Relevant bibliographies by topics / Hinrichs (Firm)

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Academic literature on the topic 'Hinrichs (Firm)'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Hinrichs (Firm)"

1

Płotkowiak, Maciej. "Concept And Its Implementation During The Reconstruction Of The Church Of Blessed Virgin Mary In Chojna." Civil And Environmental Engineering Reports 19, no. 4 (2015): 87–98. http://dx.doi.org/10.1515/ceer-2015-0055.

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Abstract St. Mary's parish church in Chojna was erected at the turn of XIV and XVc. in a shape of three aisles, hall church without transept, completed from the west with a single tower and from the east with polygonal presbytery with an ambulatory attached. The convergence of characteristic structural and decorative features with employed ones in medieval churches being attributed to Hinrich Brunsberg's fabric resulted in such a way, that also authorship of St. Mary in Chojna was assigned to this legendary architect and master builder of late Middle Ages period. The church was destroyed by fi
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2

Schwarz, Wolfgang F. "Ehlers, Klaas-Hinrich; Nekula, Marek (Hg.). Bogatyrev, Petr G.: Funktional-strukturale Ethnographie in Europa. Texte aus den 1920er und 1930er Jahren zu Brauchtum, Folklore, Theater und Film." Kritikon Litterarum 40, no. 3-4 (2013). http://dx.doi.org/10.1515/kl-2013-0056.

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Books on the topic "Hinrichs (Firm)"

1

Jestrzemski, Dagmar. Altonas Blütezeit und ihr jähes Ende: Die Reederei Hinrich Dultz 1756-1807. Convent, 2000.

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2

Lawford, Irene. Edvard Grieg and his publishers: Dr Max Abraham and Henri Hinrichsen. Edition Peters, 1996.

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3

Henri Hinrichsen und der Musikverlag C.F. Peters: Deutsch-jüdisches Bürgertum in Leipzig von 1891 bis 1938. Mohr Siebeck, 2001.

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Conference papers on the topic "Hinrichs (Firm)"

1

Sanz Martín, Cristina. "Videoarte y paisaje: la cultura como espectáculo." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9551.

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Basándonos en las numerosas teorías acerca de la mercantilización de la cultura, la cultura de masas, la cultura como espectáculo o la popularización de la cultura pretendemos analizar las prácticas que, a través de los recursos del audiovisual -particularizando en el videoarte-, se están sirviendo de los aspectos formales del medio para promover esta sobreexposición de las imágenes. Defino mi conjunto [n] como una serie de imágenes que comparten unas mismas propiedades: imágenes que responden a las exigencias que reclama la sociedad del espectáculo. Mi conjunto [n] está formado por [“El naufr
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