Relevant bibliographies by topics / Hindu architecture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Hindu architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Hindu architecture"

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Wikramiwardana, Andi Ola, Andi Rahmiani Maulana, and Siti Aisyah Rahman. "Perbedaan Arsitektur Pura Giri Natha dengan Pura Penataran Sasih." TIMPALAJA : Architecture student Journals 1, no. 1 (January 9, 2020): 82–96. http://dx.doi.org/10.24252/timpalaja.v1i1a9.

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Abstrak_ Tempat suci Hindu adalah suatu tempat maupun bangunan yang dikeramatkan oleh umat Hindu atau tempat persembahyangan bagi umat Hindu dan biasa di sebut Pura. Pura Giri Natha adalah salah satu contoh dari tempat ibadah umat Hindu di Kota Makassar, sedangkan Pura Penataran Sasih adalah salah satu contoh Pura di Bali. Dalam segi arsitektur kedua pura ini memiliki beberapa perbedaan yang akan dijabarkan pada penelitian ini. Penulis melakukan penelitian tentang Pura Giri Natha dan Pura Penataran sasih ini untuk mengidentifikasi perbedaan bentuk fisik yang implementasikan kedalam arsitekturnya. Penelitian terhadap Pura Giri Natha berdasarkan pengamatan peneliti untuk merefleksikan fenomena budaya berkaitan dengan Pura Giri Natha. Pengumpulan data dilakukan melalui observasi, wawancara, literatur yang berupa jurnal, dan dokumentasi. Kesakralan kedua Pura ini tetap dijaga oleh Karma Penyunsung meskipun mulai dijadikan objek bagi wisatawan dari agama lain. Kata Kunci: Hindu-Bali; Pura Giri Natha; Pura Penataran Sasih. Abstract_ The Hindu holy place is a place or building sacred by Hindus or a place of worship for Hindus and commonly called Pura. Pura Giri Natha is one example of a Hindu place of worship in Makassar City, while Penataran Sasih Temple is one example of a temple in Bali. In terms of architecture, the two temples have several differences that will be explained in this study. The author conducts research on Pura Giri Natha and Pura Penataran Sasih to identify differences in physical forms that are implemented into the architecture. Research on Pura Giri Natha is based on the observations of researchers to reflect cultural phenomena related to Pura 2Giri Natha. Data collection is done through observation, interviews, literature in the form of journals, and documentation. The sacredness of this temple is still guarded by Karma Penyunsung even though it began to be used as an object for tourists from other religions.Keyword: Hindu-Bali; Giri Natha Temple; Penataran Sasih Temple.
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Kumar, Vinod. "Hindu Temple Architecture in India." Studies in Art and Architecture 3, no. 1 (March 2024): 26–34. http://dx.doi.org/10.56397/saa.2024.03.04.

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Religious edifices in India seems to have developed during the urban phase of Indus Sarasvati or Harappan civilization (3200-2600 BCE) and continuing afterwards, till the sixth century CE. The certain concepts of Gods and human beings have led to the emergence of temple as an architectural body. The relationship of Indus valley’s people with the God or gods can be surmised in conformity with the antiquarian remains discovered in archaeological excavations conducted at the sites of Indus Sarasvati Civilization during the several last decades.
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Suryono, Alwin, Sudianto Aly, Amirani RS RS, Irma Subagyo, and Yasmin Suriansyah. "Gambar Terukur Konteks Pelestarian Arsitektur Masjid Ki Buyut Trusmi Cirebon." Review of Urbanism and Architectural Studies 20, no. 2 (December 30, 2022): 121–31. http://dx.doi.org/10.21776/ub.ruas.2022.020.02.11.

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Several heritage buildings dating back the ancient history of the Ki Buyut Trusmi Cirebon site have been renovated and new buildings added. This paper aims to examine measured drawings related to the absence of original architectural documents. The method consists of field observation, expression of cultural meaning and significant architectural elements, as well as measured drawing studies. The heritage of Hindu-Javanese architecture has historical significance as a tomb complex based on an 1898 map, which is still in great demand by pilgrims. The significance of Hindu-Javanese architecture is related to the position of the mosque in the tomb complex, the gate leading to the complex, the complex gate, the barrier wall, and the complex fence. The manifestation of Javanese architecture can be found in the building of the mosque with a three-tiered roof, connected to the two-level roof porch, and a place for ablution on the north side. The social meaning is related to the traditional events of procession, roof changing, Trusmian and the commemoration of the birth of the Prophet Muhammad SAW which has been preserved until now. Measured drawings of the situation of the mosque and the plans of the building reveal that the appearance of the complex is strictly limited to the main prayer rooms (signifying Javanese architecture), not yet accompanied by gates and barrier walls (indicating Hindu-Javanese architecture), for historical-archaeological relics. The measured image of the main door of the mosque (amounting to a height of 152 cm) shows the tradition of bowing respectfully when entering the prayer room (signifying Javanese Architecture). Hindu-Javanese architectural elements should also be recorded in measured drawings.
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Mahajan, Pratiksha, and Ar Ajinkya Malokar. "Divine Craftsmanship: Understanding the Intersection of Science, Art and Religion in Indian Temple Construction." International Journal of Innovative Research in Engineering and Management 11, no. 3 (June 2024): 11–18. http://dx.doi.org/10.55524/ijirem.2024.11.3.3.

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Basic Every architectural style expresses a fundamental idea that is unique to a certain culture and time period. In this sense, the architecture of Indian Hindu temples represents the values of science, art, architecture, and culture in addition to serving as the home and site of devotion for God. Temple customs and practices have persisted throughout history and into the present, having a significant impact on the social and cultural life of the populace and upholding ancient Indian values. Hindu temple architecture has been significantly influenced by Hinduism and philosophy over the ongoing evolutionary process. For this reason, historical studies on Indian temple architecture and the ideas used in the construction of holy Hindu temples from ancient times have been highlighted by book collections, films, literary works, and theoretical study. The procedure involves the talents required for the construction of such buildings. These factors have highlighted the art, science, and philosophy that underpinned the construction of Hindu temples, which were the same in antiquity as they were in the past. the persistence of custom and science, which date back to the earliest human experiences.
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Rehman, Abdul, and Talib Hussain. "EXPRESSION OF PAYING TRIBUTE TO THE SAINT: DECORATIVE VOCABULARY ON THE TOMB OF AHMAD KABIR." Journal of Research in Architecture & Planning 10, no. 1 (June 30, 2011): 59–75. http://dx.doi.org/10.53700/jrap1012011_5.

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The recently discovered tomb of Ahmad Kabir1, situated east of village Chhata Pohar and west of village Jhandirwa near Dunyapur, Lodhran district (Figure 1) in Pakistan is unique in history of architecture in Pakistan (Hassan, Mahmood et. al. 2002, 15-18). The discovery of the tomb further strengthens the ideas of strong eastern Persian (mainly Islamic) and South Asian (inspired from Hindu and Buddhist tradition) relationship and their culmination into a new vocabulary of architecture emerged in the early thirteenth century This paper analyses these design elements for the first time in detail with reference to tomb architecture in Pakistan. In particular the Hindu religious design tradition and its assimilation in Muslim tomb has been rarely discussed adequately in any scholarship and therefore became focus of this paper. The paper is divided into three parts. The first part placed the tomb in its architectural context prevailing in the respective time. The second part discussed the Central Asian and Arab influence which was brought to the region during Ghaznavid and Ghorid period. The local Hindu and Buddhist art influences on the tomb are discussed in the third part. The architectural features of the tomb in relation to the other monuments of the region have been discussed in the last part. The paper finally concludes with importance of the tomb in the history of architecture in Pakistan and impact of meeting of eastern and western cultures and resultant new form in architecture. Key Words: Ghurid period architecture, architecture of Punjab, cultural impact on architecture, tomb architecture, early Islam in India.
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Rodriques ; Rahadhian P. Herwindo, Laurentius Nicholas. "COMPARISON OF FORMS AND TECTONICS OF OLD CLASSICAL ERA HINDU TEMPLE IN JAVA WITH HINDU TEMPLES OF PALLAVA ERA IN SOUTH INDIA." Riset Arsitektur (RISA) 4, no. 03 (May 30, 2020): 306–23. http://dx.doi.org/10.26593/risa.v4i03.3934.306-323.

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Abstract- Hindu temples in Java and Hindu temples in South India, often receive attention in the world of architecture due to the similarity of the Dravidian Architecture style of the temple in both places. The similarities are marked by the shape of a layered pyramid roof, yet it is not exactly similar if we observe all the architecture features and elements. The author tries to simplify the comparison of form and tectonics as seen from the general tectonic division of a building which are the feet, body and head. From the findings, it can be concluded that there are similarities in the 'basic idea' or 'initial image' of Hindu temple buildings in both places. However, after careful review of the form and tectonics in both places, they have their own unrelated characteristics. This study shows a unique relationship between the architecture of the Javanese Hindu Temple and South India where the relationship that occurs cannot be said to be one of the parties influencing the other party or vice versa. The findings from this study actually show the thick characteristics of each place. The distinguishing factor could be due to differences in nature, preferences, culture or technology at the two locations in that era. Even though Hinduism is a religion that originated from India, it seems that in terms of architecture it cannot be said that Javanese copied Indian Hindu architecture. This research shows that the architecture of Hindu temples has a common thread that binds to its basic principles, but the results of design processing will differ depending on the context and design. Key Words: temple, temple, Hindu, Javanese, South Indian, Form, Tectonic
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Jain, Unnati. "Unveiling the Architectural Heritage of Gujarat from 600-1700 CE." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 08, no. 06 (June 20, 2024): 1–5. http://dx.doi.org/10.55041/ijsrem35733.

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Gujarat's architecture is rich in cultural diversity & iconicity. Through this research, we will understand the evolution of Gujrat’s architecture from (600 CE to 1700 CE). It reveals the cultural and historical influence in molding the traditional architectural styles and techniques of Gujrat. This era reveals architectural marvels that symbolize prestige, religious fervors, and power. The influence of Jain, Hindu, Islamic, and Buddhist architectural elements highlights the diverse cultural heritage of Gujarat. Understanding Gujarat's cultural identity and preserving this architectural legacy are important. Key Words: Architectural Heritage, Cultural Identity, Medieval Period, Indo-Islamic Architecture
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Hardy, Adam. "Hindu Temples and the Emanating Cosmos." Religion and the Arts 20, no. 1-2 (2016): 112–34. http://dx.doi.org/10.1163/15685292-02001006.

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A recurrent idea in Indian philosophical, theological, and mythological systems is that of a universe manifested through a sequence of emanations. Diverse traditions of doctrine and practice share this vision of the progression from the one to the many. Temple designs often embody the same pattern. Within the diverse traditions of Indian temple architecture, an emanatory scheme is observable both in the formal structure of individual temple designs, which express a dynamic sequence of emergence and growth, and in the way in which temple forms develop throughout the course of such traditions. The canonical Sanskrit texts on architecture (Vastu Shastras) share this emanatory way of thinking, presenting varied temple typologies in which designs develop from simple to complex, emerging sequentially one from another. These texts provide a framework for design that demands interpretation and improvisation, while leading to results that are only partly determined by the individual architect. This contributes to a sense, powerfully established by the unfolding potential of the tradition of architectural practice, that a new temple design is svayambhu (self-manifesting) appearing through a cosmic process from a supra-human source.
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Idham, Noor Cholis. "JAVANESE ISLAMIC ARCHITECTURE: ADOPTION AND ADAPTATION OF JAVANESE AND HINDU-BUDDHIST CULTURES IN INDONESIA." JOURNAL OF ARCHITECTURE AND URBANISM 45, no. 1 (February 1, 2021): 9–18. http://dx.doi.org/10.3846/jau.2021.13709.

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Javanese Islamic architecture appears to be highly influenced by previous cultures, even though Islam has brought a new civilisation since the 13th century in Indonesia. The classical mosques and houses seem to follow Javanese and Hindu-Buddhist principles in their buildings, elements and spatial arrangements. This paper examines how the Javanese adapted their architecture to meet Islamic values while preserving their previous traditions. The concept of architectural synchronisation in Javanese architecture is examined from the traces observed in the temple dioramas, depictions of contemporary cultural products, and several traditional buildings. The adoptions and adaptations that appear in some significant objects such as old mosques and houses are traced back to previous transformation principles. Architectural harmonisation for new needs seemingly bases on religion as the most potent driving aspect. However, what is interesting is that in the case of Java, embracing a new religion does not mean forgetting existing traditions. On the other hand, the principle of acculturation has created a peaceful transition in architecture. Some evidence suggests that Javanese high culture, such as the classical grand mosque and the joglo house, succeeded in translating Javanese and Hindu-Buddhist ideas into Islamic architecture in very distinctive ways.
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Meister, Michael W. "Measurement and Proportion in Hindu Temple Architecture." Interdisciplinary Science Reviews 10, no. 3 (January 1985): 248–58. http://dx.doi.org/10.1179/isr.1985.10.3.248.

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Dissertations / Theses on the topic "Hindu architecture"

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Smythies, Adrian Greville. "The architecture and iconography of the Hindu temple in Eads, Tennessee." Birmingham, Ala. : University of Alabama at Birmingham, 2006. http://www.mhsl.uab.edu/dt/2006m/smythies.pdf.

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Desai, Ankur V. "The Art and Architecture of the BAPS Svāminārāyaṇa Hindu Tradition." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1546612172252719.

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Tillotson, G. H. R. "Rajput Palace architecture : A study of the development of a style, 1450-1750." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.377212.

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Branfoot, Crispin Peter Carre. "The Nayak Temple complex : architecture and ritual in Southern Tamilnadu 1550-1700." Thesis, SOAS, University of London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298287.

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Rothfarb, Ed. "The architecture of Raja Bir Singh Dev of Orchha (r. 1605-1627) continuity, adaptation and invention /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=2024771351&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Kim, Bo-Young. "Indefinite boundaries reconsidering the relationship between Borobudur and Loro Jonggrong in Central Java /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467888511&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Himmel, Heiko Erich. "Most Alive, Most Dead." Diss., University of Pretoria, 2018. http://hdl.handle.net/2263/63651.

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Finding spatial solutions to insularity, space shortage and loss of value in a rapidly changing urban cemetery and context by investigating new relationships between the sacred and profane
Mini Dissertation (MArch(Prof))--University of Pretoria, 2018.
Architecture
MArch(Prof)
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Beitmen, Logan R. "Neuroscience and Hindu Aesthetics: A Critical Analysis of V.S. Ramachandran’s “Science of Art”." FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1198.

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Neuroaesthetics is the study of the brain’s response to artistic stimuli. The neuroscientist V.S. Ramachandran contends that art is primarily “caricature” or “exaggeration.” Exaggerated forms hyperactivate neurons in viewers’ brains, which in turn produce specific, “universal” responses. Ramachandran identifies a precursor for his theory in the concept of rasa (literally “juice”) from classical Hindu aesthetics, which he associates with “exaggeration.” The canonical Sanskrit texts of Bharata Muni’s Natya Shastra and Abhinavagupta’s Abhinavabharati, however, do not support Ramachandran’s conclusions. They present audiences as dynamic co-creators, not passive recipients. I believe we could more accurately model the neurology of Hindu aesthetic experiences if we took indigenous rasa theory more seriously as qualitative data that could inform future research.
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Illi, Dieter Walter. "Das Hindukush-Haus : zum symbolischen Prinzip der Sonderstellung von Raummitte und Raumhintergrund /." Stuttgart : Steiner Verl. Wiesbaden, 1990. http://catalogue.bnf.fr/ark:/12148/cb366582671.

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Benson, Martin L. "Beginner's Mind." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2365.

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My art distills my relationship to spirituality, digital culture, and the practices and side-effects therein, into a simplified visual language. The work manifests in the form of paintings, drawings, and light sculptures. Meditation and mindfulness training are a large part of my influence and interests. I often wonder how mindfulness practice can be mirrored in my artwork, not only in my process for creating the work, but also with what the resulting imagery does for the viewer. My intention is to provide an art form that invites one to look and experience one’s own capacity to observe, without the need for immediate intellectualization. I wish to offer people an opportunity to focus their attention on the phenomenological sensations that emanate from the art, to take a step back from the conceptual part of the mind, and step into a part that’s more fundamental to our moment to moment reality.
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Books on the topic "Hindu architecture"

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Daigorō, Chihara. Hindu-Buddhist architecture in Southeast Asia. Leiden: E.J. Brill, 1996.

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Raz, Ram. The architecture of the Hindus. New Delhi: Aryan Books International, 2016.

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Rao, Saligrama Krishna Ramachandra. Art and architecture of Indian temples. Bangalore: Kalpatharu Research Academy, 1993.

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Sahai, Surendra. Indian architecture: Hindu, Buddhist, and Jain. New Delhi: Prakash Books, 2006.

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Padam, Ashok. Vāstu: Reinventing the architecture of fulfillment. Dehradun: Management Pub. Co., 1998.

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Puri, B. B. Applied vastu shastra in modern architecture. New Delhi: Vastu Gyan Publication, 1997.

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Manoj, G. Temple architecture of South India (Salem region). Delhi, India: Bharatiya Kala Prakashan, 2017.

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Reddy, A. K. V. S. Contribution of Andhra epigraphy to temple architecture. Delhi, India: Eastern Book Linkers, 1997.

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Rao, D. Muralidhar. Vaastu shilpa shaastra. Bangalore: S.B.S. Publishers Distributors, 1995.

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Annaladāsa, Devīdāsa Pośeṭṭī. Vāstuvaibhava. 3rd ed. Puṇe: Sarasvatī Grantha Bhāṇḍāra, 1996.

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Book chapters on the topic "Hindu architecture"

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Viswanathan, Indu, and Sumita Ambasta. "Sthapatya Shiksha: Hindu Temple Architecture Education." In Contemporary Issues in Technology Education, 121–36. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-1396-1_8.

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Branfoot, Crispin. "Tirthas, temples and the architecture of Hindu pilgrimage." In The Routledge Handbook of Hindu Temples, 197–217. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003097709-15.

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Kumar, A., T. Choudhary, M. Dua, and M. Sabharwal. "Hybrid End-to-End Architecture for Hindi Speech Recognition System." In Algorithms for Intelligent Systems, 267–76. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-5747-4_23.

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Bhatt, Rajesh, and Stefan Keine. "Tense and the Realization of the Feminine Plural in Hindi-Urdu." In Perspectives on the Architecture and Acquisition of Syntax, 49–76. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4295-9_3.

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Lahiri, Utpal. "Binding Theory, Scope Reconstruction, and NPI Licensing Under Scrambling in Hindi." In Perspectives on the Architecture and Acquisition of Syntax, 183–94. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4295-9_9.

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Manzar, Nishat. "Transformation of a “Hindu” City into a “Muslim” Capital? Factual and Fabled Mohammadabad Champaner under the Sultans of Gujarat." In Art and Architectural Traditions of India and Iran, 120–31. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003229421-11.

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Prabhudesai, Arya. "Generation of Hindi Word Embeddings and Their Utilization in Ranking Documents Using Negative Sampling Architecture, t-SNE Visualization and TF-IDF Based Weighted Average of Vectors." In Advances in Intelligent Systems and Computing, 279–88. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-16681-6_28.

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Vinod, Hrishikesh D., and Satish Y. Deodhar. "Hindu Economic Ethics." In The Oxford Handbook of Religion and Economic Ethics, 5–41. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780192894328.013.1.

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Abstract Hinduism is shaped by the four objectives of life (purusharthas), achieved in the context of four stages of life (ashramas), four vocations of life (varnas), and four branches of knowledge (vidyas). Dharma signifies ethical actions in harmony with the eternal laws of the universe. Ancient treatises such as the Vedas, Upanishads, Ramayana, Mahabharata, and Puranas contain narratives explaining the consequences of right and wrong paths in pursuit of productive economic life. Kautilya wrote on the science of economics titled Arthashastra circa 350 bce. Law books such as Manu-Smriti, Yajnavalkya-Smriti, and a liberal digest on it by Lakshmi Devi affected the way of life on the Indian subcontinent, including worship of deities, divinity tiers, property rights of economic agents, and concept of varna. The law books remained relevant during the Muslim and British rule and post-independence India. This chapter explains how Hindu economics respects all creatures. Hindu teachings have a non-dogmatic open architecture, remain relevant, and are characterized by democratic values, global capitalism, and sustainability.
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Baumann, Martin, and Annette Wilke. "The Hindu Temple in the Diasporas." In Hindu Diasporas, 304–27. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198867692.003.0014.

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Abstract Hindu temples in diaspora serve ritual, cultural, social, communal, and representational functions. These temples were founded by the great number of Hindu immigrants from South Asia and by converts to Hindu guru movements. The variety of Hindu temples in the diaspora is as multifarious as it is in South Asia, with temples displaying regional backgrounds, sectarian traditions, and saṃpradāyas of Hindu communities. While the majority of diaspora temples are located in converted factory halls, disused schools, and community centres, since the late twentieth-century purpose-built temples in South Asian architecture with domes, towers, and painted walls have emerged. These enable an emotional and sensory-aesthetic feeling of Hindu religion, and serve as places of pride, self-esteem, and representation of the Hindu minority. Different organizational models are employed in running a temple, some involving transnational networks. To the most incisive diasporic innovations belong the membership status and fees to finance the temple. Ritual changes involve shifting major pūjās and festivals to weekends instead of rigorously following astrologically fixed dates. Important social changes are new roles for priests and the increased empowerment of women in ritual practices and social functions. In general, the temples take on new social functions by providing common meals, Sunday schools, cultural classes, etc. They acquire a multifunctional character and become a place for community building. Congregational rituals were set up in many temples, some of them developing a universal or pan-Hindu orientation, being deliberately multi-ethnic and non-sectarian. Overall, diasporic temple cultures aim and manage to strike a balance between strategies of religious authenticity and of adaptation and innovation.
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Ebrahimi, Sara Honarmand. "Female Missionaries and the Architecture of Women’s Hospitals." In Emotion, Mission, Architecture, 148–81. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474486576.003.0005.

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The issue of gaining trust was relevant to activities of both male and female missionaries, but female missionaries were seen as better suited for this task. This chapter highlights female missionaries’ involvement in the design process of the hospitals. A particular concern of the chapter is Dr Minnie Gomery, who was responsible for designing the Islamabad (Anantnag) hospital. Furthermore, the chapter shows that female medical missionaries did not universally and uniformly seek to modernise and enlighten women. This point is nowhere more evident than in the architecture of the medical missions. A specific type of hospital architecture, known as the ‘Purdah hospital’, was developed specifically for women according to what missionaries understood as Muslim and Hindu rules.
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Conference papers on the topic "Hindu architecture"

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Afzhool, Nadereh, and Ayten Özsavas Akçay. "Influence of the Hinduism Religion on Architectural Identity of Hindu Temple." In 5th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 11-13 May 2022. Alanya Hamdullah Emin Paşa University, 2022. http://dx.doi.org/10.38027/iccaua2022en0231.

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Architecture is a process, result of design and conception of needs and means. Chronicles demonstrate religious architecture has been beginning many centuries ago. Religion indirect ways impact every single part of the supporters' architecture life. In Hinduism , devotee has natural connection to the divine, so Hindu architecture temples are based on this standard, have constant plan from existence which is called mandala diagram , made of one square divided into eighty-one smaller squares, describes environmental negative and positive energy and God is middle of big square, each part of God shows different energy and related to the special architectural space, and elements position which is effect on circulation space of the temple , Aim of this paper tries to figure out effect of Hinduism religion on architectural identity of Hindu temple. The study will show how Hindu temples are shaped by Hinduism God from architectural point of view.
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Pertiwi, Ayu Ratna, Hardiyati, and Yosafat Winarto. "Evolution of Hindu–Buddhist Architectural Ornaments Into Javanese Traditional Architecture: Case Study of Sewu Temple." In 4th International Conference on Arts Language and Culture (ICALC 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200323.017.

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Alfan, EmptyYN="Y", D. Beynon, and F. Marcello. "Changing a Hindu temple into the Indrapuri Mosque in Aceh: the beginning of Islamisation in Indonesia – a vernacular architectural context." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160081.

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Pawar, Vikram, Kimaya Keluskar, and Malini Rajlakshmi. "Conservation of caves cut in volcanic breccia, Jogeshwari, Mumbai." In IABSE Congress, New Delhi 2023: Engineering for Sustainable Development. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2023. http://dx.doi.org/10.2749/newdelhi.2023.0356.

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Abstract:
<p>Jogeshwari caves (5th century CE) marks the transition from Buddhist rock-cut to Hindu rock-cut architecture. It is a predecessor to Elephant and Ellora. Most of the finer features of carvings have not been able to survive thanks to the softer and erodible volcanic breccia. Further complicating the conservation effort is the reinforced concrete retrofits done in the earlier part of the 20th century and the drains emanating from the informal settlements, which had proliferated around the caves.</p><p>Conservation of such sites require multiple expertise including civil, structural, geological and environmental. The paper outlines the research and documentation process, presents the documentation, which has used representational and analytical tools like BIM; identifies the concerns/ issues and suggests the possible conservation approaches. Strategies and methods developed for conservation of these caves would also lead to a more reliable approach in the conservation of similar sites. The subject calls for further research and awareness within the engineering and architectural pedagogy and profession.</p>
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Vengerova, Marina E. "Branding Identity in Architecture: Christian Churches of Ancient Russia, Hindu Temples of India, and Company Offices of the 21st Century." In Proceedings of the 2019 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ahti-19.2019.15.

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Parihar, Anil Singh, Aditya Kaushik, Aditya Vikram Choudhary, and Amit Kumar Singh. "HTGAN: An architecture for Hindi Text based Image Synthesis." In 2021 5th International Conference on Computer, Communication and Signal Processing (ICCCSP). IEEE, 2021. http://dx.doi.org/10.1109/icccsp52374.2021.9465527.

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Antony, Ansen, Sumanth Reddy Kota, Akhilesh Lade, Spoorthy V, and Shashidhar G. Koolagudi. "An Improved Transformer Transducer Architecture for Hindi-English Code Switched Speech Recognition." In Interspeech 2022. ISCA: ISCA, 2022. http://dx.doi.org/10.21437/interspeech.2022-10763.

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