Relevant bibliographies by topics / Historic buildings Theater architecture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Historic buildings Theater architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Historic buildings Theater architecture"

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Anisimov, Alexander V. "The New Theatrical Buildings of Moscow in XXI Century (on the Hidden Theatres)." Scientific journal “ACADEMIA. ARCHITECTURE AND CONSTRUCTION”, no. 3 (September 27, 2018): 55–65. http://dx.doi.org/10.22337/2077-9038-2018-3-55-65.

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Over the past three decades, the number of theater groups in Moscow has increased several times compared to the Soviet era. In the past, the theaters were only state and strictly divided into all-union, republican, Moscow and departmental. And now they are born and die, but still multiply, their number is even difficult to determine - it's about two hundred. The quantitative boom is accompanied by an active search for new forms of performing art, for which halls of a new type with unprecedented stage equipment are needed. Prosperous theaters tend to have their own new houses with original arch
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Siry, Joseph M. "Chicago's Auditorium Building: Opera or Anarchism." Journal of the Society of Architectural Historians 57, no. 2 (1998): 128–59. http://dx.doi.org/10.2307/991376.

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Adler and Sullivan's Auditorium Building in Chicago (1886-1890) is here analyzed in the context of Chicago's social history of the 1880s. Specifically, the building is seen as a capitalistic response to socialist and anarchist movements of the period. The Auditorium's principal patron, Ferdinand W. Peck, created a theater that was to give access to cultural and civic events for the city's workers, to draw them away from both politicized and nonpoliticized "low" urban entertainments. Adler and Sullivan's theater was to serve a mass audience, unlike opera houses of the period, which held multipl
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Poliakova, Yu Yu. "Researches of Kharkiv’s Theater Culture of the 19th and the first half of the 20th cc.: Problems of Historiography." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 142–63. http://dx.doi.org/10.34064/khnum1-51.08.

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Background. Recently, specialists in drama studies have displayed growing interest to the problems of historiography concerning theaters. One of its most urgent tasks is to reveal just how much the scientific approach is applied to creating a historical paper. This goes hand in glove with studies into sociopolitical and scientific worldview of authors of the researches, the sources used, the interpretation of facts as well as the style of material’s presentation. Objectives, methods and materials of the research. The purpose of this study is to outline the circle of the most important sources,
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Whiting, Cécile. "Philip Johnson." Journal of the Society of Architectural Historians 75, no. 3 (2016): 318–38. http://dx.doi.org/10.1525/jsah.2016.75.3.318.

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In the late 1950s and 1960s, before it became a norm to situate contemporary art in public spaces, Philip Johnson employed a model for relating contemporary architecture and art, proposing mutual enhancement based on juxtaposition and contrast over independence or integration. In Philip Johnson: The Whence and Whither of Art in Architecture, Cécile Whiting examines two examples of Johnson's use of contemporary art: the New York State Theater at Lincoln Center and the New York State Pavilion at the 1964–65 New York World's Fair. Whiting discusses the ways in which the commissioned art contraste
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Inshakov, Alexander N. "Monumental Painting by Sergei Romanovich: Former and Unfulfilled." Vestnik of Saint Petersburg University. Arts 11, no. 1 (2021): 102–26. http://dx.doi.org/10.21638/spbu15.2021.107.

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The article is devoted to an important period in the life and work of the Moscow artist Sergei Romanovich (1894–1968), one of the most interesting young artists of the Russian pictorial avant-garde of the second half of the 1910s, a student and later friend of Mikhail Larionov. From the late 1930s to the mid-1950s, Romanovich was an employee of the Workshop of Monumental Painting at the Academy of Architecture of the USSR. Together with Lev Bruni and Vladimir Favorsky, he worked on the decoration of the Red Army Theater, participated in the development of projects and interior design of theate
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Moisand, Jeanne. "Dal tempio monumentale alla baracca da fiera: mutamenti dello spazio urbano e luoghi teatrali a Madrid e Barcellona alla fine del secolo XIX." MEMORIA E RICERCA, no. 29 (March 2009): 29–45. http://dx.doi.org/10.3280/mer2008-029003.

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- This article compares the construction of theaters in Madrid and Barcelona from the 1830's to the 1910's by looking at the various forms and types of theaters, as well as those who funded them. As the history of books has shown, we can gain a better understanding of the social uses of cultural goods by analyzing the material forms in which they are produced and distributed. In the two Spanish main capital cities, the architectural evolutions of theater buildings, social changes in the constructors' milieux, and the movement of theater sites out of the city centers to suburban areas, show how
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Rodrigues, Ana, Manuela Rosa, and Efigénio Rebelo. "Dynamics in Cultural Spaces in the Historic Center of Portimão Portugal." Revista Rosa dos Ventos - Turismo e Hospitalidade 13, no. 2 (2021): 489–516. http://dx.doi.org/10.18226/21789061.v13i2p489.

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The main goal of this study consists in building indicators regarding the performance of cultural venues in the city of Portimão, Alrgarve region, Portugal, which are inserted in a pedestrian route, the Accessible Tourist Route of Portimão. These are the Museum of Portimão, a cultural venue that expresses the local history of the canning industry, and the Tempo Theatre, placed also in a historic building, where there are cultural performances. Both buildings are architectural objects with heritage value, with rehabilitation design for cultural spaces. The methodology applied is characterised b
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Cook, David. "Photographing Historic Buildings." Vernacular Architecture 49, no. 1 (2018): 166–67. http://dx.doi.org/10.1080/03055477.2018.1522846.

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M., Yatsiv. "LIGHT IN THE ARCHITECTURE OF MODERN THEATER BUILDINGS." Architectural Studies 6, no. 1 (2020): 46–52. http://dx.doi.org/10.23939/as2020.01.046.

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The article discusses the role and functions of light in the space of modern theater buildings outside the auditorium and stage space. The architectural and structural factors of the formation of the lighting environment in modern theater buildings are determined; trends and features of the functioning of light in the space of modern theaters are revealed. The influence of the architectonics of buildings on the nature of the illumination of theatrical spaces is established. The experience of the formation of the lighting environment of theater buildings on the example of modern domestic and fo
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Pilsitz, Martin. "Conservation of historic buildings in industrial architecture." Építés - Építészettudomány 40, no. 1-2 (2012): 97–112. http://dx.doi.org/10.1556/eptud.40.2012.1-2.5.

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Dissertations / Theses on the topic "Historic buildings Theater architecture"

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Yin, Chien-Ni. "Change in historic buildings." Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/70656.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.<br>Includes bibliographical references (leaves 74-75).<br>Change in historic buildings is inevitable. If these changes are not well-managed, the cityscape will be threatened because a city is composed of buildings. A good city should combine both growth and preservation. Controlling change in historic buildings is one way to get this balance. Because a city can not simply preserve all buildings nor demolish all of them, there should be a methodology to decide what buildings should be preserved and which should b
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Rabun, J. S. "Structural analysis of historic American buildings." Thesis, University of York, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297311.

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Zhang, Yi. "Xi'an Muslim Quarter opportunities and challenges for public participation in historic conservation /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B42188908.

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Catania, Brittany. "(Re)connect: Transforming Vacant Urban Spaces and Historic Buildings." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396453798.

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Kåring, Göran. "När medeltidens sol gått ned debatten om byggnadsvård i England, Frankrike och Tyskland 1815-1914 /." Stockholm : Kungl. Vitterhets historie och antikvitets akademien : Distributör, Almqvist & Wiksell International, 1992. http://catalog.hathitrust.org/api/volumes/oclc/27874709.html.

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Gary, Rodney D. "Incorporating new technologies in the rehabilitation of historic buildings." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/22398.

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Diaz, Joaquin. "The adaptive reuse of historic urban late industrial buildings." FIU Digital Commons, 1999. http://digitalcommons.fiu.edu/etd/2801.

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It is the intent of this thesis to provide adaptive intervention that respects and preserves the significant features of historic urban late industrial buildings while enhancing their cultural and economic role within the city that developed around them. The Dinner Key Boat Yard, in Coconut Grove, will be used to demonstrate the conclusions of this study. Research into the practice and philosophies of historic preservation, and the local history; will be used to identify the attributes of historic value in the case site. An analysis of the surrounding area and case studies of parallel preceden
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Ruhland, Sarah L. "The fragility of significance the rise and fall of the Cannon Ball House /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 47 p, 2007. http://proquest.umi.com/pqdweb?did=1338866231&sid=9&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Echter, Claus-Peter. "Die Denkmaltopographie als Erfassungsinstrument und kulturgeschichtliches Unternehmen /." Berlin : Dt. Inst. für Urbanistik, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014735382&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Yüceer, Hülya İpekoğlu Başak. "An evaluation of interventions in architectural conservation:new exterior additions to historic buildings/." [s.l.]: [s.n.], 2005. http://library.iyte.edu.tr/tezlerengelli/doktora/mimarlik/T000362.pdf.

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Thesis (Doctoral)--İzmir Institute of Technology, İzmir, 2005.<br>Keywords:Architectural conservation,architectural additions, historic buildings, restoration. Includes bibliographical references (leaves. 211-219).
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Books on the topic "Historic buildings Theater architecture"

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Dilse, Paul. Toronto's Theatre Block: An architectural history. Toronto Region Architectural Conservancy, 1989.

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Carey & Co. Historic structure report: San Francisco City Hall. Carey & Co., 1993.

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Carey & Co. Historic structure report: War Memorial Opera House, San Francisco, California. Carey & Co., 1993.

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York's historic architecture. History Press, 2008.

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Rhinebeck's historic architecture. History Press, 2009.

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Hansley, Richard. Asheville's historic architecture. History Press, 2011.

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Hansley, Richard. Asheville's historic architecture. History Press, 2011.

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Geoffrey, Leavenworth, and Barnhill Stephen, eds. Historic Galveston. Herring Press, 1985.

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Ashurst, Nicola. Cleaning historic buildings. Donhead, 1994.

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Historic architecture of Pennsylvania. Schiffer Publishing Ltd., 2012.

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Book chapters on the topic "Historic buildings Theater architecture"

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Pretelli, Marco, and Kristian Fabbri. "Architecture and Indoor Microclimate." In Historic Indoor Microclimate of the Heritage Buildings. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-60343-8_1.

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"Documenting Historic Buildings." In Architecture in Nineteenth-Century Photographs. Routledge, 2017. http://dx.doi.org/10.4324/9781315097060-3.

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POPPELIERS, JOHN. "The Historic American Buildings Survey." In Architecture of Middle Tennessee. Vanderbilt University Press, 2020. http://dx.doi.org/10.2307/j.ctv1675b7f.3.

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Cancino, C., and D. Torrealva. "Seismic retrofitting of historic earthen buildings." In Seismic Retrofitting: Learning from Vernacular Architecture. CRC Press, 2015. http://dx.doi.org/10.1201/b18856-7.

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Binda, Luigia, and Giuliana Cardani. "Seismic Vulnerability of Historic Centers." In Architecture and Design. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7314-2.ch042.

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A methodology of investigation and diagnosis on the built patrimony of historic centres in seismic areas is presented with the aim of collecting an extensive knowledge on the structural typologies and behaviour of historic masonry buildings. This investigation is also the base for the prevention and/or repair of damages caused by earthquakes. Small historic centres or residential buildings in larger centres have been considered for long time as “minor architecture”, but they are meaningful testimonies of the local cultural heritage and express the evolution of a society and of its cultural identity. The results of the investigation carried out on different Italian historic centers, allowed also a critical review of the reliability of the analytical models and of the effectiveness of the repair techniques applied in the past decades. The guidelines emerging from the research results are here presented. A “minimal” diagnostic investigation program is also suggested, in order to support the designers in their projects and to set up appropriate mathematical models to study the vulnerability of the structures.
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Dore, Conor, and Maurice Murphy. "Historic Building Information Modelling (HBIM)." In Architecture and Design. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7314-2.ch003.

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Historic Building Information Modelling (HBIM) is a new approach for modelling historic buildings which develops full Building Information Models (BIMs) from remotely sensed data. HBIM consists of a novel library of reusable parametric objects, based on historic architectural data and a system for mapping theses library objects to survey data. This chapter describes the development of a library of parametric objects for HBIM that can be used to model classical architectural elements. Steps towards automating the HBIM process are also described in this chapter. Using concepts from procedural modelling, a new set of rules and algorithms have been developed to automatically combine HBIM library objects and generate different building arrangements by altering parameters. This is a semi-automatic process where the required building structure and objects are first automatically generated and then refined to match survey data. The use of procedural modelling techniques with HBIM library objects introduces automation and speeds up the slow process of plotting library objects to survey data.
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BONSI, DAVIDE. "The Acoustic Analysis of Palladio’s Teatro Olimpico, Vicenza." In The Music Room in Early Modern France and Italy. British Academy, 2012. http://dx.doi.org/10.5871/bacad/9780197265055.003.0017.

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In the history of theatre buildings, the Teatro Olimpico in Vicenza by Andrea Palladio is often regarded as the archetype of the evolution of spaces for drama and music in modern European culture. Even within the specific subject of architectural acoustics, the Olympic Theatre represents a sort of symbolic beginning of a new era, since the main idea which led to its realisation, that is, the transformation of the Greco-Roman theatre into a closed volume, started to pose problems that had previously been unknown or neglected due to the completely different sound-propagation processes experienced in the open-air theatres of antiquity. This chapter focuses on the recent campaign of acoustic measurements carried out by the author in the Teatro Olimpico. Among the results discussed are the long reverberation time and low clarity, which make the hall more suitable for music than speech.
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Adas, A. A., and M. Y. Alaidaroos. "A sustainable repair process for heritage buildings in historic Jeddah." In Vernacular and Earthen Architecture: Conservation and Sustainability. CRC Press, 2017. http://dx.doi.org/10.1201/9781315267739-3.

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Thomas, Edmund. "Experiencing and Responding to Architecture." In Monumentality and the Roman Empire. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199288632.003.0023.

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Up to now, this book has been concerned with the attitudes of builders and architects towards architecture, and with the political, religious, social, and cultural factors that helped to form those attitudes. The desire to present a political or family identity through architectural form led builders to create monuments which were intended to have an effect on those who used or observed them. To achieve this effect, however, the forms of buildings had to have meaning for the individuals who experienced them. ‘Monumentality’ in architecture required the possession of certain qualities that appealed to the viewer. To study this concept fully, we therefore need to take into account, not only the intended meanings of buildings, but also their aesthetic impact. In the Roman world, response was an important component of ‘monumentality’ in two respects: first, the monumentality of large public spaces such as baths and theatres lay in their celebritas, or ‘density of use’, which means that they required a substantial audience; second, each separate monument invited ‘contemplation’ by individual viewers; its monumentality depended on their reactions. The final two chapters, therefore, will ask how individuals experienced and responded to Roman buildings. Archaeologists rarely address such questions, perhaps because to discuss the character of buildings as aesthetic experiences seems to introduce an unwanted subjectivity. But Roman monuments had a strong aesthetic pull, and, if we are to understand what they meant to ancient viewers, we must look at them also from this perspective. How an individual in ancient Ephesus or Carthage perceived a building, and the particular emotions generated by those perceptions, can no longer be recovered today. Viewers, no doubt, articulated their sensations to others and discussed their reactions, but such ancient conversations have vanished without trace. To reconstruct ancient experience of architecture, therefore, the historian has to rely either on anecdotal evidence or on those explicit reports of the experience of a building which have survived in literary texts. These written sources are problematic, and cannot be taken as direct accounts of what an ancient person saw.
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Guardiola-Víllora, A., and L. Basset-Salom. "Seismic risk mitigation of Lorca historic centre masonry residential buildings, in Spain." In Vernacular Heritage and Earthen Architecture. CRC Press, 2013. http://dx.doi.org/10.1201/b15685-119.

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Conference papers on the topic "Historic buildings Theater architecture"

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Capuano, L., E. Laurini, and P. De Berardinis. "Passive cooling in the restoration of historic buildings." In ECO-ARCHITECTURE 2016. WIT Press, 2016. http://dx.doi.org/10.2495/arc160191.

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Ryńska, E. D. "Rehabilitation and adaptive reuse of historic buildings in Poland." In ECO-ARCHITECTURE 2008. WIT Press, 2008. http://dx.doi.org/10.2495/arc080321.

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Ismail, Salah. "The Hidden Heritage of Ankara Citadel: an Ambigous Future between Conservation and Transformation." In INTERNATIONAL CONFERENCE ON ARCHITECTURAL AND CIVIL ENGINEERING 2020. Cihan University-Erbil, 2021. http://dx.doi.org/10.24086/aces2020/paper.223.

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Although Ankara gained international attention mainly after its declaration as Capital of the Turkish Republic in 1923, the city hosts many buildings and monuments from different historical eras. The remains of Roman, Byzantine, Seljuk and Ottoman Empires discovered in the center of the city, clearly bear witness to the rich and diverse heritage of the capital. However, this heritage appears as less documented, studied and even not properly conserved. The citadel of Ankara, which dominates the narrow streets of the old city has withstood its long history very well and today houses a small neig
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Schibuola, L., and C. Tambani. "Renewable energy sources for historic buildings: the Crucifers Convent in Venice." In ECO-ARCHITECTURE 2012. WIT Press, 2012. http://dx.doi.org/10.2495/arc120301.

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"Green Adaptive Reuse of Historic Buildings A case study: Wekalet El-Lamoun, Alexandria, Egypt." In International Conference on Green Buildings, Civil and Architecture Engineering. Universal Researchers, 2015. http://dx.doi.org/10.17758/ur.u1215334.

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"The Threatened Historic Urban Landscape and Land -Use Planning for the Derevenk Valley in Kayseri, Turkey." In International Conference on Green Buildings, Civil and Architecture Engineering. Universal Researchers, 2015. http://dx.doi.org/10.17758/ur.u1215326.

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Squassina, Angela. "Da fortezza a residenza castellana: osservazioni stratigrafiche per la comprensione del processo trasformativo della Rocca di Novellara (RE, Italia)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11384.

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From a fortress to a residential castle: a stratigraphic reading of the transformations in the Rocca of Novellara (RE, Italy)The paper reports the results of a stratigraphic reading on the northern façade of the Rocca di Novellara (Reggio Emilia, Italy), a castle which is now the town hall, right in the city centre. Though as a pole of the contemporary public life in Novellara, housing at present both a museum and a nineteenth century theatre, the Rocca recalls its military past through its name and by means of the still standing remains of the walls and corner towers. Besides a well-documente
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Prabowo, Herry, and Mochamad Hilmy. "The Use of Decay Model to Predict Service Life of Indonesian Historic Timber Buildings." In Proceedings of the 18th International Conference on Sustainable Environment and Architecture (SENVAR 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/senvar-18.2019.7.

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Kömürcü, Esranur, and Nuray Benli Yıldız. "Historic Building Information Modelling (HBIM)." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021tr0072n25.

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Cultural heritage conservation and restoration work is a complex process that includes documentation, data collection, interpretation and production. By integrating the BIM (Building Information Modeling) methodology into this process, the concept of HBIM (Historic Building Information Modeling) has been formed. In this article, the progress of this process with the HBIM methodology in the restoration, protection and management studies of cultural heritage buildings and sites requiring collective and holistic work, the evaluation of access to the information obtained, and the provision of inte
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Wang, Zhisheng, Yukari Nagai, Eunyoung Kim, et al. "Lighting Style and Color Temperature to Emotion Response in Architecture Illumination of the Historic Buildings in Dalian." In 2020 International Conference on Computer Engineering and Application (ICCEA). IEEE, 2020. http://dx.doi.org/10.1109/iccea50009.2020.00134.

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