Relevant bibliographies by topics / Historic architecture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Historic architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 March 2023

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Journal articles on the topic "Historic architecture"

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Krasilnikov, Vladilen. "Urban Reflections." проект байкал 19, no. 74 (January 5, 2023): 52–53. http://dx.doi.org/10.51461/pb.74.11.

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The author reviews international examples of the existence of architectural monuments and fragments of the historic environment in modern cities and highlights successful solutions. The article outlines the reasons for the failure of interaction between historic and new architecture. The author emphasizes the importance of the artistic form in architecture as a principle of organic unification of the old and modern architecture.
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Sarma, A. D. N. "A Generic Functional Architecture for Operational BI System." International Journal of Business Intelligence Research 9, no. 1 (January 2018): 64–77. http://dx.doi.org/10.4018/ijbir.2018010105.

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In recent years, Operational Business Intelligence has emerged as an important trend in the Business Intelligence (BI) market. Majority of BI application architectures are bespoke in nature which have several architectural limitations like tightly coupled, static, historic, subjective, no performance measurement of business processes, limited user access, limited analytical processing, querying and reporting features. In this article, a generic functional architecture for Operational BI systems based on software architecture principles is presented. All functional modules of the system are derived from the key features of the system and by using top down approach of software design principles. The similar functional modules are grouped into sub-systems and a set of these sub-systems constitutes overall functional architecture. The proposed architecture overcomes the limitations of traditional BI architectures.
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Oržikauskas, Gytis. "ST. PETER AND ST. PAUL’S CHURCH IN VILNIUS: A STUDY IN META-CODAL SYMBOLISM OF CHRISTIAN ARCHITECTURE." JOURNAL OF ARCHITECTURE AND URBANISM 38, no. 4 (December 23, 2014): 234–46. http://dx.doi.org/10.3846/20297955.2014.994809.

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The paper examines Christian architecture from the perspective of “meta-codal function”, i.e. through examination of architectural symbolism expressed solely by architectural means. Emphasizing symbolic and semantic content of architecture, the paper offers a broader research field of architectural artistry by using a wider iconographic comparison. As a representative of baroque architecture and the most prominent example of architectural symbolism, St. Peter and St. Paul’s Church in Vilnius (1668–1702) has been selected for the research. The iconographic programme of this church is compared to most distinct iconographic themes identified through the analysis of some examples of historic Christian architecture. By this method, the research detaches from the usual stylistic analysis and poses the most basic question in architectural artistry: is architecture capable of expressing the independent artistic content which can translate more than architecture’s general appearance.
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Cvetanovic, Aleksandra, and Ana Momcilovic-Petronijevic. "Contemporary meets old in rehabilitating historic buildings." Facta universitatis - series: Architecture and Civil Engineering 19, no. 1 (2021): 1–13. http://dx.doi.org/10.2298/fuace210301002c.

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Protection of architectural heritage is a very delicate mission that needs to be supported by a big set of knowledge and experience. Adding a new, dissimilar element to a historic building of big importance in a rehabilitation process is particularly disputed and needs to be addressed with even more research and justification. Contrasting architectural styles in one building can be even a controversial matter. In some cases, modern additions successfully preserve the originals while bringing something fresh and creative, while others fail to do so. The main question is: does a current trend of adding a new, modern extension to the architecture monument distinctly mean that it is obliterated, or can a mixture of contemporary and historic in old buildings produce good architecture?
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Vilkončius, Evaldas. "Soviet Modernism in the Historic Context. The Cases of Vilnius and Panevėžys City Centers." Art History & Criticism 13, no. 1 (December 1, 2017): 58–75. http://dx.doi.org/10.1515/mik-2017-0005.

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Summary In the history of Lithuanian architecture, the period of soviet modernism has made very problematical mark. The architectural and urbanist changes that were made in Lithuanian cities during this period are linked with the beginning and development of modern building practice. Many discussions causes the changes in the city centres that were made from the 1960s. New modern buildings that were built in the historic context changed its individuality and singularity. This article analyses architectural changes that were made from 1960s to1990s in the historic context of Vilnius and Panevėžys centres. The article suggests that during different decades of the soviet modernism period, the new architecture had a different approach to the historic context. To prove this suggestion, the article presents the most distinctive buildings that were built in the historic context of the selected city centres.
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Yazdi, H., I. Vukorep, and H. Bazazzadeh. "The Methods of Deep Learning and Big Data Analysis in Promoting Sustainable Architecture." IOP Conference Series: Earth and Environmental Science 1078, no. 1 (September 1, 2022): 012136. http://dx.doi.org/10.1088/1755-1315/1078/1/012136.

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Abstract These days, sustainability in different aspects has been among the main discussions of architecture and building science. At the same time, historic architecture has evolved over centuries and has adapted to environmental conditions, it can be a great source of inspiration in using smart ways to achieve sustainable architecture. A good illustration of this adaptation can be found in using vernacular materials, the spatial configuration according to climate conditions, and different elements of historic architecture that have helped to improve the occupant’s comfort. In response, one plausible solution for improving the sustainability of architecture is translating the concept of the sustainable elements and features of historic architecture to be used in contemporary architecture. Therefore, these elements need to be studied thoroughly to comprehend their features and characters. There are several studies, investigating sustainable historic architecture to find and measure sustainable solutions by using conventional methods. Although the accuracy of studying the sustainable historic elements has been fairly high, the number of features and variety of these elements in historic architecture have made this task highly challenging. It has been suggested to study and evaluate a considerable number of these elements in different historic architecture to reduce the errors and increase the reliability of results. Since the conventional methods are labor-intensive, time-consuming, and costly, this paper proposed a robust AI method to study the sustainable elements of historic architecture by using Deep Learning. In this study, by introducing and developing a new method for detecting sustainable elements in historic architecture, their features were comprehensively extracted by means of mining meaningful data from areal images of historic cities to produce big data. The proposed method has a sophisticated workflow starting from subdividing the High-Resolution Aerial Images to detecting the sustainable elements and using data science to analyze the extracted features of the segmented objects. Results of a sample analysis of this method showed its high accuracy and its applicability in analyzing sustainable elements of historic architecture, by which designers are expected to design more sustainable buildings inspired by historic architecture.
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Morse, Richard M., and Edward E. Crain. "Historic Architecture in the Caribbean Islands." Hispanic American Historical Review 76, no. 3 (August 1996): 540. http://dx.doi.org/10.2307/2517820.

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Morse, Richard M. "Historic Architecture in the Caribbean Islands." Hispanic American Historical Review 76, no. 3 (August 1, 1996): 540–41. http://dx.doi.org/10.1215/00182168-76.3.540.

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Zhang, Donia. "Pingyao Historic City and Qiao Family Courtyard." Journal of Chinese Architecture and Urbanism 4, no. 1 (March 11, 2022): 1–19. http://dx.doi.org/10.36922/jcau.v4i1.47.

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Historic cities all over the world are facing challenges on how to best preserve their architectural heritage. We need good examples to follow. This study explores the historic city of Pingyao in China’s Shanxi Province, and the Qiao Family Courtyard in Qiaojiapu Village of Qi County nearby. Pingyao is a representative of northern Chinese city planning and vernacular architecture during the Ming (1368‒1644) and Qing (1644‒1911) dynasties, and it became a UNESCO World Heritage Site in 1997. Qiao Family Courtyard is famous not only because of its majestic architectural compound and exquisite craftsmanship, but also it embodies the unique style of Chinese residential architecture in the Qing dynasty. Zhang Yimou’s 1991 film “Raise the Red Lantern” was shot here. Hu Mei’s 2006 TV series “Qiao’s Grand Courtyard” based on the business history of the family have made the compound internationally acclaimed. From an architectural and urbanist perspective, this paper examines what has made Pingyao Historic City and the Qiao Family Courtyard resilient and responsible. The findings reveal, among other things that, Confucian ethics of honesty, trustworthiness, and righteousness were the backbone accounting for the robust success of Shanxi merchants who held deep-rooted cultural values, and who conducted their businesses accordingly.
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XU, Xiwei, Tim Heath, Qing Xia, and Youtian Zhang. "DISASTER PREVENTION AND MITIGATION STRATEGIES FOR ARCHITECTURE HERITAGE CONCENTRATED AREAS IN CHINA." International Journal of Architectural Research: ArchNet-IJAR 9, no. 1 (March 18, 2015): 108. http://dx.doi.org/10.26687/archnet-ijar.v9i1.525.

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This paper draws upon preliminary research into the insufficiencies of the status quo of the disaster prevention and mitigation in architecture heritage areas in China. It summarizes how the common hazards, which are various threats to the survival and development of the historical architectural heritage, such as fire, geological disasters and meteorological disasters occurs and their characteristics, and also analyses their impact on heritage. The paper also focuses on the disaster-prone parts of architecture heritage, exploring the proposals for evaluations of disaster-risk-factors, and the preliminary strategies that promote historic architecture heritage related to disaster prevention and mitigation, so that people can enhance the security capabilities for architecture heritage. This enables strategies to limit the impact of the disaster，improve historic buildings anti-disaster systems, provide the theory and technical basis to the relevant departments for standards and regulations for architecture heritages’ conservation and security. The ultimate aim is to ensure the long-lasting and safe existence and development of architectural heritage.
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Dissertations / Theses on the topic "Historic architecture"

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Yin, Chien-Ni. "Change in historic buildings." Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/70656.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.
Includes bibliographical references (leaves 74-75).
Change in historic buildings is inevitable. If these changes are not well-managed, the cityscape will be threatened because a city is composed of buildings. A good city should combine both growth and preservation. Controlling change in historic buildings is one way to get this balance. Because a city can not simply preserve all buildings nor demolish all of them, there should be a methodology to decide what buildings should be preserved and which should be demolished. Furthermore, which building should be preserved as a museum, and which should be allowed rehabilitation could also be decided by this same method. Since the concept of combining history into people's daily lives is prevalent, historic buildings can be changed according to contemporary needs. Change in historic buildings should be recommended in different degrees. The degree is decided according to the significance of the building. This thesis studies building category systems that have been used in downtown surveys in Boston and San Francisco. In order to develop an objective evaluation system, the system used in The Canadian Inventory of Historic Building will also be examined. A framework for criteria and an evaluation system will be developed. Buildings can thus be categorized into groups. Suggestions for changes will be based on these groups. For example, a building of high significance in history or in architecture should be preserved at all cost. Change in such a building should be invisible because retaining its original status and keeping its authenticity is the priority. For a building without particular significance, demolition is recommend. Its demolition provides space for city growth. Between the two extremes of preservation and demolition, there is buffer room for blending the new and the old in a single building. The value of such building is usually contextual, without individual architectural or historic significance but of integral importance within an environment. For this kind of contextual building, change is recommended, but the new elements should be clearly distinguishable. Such as building can be rehabilitated with a contemporary design. A new addition is also allowed, as long as the new is compatible with the old. The compatibility between new and old will be examined through cases of buildings recently completed in Boston. The cases raise many issues: How does a city solve the controversy regarding preservation and development? How can the new be properly integrated into the old? How does the city control design qUality? The answers will be provided after the examination of case studies. Finally, principles and recommendations for controlling change in historic buildings will be provided.
by Chien-Ni Yin.
M.S.
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Barón, Elisabeth Matthies. "Mountain lake colony pinewood estate garden historic preservation." FIU Digital Commons, 2001. http://digitalcommons.fiu.edu/etd/1427.

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Pinewood Estate is a significant resource in the history of the theory and practice of landscape architecture. The purpose of this thesis is to provide a landscape plan to restore the Pinewood Estate to its historic integrity in order to retain and reflect its past. In order to determine the criteria used to establish how and to what period the estate should be restored to, the Secretary of the Interior's Guidelines for the Treatment of Cultural Landscapes was followed. This process involved documenting the existing conditions of the estate. Site inventory and analysis and onsite interviews were conducted. Natural and cultural resources were evaluated. As a case study, McKee Botanical Garden was analyzed and evaluated. The comparison of this case study served as a guideline to determine the best practice for the historical preservation of the estate. Despite the changes in the landscape at Pinewood Estate over the past seventy years, the garden today still retains William Lyman Phillips design criteria. For the garden to continue to keep its historic fabric, rehabilitation was selected to allow for improvements that make possible efficient contemporary use of the estate.
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Radtke, Lisa B. "Rehabilitating historic residential landscapes: Tucson, Arizona." Thesis, The University of Arizona, 2003. http://hdl.handle.net/10150/278806.

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Widespread rehabilitation of historic residential properties in Tucson, Arizona offers numerous benefits to the community. The Secretary of the Interior's Standards for the Treatment of Historic Property provides the best practical guidelines for the rehabilitation of historic landscapes, currently. However, interpreting national guidelines for use on local projects is necessary before widespread application can occur. Accordingly, the first section of this work addresses means by which the national standards might be applied to landscape rehabilitation of residential properties in Tucson, including mid to small-scale residences and historic houses of more recent construction. Because these homes often lack traditional sources of documentation, expanding research options within the design process is often necessary. The second part of this work utilizes suggested research options, including academic and non-academic sources, to synthesize information regarding local historic residential landscape practices useful in interpretive and design processes of historic landscape rehabilitation projects.
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Rabun, J. S. "Structural analysis of historic American buildings." Thesis, University of York, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297311.

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Kim, Sooyoung. "Spatial sequence in the historic gardens." Thesis, Virginia Polytechnic Institute and State University, 1989. http://hdl.handle.net/10919/53224.

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In designing spaces, designers should consider spatial sequence and its experiences, since we experience environment in a sequence along movement. The more a place satisfies desired experiences, the more the place will be successful. This thesis explored spatial sequence as a design tool by examining the major design elements of spatial sequence, the designed patterns of these elements in some cultures, and the sequential experiences and effects of the patterns. As a way of exploring spatial sequence as a design tool, cases in formal classic landscapes (Korean temples, Mughul gardens in Kashmir and Italian villas) have been examined. Classic landscapes have developed elaborate sequential patterns to achieve certain experiences and effects. Especially, the spatial sequence of classic formal landscapes is designed to be experienced along a major axis and to show straight forward and highly controlled sequence. Thus, classic formal landscapes are good examples of showing strong relationship between spatial sequence and spatial experiences. The three landscapes are examined and compared in terms of change of level, change of spatial characteristics and transition places to explore spatial sequence and sequential experiences. The results of this research showed that the designers of these landscapes deliberately used - spatial sequence to elicit certain emotional responses and experiences specifically desired under the contexts and purposes of the places. Korean temples located in the mountains provide good nature-reIated experiences and religious-but-inspiring experiences. The temple designers created delicate yet powerful sequential experiences through the effective use of site conditions and landscape elements. The designers of Mughul gardens worked to create cool and friendly spatial experiences in the hot climate and vast landscapes. They utilized water and planting materials in various ways to give a refreshing and intimate feeling through the whole sequence. Spatial sequences of Italian villas are designed to add to the pure pleasure of the residences and thus show the most articulated sequence design. Especially, level changes, as one of the sequential elements, have been used effectively to create or increase certain sequential experiences. ln Korean temples, the irregular slopes of sites are shaped sometimes into even and constant rises or sometimes into a rapid rise to make various sequential effects. The Mughuls deliberately made small level changes out of flat plains to create an intimate sequence. The Italians used level changes to create a vivid sequence. The steep slopes of hillsides are altered in two opposite directions: horizontally wide and vertically high. The existing site conditions are utilized and modified in various ways to make specific sequential experiences and effects. The findings confirm that spatial sequence is an effective design device which can satisfy desired experiences and thus can create successful places. Good sequence is the one that is appropriate for its purpose and for the context in which it belongs. More concern for and more understanding of spatial sequence will enable the designer to create an environment that will provide more pleasing spatial experiences.
Master of Landscape Architecture
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Rashed, Haitham Farouk. "Sustainable urban development in historic Cairo." Thesis, University of Nottingham, 2013. http://eprints.nottingham.ac.uk/14591/.

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Heritage is a constituent of the cultural tradition, and an important component of societal and community welfare. This comprehensive vision merges both tangible and intangible dimensions; architectural and historical values. As a result of globalisation, local communities of heritage sites have started to realise the significance of their influencing voices in shaping their lives and futures. Several rehabilitation and development initiatives have been selected for this study to review lessons learned from a variety of methodologies adopted for different historical districts of distinctive urban, political, and socio-economic contexts. Historic Cairo is home to the largest concentration of Islamic monuments in the world and was designated a world heritage site in 1979. Despite historic Cairo's international and national significance, it is highly vulnerable to negligence and deterioration as a consequence of modernisation and rapid changes in urban and cultural lifestyles. Historic Cairo has attracted numerous rehabilitation, preservation and restoration studies, proposals, and projects through governmental, national, and international efforts. These rehabilitation schemes however have lacked the sustainable urban development delivery in this heritage context. Moreover, most of the schemes neglected yet another significant dimension for sustainable urban development considered key to many successful schemes; community participation and involvement in the planning process. The study aims to fill the research gap identified to achieve sustainable urban development in historic Cairo. Thus, a thorough, evidence-based, and theoretically informed methodology has been proposed for developing a tailored intervention that attempts to tackle some of the most critical problems in historic Cairo. The present study adopts a mixed-method strategy with an in-depth case study to undertake a comprehensive analysis of the research problem. This mixed methodology has had the benefit of combining data collection techniques, interviews and questionnaire in order to explore more fully the context of the case study. The combination of methods has provided a basis for exploring how community participation plays a vital role in the success (or failure) of the delivery of a development intervention in historic Cairo. Results from questionnaires and interviews have provided a robust vision of how the bottom-up and top-down views complement each other to provide a foundation for the researcher to build the proposed intervention on. The analysed results are to provide recommendations to decision makers on how best to encourage and incorporate stakeholders' views in future interventions implemented within their rich historic context. Drawing from the survey results along with lessons learnt from other development initiatives in heritage sites, and complementing this with space syntax analysis techniques, a set of tailored design guidelines is generated for sustainable development in historic Cairo. The proposed design guidelines comprise recommendations that have dealt with the five main urban zones of historic Cairo based on the most critically required design principles for sustainable development; diversity and choice, distinctiveness/sense of place, users' needs, self sufficiency/participation, and pollution reduction. The proposed strategy has aimed to consider the development of the physical urban context of historic Cairo whilst enhancing the social, economic, and environmental aspects within the local community to guarantee the sustainable delivery and outcomes of the intervention.
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Gerstenberger, Nanette Marie. "Historic plant materials of Tucson." Thesis, The University of Arizona, 1997. http://hdl.handle.net/10150/291741.

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The objective of this study was to create a reference of historically identifiable eras in plant use and landscape design in Tucson between 1854 and 1960. Determination of plant use eras was based on a combination of factors: (1) significant events, (2) technological advancements, (3) the number of species identified during specific time frames, (4) changes in plant collection patterns, and (5) new design trends. Five major landscape plant use eras are identified: the Anglo Settlement Era (1854-1879), the Railroad Era (1880-1899), the Post Victorian Era (1900-1917), the Post World War I and Depression Era (1918-1938), and the World War II and Suburban Expansion Era (1939-1960). Plant introduction peaked between 1900 and 1917. Following that time, tree introductions declined significantly and shrub introductions increased.
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YOKEL, WILLIAM A. "Inhabiting a Landscape: After the Commodification of Historic Preservation." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212121075.

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Kong, Tak-chun Andy. "Cultural landscape architecture Fanling Wai (Walled village)." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25951038.

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Catania, Brittany. "(Re)connect: Transforming Vacant Urban Spaces and Historic Buildings." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396453798.

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Books on the topic "Historic architecture"

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Hansley, Richard. Asheville's historic architecture. Charleston, SC: History Press, 2011.

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Hansley, Richard. Asheville's historic architecture. Charleston, SC: History Press, 2011.

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Historic Chinese architecture. Beijing, China: Qinghua University Press, 1985.

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University, Qinghua, ed. Historic Chinese architecture. Beijing: Tsinghua University, 1985.

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Chʻing-hsi, Lou, and Chʻing hua ta hsüeh (Beijing, China). Chien chu hsi., eds. Historic Chinese architecture. Beijing, China: Tsinghua University Press, 1990.

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York's historic architecture. Charleston, SC: History Press, 2008.

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Woman's Club of Warren (Warren, Pa.). Educational Scholarship & Historic Preservation Group., ed. Warren's historic architecture. [Warren, Pa.]: The Educational Scholarship & Historic Preservation Group of the Woman's Club of Warren, 1998.

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Rhinebeck's historic architecture. Charleston, SC: History Press, 2009.

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Historic architecture of Pennsylvania. Atglen, PA: Schiffer Publishing Ltd., 2012.

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Architects, Saskatchewan Association of, ed. Historic architecture of Saskatchewan. Regina: Focus Pub., 1986.

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Book chapters on the topic "Historic architecture"

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Liljegren, Karin, and Kelly J. Kish. "Omgivning: Transforming Historic Icons Through Adaptive Reuse." In Adaptive Architecture, 136–48. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315627113-19.

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Farahat, Abdelmohsen M., and Ashraf Turki. "Proposed Historic Trail for Almadinah Almunawarah." In Architecture and Urban Space, 117–24. Dordrecht: Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-017-0778-7_16.

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Adam, Sara, Marwa Khalifa, and Amr Attia. "Historic Urban Landscape Approach for Historic Coastal Cities Regeneration: The Case of Rosetta, Egypt." In Architecture and Urbanism: A Smart Outlook, 253–68. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52584-2_19.

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Urban, Florian. "Postmodernism from the Spirit of Historic Conservation." In Postmodern Architecture in Socialist Poland, 139–75. Abingdon, Oxon; New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003016731-05.

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Pretelli, Marco, and Kristian Fabbri. "Architecture and Indoor Microclimate." In Historic Indoor Microclimate of the Heritage Buildings, 1–22. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-60343-8_1.

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Kuroishi, Izumi. "Mathematics of Carpentry in Historic Japanese Architecture." In Architecture and Mathematics from Antiquity to the Future, 333–47. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-00137-1_23.

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Middleton, Deborah A. "Redeveloping the Historic Urban Ensemble: The Case of the King Abdulaziz Historic Center, Arriyadh Saudi Arabia." In Cities' Identity Through Architecture and Arts, 141–55. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-14869-0_9.

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Como, Mario. "Statics of Historic Masonry Constructions: An Essay." In Masonry Structures: Between Mechanics and Architecture, 49–72. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-13003-3_3.

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Roldán, Francisco. "Method of Modulation and Sizing of Historic Architecture." In Digital Fabrication, 539–53. Basel: Springer Basel, 2012. http://dx.doi.org/10.1007/978-3-0348-0582-7_10.

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Fatima, F. "Historic Urban Landscapes and Archaeological Sites: Perspectives and Directions." In Cities' Identity Through Architecture and Arts, 129–39. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-14869-0_8.

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Conference papers on the topic "Historic architecture"

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Mudie, C. "Matthew and Naval Architecture." In Historic Ships Design, Restoration & Maintenance. RINA, 1996. http://dx.doi.org/10.3940/rina.hist.1996.3.

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Capuano, L., E. Laurini, and P. De Berardinis. "Passive cooling in the restoration of historic buildings." In ECO-ARCHITECTURE 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/arc160191.

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Ryńska, E. D. "Rehabilitation and adaptive reuse of historic buildings in Poland." In ECO-ARCHITECTURE 2008. Southampton, UK: WIT Press, 2008. http://dx.doi.org/10.2495/arc080321.

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Schibuola, L., and C. Tambani. "Renewable energy sources for historic buildings: the Crucifers Convent in Venice." In ECO-ARCHITECTURE 2012. Southampton, UK: WIT Press, 2012. http://dx.doi.org/10.2495/arc120301.

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Vitti, Paolo. "Lessons from the past, architecture for the future. Coupling historic preservation with sustainable architecture." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15641.

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Restoration of built heritage can serve not only to preserve historical documents of the past but also to provide models for new sustainable architecture. Vernacular and, more generally, historic architecture is by its nature sustainabile and resilient. It is largely the result of experience and acquired knowledge, and shows how local resources can be used in a thoughtful and rational way in new construction. For this reason, it can inspire low-energy solutions necessary to address the current climate crisis. Conservation projects, in their turn, allow us to analyze the fabric of historic buildings, to understand which materials were used, how they were transformed and assembled, and how they offered the best response to the needs of use and resistance to the elements and natural hazards. In this paper, conservation of traditionaly-built architecture and new sustainable architecture are discussed as two partners pursuing the common goal of reducing the effects of climate change. The author investigates the way conservation and analysis of historic buildings allows us to interpret the complex and articulated reality of regional architecture. By retrieving the analysis of historic construction as a fundamental component for understanding architecture and adopting manual graphic records as a tool for expressing the complexity of the fabric of a building, it is possible to identify local building traditions and inspire new sustainable architecture.
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Figura Lange, Karen. "Los Angeles : The Architecture and Urban Design of Nontradition." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.40.

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Past urban planners, real estate speculators and myth makers have achieved the fantasy city of the future in Los Angeles. Based on the public dream of individualism and the desire for space, Los Angeles is a city inspired and created not by history but by future endeavors, speculative gestures, unlimited possibilities and fantasy. Rising from an agricultural village it has attained metropolis status through industries that promote and depend on myth; real estate development, tourism, film. Los Angeles has become the city it dreamed of being; a future city without historic connections and foundations. Without a sense of community, reality became image. The simultaneous development of the automobile and airplane fueled the growth and pattern of urban evolution in Los Angeles. Populated by individuals escaping their personal histories in the mid-west and east, Los Angeles became a city of newness with a civic lust for the new and a general acceptance that new is better. This lead to city development without historic precedent, and a reliance on technology, first the automobile and airplane, later the computer. In the end the city resembles suburbia infinitum, a city of nowhere, without a center, egalitarian and without hierarchy. Over this pragmatic patterning lies the concern for architects today; to work from within to create a sense of place without responding to the historical models, but developing an event from fragments, estrangement and loss of connectivity.
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Swensen, G. "Unity, simplicity and balance: sustainable management of cultural historic environments of mountain summer farming." In ECO-ARCHITECTURE 2006. Southampton, UK: WIT Press, 2006. http://dx.doi.org/10.2495/arc060131.

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Kristianova, Katarina. "GROTTO IN HISTORIC GARDENS IN SLOVAKIA." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.087.

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Song, Boyuan, and Huajie Sui. "Historic Architecture and Aesthetic Reconstruction of Guqin Aesthetics." In International Conference on Education, Management, Computer and Society. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/emcs-16.2016.520.

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Cecamore, Stefano. "Traces of a fortified hamlet. Iconography and urban development of San Valentino in Abruzzo Citeriore." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11390.

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The paper proposes a reading of the possible urban development of the historic centre of San Valentino in Abruzzo Citerore starting from the analysis of its architectural heritage. The image of a fortified hamlet surrounded by walls, represented in a painting dating back to the mid-nineteenth century, appears in cartographic reliefs and representations accessible at the local and extra regional archives. The reading of the current architectural set of givens, which are characterized by the continuous use of building techniques related to the processing of local limestones, seeks through comparison with the historic iconography to identify persistences and alterations of the urban fabric, tracing a possible developmental line of San Valentino in Abruzzo Citeriore from medieval castrum to Farnesiano fief up to the substantial interventions of modernization and revision of the historic center operated in the last century. The requests of functional and formal changes occurring at the turn of the nineteenth and twenteeth century implicates the dismantling of the walls, the typological change of the original building and of the urban layout and the loss of the urban imagine resulting consolidated in the collective memory. An awaking context of the main features of the historic and building development of this fortified reality in the Middle Adriatic area is today an indispensable step in this path of consciousness and awareness of the society regarding the urgent problem connected to the neglect and to the conservation of the historic centres.
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Reports on the topic "Historic architecture"

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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made without the restrictions of geographical or political boundaries. Research strategies, programmes From Source to Sea: ScARF Marine and Maritime Panel Report iii and projects can adopt this approach at multiple levels; from national to site-specific, with the aim of remaining holistic and cross-cutting. 2. Submerged Landscapes: The rising research profile of submerged landscapes has recently been embodied into a European Cooperation in Science and Technology (COST) Action; Submerged Prehistoric Archaeology and Landscapes of the Continental Shelf (SPLASHCOS), with exciting proposals for future research. Future work needs to be integrated with wider initiatives such as this on an international scale. Recent projects have begun to demonstrate the research potential for submerged landscapes in and beyond Scotland, as well as the need to collaborate with industrial partners, in order that commercially-created datasets can be accessed and used. More data is required in order to fully model the changing coastline around Scotland and develop predictive models of site survival. Such work is crucial to understanding life in early prehistoric Scotland, and how the earliest communities responded to a changing environment. 3. Marine & Maritime Historic Landscapes: Scotland’s coastal and intertidal zones and maritime hinterland encompass in-shore islands, trans-continental shipping lanes, ports and harbours, and transport infrastructure to intertidal fish-traps, and define understanding and conceptualisation of the liminal zone between the land and the sea. Due to the pervasive nature of the Marine and Maritime historic landscape, a holistic approach should be taken that incorporates evidence from a variety of sources including commercial and research archaeology, local and national societies, off-shore and onshore commercial development; and including studies derived from, but not limited to history, ethnology, cultural studies, folklore and architecture and involving a wide range of recording techniques ranging from photography, laser imaging, and sonar survey through to more orthodox drawn survey and excavation. 4. Collaboration: As is implicit in all the above, multi-disciplinary, collaborative, and cross-sector approaches are essential in order to ensure the capacity to meet the research challenges of the marine and maritime historic environment. There is a need for collaboration across the heritage sector and beyond, into specific areas of industry, science and the arts. Methods of communication amongst the constituent research individuals, institutions and networks should be developed, and dissemination of research results promoted. The formation of research communities, especially virtual centres of excellence, should be encouraged in order to build capacity.
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Burns-Dans, Elizabeth, Alexandra Wallis, and Deborah Gare. A History of the Architects Board of Western Australia, 1921-2021. The Architects Board of Western Australia and The University of Notre Dame Australia, 2021. http://dx.doi.org/10.32613/reports/2021.1.

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An economic and population boom in the 1890s created opportunities for architects to find work and fame in Western Australia. Architecture, therefore, became a viable profession for the first time, and the number of practicing architects in the colony (and then state) quickly grew. Associations such as the Western Australian Institute of Architects were established to organise the profession, but as the number of architects grew and Western Australian society matured, it became evident that a role for government was required to ensure practice standards and consumer protection. In 1921, therefore, the Architects Act was passed, and, in the following year, the Architects Board of Western Australia was launched. This report traces the evolution and transformation of professional architectural practice since then, and evaluates the role and impact of the Board in its first century.
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Ryan, J. J., A. Zagorevski, N. R. Cleven, A J Parsons, and N. L. Joyce. Architecture of pericratonic Yukon-Tanana terrane in the northern Cordillera. Natural Resources Canada/CMSS/Information Management, 2021. http://dx.doi.org/10.4095/326062.

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West-central Yukon and eastern Alaska are characterized by widespread metamorphic rocks that form part of the allochthonous, composite Yukon-Tanana terrane and parautochthonous North American margin. Structural windows through the Yukon-Tanana terrane expose parautochthonous North American margin in that broad region, particularly as mid-Cretaceous extensional core complexes. Both the Yukon-Tanana terrane and parautochthonous North American margin share the same Late Devonian history, making their discrimination difficult; however, distinct post-Late Devonian magmatic and metamorphic histories assist in discriminating Yukon-Tanana terrane from parautochthonous North American margin rocks. The suture between Yukon-Tanana terrane and parautochthonous North American margin is obscured by many episodes of high-strain deformation. Their main bounding structure is probably a Jurassic to Cretaceous thrust, which has been locally reactivated as a mid-Cretaceous extensional shear zone. Crustal-scale structures within composite Yukon-Tanana terrane (e.g. the Yukon River shear zone) are commonly marked by discontinuous mafic-ultramafic complexes. Some of these complexes represent orogenic peridotites that were structurally exhumed into the Yukon-Tanana terrane in the Middle Permian.
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Eaker, Chris. Architectural History / Epigraphy - University of Tennessee Knoxville. Purdue University Libraries, May 2012. http://dx.doi.org/10.5703/1288284314995.

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Sowell, P. K. The C4ISR Architecture Framework: History, Status, and Plans for Evolution. Fort Belvoir, VA: Defense Technical Information Center, January 2006. http://dx.doi.org/10.21236/ada456187.

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Mullaley, Meredith. Rebuilding the Architectural History of the Fort Vancouver Village. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.502.

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Seidametova, Zarema S., Zinnur S. Abduramanov, and Girey S. Seydametov. Using augmented reality for architecture artifacts visualizations. [б. в.], July 2021. http://dx.doi.org/10.31812/123456789/4626.

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Nowadays one of the most popular trends in software development is Augmented Reality (AR). AR applications offer an interactive user experience and engagement through a real-world environment. AR application areas include archaeology, architecture, business, entertainment, medicine, education and etc. In the paper we compared the main SDKs for the development of a marker-based AR apps and 3D modeling freeware computer programs used for developing 3D-objects. We presented a concept, design and development of AR application “Art-Heritage’’ with historical monuments and buildings of Crimean Tatars architecture (XIII-XX centuries). It uses a smartphone or tablet to alter the existing picture, via an app. Using “Art-Heritage’’ users stand in front of an area where the monuments used to be and hold up mobile device in order to see an altered version of reality.
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Hinks, Stephen, Jack B. Irion, Kathryn M. Kuranda, Ralph Draughon, Athens Jr, and William P. Architectural and Archeological Investigations in and Adjacent to the Bywater Historic District, New Orleans, Louisiana. Fort Belvoir, VA: Defense Technical Information Center, October 1994. http://dx.doi.org/10.21236/ada286972.

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Heavrin, Elizabeth, Hallie Heames, Jennifer Leeds, and Sarah Reynolds. Oak Ridge National Laboratory Roane and Anderson Counties, Tennessee Historic Architectural Resource Survey June 2018. Office of Scientific and Technical Information (OSTI), February 2021. http://dx.doi.org/10.2172/1767858.

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Pfluger, Rainer, Alexander Rieser, and Daniel Herrera, eds. Conservation compatible energy retrofit technologies: Part I: Introduction to the integrated approach for the identification of conservation compatible retrofit materials and solutions in historic buildings. IEA SHC Task 59, October 2021. http://dx.doi.org/10.18777/ieashc-task59-2021-0004.

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According to the United Nations Environment Programme (UNEP), existing European buildings consume about 40% of the total energy consumption in Europe. For this reason, in the last decades, several energy policies have been directed to deep renovation of the existing stock (as last 2018/844). Considering that more than one quarter of all European buildings were constructed before the 1950s, we can assume that many of them are of cultural, architectural, social and heritage values, hence in need of special attention for conservation purposes.
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