Log in

Relevant bibliographies by topics / Hindustani music / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Hindustani music.

Dissertations / Theses on the topic 'Hindustani music'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 20 dissertations / theses for your research on the topic 'Hindustani music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Brown, Katherine Ruth Butler. "Hindustani music in the time of Aurangzeb." Thesis, SOAS, University of London, 2003. https://kclpure.kcl.ac.uk/portal/en/theses/hindustani-music-in-the-time-of-aurangzeb(7c90c03c-e026-4c73-9cf8-e6fb630ecee1).html.

Full text

Abstract:

The long reign of the last Great Mughal emperor, Aurangzeb (r.1658-1707), is highly controversial in Indian history. An orthodox Muslim, Aurangzeb is infamous for his bigoted and oppressive political and cultural policies. Scholars have long argued that he banned music throughout his reign, leaving a crucial period in Indian music history unexamined. This thesis investigates North Indian musical life in the time of Aurangzeb, through a critical analysis of musical discourse in contemporary Persian language sources. These demonstrate that far from having banned music, musical practice thrived u

APA, Harvard, Vancouver, ISO, and other styles

2

Magriel, Nicholas Fairchild. "Sarangi style in North Indian art music." Thesis, University of London, 2002. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271640.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Alter, Andrew Burton. "Hindustani vocal music : a case study of oral transmission." Title page, contents and abstract only, 1989. http://web4.library.adelaide.edu.au/theses/09MUM/09muma466.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Hutchison, Callie. "An Introduction to Hindustani Violin Technique." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/321309.

Full text

Abstract:

In this document I fuse a study of performance technique and pedagogy, introducing Hindustani violin technique through the lens of a performer trained in western violin practice. While a large body of research on Hindustani music theory, history, and the performance of other instruments currently exists, very little has been written about the Hindustani violin. Aside from a few short interviews with prominent Hindustani violinists, nothing has been published on technique, performance practice or pedagogy. My research involves a comparative analysis of Hindustani and Western violin techniques,

APA, Harvard, Vancouver, ISO, and other styles

5

Paschalidou, Panagiota-Styliani. "Effort in gestural interactions with imaginary objects in Hindustani Dhrupad vocal music." Thesis, Durham University, 2017. http://etheses.dur.ac.uk/12308/.

Full text

Abstract:

Physical effort has often been regarded as a key factor of expressivity in music performance. Nevertheless, systematic experimental approaches to the subject have been rare. In North Indian classical (Hindustani) vocal music, singers often engage with melodic ideas during improvisation by manipulating intangible, imaginary objects with their hands, such as through stretching, pulling, pushing, throwing etc. The above observation suggests that some patterns of change in acoustic features allude to interactions that real objects through their physical properties can afford. The present study rep

APA, Harvard, Vancouver, ISO, and other styles

6

Maciszewski, Amelia Teresa. "Gendered stories, gendered styles : contemporary Hindusthani music as discourse, attitudes, and practice /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Wertheim, Ira O. "Prior Experience and Synchronization to North Indian Alap." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1354753664.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Woolf, Rachel 1988. "Uncovering Aspects of Western and Indian Music in Vanraj Bhatia's Night Music for Solo Flute, and Selected Other Works." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248444/.

Full text

Abstract:

Born in 1927 in Bombay, Vanraj Bhatia is an Indian composer of music for concerts, film, television, opera, meditation, and commercial jingles. His musical style is unique, stemming from his training in both Western and North Indian classical, or Hindustani, music. Little is known about Vanraj Bhatia in the Western classical world, and in India he is recognized primarily as a composer of film music. This dissertation aims to bring awareness of Vanraj Bhatia's significance as a Western classical composer, focusing on uncovering the cross-cultural influences of his only solo flute piece, Night M

APA, Harvard, Vancouver, ISO, and other styles

9

Rogers, Glenn Andrew. "The application of Konokol to guitar improvisation and composition." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2017. https://ro.ecu.edu.au/theses/1956.

Full text

Abstract:

This dissertation is an exploration of the rhythmic concepts used in two South Indian musical theory concepts, solkattu and konokol. Konokol application largely depends on instrument limitations and musical contexts. The principle focus here is on my personal application of konokol to the guitar both through composed and improvised music. A detailed study of konokol was undertaken through private lessons in India and personal experimentation to determine how these concepts could be adapted to Western improvisation, harmony and composition, as well as right--‐hand classical guitar and plectrum

APA, Harvard, Vancouver, ISO, and other styles

10

Utter, Hans Fredrick. "Networks of Music and History: Vilayat Khan and the Emerging Sitar." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1308392450.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Straaten, Eva-Maria Alexandra van [Verfasser], Birgit [Akademischer Betreuer] Abels, Birgit [Gutachter] Abels, and Regina [Gutachter] Bendix. "Listening Out for Sangīt Encounters : Dynamics of Knowledge and Power in Hindustani Classical Instrumental Music / Eva-Maria Alexandra van Straaten ; Gutachter: Birgit Abels, Regina Bendix ; Betreuer: Birgit Abels." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://d-nb.info/1180662881/34.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Gulati, Sankalp. "Computational approaches for melodic description in indian art music corpora." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/398984.

Full text

Abstract:

Automatically describing contents of recorded music is crucial for interacting with large volumes of audio recordings, and for developing novel tools to facilitate music pedagogy. Melody is a fundamental facet in most music traditions and, therefore, is an indispensable component in such description. In this thesis, we develop computational approaches for analyzing high-level melodic aspects of music performances in Indian art music (IAM), with which we can describe and interlink large amounts of audio recordings. With its complex melodic framework and well-grounded theory, the description of

APA, Harvard, Vancouver, ISO, and other styles

13

Şentürk, Sertan. "Computational analysis of audio recordings and music scores for the description and discovery of Ottoman-Turkish Makam music." Doctoral thesis, Universitat Pompeu Fabra, 2017. http://hdl.handle.net/10803/402102.

Full text

Abstract:

This thesis addresses several shortcomings on the current state of the art methodologies in music information retrieval (MIR). In particular, it proposes several computational approaches to automatically analyze and describe music scores and audio recordings of Ottoman-Turkish makam music (OTMM). The main contributions of the thesis are the music corpus that has been created to carry out the research and the audio-score alignment methodology developed for the analysis of the corpus. In addition, several novel computational analysis methodologies are presented in the context of common M

APA, Harvard, Vancouver, ISO, and other styles

14

Priyadarshini, Poonam [Verfasser], and Soubhik [Verfasser] Chakraborty. "Objective Classification of Hindustani Ragas / Poonam Priyadarshini, Soubhik Chakraborty." München : GRIN Verlag, 2019. http://d-nb.info/1187244740/34.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Srinivasamurthy, Ajay. "A Data-driven bayesian approach to automatic rhythm analysis of indian art music." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/398986.

Full text

Abstract:

Las colecciones de música son cada vez mayores y más variadas, haciendo necesarias nuevas fórmulas para su organización automática. El análisis automático del ritmo tiene como fin la extracción de información rítmica de grabaciones musicales y es una de las principales áreas de investigación en la disciplina de recuperación de la información musical (MIR por sus siglas en inglés). La dimensión rítmica de la música es específica a una cultura y por tanto su análisis requiere métodos que incluyan el contexto cultural. Las complejidades rítmicas de la música clásica de la India, una de las may

APA, Harvard, Vancouver, ISO, and other styles

16

Kobayashi, Eriko. "Hindustani classical music reform movement and the writing of history, 1900s to 1940s." Thesis, 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3116104.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Grimes, Jeffrey Michael 1974. "The geography of Hindustani music : the influence of region and regionalism on the North Indian classical tradition." 2008. http://hdl.handle.net/2152/18235.

Full text

Abstract:

This dissertation explores the influence of regional cultures and, more specifically, of regionally based and regionally determined aesthetic preferences, on the Hindustani classical music tradition. The period from the late 19th century up through the decades following independence in 1947 saw a great deal of change both in Indian society as a whole and, by extension, within the Hindustani tradition. One of these changes was a transition in the demographic profile of the average Hindustani performer from Muslim, essentially low-caste, and hereditary, to Hindu, middle-class, and largely high c

APA, Harvard, Vancouver, ISO, and other styles

18

van, Straaten Eva-Maria Alexandra. "Listening Out for Sangīt Encounters." Doctoral thesis, 2017. http://hdl.handle.net/11858/00-1735-0000-002E-E374-5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Francis, Amrita. "The mangalam and its significance to Indian South Africans in Kwazulu Natal." Thesis, 1999. http://hdl.handle.net/10413/8875.

Full text

Abstract:

Weddings have always been an indispensable and auspicious part of Hindu life both in South Africa and in India. This study is an examination of one aspect of Hindu weddings, viz. the vocal and sometimes instrumental recital of songs of blessing and praise. These songs are known as mangalams and have evolved in South Africa in the last century due to various factors. Analysis of the mangalam enables us to understand how traditions and customs continue and change in accordance with changing circumstances. Much of the data presented in this thesis has been gleaned from oral sources and, as such,

APA, Harvard, Vancouver, ISO, and other styles

20

Sýkorová, Eliška. "Indická klasická hudba: píseň v tradici karnāṭak". Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-341224.

Full text

Abstract:

This diploma thesis disserts on Indian classical music which is generally divided into two main streams called hindustānī and karnāṭak. It starts with a brief introduction of the matter and definition of basic terminology that is associated with Indian music. Next, it introduces, by means of comparison, two main traditions, the principles on which they are build and musical instruments used in them. The theses then focuses on Indian song genres firstly from a theoretical point of view. Secondly, it presents a translation and analysis of several songs chosen from South Indian tradition karnāṭak

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!