in film songs from India: an overview." English Today 27, no. 3 (August 18, 2011): 21–24. http://dx.doi.org/10.1017/s0266078411000332.

Full text
Abstract:
‘C-a-t, cat. Cat mane billi; r-a-t, rat mane chooha’ went a song from a Hindi film of the fifties (mane = ‘means’, billi = ‘cat’, chooha = ‘rat’). The song, enormously popular with Indian youth of that generation, was scoffed at by the then contemporary purists who found it hard to accept such ‘blatant’ dilution of the Hindi language. This song, like a few more of its times, was merely an exception to the largely acceptable language of songs, then largely a mix of Hindi, Urdu and Persian. English was, thus, used in songs either when it depicted (literally, since songs are acted out as autonomous scenes in Bollywood) a comic actor in a light-hearted situation or a semi-literate character desperate to accommodate to the urban ways of life. A celebrated song from Gopi, a Hindi film of the early seventies, goes a step forward with its novel coinage. The hero is a rustic who tries to impress his fellow villagers by dressing up in city (read English) style and sings:Gentleman gentleman, gentleman/London se aaya mein ban-than ke……Yeh dekh mera suita/Yeh dekh mera boota/Yeh dekh mera comba
APA, Harvard, Vancouver, ISO, and other styles
2

Morcom, Anna. "Performance, performativity and melodrama as dramatic substance in Hindi film song sequences." Studies in South Asian Film & Media 10, no. 2 (December 1, 2019): 129–47. http://dx.doi.org/10.1386/safm_00010_1.

Full text
Abstract:
Abstract In this article, I explore the dramatic substance of Hindi film songs through an approach based in performance studies, which presents performance as the very stuff of social life, social identities and social power. Given this, the enactment of song sequences in the Hindi film narrative cannot be dramatically benign, or just excess, or just pleasure (however intense). I describe how song sequences perform and thereby manifest and reify love and romance in the film narrative. Using work on public spectacle and power by Foucault and the public sphere by Vasudevan, I further analyse how they connect the public, emotions of love, and social or familial struggle in various ways, embodying key nodes of melodrama. I then reflect, in these terms, on the recent curtailment of performed songs in Hindi films. I thereby present a new method for analysing the dramatic agency of screened or background songs in films.
APA, Harvard, Vancouver, ISO, and other styles
3

Booth, Gregory. "Religion, gossip, narrative conventions and the construction of meaning in Hindi film songs." Popular Music 19, no. 2 (April 2000): 125–45. http://dx.doi.org/10.1017/s0261143000000088.

Full text
Abstract:
IntroductionThe commercial Hindi language cinema is among the largest and oldest music film traditions on the planet. One of the most widely remarked and inflexible conventions of this highly stylised popular film genre is the regular appearance of song and dance scenes in almost every commercial Hindi film. A huge body of over 40,000 film songs (filmī gīt, as they are known in Hindi) has grown along with the thousands of Hindi sound films produced since 1931; unlike the more recent development of music video in the west, Hindi film songs have been intimately connected with larger narrative traditions and visual images from their very inception. Filmī gīt comprise one of the most intensely consumed popular music repertoires on the planet. Across the range of visual and sound media and on into live performance, the audience for film song must be numbered in the hundreds of millions throughout the South Asian subcontinent and diaspora.
APA, Harvard, Vancouver, ISO, and other styles
4

Young, Katie. "Hindi Film Songs in the Home: Gendered Experiences of Singing Popular Songs in Tamale, Northern Ghana." Ethnomusicology 66, no. 2 (July 1, 2022): 264–89. http://dx.doi.org/10.5406/21567417.66.2.05.

Full text
Abstract:
Abstract Beginning in the 1950s, Dagbamba and Hausa women in Tamale listened to Hindi film songs in their homes, via gramophone records and through state-run women's radio programs. Hindi film songs were soon integrated into existing domestic singing practices, including songs meant for domestic labor (tuma-yila) and childcare (biyola-yila). Through an analysis of oral history interviews as well as recorded performances of Hindi film songs sung by women, men, and youth in Tamale, I show how everyday performances of Hindi film songs reveal gendered and intergenerational experiences of domestic space, labor, and social life in Tamale.
APA, Harvard, Vancouver, ISO, and other styles
5

Arnold, Alison. "Popular film song in India: a case of mass-market musical eclecticism." Popular Music 7, no. 2 (May 1988): 177–88. http://dx.doi.org/10.1017/s0261143000002749.

Full text
Abstract:
The ubiquitous songs in India's commercial feature films play a dual role in Indian society: they serve as both film songs and pop songs for India's 800 million people. India is the largest film-producing country in the world and one fifth of its current annual production of approximately 750 films is made in Hindi, each film having an average of five to six songs (Dharap 1985). As the major form of mass entertainment available on a national scale, rivalled only by the government-run television network, Hindi cinema plays a prominent and influential role in Indian society. Yet its songs, which represent India's most popular music in the twentieth century, are relatively little known to non-Indians, either to scholars or to the general public. Musicologists and anthropologists have for the most part focused their attention on Indian classical and folk traditions to the neglect of film song. To counteract this imbalance I propose here to examine one important aspect of Hindi film song – its peculiarly eclectic nature – which plays a major role in the nationwide appeal of this popular music. I look at some of the ways in which these film songs are eclectic and possible reasons why they are so. Such a study provides insights into the role of this popular music in Indian society and culture and can thereby contribute to an understanding of the role of popular music generally in non-Western and developing countries.
APA, Harvard, Vancouver, ISO, and other styles
6

Dr. Jan Nisar Moin. "A Research Review of Urdu Language." Dareecha-e-Tahqeeq 2, no. 3 (March 21, 2022): 1–70. http://dx.doi.org/10.58760/dareechaetahqeeq.v2i3.23.

Full text
Abstract:
Urdu originated in the 12th century AD from the Upabharmsha region of northwestern India, which served as a linguistic system after the Muslim conquest. His first great poet was Amir Khosrow (1253–1325), who wrote duets, folk songs, and riddles in the newly formed speech, which was then called Hindu. This mixed speech was spoken in different ways in Hindi, Hindi, Hindi, Delhi, Rekhta, Gujari, Dakshini, Urdu, Mullah, Urdu, or Urdu only. The great Urdu writers continued to call it Hindi or Hindi until the beginning of the 19th century, although there is evidence that it was called Indian in the late 17th century. This article presents a research overview of Urdu language.
APA, Harvard, Vancouver, ISO, and other styles
7

Arora, V. N. "Popular Songs in Hindi Films." Journal of Popular Culture 20, no. 2 (September 1986): 143–66. http://dx.doi.org/10.1111/j.0022-3840.1986.2002_143.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Kaur, Ravneet. "Framing the Body and the Body of Frame: Item songs in popular Hindi cinema." Acta Orientalia Vilnensia 12, no. 2 (January 1, 2011): 101–24. http://dx.doi.org/10.15388/aov.2011.1.3929.

Full text
Abstract:
University of DelhiThe basic framework of this paper is to deliberate upon the emergence of item songs as a reinstatement of the dominance of the ‘song and dance sequences’ in popular Hindi cinema, and its inferences as a sub-text in contemporary cultural forms. While doing so, the paper argues that the transition in consumption and the circulation/distribution of Hindi film songs, and other visual/ audio media has affectively facilitated the course. In the given context, the paper further attempts to address shifts in the filmic techniques that have consistently regulated the production of such songs, revealing a spectrum of negotiations between and among the ‘body’, ‘performance’, and ‘frame’, with which the spectator becomes familiarized over a series of visual/ audio leaps that have taken place in the traditional media forms like that of television and in newer forms like the internet.
APA, Harvard, Vancouver, ISO, and other styles
9

Shope, Bradley. "Hindi Film Songs and the Cinema." Ethnomusicology Forum 20, no. 2 (August 2011): 271–73. http://dx.doi.org/10.1080/17411912.2011.589505.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Mukherjee, Madhuja. "Hindi film songs and the cinema." South Asian Popular Culture 9, no. 2 (July 2011): 223–25. http://dx.doi.org/10.1080/14746689.2011.569077.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Hindi Songs"

1

Morcom, Anne Frances. "Hindi film songs and the cinema." Thesis, SOAS, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268674.

Full text
Abstract:
This thesis explores the relationship of Hindi film songs with Hindi cinema from the 1950s, especially emphasizing the present day. It is based on fieldwork completed in Bombay from 1998-2000 and the analysis of film songs and their picturizations. The main question addressed is: 'How far can film songs be seen as an independent tradition of popular music and how far are they a part of their parent films and Indian cinema?' Chapter 1 surveys previous scholarship on film songs and introduces their cinematic study. Chapter 2 deals with the production process of film songs, identifying the role of various personnel in their creation including the music director (composer), lyricist and singer(s). Chapter 3 addresses the musical style of film songs and its development in the light of both their cinematic and popular music roles. Chapter 4 turns to the use of Western music in film song from the perspective of meaning. Is Western music used in the same way in Hindi films as in Hollywood films, and if so, how, if music is not a universal language? Is the presence of Western music in film songs just due to hegemony? Song and background score material is analysed in its dramatic context, and Indian and Western music theory and interview material drawn on to answer these questions. Chapter 5 looks at the commercial life of film songs, addressing the question of whether songs sell films or films sell songs through an examination of the marketing and profitability of film songs in various eras. Chapter 6 discusses the reception of film songs, their popularity, how audiences come into contact with them, and their appropriation by audiences. Adorno's profile of mass music as alienating is revisited with reference to film song.
APA, Harvard, Vancouver, ISO, and other styles
2

Nayee, Sanjana. "Not really bollywood a history of popular hindi films, songs, and dance with pedagogical applications for understanding indian history and culture." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1534.

Full text
Abstract:
Contemporary fascination with 'Bollywood' proliferates much of reality TV dance shows, media blurbs and other communicative outlets. These avenues homogenize India as 'Bollywood', while social and political outlets place Indians and people of South Asian descent into fitted stereotypes that are ridiculed and largely distorted. The intent of this thesis was to explore how the growing international intrigues of popular Hindi films exist beyond 'Bollywood'. This study is especially important because current U.S. demographics are undergoing a 'browning' effect yet a comprehensive method for understanding South Asian peoples and their cultures have been isolated to terrorist 'breeders', the model minority or as products primed for consumption. This thesis discusses the history of popular Hindi popular cinema, its changing methods of songs and dance and includes options of pedagogical applications within secondary level classrooms. In short, this thesis is an effort to highlight the similarities present amongst the differences that are consciously and unconsciously created or implicitly believed by the general population when attempting to decipher the many different components that exist across South Asian cultures, ethnicities, traditions, histories and identities.
ID: 031908403; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Accepted in partial fulfillment of the requirements for honors in the major in DEPT HERE.; Thesis (B.A.)--University of Central Florida, 2012.; Includes bibliographical references.
B.S.
Bachelors
Education and Human Performance
English Language Arts Education
APA, Harvard, Vancouver, ISO, and other styles
3

Slatewala, Zahabia Z. "Objectification of Women in Bollywood Item Numbers." Scholar Commons, 2019. https://scholarcommons.usf.edu/etd/7948.

Full text
Abstract:
Although sexual objectification is commonplace in media culture, music videos provide the most potent examples of it. The current investigation makes an important contribution to the relevant literature regarding the objectification of women in song lyrics while simultaneously broadening the content used to assess objectification. It reflects the ways of objectification of women in India by analyzing Bollywood rap and item songs. Based on objectification theory, one of the primary goals in the present study was to measure differences between visual and behavioral sexual objectification, drawing on theoretically derived indicators of sexual objectification. It also concentrated on measuring the change in the objectification patterns over the years. This was done by conducting a content analysis of 201 songs (n=201). The findings suggested that the visual objectification of women was higher than the behavioral objectification of women and that there is a shift in the common themes and the level of objectification over the decades.
APA, Harvard, Vancouver, ISO, and other styles
4

Chan, Sze-rok Chan Sze-rok Chan Sze-rok Chan Sze-rok Chan Sze-rok. "Inspired by the Hindu tradition compositions and reflections /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B37933966.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Chan, Sze-rok, and 陳詩諾. "Inspired by the Hindu tradition: compositionsand reflections." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B37933966.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Durr, Jonathan Douglas. "'Seeing' song in Bollywood landscape, the postnational, and the song-and-dance sequence in Hindi popular cinema /." 2001. http://catalog.hathitrust.org/api/volumes/oclc/48043656.html.

Full text
Abstract:
Thesis (M.A.)--University of Wisconsin--Madison, 2001.
Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 74-79).
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Hindi Songs"

1

Siṃha, Hara Mandira. Hindī filma gīta kośa: Hindi film geet kosh = Encyclopaedia of Hindi film songs. 2nd ed. Kanpur: Mrs. Satinder Kaur, 2022.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Māthura, Rāmalāla. 50 deśabhakti gīta, svaralipi sahita. Jayapura: Boharā Prakāśana, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Singh, Balbir. Selected Hindi songs with notations and chords. Delhi: Pankaj, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Balbir, Singh. Selected Hindi songs with notations and chords. Delhi: Pankaj, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Balbir, Singh. Selected Hindi songs with notations and chords. Delhi: Pankaj, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Svarṇarekhā. Svaroṃ ke svastika. Cūrū, Rājasthāna: Ādarśa Sāhitya Saṅgha, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Svarṇarekhā. Svaroṃ ke svastika. Cūrū, Rājasthāna: Ādarśa Sāhitya Saṅgha, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Gupta, Śāligrāma. Mug̲h̲ala darabāra, kavi-saṅgītajña: San Ī. 1531-1707. Ilāhābāba: Sāhitya Bhavana, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Pī, Jaina Esa, ed. Hindī grāmofona rekarḍa saṅgīta. Calcutta: S.P. Jain, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Share, Baldev Singh. Shuddh Sangeet Shastra: A complete guide to the true Indian musical modes and melodies, their characters, composition, classification, and compounds ; correct, concise and complete with 600 settings and sensible short songs, pertaining to piety, peace, patriotism and public-weal, in a new and perfected notation. Saskatoon, Saskatchewan: S.K. Lakhanpal, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Hindi Songs"

1

Fahad, Md Shah, Raushan Raj, Ashish Ranjan, and Akshay Deepak. "Hindi Songs Genre Classification Using Deep Learning." In Security, Privacy and Data Analytics, 143–54. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-9089-1_12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Booth, Gregory D. "Comedy and Parody in the Songs of the Hindi Cinema." In The Palgrave Handbook of Music in Comedy Cinema, 449–64. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33422-1_26.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Morcom, Anna. "The Changing Audio, Visual, and Narrative Parameters of Hindi Film Songs." In The Routledge Companion to Screen Music and Sound, 153–62. New York ; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315681047-13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Bhattacharya, Srutayu. "Tracing the Notion of the “National”/“Patriotic” through Bengali and Hindi Songs." In Engaging with a Nation, 112–20. London: Routledge India, 2024. http://dx.doi.org/10.4324/9781003504504-11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Molakathaala, Naagamani, Veerendra Kumar Gautam, Violin Vasu, Saideep Samineni, Shankhanil Ghosh, Chhanda Saha, and Divyanjali Sirigiri. "Melody-Based Hindi Song Retrieval Using SVM." In Smart Intelligent Computing and Applications, Volume 2, 33–42. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-9705-0_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Sinha, Atreyee, and Faujdar Ram. "Understanding the Preference to Have More Sons among Hindu and Muslim Women: A Case Study from North Dinajpur District of West Bengal." In Population Dynamics in Eastern India and Bangladesh, 227–39. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-3045-6_13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

"Expressives in Hindi Language Film Songs." In Expressives in the South Asian Linguistic Area, 177–94. BRILL, 2020. http://dx.doi.org/10.1163/9789004439153_009.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

"The Cinematic Study of Hindi Film Songs." In Hindi Film Songs and The Cinema, 1–24. Routledge, 2017. http://dx.doi.org/10.4324/9781315092980-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

"The Production Process of Hindi Film Songs." In Hindi Film Songs and The Cinema, 25–60. Routledge, 2017. http://dx.doi.org/10.4324/9781315092980-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"The Musical Style of Hindi Film Songs." In Hindi Film Songs and The Cinema, 61–136. Routledge, 2017. http://dx.doi.org/10.4324/9781315092980-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Hindi Songs"

1

Beniwal, Rohit, Satvik Batra, Shivank Gupta, and Shashi Shekhar. "Hindi Hit Songs Prediction Using Machine Learning Algorithms." In 2023 3rd International Conference on Intelligent Technologies (CONIT). IEEE, 2023. http://dx.doi.org/10.1109/conit59222.2023.10205626.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Masood, Sarfaraz, Jeevan Singh Nayal, and Ravi Kumar Jain. "Singer identification in Indian Hindi songs using MFCC and spectral features." In 2016 IEEE 1st International Conference on Power Electronics, Intelligent Control and Energy Systems (ICPEICES). IEEE, 2016. http://dx.doi.org/10.1109/icpeices.2016.7853641.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Bagul, Mitali, Divya Soni, and K. Saravanakumar. "Recognition of similar patterns in popular Hindi Jazz songs by music data mining." In 2014 International Conference on Contemporary Computing and Informatics (IC3I). IEEE, 2014. http://dx.doi.org/10.1109/ic3i.2014.7019799.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Jain, Prakhar K., Robin Jain, Hemant A. Patil, and T. K. Basu. "Design of a Query-by-Humming System for Hindi Songs Using DDTW Based Approach." In 2011 International Conference on Asian Language Processing (IALP). IEEE, 2011. http://dx.doi.org/10.1109/ialp.2011.68.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Chauhan, Swati, and Prachi Chauhan. "Music mood classification based on lyrical analysis of Hindi songs using Latent Dirichlet Allocation." In 2016 International Conference on Information Technology (InCITe): Next-Generation IT Summit on the Theme "Internet of Things: Connect Your Worlds". IEEE, 2016. http://dx.doi.org/10.1109/incite.2016.7857593.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Hindi Songs' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography