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Books on the topic 'Hirado, Japan'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 March 2023

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1

T, Singer Robert, and Goodall-Cristante Hollis, eds. Hirado porcelain of Japan: From the Kurtzman family collection. Los Angeles: Los Angeles County Museum of Art, 1997.

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2

Naitō, Hatsuho. Gunkan sōchō Hiraga Yuzuru. Tōkyō: Bungei Shunjū, 1987.

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3

Hisashi, Inoue, ed. Kenpō kyūjō, mirai o hiraku. Tōkyō: Iwanami Shoten, 2005.

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4

Chi hiraku: Ishihara Kanji to Shōwa no yume. Tōkyō: Bungei Shunjū, 2001.

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5

Fukuda, Kazuya. Chi hiraku: Ishihara Kanji to Shōwa no yume. Tōkyō: Bungei Sshunjū, 2004.

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6

(Japan), Kokuritsu Rekishi Minzoku Hakubutsukan. Hirata Atsutane kankei shiryō mokuroku =: Hirata Atsutane papers and related artifacts. Sakura-shi: Kokuritsu Rekishi Minzoku Hakubutsukan, 2007.

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7

1975-, Akasaka Kōichi, and Naraoka Sōchi 1975-, eds. Shōhizei kokkai no kōbō 1987-88: Hirano Sadao Shūgiin Jimukyoku nikki. Tōkyō: Chikura Shobō, 2012.

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8

Ōtsuki, Takeshi. Nikkan no mirai o hiraku kyōiku kōryū. Tōkyō: Kiri Shobō, 1994.

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9

Kore kara no bunmei bunka: Shinjidai o hiraku kagaku to shūkyō. Ichikawa-shi: Byakkō Shinkōkai Shuppankyoku, 1993.

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10

Toyota-shi (Japan). Gikai. 50-shūnen Kinenshi Henshū Iinkai. Shimin to tomo ni asu o hiraku: Toyota Shigikai 50-shūnen kinenshi. Toyota-shi: Toyota Shigikai, 2002.

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11

Joseishi o hiraku. Tōkyō: Miraisha, 1989.

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12

When tengu talk: Hirata Atsutane's ethnography of the other world. Honolulu: University of Hawai'i Press, 2008.

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13

Kūkai kara no okurimono: Kōyasan no shoko no tobira o hiraku. Tōkyō: Toppan Insatsu Kabushiki Kaisha Insatsu Hakubutsukan, 2011.

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14

1932-, Iinuma Kazumasa, ed. In bibo jikken igaku o hiraku: Jikken Dōbutsu Chūō Kenkyūjo kara no hōkoku 1990-2008. Tōkyō: Keiō Gijuku Daigaku Shuppankai, 2008.

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15

1932-, Iinuma Kazumasa, ed. In bibo jikken igaku o hiraku: Jikken Dōbutsu Chūō Kenkyūjo kara no hōkoku 1990-2008. Tōkyō: Keiō Gijuku Daigaku Shuppankai, 2008.

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16

Taikai, Kami Parupu Gijutsu Kyōkai Nenji. Heisei 14-nendo Kami Parupu Gijutsu Kyōkai Nenji Taikai kōen yōshishū: Gurīn & kurīn mirai o hiraku shingijutsu no kaihatsu = 2002 Japan TAPPI Annual Meeting proceedings. Tōkyō: Kami Parupu Gijutsu Kyōkai, 2002.

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17

Kami Parupu Gijutsu Kyōkai. Nenji Taikai. Heisei 15-nendo Kami Parupu Gijutsu Kyōkai Nenji Taikai kōen yōshishū: Gurīn & kurīn mirai o hiraku shingijutsu no kaihatsu = 2003 Japan TAPPI Annual Meeting proceedings. Tōkyō: Kami Parupu Gijutsu Kyōkai, 2003.

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18

Kami Parupu Gijutsu Kyōkai. Nenji Taikai. Dai 53-kai 2010-nen Kami Parupu Gijutsu Kyōkai Nenji Taikai: Chikyū no mirai o hiraku kamizukuri ... kagirinaki gijutsu kakushin to hatten o motomete : kōen yōshishū = The 53rd-2010 Japan TAPPI Annual Meeting : proceedings. Tōkyō: Kami Parupu Gijutsu Kyōkai, 2010.

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19

Naito, Hatsuho. Gunkan socho Hiraga Yuzuru. Bungei Shunju, 1987.

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20

Hirano horaku renga: Kako to genzau. Izumi Shoin, 1993.

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21

Fujiwara, Gideon. From Country to Nation. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753930.001.0001.

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This book tracks the emergence of the modern Japanese nation in the nineteenth century through the history of some of its local aspirants. It explores how kokugaku (Japan studies) scholars envisioned their place within Japan and the globe, while living in a castle town and domain far north of the political capital. The book follows the story of Hirao Rosen and fellow scholars in the northeastern domain of Tsugaru. On discovering a newly “opened” Japan facing the dominant Western powers and a defeated Qing China, Rosen and other Tsugaru intellectuals embraced kokugaku to secure a place for their local “country” within the broader nation and to reorient their native Tsugaru within the spiritual landscape of an Imperial Japan protected by the gods. Although Rosen and his fellows celebrated the rise of Imperial Japan, their resistance to the Western influence and modernity embraced by the Meiji state ultimately resulted in their own disorientation and estrangement. By analyzing their writings alongside their artwork, the book reveals how this socially diverse group of scholars experienced the Meiji Restoration from the peripheries. Using compelling firsthand accounts, the book tells the story of the rise of modern Japan, from the perspective of local intellectuals who envisioned their local “country” within a nation that emerged as an empire of the modern world.
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22

Shinkyo Miwayama: Kamigami no hikyo o hiraku = Divine mountain Miwayama. Doyukan, 1990.

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23

Hirase, Yoishiro. First Additional Catalogue of Land Shells of Japan to Be Had of Y. Hirase. Creative Media Partners, LLC, 2018.

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24

Hirase, Yoishiro. First Additional Catalogue of Land Shells of Japan to Be Had of Y. Hirase. Creative Media Partners, LLC, 2015.

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25

Hito o tsunagi mirai o hiraku toshokan: Kita Kuritsu Toshokan 80-shūnen kinenshi. Tōkyō: Kita Kuritsu Chūō Toshokan, 2019.

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26

contributor, Springstubb Phoebe, Fujimori Terunobu 1946-, Igarashi Tarō 1967-, Worrall Julian, and Museum of Modern Art (New York, N.Y.), eds. A Japanese constellation: Toyo Ito, Kazuyo Sejima, SANAA, Ryue Nishizawa, Sou Fujimoto, Akihisa Hirata, Junya Ishigami. The Museum of Modern Art, New York, 2016.

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27

Katsushika, Hokusai. UKIYO-E 2020: Ota Memorial Museum of Art, Japan Ukiyo-E Museum, Hiraki Ukiyo-e Foundation. Nikkei Incorporated Etc., 2021.

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28

Fifth Avenue Art Galleries (New York. Antique Carvings and Things Buddhistic from Temples and Palaces of Japan and China; Collection Hirase & Yamanaka. Creative Media Partners, LLC, 2021.

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29

Nihon kodaishi to iseki no nazo sokaisetsu: Misuteriasu Japan no tobira o hiraku shoten no mondai 200-ko. Jiyu Kokuminsha, 1985.

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30

Hōryūji no sekai: Ima hiraku Bukkyō bunka no hōko : Ōita Kenritsu Usa Fudoki no Oka Rekishi Minzoku Shiryōkan kaikan jisshūnen kinen tokubetsuten. Ōita-ken Usa-shi: Ōita Kenritsu Usa Fudoki no Oka Rekishi Minzoku Shiryōkan, 1991.

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