Log in

Relevant bibliographies by topics / Hinduism and contemporary art / Journal articles

To see the other types of publications on this topic, follow the link: Hinduism and contemporary art.

Journal articles on the topic 'Hinduism and contemporary art'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Hinduism and contemporary art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Mohan, Urmila. "Clothing as Devotion in Contemporary Hinduism." Brill Research Perspectives in Religion and the Arts 2, no. 4 (2018): 1–82. http://dx.doi.org/10.1163/24688878-12340006.

Full text

Abstract:

AbstractIn Clothing as Devotion in Contemporary Hinduism, Urmila Mohan explores the materiality and visuality of cloth and clothing as devotional media in contemporary Hinduism. Drawing upon ethnographic research into the global missionizing group “International Society for Krishna Consciousness” (ISKCON), she studies translocal spaces of worship, service, education, and daily life in the group’s headquarters in Mayapur and other parts of India. Focusing on the actions and values of deity dressmaking, devotee clothing and paraphernalia, Mohan shows how activities, such as embroidery and chanti

APA, Harvard, Vancouver, ISO, and other styles

2

Tøllefsen, Inga. "Art of Living." International Journal for the Study of New Religions 2, no. 2 (2011): 255–79. http://dx.doi.org/10.1558/ijsnr.v2i2.255.

Full text

Abstract:

This article investigates the Art of Living movement both globally and locally, focusing especially on the movement in Norway, and in its founding country India. Art of Living is localized as a New Religious Movement (NRM) within the larger framework of Hinduism and contemporary new religiosity. I trace the movement’s key practices and the courses and initiatives they offer, as well as presenting a short biography of the movement’s founder Sri Sri Ravi Shankar. A selection of the most important legitimization strategies utilized by the Art of Living are discussed, along with an analysis of Rav

APA, Harvard, Vancouver, ISO, and other styles

3

Hume, Lynne. "Clothing As Devotion In Contemporary Hinduism." Material Religion 16, no. 4 (2020): 520–21. http://dx.doi.org/10.1080/17432200.2020.1794610.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Yusof, Abdullah, Aizan Hj Ali @. Mat Zin, and Ahmad Faisal Abdul Hamid. "Islamic Nuance in Decorative-Ornament Architecture Art in Nusantara." International Journal of Nusantara Islam 2, no. 1 (2014): 95–104. http://dx.doi.org/10.15575/ijni.v2i1.51.

Full text

Abstract:

The advent of Islam in Nusantara sparked new phenomena or changing not only in structure of building construction of religious places, residency and houses but also ornaments and decoration expressing value of beauty of that building. The result of this research tries to reveal how far Islamic influence is working without undermining local aspects of architecture and how Islamic architecture was influenced by other characters in ornament and decorative-ornament artwith various design and sense. Islamic nuances are substantially showed in traditional and contemporary mosque architecture, gravey

APA, Harvard, Vancouver, ISO, and other styles

5

Vidal, Denis. "When the Gods Drink Milk! Empiricism and Belief in Contemporary Hinduism." South Asia Research 18, no. 2 (1998): 149–71. http://dx.doi.org/10.1177/026272809801800203.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Schnepel, Cornelia. "Bodies Filled with Divine Energy: The Indian Dance Odissi." Paragrana 18, no. 1 (2009): 188–99. http://dx.doi.org/10.1524/para.2009.0012.

Full text

Abstract:

AbstractThis article is based on interviews made with gurus and dancers in Orissa, East India. The Odissi, a classical dance which stands at the centre of attention here, is a mixture of centuries-old traditions and relatively new influences, or even inventions. By discussing the dance′s history, its aesthetic qualities and, most importantly, the emic points of view of contemporary practitioners of the dance, it is shown that today′s Odissi is based on ideas and practices that stem as much from old Sanskrit writings and late-medieval temple practices as they do from the contemporary realms

APA, Harvard, Vancouver, ISO, and other styles

7

Sucitra, I. Gede Arya. "Transformasi Sinkretisma Indonesia dan Karya Seni Islam." Journal of Urban Society's Arts 2, no. 2 (2015): 89–103. http://dx.doi.org/10.24821/jousa.v2i2.1446.

Full text

Abstract:

Tulisan ini membahas aspek sosio-historis dan pencapaian kebudayaan pada masa peradaban seni (rupa) Hindu dan Islam di Indonesia, perkembangan terkini seni rupa kontemporer Islami, dan karya seni KH. M. Fuad Riyadi, seniman dan Kyai Kontemporer yang aktif sebagai pelaku kesenian dalam seni sastra, musik dan seni rupa. Karya seni selalu merupakan cerminan pengamatan serta perasaan dan pikiran pembuatnya. Karya seni terlahir dari proses pergulatan panjang yang kompleks atas berbagai unsur kebudayaan yang saling mempengaruhi. Pada tahapan ini terjadilah transformasi budaya melalui proses sinkreti

APA, Harvard, Vancouver, ISO, and other styles

8

Simoncelli, Adriana. "Dance in Indian culture: A cosmic manifestation of divine creation and a path to liberation." Dziennikarstwo i Media 15 (June 29, 2021): 15–25. http://dx.doi.org/10.19195/2082-8322.15.2.

Full text

Abstract:

Dance is a human cultural activity aimed at non-verbal emotional communication, mentioned for the first time in the circle of European culture by Homer in the Iliad (8th/7th century BC). In Indian culture — the most extensive one of four contemporary civilizations of antiquity (next to Egyptian, Mesopotamian, and Chinese), whose cradle is the Indus Valley Civilization — the first material evidence of the presence of dance is dated between 2300–1750 BC. It is a bronze statuette of a dancing girl, making us aware of the fact that this type of activity has accompanied people since the dawn of tim

APA, Harvard, Vancouver, ISO, and other styles

9

Mokashi-Punekar, Rohini. "Contemporary Hinduism." South Asian Diaspora 9, no. 1 (2016): 108–10. http://dx.doi.org/10.1080/19438192.2016.1228621.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Bosmia, Anand N., Terence M. Zimmermann, Christoph J. Griessenauer, R. Shane Tubbs, and Eben L. Rosenthal. "Nasal Myiasis in Hinduism and Contemporary Otorhinolaryngology." Journal of Religion and Health 56, no. 4 (2014): 1263–81. http://dx.doi.org/10.1007/s10943-013-9817-8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Aktor, Mikael. "Contemporary Hinduism, written by P. Pratap Kumar." Numen 62, no. 5-6 (2015): 661–64. http://dx.doi.org/10.1163/15685276-12341398.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Pham, Manh Duc. "Dong Son Imprints in the South of Vietnam (research summary)." Science and Technology Development Journal 17, no. 4 (2014): 13–35. http://dx.doi.org/10.32508/stdj.v17i4.1562.

Full text

Abstract:

In the paper, the author reviews the most recent important archaeological discoveries with Dong Son bronze drums (Heger I) found from Highlands (Kontum, Gia Lai, DakLak, Lam Dong provinces), Southern Part of Central Vietnam (Quang Nam, Quang Ngai, Binh Dinh, Phu Yen, Khanh Hoa provinces) and Southern Vietnam (Binh Dương, Binh Phuoc, Ba Ria-Vung Tau, Ben Tre, Kien Giang provinces). The author points out “key sites” in the South Vietnam – the typical sites and artifacts most lively showing “the convergance of Indigenous - Exogenous culture” in ancient villages, workshops for metallurgy, cemeteri

APA, Harvard, Vancouver, ISO, and other styles

13

Lucia, Amanda. "Innovative Gurus: Tradition and Change in Contemporary Hinduism." International Journal of Hindu Studies 18, no. 2 (2014): 221–63. http://dx.doi.org/10.1007/s11407-014-9159-5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Kesarwani, Sachin. "IN THE CONTEXT OF CONTEMPORARY INDIAN ART-CONTEMPORARY ART." International Journal of Research -GRANTHAALAYAH 7, no. 11 (2019): 281–84. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3755.

Full text

Abstract:

English: The overall development of art is part of the historical, social process. The artist establishes new dimensions through innovative experiments. In present times, not only in India but in the whole world, experimentism can be clearly marked. As change is a continuous process that exists from time to time in which the prevailing beliefs go on being accepted by generations. But a thoughtful conscious community rejects those beliefs and leads the society towards a new direction and new values. This is where change starts, as fast as the meanings of life are changing, the art is changing a

APA, Harvard, Vancouver, ISO, and other styles

15

Jean-François, Emmanuel Bruno. "Creolization, Hinduism, and Re-Worlding Trajectories in Contemporary Mauritian Fiction." Contemporary French and Francophone Studies 22, no. 2 (2018): 208–17. http://dx.doi.org/10.1080/17409292.2018.1470713.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Chandola, Anoop. "Anthropology as Things in Contact: Contemporary Missionary Hinduism and Contactism." Oriental Anthropologist: A Bi-annual International Journal of the Science of Man 1, no. 1 (2001): 68–73. http://dx.doi.org/10.1177/0976343020010107.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Chophy, G. Kanato. "Book Review: Will Sweetman and Aditya Malik (Eds), Hinduism in India: Modern and Contemporary Movements." Social Change 47, no. 3 (2017): 462–64. http://dx.doi.org/10.1177/0049085717713417.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Belik, Eva, and Matthew Cullerne Bown. "Contemporary Russian Art." Leonardo 23, no. 4 (1990): 447. http://dx.doi.org/10.2307/1575353.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Cooper, John, Stephen Bann, and Willian Allen. "Interpreting Contemporary Art." Leonardo 24, no. 5 (1991): 631. http://dx.doi.org/10.2307/1575685.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Herwitz, Daniel, Stephen Bann, and William Allen. "Interpreting Contemporary Art." Journal of Aesthetics and Art Criticism 50, no. 3 (1992): 265. http://dx.doi.org/10.2307/431243.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Sladkova, Hanka. "Framing Contemporary Art." International Journal of Communication and Linguistic Studies 12, no. 2 (2015): 15–27. http://dx.doi.org/10.18848/2327-7882/cgp/v13i02/43649.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Mirfenderesky, Jamshid, Stephen Bann, and William Allen. "Interpreting Contemporary Art." Circa, no. 58 (1991): 39. http://dx.doi.org/10.2307/25557645.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Ezra, Kate, and Sidney Littlefield Kasfir. "Contemporary African Art." African Arts 34, no. 1 (2001): 11. http://dx.doi.org/10.2307/3337728.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Sylla, Abdou, and Mara Bertelsen. "Contemporary African Art." Diogenes 46, no. 184 (1998): 51–70. http://dx.doi.org/10.1177/039219219804618406.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Niemojewski, Rafal. "Contemporary Art Biennials." Cultural Politics 14, no. 1 (2018): 135–37. http://dx.doi.org/10.1215/17432197-4313065.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Owerka, Carolyn. "Contemporary African Art." African Arts 18, no. 2 (1985): 78. http://dx.doi.org/10.2307/3336197.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Alberro, Alexander. "Periodising Contemporary Art." Australian and New Zealand Journal of Art 9, no. 1-2 (2008): 66–73. http://dx.doi.org/10.1080/14434318.2008.11432794.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Workman, Jason. "Breathing Contemporary Art." Third Text 25, no. 5 (2011): 515–21. http://dx.doi.org/10.1080/09528822.2011.608953.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Fibiger, Marianne Qvortrup. "Hellige træer i hinduismen: Et mødested i mellem religionstyper." Religionsvidenskabeligt Tidsskrift, no. 71 (March 18, 2021): 1–14. http://dx.doi.org/10.7146/rt.v0i71.125465.

Full text

Abstract:

ENGLISH ABSTRACT: In this article, the focus will be on the worship of tress in Hinduism in both a textual historical and a contemporary perspective. A main argument is that the worship of trees is a central part of most forms of Hinduism regardless of time and place, and also that it has contemporary and global appeal in the so-called eco-dharma movement. DANSK RESUME: Denne artikel vil fokusere på tilbedelsen af træer i hinduisme i både et teksthistorisk og et nutidigt perspektiv. Et hovedargument er, at dyrkelsen eller tilbedelsen af træer er en central del af de fleste former for hin

APA, Harvard, Vancouver, ISO, and other styles

30

Fuller, C. J. "Hinduism and Scriptural Authority in Modern Indian Law." Comparative Studies in Society and History 30, no. 2 (1988): 225–48. http://dx.doi.org/10.1017/s0010417500015176.

Full text

Abstract:

Contemporary Indian law is, for the most part, palpably foreign in origin or inspiration and it is notoriously incongruent with the attitudes and concerns of much of the population which lives under it. However, the present legal system is firmly established and the likelihood of its replacement by a revised “indigenous” system is extremely small.

APA, Harvard, Vancouver, ISO, and other styles

31

Thomas, Norman E. "Liberation for Life: A Hindu Liberation Philosophy." Missiology: An International Review 16, no. 2 (1988): 149–62. http://dx.doi.org/10.1177/009182968801600202.

Full text

Abstract:

Hinduism has its own liberation theology (or philosophy). It has its roots in understandings of liberation ( moksha) and release ( mukti) in classic Hinduism. This article is a survey of the ideal of liberation in life ( jivanmukti) as found in the thought of the Vedanta philosopher Shankara, in the Shaiva Siddhanta beliefs and devotional practices of South India, and in the social ethic of Swami Vivekananda and Mohandas Gandhi. Evaluations by contemporary Indian theologians suggest points of encounter between Hindus and Christians holding liberation theologies.

APA, Harvard, Vancouver, ISO, and other styles

32

Williams, Raymond B. "The Guru as Pastoral Counselor." Journal of Pastoral Care 40, no. 4 (1986): 331–40. http://dx.doi.org/10.1177/002234098604000407.

Full text

Abstract:

Presents a series of vignettes illustrating the sort of pastoral counsel given by Pramukh Swami, a contemporary guru of Swaminarayan Hinduism. Notes the roles, process, and goals of this type of religious counseling.

APA, Harvard, Vancouver, ISO, and other styles

33

Barlow, Paul. "The Aryan Blake: Hinduism, Art and Revelation in William Blake'sPittandNelsonPaintings." Visual Culture in Britain 12, no. 3 (2011): 277–92. http://dx.doi.org/10.1080/14714787.2011.613320.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Hibbert-Jones, Dee. "Contemporary Art from Studio to SituationandSituation(Documents of Contemporary Art series)." Public Art Dialogue 1, no. 1 (2011): 139–41. http://dx.doi.org/10.1080/21502552.2011.537113.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Vijayakumar, Lakshmi, and Sujit John. "Is Hinduism ambivalent about suicide?" International Journal of Social Psychiatry 64, no. 5 (2018): 443–49. http://dx.doi.org/10.1177/0020764018777523.

Full text

Abstract:

Background: Hinduism is one of the oldest religions in the world and has over 1.1 billion adherents comprising about 16% of the global population living mainly in India and Nepal. The stand of Hinduism on suicide has been ambiguous through the ages, on one hand, condemning general suicides, while condoning religious suicides on the other. This ambiguity is reflected in contemporary India and among the Indian diaspora. Aims: To examine the stand of Hinduism as a religion in the context of suicide. Method: A selected review of literature covering the major Hindu religious texts, cultural practic

APA, Harvard, Vancouver, ISO, and other styles

36

Lawson, Louise, and Deborah Potter. "Contemporary art, contemporary issues—conservation at Tate." Journal of the Institute of Conservation 40, no. 2 (2017): 121–32. http://dx.doi.org/10.1080/19455224.2017.1318079.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Chio, Jenny. ":Contemporary Art and Anthropology." Visual Anthropology Review 22, no. 2 (2006): 94–95. http://dx.doi.org/10.1525/var.2006.22.2.94.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Malysse, Stéphane. "Contemporary art and anthropology." Revista de Antropologia 48, no. 2 (2005): 739–47. http://dx.doi.org/10.1590/s0034-77012005000200010.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Fowler, Joan, and Richard Hertz. "Theories of Contemporary Art." Circa, no. 27 (1986): 40. http://dx.doi.org/10.2307/25557071.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Neumaier, Diane. "Contemporary Russian Art Photography." Art Journal 53, no. 2 (1994): 18. http://dx.doi.org/10.2307/777477.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Kanatani, Kim. "Contemporary Art Start®." Art Education 51, no. 2 (1998): 33. http://dx.doi.org/10.2307/3193740.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Schtein, Sergey Yu. "ONTOLOGY OF “CONTEMPORARY ART”." Articult, no. 3 (2017): 55–72. http://dx.doi.org/10.28995/2227-6165-2017-3-55-72.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Smith. "Contemporary Art and Contemporaneity." Critical Inquiry 32, no. 4 (2006): 681. http://dx.doi.org/10.2307/3877131.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Roberto Barbanti. "Contemporary Art and Degrowth." Korean Journal of Art and Media 15, no. 3 (2016): 11–32. http://dx.doi.org/10.36726/cammp.2016.15.3.11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Williams, Drid. "Contemporary Art and Anthropology." Visual Anthropology 21, no. 5 (2008): 429–39. http://dx.doi.org/10.1080/08949460802341894.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Danto, Arthur C. "Kalliphobia in Contemporary Art." Art Journal 63, no. 2 (2004): 24–35. http://dx.doi.org/10.1080/00043249.2004.10791123.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

CRAVEN, D. "Art in Contemporary Nicaragua." Oxford Art Journal 11, no. 1 (1988): 51–63. http://dx.doi.org/10.1093/oxartj/11.1.51.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

MILLER, JAY. "Contemporary Coast Salish Art." Museum Anthropology 29, no. 2 (2006): 151–53. http://dx.doi.org/10.1525/mua.2006.29.2.151.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Langlitz, Nicolas. "Contemporary physiology of art." BioSocieties 7, no. 2 (2012): 208. http://dx.doi.org/10.1057/biosoc.2012.2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Slifkin, R. "Is Contemporary Art History?" Oxford Art Journal 35, no. 1 (2012): 111–14. http://dx.doi.org/10.1093/oxartj/kcr048.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!