Relevant bibliographies by topics / Historical art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Historical art'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Historical art"

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Davis, Whitney, and Michael Kelly. "Historical and Art-Historical Coverage." Journal of Aesthetics and Art Criticism 58, no. 3 (2000): 295. http://dx.doi.org/10.2307/432113.

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Goldman, Alan H. "ART HISTORICAL VALUE." British Journal of Aesthetics 33, no. 1 (1993): 17–28. http://dx.doi.org/10.1093/bjaesthetics/33.1.17.

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Daudrich, Anna. "Algorithmic Art and Its Art-Historical Relationships." Journal of Science and Technology of the Arts 8, no. 1 (November 30, 2016): 37. http://dx.doi.org/10.7559/citarj.v8i1.220.

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Goldfarb, Doron, Max Arends, Josef Froschauer, and Dieter Merkl. "Comparing Art Historical Networks." Leonardo 46, no. 3 (June 2013): 279. http://dx.doi.org/10.1162/leon_a_00575.

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This work provides a comparison of link structures present in a common subset of art history related biographic person records/articles from the Getty Union List of Artist Names and English Wikipedia.
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Suyarkulovna, Toychieva Sayyora. "Historical-Scientific Schools Of Management Of Culture And Art." American Journal of Social Science and Education Innovations 02, no. 07 (July 30, 2020): 62–70. http://dx.doi.org/10.37547/tajssei/volume02issue07-06.

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Dixon, Diana. "Historical Dictionary of Contemporary Art." Reference Reviews 32, no. 1 (January 15, 2018): 26–27. http://dx.doi.org/10.1108/rr-08-2017-0182.

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De Clercq, Rafael. "The Historical Ontology of Art." Philosophical Quarterly 70, no. 279 (August 8, 2019): 268–81. http://dx.doi.org/10.1093/pq/pqz046.

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Abstract In this article, I argue that our ontology of art has undergone a major change in the course of modern history. While we currently think of artworks as parts arranged in a certain way, there was a time when artworks were thought of as metaphysically more akin to ordinary artefacts such as tables and chairs; that is, as wholes having replaceable parts. This change in our ontology of art is reflected in our approach to art restoration. But what explains the change? I will suggest that the change took place because of a change in our conception of the function of art. More specifically, I will suggest that we have started to think of artworks as parts arranged in a certain way, because we have started to think of artworks as having, primarily, an aesthetic function.
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Higgs, Robert, and Charles P. Kindleberger. "Historical Economics: Art or Science?" Journal of Interdisciplinary History 23, no. 1 (1992): 138. http://dx.doi.org/10.2307/205489.

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Hanson, Steve. "Art theory – an historical introduction." Visual Studies 25, no. 2 (September 3, 2010): 192–93. http://dx.doi.org/10.1080/14725861003607199.

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FLETCHER, J. M. "Dating of art-historical artefacts." Nature 320, no. 6061 (April 1986): 466. http://dx.doi.org/10.1038/320466a0.

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Dissertations / Theses on the topic "Historical art"

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Mengler, Sarah Elizabeth. "Collecting indigenous Australian art, 1863-1922 : rethinking art historical approaches." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709014.

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Brand, Peter James. "The monuments of Seti I and their historical significance epigraphic, art historical and historical analysis /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0009/NQ35116.pdf.

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Rogers, Sarah A. (Sarah Anne). "Postwar art and historical roots of Beirut's cosmopolitanism." Thesis, Massachusetts Institute of Technology, 2008. http://hdl.handle.net/1721.1/45935.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2008.
Includes bibliographical references (v. 2, leaves 304-316).
This dissertation charts the production of Lebanese cosmopolitanism from the nineteenth century to the present, examining how this putatively national trait is established through the visual arts. It contends that in order to understand the strategies of a group of artists who have come to represent artistic production in the aftermath of the Lebanese civil war (1975-1990), we must consider the historical formation and failures of Lebanese cosmopolitanism as a national myth. The end of the civil war coincided with a period of celebratory globalism in the art market, and in the following decade postwar artists from Beirut garnered the attention of the western art world. Exhibition catalogues and critical reviews alike characterized this body of work as emerging out a tabula rasa for the visual arts: no audience, no institutions, and no markets. This dissertation argues instead that the postwar generation did not develop out of a historical eclipse created by the civil war, but is part of the much longer history of Lebanese cosmopolitanism. By resituating the postwar generation within this history, we can understand the mechanisms by which the western art world fabricates a mythology of a local art. Tracking Beirut's transition from under the Ottoman Empire and French Mandate to an independent capital besieged by civil war through to the postwar period, I identify those moments when the project of defining Lebanese art comes to the forefront.
(cont.) Integrating an analysis of art works, archival material, institutional histories, and art historical narratives this dissertation suggests that the relationships between the terms cosmopolitan, national, and art are socially constituted and discursively produced. Rather than the innate outgrowth of the independent nation state of Lebanon, cosmopolitanism in this context is revealed as an ideological tools used to entrench internal ethnic boundaries, referencing a particular correlation between Lebanon and Europe, and constructing a national vision historically tied to the Maronite Church of Mount Lebanon. Contextualizing the postwar generation within this longer history allows for an understanding of the broader processes by which history is either made present or obscured in the intersecting imaginative geographies mapped into Lebanon.
by Sarah A. Rogers.
Ph.D.
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Williams, Cheryl Lynn. "Mapping the art historical landscape : genres of art history appearing in art history literature and the journal, Art education /." Connect to this title online, 1997. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1102365647.

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Kean, Kyong (Izabella) Hui. "A Historical and Social Perspective of Korean Art Education." Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/art_design_theses/6.

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The purpose of this study is to explore the South Korean art education system in the context of history, culture and politics. This thesis provides further explanation on how history has impacted the South Korean art education system and affects current curriculum, theories and practices. Four highly qualified educators and professors from South Korea were interviewed to collect date relating to current practices in South Korean art education. The study focuses on Korean history, which affected the education policies, social perspective, art education theories and curriculum. This study also highlights the relationship of western art education theories and the traditional Korean theories. Understanding culture through history and policies can provide in-depth perspective on why and how South Korean art education has evolved to what it is today. This information may assist art teachers as they modify lessons to fit the needs of students who are immigrating from South Korea.
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Depew, Michael Lee. "The Tension between Art and Science in Historical Writing." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/1057.

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A perennial question in the philosophy of history is whether history is a science or an art. This thesis contests that this question constitutes a false dichotomy, limiting the discussion in such a way as to exclude other possibilities of understanding the nature of the historical task. The speculative philosophies of Augustine, Kant, and Marx; the critical philosophies of Ranke, Comte along with the later positivist, and the historical idealist such as Collingwood will be surveyed. History is then examined along side art to discuss not only the similarities but, the differences. Major similarities—narrative presentation, emplotation, and the selective nature of historical evidence—between history and fiction are critiqued. A word study of the Greek word ίστοριά will show the essential difference between history and literature. The essential nature of the historical task can best be revealed in the differences between history and art.
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Paar, Donna L. "Chronological time development of primary students through art historical inquiry." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1991. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M. Ed.)--Kutztown University of Pennsylvania, 1991.
Source: Masters Abstracts International, Volume: 45-06, page: 2772. Abstract precedes thesis as [1] preliminary leaf. Typescript. Includes bibliographical references (leaves [41-46]).
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Ralphs, SCT. "On Distance: From art history to Ernest Mancoba." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/8203.

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In this thesis the central narratives of Western art history, specifically those related to modernism and African art, are considered in light of a climate of criticism concentrated over the past thirty years in Western and South African an historiography. In considering complexities of interpretation of the life and work of the African modernist painter, Ernest Mancoba, I address a perceived need for a critical discourse pertaining to early black South African modernist art. As a way of organising both my critique and contribution, I establish and use the thematic of distance. This work argues for greater consideration of individual motivation and circumstance in our understanding of early African modernist art production.
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Lancaster, John Maurice. "An historical study of specialist art teacher education in Bristol." Thesis, University College London (University of London), 1985. http://discovery.ucl.ac.uk/10019554/.

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Kim, Hyungsook. "Objects and knowledge : a historical perspective on American art museums /." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488188894441767.

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Books on the topic "Historical art"

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Art in Korea: Historical. Bloomington, IN: Eastern Press, 1990.

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Kindleberger, Charles Poor. Historical economics: Art or science? Berkeley: University of California Press, 1990.

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Kindleberger, Charles Poor. Historical economics: Art or science? New York: Harvester Wheatsheaf, 1990.

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Historical Dictionary of Rococo Art. Lanham: THE SCARECROW PRESS, INC., 2011.

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Zirpolo, Lilian H. Historical dictionary of Renaissance art. Lanham, Md: Scarecrow Press, 2008.

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Art theory: An historical introduction. 2nd ed. Malden, MA: Wiley-Blackwell, 2009.

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Betti-Sue, Hertz, and San Diego Museum of Art., eds. Historical takes. San Diego, Calif: San Diego Museum of Art, 2008.

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An, Hwi-jun. Korean art tradition: A historical survey. Seoul, Korea: Korea Foundation, 1993.

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Webb, Dix Noonan, and DNW. Historical and art medals, numismatic books. London: Dix Noonan Webb, 2008.

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Kühnel, Bianca. Crusader art of the twelfth century: A geographical, an historical, or an art historical notion? Berlin: Gebr. Mann, 1994.

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Book chapters on the topic "Historical art"

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Vercellone, Federico. "Historical Form of Art." In Lecture Notes in Morphogenesis, 243–45. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51324-5_54.

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Rosebury, Brian. "Objections from Historical Realism." In Art and Desire, 22–61. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19496-4_2.

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Hölscher, Tonio. "Roman Historical Representations." In A Companion to Roman Art, 34–51. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118886205.ch2.

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Helling, Thomas S., and Daniel Azoulay. "The Art of Operating." In Historical Foundations of Liver Surgery, 15–23. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47095-1_4.

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McFee, Graham. "The Historical Character of Art." In Artistic Judgement, 119–45. Dordrecht: Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-94-007-0031-4_5.

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Phillips, Ruth B. "Closing the Distance: Time, Historicity, and Contemporary Indigenous Art." In Rethinking Historical Distance, 224–45. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137312945_13.

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Williams, Duncan A. H. "Evaluating BCI for Musical Expression: Historical Approaches, Challenges and Benefits." In Brain Art, 145–58. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14323-7_5.

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Scott, David A., and Roland Schwab. "The Historical Development of Metallurgy." In Metallography in Archaeology and Art, 7–17. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-11265-3_2.

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Tilghman, B. R. "Art and Ethics: An Historical Sketch." In Wittgenstein, Ethics and Aesthetics, 21–42. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21174-6_2.

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Bonfante, Larissa. "HISTORICAL ART: ETRUSCAN AND EARLY ROMAN." In American Journal of Ancient History, edited by Ernst Badian, 136–62. Piscataway, NJ, USA: Gorgias Press, 2017. http://dx.doi.org/10.31826/9781463237400-003.

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Conference papers on the topic "Historical art"

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Li, Zhaoxia. "The Historical Context of National Art Exhibition." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.21.

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Asliana, Sridewi. "Historical Representation Into the Visual Art Language." In 4th International Conference on Arts and Arts Education (ICAAE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210602.037.

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Korovina, E. E., and L. M. Yao. "The use of historical heritage in educational tourism." In Scientific Trends: Philology, Culturology, Art history. TsNK MOAN, 2019. http://dx.doi.org/10.18411/spc-26-07-2019-03.

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Samineni, Prathyush, Adele deCruz, Tana Villafana, Martin C. Fischer, and Warren S. Warren. "Pump-probe microscopy of pigments used in historical art." In CLEO: Science and Innovations. Washington, D.C.: OSA, 2012. http://dx.doi.org/10.1364/cleo_si.2012.cf1b.1.

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Breit, Vernon S., and Joe A. Dozzo. "State-of-the-Art Integrated Studies Methodologies - An Historical Review." In SPE Asia Pacific Conference on Integrated Modelling for Asset Management. Society of Petroleum Engineers, 2004. http://dx.doi.org/10.2118/87032-ms.

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Read, Steve, Yu Cao, and Hazel Antaramian-Hofman. "Mining the Royal Portrait Miniature for the Art Historical Context." In 2008 IEEE International Conference on Networking, Sensing and Control (ICNSC). IEEE, 2008. http://dx.doi.org/10.1109/icnsc.2008.4525429.

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Wagner, Matthias, Stefan Holland, and Werner Kießling. "Efficient and flexible Web access to art-historical image collections." In the 2000 ACM symposium. New York, New York, USA: ACM Press, 2000. http://dx.doi.org/10.1145/338407.338687.

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Belonosova, Irina. "Chamber Music Art of Siberia Historical Pages and Modern Life." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.34.

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Iswahyudi. "Waiting for the Sound of Postmodern Art (A Historical Study)." In 3rd International Conference on Arts and Arts Education (ICAAE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200703.044.

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Kamposiori, Christina. "Digital Infrastructure for Art Historical Research: thinking about user needs." In Electronic Visualisation and the Arts (EVA 2012). BCS Learning & Development, 2012. http://dx.doi.org/10.14236/ewic/eva2012.41.

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Reports on the topic "Historical art"

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Carlson, Thomas J. Use of Sound for Fish Protection at Power Facilities : A Historical Perspective of the State of the Art : Phase 1 Final Report. Office of Scientific and Technical Information (OSTI), November 1994. http://dx.doi.org/10.2172/924146.

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Schaefer, J. R., and C. J. Nye. Historically active volcanoes of the Aleutian Arc. Alaska Division of Geological & Geophysical Surveys, March 2002. http://dx.doi.org/10.14509/2773.

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Author, Not Given. Y-12 National Security Complex National Historic Preservation Act Historic Preservation Plan. Office of Scientific and Technical Information (OSTI), September 2003. http://dx.doi.org/10.2172/820902.

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Van Hook, Gordan E. Tactical Victory Leading to Strategic Defeat: Historic Examples of Hidden Failures in Operational Art. Fort Belvoir, VA: Defense Technical Information Center, June 1993. http://dx.doi.org/10.21236/ada264169.

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Bordo, Michael, and Antu Murshid. Are Financial Crises Becoming Increasingly More Contagious? What is the Historical Evidence on Contagion? Cambridge, MA: National Bureau of Economic Research, September 2000. http://dx.doi.org/10.3386/w7900.

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Weber, James R. The Posse Comitatus Act of 1878: An Historical Perspective and Implications for Homeland Defense. Fort Belvoir, VA: Defense Technical Information Center, April 2003. http://dx.doi.org/10.21236/ada420136.

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Owyang, Michael T., Valerie A. Ramey, and Sarah Zubairy. Are Government Spending Multipliers Greater During Periods of Slack? Evidence from 20th Century Historical Data. Federal Reserve Bank of St. Louis, 2013. http://dx.doi.org/10.20955/wp.2013.004.

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Owyang, Michael, Valerie Ramey, and Sarah Zubairy. Are Government Spending Multipliers Greater During Periods of Slack? Evidence from 20th Century Historical Data. Cambridge, MA: National Bureau of Economic Research, February 2013. http://dx.doi.org/10.3386/w18769.

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McDuffie, Magali, and Anne Poelina. Martuwarra Country: A historical perspective (1838-present). Martuwarra Fitzroy River Council; Nulungu Research Institute, The University of Notre Dame Australia., 2020. http://dx.doi.org/10.32613/nrp/2020.5.

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The report seeks to examine the impacts of colonisation, more particularly pastoralism, on the Martuwarra Country and its people and concludes with the contemporary voices of Martuwarra people. In doing this, one must note the at times highly disparaging tone of the European explorers, the dark deeds they committed, and their racist expressions and bias, which may offend some readers. This report provides an extensive, period-specific historical account of the Martuwarra people’s connections to their Country as a point of departure and a premise for discussion contrasting Aboriginal perspectives and the development lens of the State. In doing so, this report also juxtaposes the events of the past with the continued contemporary imposition of development strategies still at odds with Aboriginal life-ways
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Tooker, Megan, and Adam Smith. Historic landscape management plan for the Fort Huachuca Historic District National Historic Landmark and supplemental areas. Engineer Research and Development Center (U.S.), June 2021. http://dx.doi.org/10.21079/11681/41025.

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The U.S. Congress codified the National Historic Preservation Act of 1966 (NHPA) to provide guidelines and requirements for preserving tangible elements of our nation’s past. This preservation was done primarily through creation of the National Register of Historic Places (NRHP), which contains requirements for federal agencies to address, inventory, and evaluate their cultural resources, and to determine the effect of federal undertakings on properties deemed eligible or potentially eligible for the NRHP. This work inventoried and evaluated the historic landscapes within the National Landmark District at Fort Huachuca, Arizona. A historic landscape context was developed; an inventory of all landscapes and landscape features within the historic district was completed; and these landscapes and features were evaluated using methods established in the Guidelines for Identifying and Evaluating Historic Military Landscapes (ERDC-CERL 2008) and their significance and integrity were determined. Photographic and historic documentation was completed for significant landscapes. Lastly, general management recommendations were provided to help preserve and/or protect these resources in the future.
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