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Relevant bibliographies by topics / His dark materials (Pullman, Philip)

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Academic literature on the topic 'His dark materials (Pullman, Philip)'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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Journal articles on the topic "His dark materials (Pullman, Philip)"

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Tóth, Zsuzsanna. "Mirror-Images, or Love As Religion in Philip Pullman’s Trilogy, His Dark Materials." Romanian Journal of English Studies 10, no. 1 (March 1, 2013): 293–301. http://dx.doi.org/10.2478/rjes-2013-0028.

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Abstract Philip Pullman retells mankind’s archetypal memories of the Fall in his fantasy trilogy, His Dark Materials. I aim to prove that the age-old religious desire for the oneness of the sacred and the profane, as well as of spirit and matter is manifested in Pullman’s fictional mythology in a way that religion and love also turn out to be one.

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Voogd, Susanne. "La Montagne dans His Dark Materials de Philip Pullman." Caliban, no. 23 (May 1, 2008): 201–6. http://dx.doi.org/10.4000/caliban.1268.

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Boucher, Geoff M., and Charlotte Devonport-Ralph. "Philip Pullman and Spiritual Quest." Literature 2, no. 1 (February 8, 2022): 26–39. http://dx.doi.org/10.3390/literature2010002.

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The polarized initial reception of Philip Pullman as a “new atheist” has gradually yielded to more nuanced scholarly positionings of his work as inspired by a heterodox, even “heretical,” Christianity. But in his new series, Pullman responds decisively to both “new atheist” and “heterodox Christian” interpretations, while widening the scope of his critical representations beyond Christian—indeed, beyond Abrahamic—religion. What emerges in the completed books of the incomplete new series, The Book of Dust, is a “secret commonwealth” of supernatural beings inhabiting multiple universes. These are all manifestations of Dust, the spiritual sentience of matter itself, which provides the basis for mystical visions and shamanistic beliefs, as well as religious orthodoxies. Rejecting the latter for the former, the second book in particular, The Secret Commonwealth, suggests an endorsement of spiritual quest. To motivate acceptance of this interpretation, we begin by reviewing the critical reception of His Dark Materials, especially in relation to its theological implications. After that, we turn to the representation of reductionist positions in The Book of Dust, especially the authors presented in The Secret Commonwealth, Gottfried Brande and Simon Talbot. Then, we investigate the representation of the Abrahamic religions in that work, intrigued less by the obvious parallels between Pullman’s imaginary religions and Christianity and Islam, than by his positive representation of mysticism. Finally, we examine his representations of shamanism and animism, soul belief and hermetic doctrines, and his allusions to Zoroastrianism, before summing up. Pullman is an a-theist in the sense of being without a god, not in the post-Enlightenment sense of a rejection of the supernatural/spiritual. His imaginary universe celebrates spiritual quest and ontological multiplicity, against all forms of speculative closure.

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Scott, Carole. "Philip Pullman Master Storyteller, and: The Elements of His Dark Materials (review)." Children's Literature Association Quarterly 32, no. 3 (2007): 275–78. http://dx.doi.org/10.1353/chq.2007.0042.

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Perrot, Jean. "The essential "Star Wars"Philip Pullman's baroque aesthetics." Ondina - Ondine, no. 3 (May 3, 2020): 184–208. http://dx.doi.org/10.26754/ojs_ondina/ond.201934415.

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This essay has a twofold purpose: to consider the issues of contemporary Young Adult literature addressed to “the children of the videosphere” within the context of globalized culture and to assess the importance of postmodern Baroque aesthetics in the “Star Wars” system of modern Letters and mass-media. Writers often resort to such aesthetics with the prospect of commercial hegemony, but some of them find their “distinction” (in Pierre Bourdieu’s delineation) through intertextuality – be it avowed or hidden – with the great masters of the past (William Blake and John Milton). We will investigate the secret workshop of Phillip Pullman’s His Dark Materials Trilogy and some of his other works, as well as Jostein Gaarder’s Sophie’s World and diverse literary productions. With their arresting butterflies as significant baroque emblems, these works provide a new and spellbounding vision of the Western hero and offer a new “reterritorialization” of Letters. More particularly, Philip Pullman’s literary gesture has been to extract the baroque message from the vulgarised versions of popular mass media and to give it a new distinction.Key words: Postmodern baroque, William Blake, picaresque, humour, parody, Philip Pullman, Jostein Gaarder.

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Moruzi, Kristine. "Missed Opportunities: The Subordination of Children in Philip Pullman?s His Dark Materials." Children?s Literature in Education 36, no. 1 (March 2005): 55–68. http://dx.doi.org/10.1007/s10583-004-2189-7.

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Greenwell, Amanda M. "Remodeling Home in Philip Pullman’s His Dark Materials." Lion and the Unicorn 42, no. 1 (2018): 20–36. http://dx.doi.org/10.1353/uni.2018.0002.

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MacNeil, William P. "His Dark Legalities: Intellectual Property’s Psychomachia in Philip Pullman’s His Dark Materials Trilogy." Liverpool Law Review 38, no. 1 (March 2, 2017): 11–31. http://dx.doi.org/10.1007/s10991-017-9198-2.

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Haneline, Douglas. "The Elements of His Dark Materials : A Guide to Philip Pullman's Trilogy, and: His Dark Materials Illuminated: Critical Essays on Philip Pullman's Trilogy, and: Shedding Light on Philip Pullman's Trilogy His Dark Materials (review)." Lion and the Unicorn 31, no. 3 (2007): 285–89. http://dx.doi.org/10.1353/uni.2007.0031.

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Oziewicz, Marek. "Representations of Eastern Europe in Philip Pullman's His Dark Materials, Jonathan Stroud's The Bartimaeus Trilogy, and J. K. Rowling's Harry Potter Series." International Research in Children's Literature 3, no. 1 (July 2010): 1–14. http://dx.doi.org/10.3366/ircl.2010.0002.

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This essay examines the cultural maps of Eastern European nations drawn by Philip Pullman in His Dark Materials trilogy, Jonathan Stroud in The Bartimaeus Trilogy and J. K. Rowling in the Harry Potter series. I argue that each of those authors, in subtle and unintentional ways, perpetuates Western politico-cultural superiority in regard to Eastern Europeans. One reason for this may be that Pullman, Stroud and Rowling share a specifically British cultural attitude of regarding the continent as alien and incomprehensible. This perspective is part of a fuzzy cluster of notions, seemingly widespread across Europe, which comprise what Lawrence J. Sharpe calls ‘an East-West continuum of cultural one-upmanship’ (309). As the most westerly people on this continuum, so the explanation goes, the British tend to look down on everyone else to the East. My focus in this article is on how these attitudes are communicated in some of the most internationally popular British fantasy series of the recent years.

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Dissertations / Theses on the topic "His dark materials (Pullman, Philip)"

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Collin, Mélanie. "La charnalité rédemptrice : discours idéologique dans His dark materials de Philip Pullman." Thèse, Université du Québec à Trois-Rivières, 2010. http://depot-e.uqtr.ca/6851/1/030518116.pdf.

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Mikaela, Ehn Svensson. "Dæmoner, katter och talande björnar : Icke-mänskliga karaktärer i Philip Pullmans His Dark Materials." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-41096.

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Fantasy literature has a long history of including a wide array of non-human characters, each more fantastical than the other. But can these characters also be used to question anthropocentric beliefs or are their portrayal just a way to reinforce those ideas? Because fantasy literature, especially earlier examples in the fantasy canon, tend to include a lot of allusions to religion in general and Christianity in particular, is the question more complex than it first might seem. This thesis therefore aims to examine the portrayal of non-human characters in the works of one of the last 25 years most bestselling fantasy authors, Philip Pullman. It’s a well-known fact that Pullman isn’t a fan of organized religion, which sometimes is very noticeable in his trilogy His Dark Materials (1995-2000). The trilogy includes several kinds of non-human characters and one of the most central aims of the thesis is to examine how these portrayals relate to the undermining or reproduction of anthropocentric ideas. Because Pullmans alternative theology is so central to the trilogy’s narrative, it will also play a part in my examination.
Denna uppsats är en undersökning av de icke-mänskliga karaktärer som figurerar i Philip Pullmans fantasytrilogi His Dark Materials (1995–2000). Litteratur inom fantasygenren har en lång historia av att inkludera en stor mängd av icke-mänskliga karaktärer, den ena mer fantastisk än den andra. Kan dessa karaktärer användas för att problematisera den antropocentrism som genomsyrar det västerländska samhället eller är deras gestaltande endast exempel på hur dessa föreställningar reproduceras? Eftersom fantasy, speciellt äldre exempel, ofta har allusioner till religion i allmänhet och kristendom i synnerhet, är frågan mer komplex än den först verkar. Pullman är känd för sin kritik av organiserad religion och i His Dark Materials skriver han fram en alternativ teologi. Denna uppsats undersöker således inte bara gestaltningen av de icke-mänskliga karaktärerna och hur de relaterar till eventuell problematisering och/eller återskapande av antropocentriska normer, utan också den roll Pullmans teologi spelar i relation till detta. I slutändan är också förhoppningen att denna uppsats kan visa hur litteratur, och framför allt den som faller inom fantasygenren, kan vara ett verktyg för att diskutera och problematisera antropocentriska föreställningar.

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Waddell, Heather. "Reading with thought and effort : Philip Pullman's His Dark Materials trilogy, and its connections to the works of John Milton and William Blake /." Connect to online version, 2007. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2007/245.pdf.

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Chau, Ka-wah Anna. "Imaginary spaces in children's fantasy fiction a psychoanalytic reading of Lewis Carroll's Alice Books and Philip Pullman's His Dark Materials Trilogy /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B31364986.

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Fisher, Rebecca Maree. "An Exploration into the Use of the Biblical Narrative of the Fall within the children’s series The Chronicles of Narnia by C.S. Lewis and His Dark Materials by Philip Pullman." Thesis, University of Canterbury. Culture, Literature and Society, 2008. http://hdl.handle.net/10092/1786.

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In this thesis, I explore the uses to which children’s authors C.S. Lewis and Philip Pullman put the major biblical theme of the Fall (with passing commentary on Temptation, the precursor to the Fall) in their seminal children’s series The Chronicles of Narnia and the His Dark Materials trilogy. I argue that each author uses the subject of the Fall as a central theme in his series in order to inflect the dominant message of this biblical story (that humanity has fallen from perfection into sin) with their personal opinions on fundamental human questions concerning the nature of God, the difference between good and evil, and the metaphysical ‘rules’ that structure the universe and mankind’s place in it.1 In exploring these issues, I point out the ways in which Pullman and Lewis, in their drastically differing opinions as to the legitimacy of the worldview implicit in the original Bible story, are nevertheless both heavily dependant on the overwhelming influence that the Fall narrative has had on Western culture.

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Nordlén, Lisa. "The Journey from Innocence to Experience : Philip Pullman’s His Dark Materials as a female Bildungsroman." Thesis, Högskolan i Gävle, Institutionen för humaniora och samhällsvetenskap, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-4396.

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In this essay the main aim is to consider Philip Pullman’s trilogy His Dark Materials with its female protagonist as a Bildungsroman. The principal source of the study is Jerome Buckley’s Season of Youth – The Bildungsroman from Dickens to Golding. Buckely’s presentation of the significant characteristics of the Bildungsroman will be applied to Philip Pullman’s His Dark Materials in order to explore if these characteristics are present, modified or not, in the trilogy. The second aim is to investigate how His Dark Materials relates to the patterns of the hero’s journey. In order to approach this question, Joseph Campbell’s work The Hero with a Thousand Faces is applied as a main source. Since most material concerning both the Bildungsroman and the hero’s journey are from a male point of view and concern males, the female perspective will be represented by Susan Fraiman and Linda Wagner who both write about females and the bildung narrative. In the section called The Story of Lyra, the trilogy is summarized briefly in order to give the reader a chance to understand what the trilogy is about. In the conclusion, Lyra’s development and (hero)-journey are discussed. The final claim of the study is that His Dark Materials can be considered a Bildungsroman and the patterns of the hero journey are found in the story about Lyra, but with some differences from her male counterparts.

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Tso, Wing Bo. "A comparative study of gender representations in Philip Pullman’s His Dark Materials and its Chinese translation." Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/1163/.

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Philip Pullman’s His Dark Materials has caused controversy as well as enjoyed great popularity among readers worldwide. Its influence has created a great impact in the field of children’s literature. The purpose of this thesis is two-fold. Firstly, the thesis analyzes gender representations in Pullman’s trilogy in the context of how he rewrites female archetypes through the subversive re-inscription of Eve, the invention of daemons, the reinvention of ‘femme fatale’, and the new portrayal of Gypsy women. Secondly, the thesis aims at comparing and examining how gender representations in the source text are translated, transformed or / and manipulated in its Chinese translation. With reference to Chinese gender ideology, which includes the Chinese concept of the ying-yang polarities, Buddhist notions of gender, the notion of the femme fatale, and the stereotypical image of Chinese grannies, the syntactic and semantic alterations made by the Chinese translator are investigated. Issues regarding how Chinese gender views may influence and alter the translation product are discussed in detail. By studying the similarities and differences in gender representations between the texts, the thesis attempts to shed light on the gender ideology of both English and Chinese contemporary cultures.

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Hsu, Hsiao-Hsien. "In between materiality and meaning : world, dust and daemon in Philip Pullman's His Dark Materials trilogy." Thesis, University of Essex, 2017. http://repository.essex.ac.uk/19669/.

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This thesis investigates materiality, meanings and the use of three crucial elements, World, Dust, and Daemon in Philip Pullman’s His Dark Materials Trilogy. Together, the three novels Northern Lights (1995), The Subtle Knife (1997) and The Amber Spyglass (2000) juxtapose and represent not only Philip Pullman’s counter-interpretation of Biblical representation, Genesis in particular, but also his worries about religious absolutism and story-telling based in Christian belief. As a New Atheist fantasy fiction written to young adult and adult readers, Pullman’s enthusiasm for playing with and materializing obscure religious concepts and relating them to our real life through story-telling is remarkable. This research is aimed to analyse the methodologies and further to understand how Pullman can fulfill his unique cosmology, as well as the problems and paradoxes these elements could have brought together with. The first chapter, World, composes etymological, philosophical and constitutive studies of Pullman’s World system in His Dark Materials. That system takes an organic tuber-like form in its arrangement of worlds in time and space. The thesis attempts to suggest that Pullman’s atheistic cosmology is, paradoxically, constructed in terms of a heavily theological materiality. The research in the second chapter, Dust, focuses on the transformation of Dust. It attempts to argue that Pullmanic Dust is a process of becoming rather than a status of being. The whole process is divided into three stages, and my critique observes how Dust is materially changed in meaning in each stage. The research also provides detailed studies of how Dust can be metaphorically related to the doctrine of original sin and, in consequence, the work’s close relation to the very Christianity that it seeks to eschew. Daemon, as the most materialized entity made of Dust, is at the crux of Pullman’s understanding of the human soul. It is also a starting point for high fantasy in His Dark Materials. By studying the materiality and meaning of Daemon, my research into what is termed the laws of “settlement” finds that they violate the ontological foundation of Pullman’s realism and of his psychological (and philosophical) understanding of the soul. This chapter suggests that Pullman’s animalization of the human soul and, conversely, his anthropomorphism of daemons together make for a significant contradiction in his cosmology.

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Theodoropoulou, Athanasia. "Stories of initiation for the modern age : explorations of textual and theatrical fantasy in Jules Verne's Voyage à travers l'impossible and Philip Pullman's His Dark Materials." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/4294.

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While the theatrical works of Jules Verne have gathered some critical attention over recent years, the text of the Voyage à travers l’Impossible has remained an obscure space in the author’s oeuvre or deemed unworthy by Vernian scholars. Jules Verne has predominantly been seen as a writer of adventure novels whereas the fantastic elements in his work have commonly been overlooked by critics. This thesis examines the ways in which the Voyage à travers l’Impossible amalgamates ideas that are representative not only of the Vernian work in general but also of the pre-freudian spirit of the nineteenth century. By viewing the play within the context of theatrical fantasy, this thesis opens up new paths of analysis in the genre. Part of this endeavour consists of a comparison with a seemingly disparate text: Philip Pullman’s His Dark Materials, which, similarly to Verne’s play, facilitates an exploration of the function of fantasy both in literary and theatrical terms as it was first adapted for the stage in 2003. During the course of this thesis I offer an analysis of the trilogy and proceed to cover new ground by comparing this to an analysis of the adapted text. For the purpose of my examination I establish a connection between the two texts by regarding the Voyage à travers l’Impossible and His Dark Materials as dominated by the literary motif of initiation according to the model introduced by Vernian specialist Simone Vierne. I subsequently interweave an array of theories on fantasy, psychoanalysis, topography and the body as part of my analysis of the literary fantastic. Texts by Sigmund Freud, Jacques Lacan, Tzvetan Todorov, Irène Bessière, Mircea Eliade, Judith Butler and Vernian critics such as William Butcher are amply used in my readings of Verne and Pullman before I proceed to examine their relevance to the theatrical experience of the fantastic. An analysis of the adaptation of His Dark Materials offers the opportunity for fresh critical insights by creating new perspectives on the function of fantasy in its fluctuation from page to stage and vice-versa. It is through these different perspectives that I revisit old questions and introduce new ones such as the difference between fantasy and the fantastic, their regressive or progressive character, the modification of ii fantastic elements on the passage from the literary to the theatrical and from pre-modernism to post-modernism. Basing my analysis on stories of initiation, I suggest that fantasy evades exclusive association with either progress or regress and only remains faithful to the notions of passage and blurring of frontiers.

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Chau, Ka-wah Anna, and 周嘉華. "Imaginary spaces in children's fantasy fiction: a psychoanalytic reading of Lewis Carroll's Alice Booksand Philip Pullman's His Dark Materials Trilogy." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31364986.

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Books on the topic "His dark materials (Pullman, Philip)"

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The magical worlds of Philip Pullman: Inside His dark materials. London: Puffin, 2006.

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Watkins, Tony. Dark Matter: Shedding light on Philip Pullman's trilogy His dark materials. Downers Grove, Ill: InterVarsity Press, 2006.

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Dark matter: Shedding light on Philip Pullman's trilogy His dark materials. Downers Grove, Ill: IVP Books, 2004.

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Philip Pullman's His dark materials trilogy: A reader's guide. New York: Continuum, 2003.

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R, Gribbin John, ed. The science of Philip Pullman's His dark materials. New York: Knopf, 2005.

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R, Gribbin John, ed. The science of Philip Pullman's His dark materials. New York: Laurel-Leaf, 2007.

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R, Gribbin John, ed. The science of Philip Pullman's His dark materials. London: Hodder Children's, 2004.

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The rough guide to Philip Pullman's His dark materials. London: Rough Guides, 2007.

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Darkness visible: Inside the world of Philip Pullman. London: Wizard Books, 2003.

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Millicent, Lenz, and Scott Carole, eds. His dark materials illuminated: Critical essays on Philip Pullman's trilogy. Detroit: Wayne State University Press, 2005.

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Book chapters on the topic "His dark materials (Pullman, Philip)"

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Pinsent, Pat. "Philip Pullman’s ‘Religious Reaction against Religion’ in His Dark Materials." In Philip Pullman, 19–35. London: Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-33677-4_2.

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Waller, Alison. "The Pursuit of Knowledge: Scientific Enquiry in His Dark Materials." In Philip Pullman, 58–75. London: Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-33677-4_4.

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Halsdorf, Tommy. "Representations of Gender in Philip Pullman’s His Dark Materials trilogy." In Philip Pullman, 127–45. London: Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-33677-4_8.

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Schmid, Susanne. "Pullman, Philip: His Dark Materials." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14533-1.

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Puetz, Babette. "Philip Pullman's His Dark Materials trilogy and the Aeneid." In The Aeneid and the Modern World, 95–110. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003176145-7.

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Linkis, Sara Tanderup. "Across Worlds and Volumes. Serial Space in Philip Pullman's His Dark Materials." In Serialization in Literature Across Media and Markets, 52–68. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003265894-4.

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McCulloch, Fiona. "‘The Bridge to the Stars’: Travelling Home in Philip Pullman’s His Dark Materials." In Cosmopolitanism in Contemporary British Fiction, 109–38. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137030016_5.

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Burt, Stephen. "“Fighting since Time Began”: Milton and Satan in Philip Pullman’s His Dark Materials." In Milton in Popular Culture, 47–57. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403983183_4.

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Bar-Hillel, Gili. "Lewis and Anti-Lewis: On the Influence of The Chronicles of Narnia on His Dark Materials by Philip Pullman." In C. S. Lewis, 145–60. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-28497-6_9.

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Lorrimar, Victoria. "Science and Religion Themes in Philip Pullman's His Dark Materials and The Book of Dust." In Science and Religion in Western Literature, 7–24. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003213987-2.

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Conference papers on the topic "His dark materials (Pullman, Philip)"

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Regan, Tim, and Linda Becker. "Visualizing the text of Philip Pullman's trilogy "His Dark Materials"." In the 6th Nordic Conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1868914.1869023.

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