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Academic literature on the topic 'Histoire religieuse – Campanie (Italie) – Antiquité'
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Journal articles on the topic "Histoire religieuse – Campanie (Italie) – Antiquité"
Montero Herrero, Santiago. "La mujer romana y la expiación de los andróginos." Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 8 (June 20, 2019): 33. http://dx.doi.org/10.18239/vdh_2019.08.02.
Full textDissertations / Theses on the topic "Histoire religieuse – Campanie (Italie) – Antiquité"
Desmulliez, Janine. "La christianisation de la Campanie jusqu'en 604." Paris 4, 1997. http://www.theses.fr/1997PA040218.
Full textThe aim of this research work is to show the different stages of the development of Christianity in Campania, an area which played a major part in the history of Italian Christianism. The critical examination of hagiographic sources, the study of a few literary and conciliar documents, the contribution of archeology enable us to refute some legends and to conclude that christianization was not prior to the middle of the third century. As early as the fourth century, Campania was confronted with religious crises like all the other parts of the western Christian world, arianism and pelegianism. But it had an originality of its own owing to its geographical situation as a cross roads. It was a sort of crucible where roman, African, Greek and oriental influences fused as the architecture and the ornamentation of early Christian monuments show. The third part takes us to Cimitile near Nola where Paulinus, a converted aristocrat, founded a monastic community by the tomb of saint Felix. Cimitile was to become one of the main centers for the propagation of Christian culture in the west as attested by the exchange of letters between Paulinus and Augustine, Jerome, Sulpicius Severus. Between 431 and 536, the number of dioceses increased, the benevolent bishops funded the construction of Christian monuments which altered the urban scene. Christianity spread among the rich and cultured aristocracy. Monasteries thrived as the foundation of one at Naples and that of saint Benedict at Monte Cassino showed. Between 536 and 604, over half the dioceses disappeared during the gothic and Lombardian wars but the aristocratic financial support continued with the construction of monasteries in Naples
Lerouxel, François. "Le marché du crédit privé dans le monde romain d'après les documents de la pratique (Egypte et Campanie)." Paris, EHESS, 2008. http://www.theses.fr/2008EHES0069.
Full textThe thesis tries to understand how the credit market worked in Egypt and Campania, two regions of the Roman Empire that present the common feature of having yielded numerous documents of everyday life. The credit market is conceived here as a concrete historical object, organized by institutions, and not as an abstract, theoretical one. In Egypt, the main institutions organizing the credit market are the private banks and, most importantly, the system of drafting and recording of private contracts centered on the bibliothèkè enktèseôn. The implementation of this system around 69 AD dramatically improved the operation of the credit market. In Campania, the institutions organizing the market were professionnal money -lenders (feneratores), slaves and private banks
Lacam, Jean-Claude. "Le même et l'autre : les pratiques rituelles en Italie centrale et méridionale au temps de la deuxième guerre punique." Paris 1, 2001. http://www.theses.fr/2001PA010626.
Full textBernardi, Jeremy. "L’armement, la figure du combattant et le combat dans les peintures funéraires pariétales et vasculaires de Campanie et de Lucanie (fin Ve – début du IIIe siècle avant J.-C.)." Thesis, Paris, EHESS, 2020. http://www.theses.fr/2020EHES0173.
Full textThis thesis investigates the weapons and combatants depicted in the vascular and parietal funerary paintings of Campania and Lucania, whose production began in the second half of the fifth century and died out at the beginning of the third century BC. We intend to show that we can identify a particular military ideology visible through the paintings, which is situated at the confluence of the religious (eschatological), military and social spheres. The individual military exploit is celebrated through the composition called the "Return of the Warrior", depicting a horseman bringing back the spoils (spolia) of his defeated enemy, a key element allowing the deceased combatant to attain immortality. We will also see that the fighting techniques are focused on dueling. Single combat is the most likely to allow the victor to seize the spoils of his defeated opponent. The specifics of the battle as it is represented is characteristic of archaic warfare, which differs in substance from modern warfare. The paintings studied thus reveal a particular structure of the battle, characteristic of archaic warfare, which differs in substance from modern warfare. We will also be able to confirm the military, social and institutional upheavals known from ancient sources that took place in central and southern Italy during the last third of the fourth century, such as the Roman-Campanian rapprochement, the reform of Appius Claudius and the Samnite wars