Relevant bibliographies by topics / Hindu Fables

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Academic literature on the topic 'Hindu Fables'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Hindu Fables"

1

Istari, Rita. "MOTIF HIAS PADA PELIPIT CANDI." Berkala Arkeologi 33, no. 1 (2013): 67–78. http://dx.doi.org/10.30883/jba.v33i1.6.

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Decorative motifs found in Hindu and Buddhist temples, usually are depicted on almost all parts of buildings. Decorative motif in the form of reliefs consisted of geometric ornaments, nature, plants, animals, and humans. Relief there is a series of panels connected to one another with stories taken shadow-play epic. Fables are also often depicted. Stories with animals as the main character containing morale for human’s life. Temple has 3 main parts, namely the base, body, and roof of the temple. In addition there is also a section called cornice and plinth. This serves as a separator between t
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Santosh, Suman1, and Madhvi Kumari2 Dr. "Setting Device In Mulk Raj Anand's Short Stories." 'Journal of Research & Development' 15, no. 9 (2023): 19–23. https://doi.org/10.5281/zenodo.7943495.

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As a writer Anand’s avowed aim has been to relieve man of his burden–to help him evolve through his suffering to become the “whole man”. As “folklore is integral to the life-pattern of a people”, in it he finds answers to questions of human predicament arising from a variety of factors: a rigid pattern of relationships, widowhood, casteism, classism, faulty texture of education and man’s petty foibles. Anand has been thoroughly acquainted with the folk tale from and despite its simplicity has found it highly communicative. This convinced him that the s
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3

Sharma, Yam Prasad. "Nepali Paintings: A Departure From Religious Contents to Secular Subject Matters." Tribhuvan University Journal 36, no. 01 (2021): 85–95. http://dx.doi.org/10.3126/tuj.v36i01.43582.

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Traditional Nepali paintings are religious since they are based on Hindu and Buddhist myths. Manuscript illuminations and paubhas, the examples of religious paintings, have magical and mystical contents. Characters of myths have been portrayed and mythical stories have been narrated in visual form. There are a series of changes from traditional Nepali paintings to contemporary works. In painting, secular elements are introduced through didactic visual narratives from Hitopadesha manuscript. The moral lessons are taught through animal fables. Early paubhas are fully religious but later paubhas
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Nezad, Soleimani Soheila, Reza Ashrafzadeh, and Taghavi Behbahani Majid. "ETHICAL AND DIDACTIC TEACHING IN "ONE THOUSAND AND ONE NIGHTS"." Revista Científica Orbis, m Especial Internacional (año 15) (July 5, 2023): 101–12. https://doi.org/10.5281/zenodo.8115301.

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The objective of the investigation is to determine the ethical-didactic teachings in the allegorical tales (fables) of "one thousand and one nights". This is a qualitative research conducted by content analysis method and data obtained by deductive analysis method. This study was conducted to investigate those stories that their main characters are animals. According to the aforementioned definitions, we can find 12 fables in this work that are addressed in a narrative style and have Hindi origin.
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Kadam, Dipali M. "Diasporic consciousness in contemporary Indian women’s fiction in English: at a glance." RUDN Journal of Studies in Literature and Journalism 27, no. 3 (2022): 532–40. http://dx.doi.org/10.22363/2312-9220-2022-27-3-532-540.

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Diasporic literature is a pivotal term in literature that includes the literary works of the authors who are the outsiders for their native country but their work is deeply rooted in homeland by reflecting native culture, background, displacement and so on. Indian women’s literary work is at the forefront of diasporic literature. The advent of Indian women novelists on the literary horizon is an important development in the Indian English literature. These women writers have also contributed to other genres, such as drama, poetry and short stories, not only in English but also in regional lang
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Malviya, Mukesh, and Nina Bhatt. "Fungsu." Plant Perspectives 1, no. 1 (2024): 204–11. http://dx.doi.org/10.3197/whppp.63845494909713.

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Set in a tiny village school near Betul, in the Satpura hills of Madhya Pradesh, this story grows out of the jungles of central India, from a region predominantly inhabited by the Gond Adivasi tribe. It narrates the rescue of a palm tree from flood waters by a group of students and offers a window into the life of plants in rural India and their relationships with its inhabitants. The anecdote, related by a school teacher, straddles the space between writing about ecology, language and teaching, with few pretensions to theories of education or conservation, but with a lightness of touch and a
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Seiler, Cotten. "Racing Mobility, Excavating Modernity." Transfers 6, no. 1 (2016): 98–102. http://dx.doi.org/10.3167/trans.2016.060108.

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Th e diversity of methodologies, theoretical orientations, geographical settings, and disciplinary perspectives in this special issue of Transfers testifi es to a dual arrival—that of race as a key category of inquiry in mobility studies, and of mobility as a crucial practice in analyses of what scholars in the humanities and social sciences call the social construction of race. Drawing on poststructuralist and critical race theory, refl exive ethnographic methods, and scholarship in literary studies, sociology, and the history of technology, these essays illustrate the versatility of the mobi
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NGOYI, Guy Noé. "La représentation des animaux chez Alain MABANCKOU." Cahiers Africains de Rhétorique 3, no. 1 (2025): 94–111. https://doi.org/10.55595/60v4pa63.

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Nous nous proposons d’étudier la représentation des animaux dans les romans d’Alain Mabanckou. Ils sont de diverses espèces et constituent le fondement même des textes littéraires. Leur récurrence et leur rémanence permettent au lecteur avisé d’observer le mauvais comportement de l’homme en société. Certains animaux ont trait à la fable ou à la mythologie antique, aux totems protecteurs d’un individu, d’un clan, d’une famille ; d’autres renvoient au bestiaire sauvage et domestique. Ils servent tous à peindre les vices de l’homme, à les corriger. La méthode thématique permet de relever la puiss
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Xu, Ye, Christopher H. Dietrich, and Dao-Zheng Qin. "A key to genera of Dikraneurini from China, with description of a new species of Cornicola Ohara & Hayashi (Hemiptera, Cicadellidae, Typhlocybinae)." ZooKeys 1145 (February 6, 2023): 191–200. https://doi.org/10.3897/zookeys.1145.94800.

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The leafhopper genus Cornicola Ohara & Hayashi, previously recorded from Japan, is recorded from China for the first time and a new species, C. maculatus Xu, Dietrich & Qin, sp. nov., is described and illustrated, including its color polymorphism. This genus has male genitalia and hind wing venation similar to those found in Empoascini but it is more appropriately placed in Dikraneurini. A key to species of Cornicola is given together with a key to the genera of Dikraneurini from China.
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Kumar, Mr Rabichandan. "The Waste Land by T.S. Eliot as a modern epic." International Journal of English Literature and Social Sciences 7, no. 5 (2022): 225–27. http://dx.doi.org/10.22161/ijels.75.35.

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‘The Waste Land’, of course by T. S. Eliot has been treated as the magnum opus of T. S. Eliot on account of its big canvas, wide range of themes, saga of suffering, with epic grandeur. It concludes with an optimistic note- “ Shantih, Shantih, Shantih'' as well as “Da, Datta, Dayadhvam'' The mental journey from ‘The Burial of the Dead’ to ‘What the Thunder Said’ via ‘A Game of Chess’, ‘The Fire Sermon’ and Death by Water’ undertaken by Tiresias symbolizes the journey of the Christiana in John Bunyan’s ‘Pilgrim’s Progress. In Spite of this, the complexity of theme prompted a sensitive Hindi poet
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Books on the topic "Hindu Fables"

1

Edgerton, Franklin. The Hindu beast fable in the light of recent studies. Gorgias Press, 2009.

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Ming, Li. Hanuman. Tricycle Press, 2004.

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3

Niekerk, Mies van. De krekel en de mier: Fabels en feiten over maatschappelijke stijging van Creoolse en Hindoestaanse Surinamers in Nederland. Het Spinhuis, 2000.

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4

Gābā, Om Prakāśa. Sandarbhamūlaka śabdakośa =: Sandarbh-mulak shabd-kosh : Hindi-English dictionary of phrase and fable, including symbolic and idiomatic expressions. Bī. Āra. Pabliśiṅga Kārporeśana, 1986.

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Gābā, Om Prakāśa. Sandarbhamūlaka śabdakośa =: Sandarbh-mulak shabd-kosh : Hindi-English dictionary of phrase and fable, including symbolic and idiomatic expressions. Bī. Āra. Pabliśiṅga Kārporeśana ; New Delhi : Distributed by D.K. Publishers' Distributors, 1986.

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6

Moral fables from Hindu mythology. Tirumala Tirupati Devasthanams, 2009.

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7

Hindu fables from the Vedas to Vivekananda. Juggernaut, 2017.

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8

Edgerton, Franklin. Hindu Beast Fable in the Light of Recent Studies. Gorgias Press, LLC, 2009.

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9

Aesop. ईसप की दंतकथाएं: Aesop's Fables, Hindi edition. Baagh Press, 2021.

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10

Greene, Joshua M., and Erik Jendresen. Hanuman. Tricycle Press, 2004.

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Book chapters on the topic "Hindu Fables"

1

Manzar, Nishat. "Transformation of a “Hindu” City into a “Muslim” Capital? Factual and Fabled Mohammadabad Champaner under the Sultans of Gujarat." In Art and Architectural Traditions of India and Iran. Routledge India, 2021. http://dx.doi.org/10.4324/9781003229421-11.

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Augustine, Matthew C. "‘Transprosing and Transversing’: religion, revolution, and the end of history in Dryden’s late works." In Aesthetics of contingency. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526100764.003.0006.

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Notwithstanding its reputation as a secular age, the Restoration was notable for its religious converts, not least its most famous pair of writers, Lord Rochester and the Stuart laureate John Dryden. This chapter explores the development of Dryden’s art in the wake of his conversion to Rome in 1685 and the subsequent failure of Stuart rule. Its theme is ‘transprosing and transversing’, as Dryden and his contemporaries referred to the transformation of one kind of text into another. Dryden’s late work of fable and translation represents an extensive body of transversive writing – one that reson
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3

Vescovi, Alessandro. "Chapter 7 - Learning from the Paradigmatic South: Amitav Ghosh’s The Living Mountain as a Parable of Environmental Resistance." In Reframing Souths. Milano University Press, 2025. https://doi.org/10.54103/milanoup.213.c410.

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Amitav Ghosh’s short story The Living Mountain is here seen as a parable ap- pended to his previous Nutmeg’s Curse. The essay discusses the literary genre to which the story belongs, whether fable, as the subtitle suggests, or myth, high- lighting its relations with pop music, Western philosophy, and Hindu beliefs. Eventually, though much simpler in its structure, the short story may gesture towards a new way of perceiving the opposition North vs. South, as an opposi- tion of epistemic paradigms rather than a territorial question.
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"III.—THE HINDU BEAST FABLE IN THE LIGHT OF RECENT STUDIES." In The Hindu Beast Fable in the Light of Recent Studies. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463222437-001.

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"AMERICAN JOURNAL OF PHILOLOGY: I.—THE HINDU BEAST FABLE IN THE LIGHT OF RECENT STUDIES PART II." In The Hindu Beast Fable in the Light of Recent Studies. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463222437-002.

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"Frontmatter." In The Hindu Beast Fable in the Light of Recent Studies. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463222437-fm.

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Keymer, Thomas. "1660–1700 Faint Meaning: Dryden and Restoration Censorship." In Poetics of the Pillory. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198744498.003.0001.

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This chapter uses Dryden’s poetry as a case study through which to explore the practical dynamics and literary consequences of censorship across the Restoration period (1660–1700). Though normally seen as a securely established Stuart loyalist—the right place to start, though too crude a category for a poet of his agility, complexity, and irony—Dryden had to navigate political conditions of great instability throughout his career, and was in opposition at key points. Genres considered include elegy, panegyric, mock panegyric, topical application tragedy, fable, and classical translation; texts
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