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Journal articles on the topic 'Historical exoticism'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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1

Shi, Qi. "A Review on Musical Exoticism the History of Scholarship and Extension of Concept." Communications in Humanities Research 29, no. 1 (2024): 113–17. http://dx.doi.org/10.54254/2753-7064/29/20230572.

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Musical Exoticism has emerged as a significant concept in musicology. The previous research on it has evolved from a narrow focus on foreign musical elements to a much broader view of full-context-exoticism practices. This paper explores this historical development of the scholarship and its implications for interpreting Western music. By examining the transformation of Music Exoticism, the researcher can gain insights in how it has shaped our understanding of Western musical tradition.
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Henson, Karen. "Victor Capoul, Marguerite Olagnier's "Le Saïs", and the Arousing of Female Desire." Journal of the American Musicological Society 52, no. 3 (1999): 419–63. http://dx.doi.org/10.2307/831790.

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We tend to think of exoticism in late nineteenth-century French opera as a very male-oriented phenomenon: as "cultural work" carried out mainly by men and for the male spectator's pleasure. This article takes as its starting point a rather different configuration of opera, exoticism, and gender issues, exploring the possibility of a form of French operatic exoticism aimed at the fantasies and desires of women. In particular, the article focuses on a now wholly forgotten work, Marguerite Olagnier's Le Saïs (1881), and on the role in this and other operas of Victor Capoul, an Opéra-Comique tenor
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Viniychuk, Olha. "THE CONCEPT OF SPACE IN THE POEM AGAJ-HAN BY ZYGMUNT KRASINSKI." Polish Studies of Kyiv, no. 37 (2021): 115–25. http://dx.doi.org/10.17721/psk.2021.37.115-125.

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The article deals with the aesthetic differentiation of the landscape in Z. Krasinski’s novel «Agai-Gan». The novel is a literary experiment in which the author presents the dilemmas of a person seeking freedom. «Agai-Gan» is perceived as a combination of historical novel and romance, enriched with an element of the Gothic genre, characterised by originality and colorful exotics, acoustic effects and a very sensual visualisation of the landscape. In his literary experiment, Krasiński probably tries to solve the dilemmas of an individualist entangled in the pursuit of freedom and power. Undoub
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Steyaert, Kris. "IN ’T HARTE VAN JAVA (1881)." De Moderne Tijd 2, no. 1 (2018): 48–69. http://dx.doi.org/10.5117/dmt2018.1.003.stey.

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IN THE HEART OF JAVA (1881) Exoticism and nationalism in the Dutch East Indies verse epics of Willem Jacobsz. Hofdijk Towards the end of his life, the Dutch poet Willem Jacobsz. Hofdijk wrote his ambitious verse epic In the heart of Java (In ’t harte van Java), set in seventeenth-century Indonesia. Two similar works soon followed. This article examines the various literary techniques used by the author to evoke the exoticism of a world he had never experienced himself. The received idea that Hofdijk started writing his Dutch East Indies poems when his son joined the colonial army is exposed as
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Correa de Sa, Andre. "Rethinking the Limits of Endemic Cannibalism: on Cinco Voltas na Bahia e um Beijo para Caetano Veloso." Nau Literária 21, no. 1 (2025): 20–38. https://doi.org/10.22456/1981-4526.144558.

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This paper undertakes the unconventional experiment of arguing that the metaphor of anthropophagy is oversimplified and readily deployed, often without critical examination. Through a reading of Alexandra Lucas Coelho’s 2019 non-fiction book, Cinco Voltas na Bahia e um Beijo para Caetano Veloso, I argue that the concept of cultural cannibalism as a progressive and transformative force is shaped by Brazilian self-representations that frequently obscure the complex historical and cultural tensions inherent in it, making it not unlike other forms of exceptionalism. By idealizing Antropofagia as a
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Scherbinina, Olga I. "Northern Cheyenne Exodus and Negroes Lynching: Historical Novels of Howard Fast in the USSR." RUDN Journal of Studies in Literature and Journalism 26, no. 2 (2021): 217–26. http://dx.doi.org/10.22363/2312-9220-2021-26-2-217-226.

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The article deals with the historical novels reception of Howard Fast (a writer who was extremely popular in the 1950s, though he is almost forgotten now) in the Soviet Union. Once a USA Communist Party member loyal to the USSR, he became a fierce opponent of Soviet communism. The analysis of the American context uncovers the reasons why the author of left-wing beliefs turned to the genre of a historical novel and peculiarities of the literary market he faced. A close study of Soviet reviews demonstrates that the novels The Last Frontier and The Freedom Road were perceived by Soviet literary c
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7

Palmieri, Walter. "Tsunamis in Italy and the Mediterranean - Between Perception and Historical Reconstruction." Global Environment 16, no. 3 (2023): 449–77. http://dx.doi.org/10.3197/ge.2023.160302.

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The tragedies of great earthquake waves in Southeast Asia (Indonesia 2004 and Japan 2011) led to the entry into the common lexicon of a new word - 'tsunami' - which was before then confined within the boundaries of science. The exoticism of the term and the geographical distance of these disasters were both reassuring elements for public opinion in Italy and elsewhere, and several statistical studies show that Italian people have a low level of hazard awareness. Yet many tsunamis have occurred in the Mediterranean Sea, and more specifically along the Italian coast, over the centuries. The aim
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Melnikov, Pavel Yu. "Fraternal households of the Saratov province at the end of the XIX century: Historical and demographic analysis." Izvestiya of Saratov University. New Series. Series: History. International Relations 21, no. 1 (2021): 84–90. http://dx.doi.org/10.18500/1819-4907-2021-21-1-84-90.

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Fraternal households belong to the category of specific complex households consisting of cohabiting single-generation couples. As a rule, their appearance is the result of an unfulfilled family section for one reason or another. Due to their structural exoticism, fraternal families are easily identified and compared. At the same time, by virtue of their peculiarity, fraternal families are more likely unstable collectives, prone to disintegration. Within the framework of this article, an analysis of fraternal households recorded in the materials of zemstvo courtyard censuses of the province of
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9

Aoki, Shin. "Singing Exoticism: A Historical Anthropology of the G.I. Songs “China Night” and “Japanese Rumba”." Journal of American History 103, no. 4 (2017): 943–55. http://dx.doi.org/10.1093/jahist/jaw505.

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10

Corral, Alfonso, Cayetano Fernández Romero, and Antonio Prieto-Andrés. "The representation of the Amazigh in the Spanish press: between the exotic and the Arab-Islamic." Revista de Estudios Internacionales Mediterráneos, no. 36 (June 24, 2024): 241–68. http://dx.doi.org/10.15366/reim2024.36.010.

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This study examines the thematic and terminological agenda of the Amazigh, or Berber, heritage with the aim of deciphering the rhetoric in the Spanish press and the recognition given to this culture. Specifically, 454 articles from eight newspapers collected between January 2018 and June 2019 were quantitatively and qualitatively analysed. The results show the preponderance of the term ‘Berber’ over ‘Amazigh’ or ‘Imazighen’, as well as the relevance of historical or international political topics when these terms are mentioned. Broadly speaking, it is concluded that perspectives on the Amazigh
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Strecker, Christian. "‘The Duty of Discontent’: Some Remarks on Pieter F. Craffert’s The Life of a Galilean Shaman: Jesus of Nazareth in Anthropological-Historical Perspective." Journal for the Study of the Historical Jesus 11, no. 3 (2014): 251–80. http://dx.doi.org/10.1163/17455197-01103006.

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This essay commends Pieter Craffert’s book “The Life of a Galilean shaman” as an important contribution in the field of Jesus studies. At the same time it reveals that Crafferts attempt to identify Jesus as a Galilean shaman is problematic, particularly considering the enigmatic nature of the category “shaman.” Western discourse on shamanism tends to contain an unwelcome mix of exoticism, alienation, and fascination; transferring this model to the life of Jesus is in danger of applying anachronistic and ethnocentric notions to the historical Jesus, not to mention the difficulties involved in v
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Claudia, Benedicta Yovi, Rustono Farady Marta, and Ignatius Cahyanto. "City Branding of Nusa Tenggara Timur through the Video Narration Exotism of Sabu Island." Jurnal Ilmu Komunikasi 18, no. 2 (2020): 169. http://dx.doi.org/10.31315/jik.v18i2.3518.

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East Nusa Tenggara (NTT), as one of the provinces with great tourism potential, applies city branding as a new tourism territory. This study aims to analyze (1) the meaning of the tourism promotion video Exotism of Sabu Island NTT in more depth and detail and (2) how the information messages conveyed in the tourism promotion video helped to advance the city branding of East Nusa Tenggara. This research employed a qualitative description method using Fisher's narrative paradigm, which consists of an analysis of the coherence and fidelity aspects of the narrative. The results showed that the vid
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Whitfield, Susan. "Was there a Silk Road?" Asian Medicine 3, no. 2 (2007): 201–13. http://dx.doi.org/10.1163/157342008x307839.

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Is the 'Silk Road' a meaningful term? Is it being used simply to provide a historical legitimacy for our preoccupation with the dichotomy of east and west, the rising power oflndia and China and the waning of Europe, and our ambivalence towards globalisation? If it ever had any descriptive or analytic force for scholarship, is this now lost and should we discard the term entirely in our scholarly discourse as misleading at best and leave it for the marketers to exploit as a symbol of luxury and exoticism? This article argues that although the term 'Silk Road' has become a widely used portmante
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14

ISTRATE, Alexandru. "REDESCOPERIREA DACIEI „VECHI” ÎN LITERATURA ROMÂNĂ MODERNĂ. ÎNTRE NOSTALGIE ȘI CLAMAREA UNUI ALT ÎNCEPUT DE DESTIN ISTORIC." Classica et Christiana 20, no. 1 (2025): 59–94. https://doi.org/10.47743/cetc-2025-20.1.59.

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Rediscovering the “old” Dacia in modern Romanian literature. Between nostalgia and claiming another beginning of the historical destiny. At the dawn of Romanian modernity, a new concept began taking shape in the local culture – Old Dacia. With a semantic resonance and a temporal scope extending beyond the perspectives provided by Romanised Dacia, this “first draft” introduced an exoticism with a scholarly note into the public sphere, maintained curiosity and stirred a certain degree of amazement. The historical origins were discussed, and occasionally even questioned, in harmless narrative reg
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15

Shi, Lu. "The perception of images of Chinese animals in Russia and the West." Litera, no. 7 (July 2025): 45–65. https://doi.org/10.25136/2409-8698.2025.7.74511.

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The study focuses on the analysis of the processes of cultural adaptation of traditional Chinese animal symbols (dragon, crane, phoenix) in Russia and Western countries. The relevance of the topic is due to the necessity of studying the mechanisms of intercultural interaction in the context of globalization, as well as the role of exoticism in shaping the perception of the “other.” The subject of the research is the process of perception and transformation of the symbolic meanings of Chinese animal images in Russian and Western cultural traditions. The object consists of traditional Chinese an
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16

Sujaya, I. Made, I. Nyoman Suarka, and I. Ketut Sudewa. "Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period." International Journal of Language and Cultural (TIJOLAC) 3, no. 2 (2021): 46–56. https://doi.org/10.5281/zenodo.5155798.

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This article discusses the representation of Bali in inter-ethnic relations novels by Indonesian authors published in the pre-independence period. The main question in this article is how is the representation of Bali in the inter-ethnic relations novels in the pre-independence period, and what is the historical, social context behind the representation? To answer the questions, a study was conducted on four Indonesian novels in the pre-independence period, namely <em>Kintamani</em> (1932) authored by Imam Soepardi, <em>Lejak</em> (1935) authored by Soe Lie Piet, <em>I Swasta Setahun di Bedahu
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Hauser, Jakub. "Exiled Russian and Ukrainian Artists in Prague during the Interwar Period." Experiment 23, no. 1 (2017): 127–41. http://dx.doi.org/10.1163/2211730x-12341306.

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Abstract Through several examples of the representation of Russian art in the milieu of interwar Czechoslovakia, the article shows the specificity of the local Russian cultural community which was exiled there following the October Revolution and the ensuing civil war. It examines the community’s international contacts and the role its strong institutional background played in establishing several art collections—most importantly at the Slavonic Institute and the Russian Cultural-Historical Museum in Prague—as it attempted to capture and preserve for the future the art production of Russian ar
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18

MSi, Sabarudin. "KERUKUNAN HIDUP ANTAR UMAT BERAGAMA BERBASIS KEARIFAN LOKAL DI KAMPUNG LOLOAN, JEMBRANA, BALI." Jurnal Sosiologi Reflektif 14, no. 1 (2019): 1. http://dx.doi.org/10.14421/jsr.v14i1.1722.

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Diversity is the reality of Indonesian life, whether ethnically, linguistically, culturally, or religiously. In that context, examining the diversity of Balinese society is certainly very interesting considering it is not just a "reality", but also a necessity and a need. Thus, the pockets of community diversity become an important benchmark because it is like a seeding ground for pluralism and the articulative medium of community experimentation in addressing differences. This is where the attractive village of Loloan Jembrana as a village that is predominantly Muslim in the midst of strong H
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19

Fried, Daniel. "Towards a New Script Studies." EUROPEAN JOURNAL OF SINOLOGY 13 (2022) 13 (2022): 31–61. https://doi.org/10.12906/9783865155320_003.

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An over-eager fascination with Chinese characters has been very suspect for a very long time within Anglophone Sinology. There is good reason for this: the supposed oddity or exoticism of ideographic script as compared with the supposedly „normal” alphabetic scripts of the world has been cause for a lot of Orientalist fantasy about China. It has, in earlier ages of Sinology, the idea of the mystical or historically determinative Chinese character has also been the cause of a lot of sloppy generalizations about Chinese civilization that run counter to the actual historical record. Since the mai
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20

Najib, Emha Aenun. "Karakteristik dan Aplikasi Aliran Romantisme Arab." Insyirah: Jurnal Ilmu Bahasa Arab dan Studi Islam 4, no. 1 (2021): 41–50. http://dx.doi.org/10.26555/insyirah.v4i1.3988.

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Al-Masa poetry is the work of a famous Egyptian poet named Khalil Mutran. Khalil Mutran (1872-1949) is recorded as one of Egypt's last neo-classical poets. One of his works is the poem Al-zaman, the poem al-masa telling about the suffering of the figure both physical suffering. Meanwhile, the flow of romanticism is a village literary genre that emerged after the flow of classicism which is commonly called the urban literary genre. The purpose of this research is to find out the historical flow of romanticism and its application in the literary work of the poetry of al-zaman Karta Khail Mutran.
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Marković, Tatjana. "Ottoman legacy and Oriental Self in Serbian opera." Studia Musicologica 57, no. 3-4 (2016): 391–402. http://dx.doi.org/10.1556/6.2016.57.3-4.7.

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Serbia was an Ottoman province for almost four centuries; after some rebellions, the First and Second Uprising, she received the status of autonomous principality in 1830, and became independent in 1878. Due to the historical and cultural circumstances, the first stage music form was komad s pevanjem (theater play with music numbers), following with the first operas only at the beginning of the twentieth century. Contrary to the usual practice to depict “golden age” of medieval national past, like in many other traditions of national opera, the earliest Serbian operas were dedicated to the rec
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Alba Pagán, Ester, and Aneta Vasileva Ivanova. "Gitanas without a tambourine: Notes on the historical representation and personal self-representation of the Spanish Romani woman." European Journal of Women's Studies 27, no. 2 (2020): 145–65. http://dx.doi.org/10.1177/1350506819898739.

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The performative representation of the Spanish Roma woman reveals a historical journey that brings her closer to many symbolic elaborations of the feminine, giving her a special affinity with the imaginary concerning the colonized woman, particularly with the Orientalist vision. Developed initially by the travelling intellectuals in Spain who sought a fusion of the topics of sexualized exoticism, the myth was reworked by local artists and thinkers without undermining their power to silence and make invisible the reality of the most vulnerable and most represented members of the ethnic group, t
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Lu, Chunyao. "How Medieval Lifestyle in Fantasy Literature Attracts Chinese." Communications in Humanities Research 31, no. 1 (2024): 180–86. http://dx.doi.org/10.54254/2753-7064/31/20232068.

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The medieval lifestyle has been realized as an element in fantasy literature, which can create an imaginary world and attract readers with historical features. The aim of the present research was to explore the effects of medievalism in fantasy works and analyze its influence on Chinese readers. The Lord of the Rings was chosen to be the example, and a qualitative method was executed to categorize and analyze Chinese readers reactions to the example. Tables and word clouds illustrated the popularity of the Lord of the Rings in China and the reasons why Chinese readers were attracted by the sto
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Uryupin, Igor S. "Pushkin’s “The Gypsies”: on a plot precedent in the stories of M. Gorky and I. A. Bunin." Sibirskiy filologicheskiy zhurnal, no. 2 (2023): 63–72. http://dx.doi.org/10.17223/18137083/83/5.

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The paper considers the moral, philosophical, ethical, and aesthetic potential of Pushkin’s poem “The Gypsies” in the vast historical, cultural, and literary context. This potential served as the ideological, semantic, and artistic-eidetic source of all subsequent “gypsy texts” of Russian literature reinterpreting the motifs, images, narratives, mythologemes, and archetypes stemming from the romantic story of the tragic love of Aleko and Zemfira. The focus is on the transformation poetics of the plot under study and its motif-image structure in the prose of the early 20th century. Following th
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Pérez Rodríguez, Eva. "The Unlikely Heroine beyond Family Trauma: Four Women’s Fictions of the Second World War in Greece." Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá, no. 31 (December 16, 2022): 97–120. http://dx.doi.org/10.35869/afial.v0i31.4299.

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My analysis of Victoria Hislop’s The Island (2005), Leah Fleming’s The Girl under the Olive Tree (2013), Sofka Zinovieff’s The House on Paradise Street (2012), and Brenda Reid’s The House of Dust and Dreams (2010) examines their treatment of the exotic setting of Greece in the specific historical context of World War II, while following the conventions of popular romance or popular women’s fiction. As a consequence of the conflict, the traditional family structure is compromised. This is particularly evident in the case of the female protagonists, heroines who refuse to fall within the traditi
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Gross, Eduard-Claudiu. "Souvenir Photography: Documenting a Foreign Culture for the Western Audience." Linguaculture 13, no. 2 (2022): 97–103. http://dx.doi.org/10.47743/lincu-2022-2-0318.

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Photographer Felice Beato (1832-1909) was a pioneer of souvenir photography, a genre of photography that depicted foreign cultures for an unfamiliar audience. A type of photography that was popular in the 19th century, particularly in Japan, souvenir photography was created to export images of foreign cultures to people in the West. This article explores the historical implications of souvenir photography, the influence of Felice Beato on the genre, and how he represented Asian culture to people in the West. Beato’s work in Japan, China, and India allowed him to experiment with different types
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Frfulanović-Šomođi, Dragana, and Milena Savić. "MODERN MIDDLE AGE IN HIGH FASHION THROUGH THE DESIGN OF ALEKSANDAR JOKSIMOVIĆ." Knowledge International Journal 31, no. 3 (2019): 777–83. http://dx.doi.org/10.35120/kij3103777f.

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The design of socialist Yugoslavia received a particularly new look through the creation of Aleksandar Joksimović, which gave the new elements a traditional look, equally putting them in rank with world-famous designs of celebrated designers. This paper was created with the idea of emphasizing the importance of the creativity of Joksimović, which is within the framework of socialist norms, as an artist, remained insufficiently recognized, although his work was in the service of exclusive promotion of the cultural aspects of his country. His concept of design based on the medieval cultural trad
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Ванг Юй. "БАГАТОВИМІРНІСТЬ ВТІЛЕНЬ СЮЖЕТУ ТУРАНДОТ В ЖАНРІ ТЕАТРАЛЬНОЇ МУЗИКИ". World Science 3, № 3(43) (2019): 34–44. http://dx.doi.org/10.31435/rsglobal_ws/31032019/6419.

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&#x0D; &#x0D; &#x0D; &#x0D; The article deals with the historical projection of the 300-year-old path of the Turandot image in the genre of theatrical music. After completing all the stages of European exoticism in Chinese subjects, Turandot was embodied in the main stages of the development of musical drama - from the baroque French Fair Theater Fory Saint-Lauren (Le Sage / d'Orneval for the first time analyzed music by J.C. Gillіer) through the pre-classical model of Italian folk (K. Gozzi) to the concept of German romanticism (F. Schiller ‒ F. Destush, K.M. Weber, W. Lyahner), oriental read
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Bauhn, Per. "Osman Hamdi Bey – an Ottoman Orientalist or a Humanist Ottoman?" ICO Iconographisk Post. Nordisk tidskrift för bildtolkning – Nordic Review of Iconography, no. 3-4 (July 20, 2023): 7–37. https://doi.org/10.69945/ico.vi3-4.25310.

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The paintings of Osman Hamdi Bey (1842–1910) have been described as examples of “Ottoman Orientalism” because of their alleged similarity to paintings made at the same time in Europe depicting scenes from the Middle East, involving opulent palace settings, harem interiors, mosques, bazaars with exotic goods for display, street scenes with people in traditional Oriental garb, and so on. However, as will be argued here, Osman Hamdi is better described as an “Humanist Ottoman”, certainly eager to preserve the memory of a rich Ottoman past, but also keen to celebrate human reason and the human que
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Herrero, Dolores. "Postmodernism and politics in Meena Kandasamy’s The Gypsy Goddess." Journal of Commonwealth Literature 54, no. 1 (2017): 70–83. http://dx.doi.org/10.1177/0021989417719118.

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Meena Kandasamy’s debut novel The Gypsy Goddess tackles the plight of a community of Dalit agricultural labourers who live and work in inhuman conditions, coping with the unrelenting oppression and heartbreaking atrocities inflicted upon them by their ruthless upper-caste landlords in the southern Indian state of Tamil Nadu. In particular, this novel revolves around the historical massacre that took place in the village of Kilvenmani on Christmas Day, 1968. The aim of this article will be to analyse the different ways in which Kandasamy, so far known as a critically acclaimed poet, uses the no
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Evans, Arthur B. "The Illustrators of Jules Verne’s Voyages Extraordinaires." Science Fiction Studies 25, Part 2 (1998): 241–70. https://doi.org/10.1525/sfs.25.2.0241.

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Jules Verne’s original Voyages Extraordinaires contained over four thousand illustrations—an average of 60+ per novel in the popular Hetzel red and gold “luxury” French editions. These Victorian-looking wood-cut plates and maps constituted an integral part of Verne’s early sf oeuvre and, intercalated into the text at intervals of every 6-8 pages, they provided a powerful and omnipresent visual support structure to the text’s fictional narrative, its embedded pedagogical lessons, and its “arm-chair voyage” exoticism. The world-wide popularity of Verne’s romans scientifiques was no doubt at leas
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Demchenko, Aleksandr Ivanovich. "Romanticism (the first half of the 19th century). The pathos of individualism." Pan-Art 5, no. 3 (2025): 431. https://doi.org/10.30853/pa20250049.

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This publication continues a series of essays examining the Classical era. This particular essay is dedicated to the manifestations of global artistic culture within the historical period known as Romanticism (the first half of the 19th century – the 1810s to the 1840s). As the defining creative method that gave its name to the era, manifestations of Romanticism were also accompanied by the traditions of Classicism (characteristic of the preceding period – the Age of Enlightenment) and realistic aspirations (which would dominate the subsequent Post-Romanticism). Offering a systematic and clust
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Welch, Logan. "Sufism." American Journal of Islam and Society 35, no. 2 (2018): 111–12. http://dx.doi.org/10.35632/ajis.v35i2.840.

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Alexander Knysh’s Sufism: A New History of Islamic Mysticism provides athorough understanding of Sufism. His detailed chapters break down thedifferent elements of Sufism, from how the term and practice emerged tothe specific traditions carried out by Sufis.The first chapter, “How and Why Sufism Came to Be,” contrasts SufiMuslims who believe they are supposed to live a frugal lifestyle with otherMuslims who believe they should enjoy all they have in life while remainingpious. Kynsh focuses heavily on American scholar Marshall Hodgson andhis argument of “temperament”, and Russian Ukrainian schol
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MGREGOR, ANDREW. "Marginality on the Move: The Perpetual Exile of the Migrant Journey in Tony Gatlif’s Exils (2004)." Australian Journal of French Studies 62, no. 1 (2025): 5–14. https://doi.org/10.3828/ajfs.2025.02.

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This article examines the marginality and perpetual exile of the migrant journey as represented in French-Algerian director Tony Gatlif’s 2004 film Exils , for which he was awarded the Best Director prize at the 2004 Cannes Film Festival. On the one hand, Exils may be read as a road movie in reverse. It could be considered a deliberate shift by the director, and by the film’s protagonists, away from the traditional centre of French consciousness—Paris—to the periphery of French national historical consciousness, Algeria. Gatlif suggests that, for his protagonists to arrive at self-fulfilment,
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Novak, Ilona. "M. Ravel’s vocal cycle “Chansons madécasses” and its role in the development of French chamber-vocal music of the first half of the twentieth century." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 71, no. 71 (2024): 92–106. http://dx.doi.org/10.34064/khnum1-71.05.

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Statement of the problem. Chamber vocal genres attracted Ravel throughout his career, from his first opuses (his first song belongs to Op.4) to his last, which was the vocal cycle “Three Songs of Don Quixote to Dulcinea”. The vocal works fully embody the main features of the composer’s style and creative interests. This sphere of Ravel’s work corresponds to the leading trends in the development of chamber vocal genres in the French culture of the twentieth century. At that time, composers had gravitated toward symbolism, elegance and refinement of music expression, the impressionistic reflecti
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Markov, Alexander V. "Intermedial contexts of the coat of arms motif in lyrical poetry by Viktor Krivulin." Neophilology, no. 18 (2019): 193–201. http://dx.doi.org/10.20310/2587-6953-2019-5-18-193-201.

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Although the heraldry theme does not belong to the main poetry themes of Viktor Krivulin, it is indicative of his poetic reflections on the relationship between self-comprehension of the Russian authorities, the dynamics of Russian art development and the fate of a private person. V. Krivulin’s poems are adjacent to the poet’s numerous ekphrases in which the coat of arms acts as a lyrical motif and the marginality of the theme in his lyrical world proves some of the mechanisms of this type of ekphrasis. The coat of arms acts simultaneously as a representation of authority and an artifact or im
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Bassi, Shaul, and Igiaba Scego. "Othello and the Ambivalences of Italian Blackface." Multicultural Shakespeare: Translation, Appropriation and Performance 22, no. 37 (2020): 67–85. http://dx.doi.org/10.18778/2083-8530.22.05.

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Blackface is a cultural practice that appears ubiquitously in Italian history cutting across the political spectrum; it also lends itself to suprising anti-racist actions. This essay examines the use of blackface from the nineteenth to the twenty-first century by looking at its appearance in popular culture and, contextually and dialectically, at its adoption in selected performances of Othello, a play that holds special meaning in Italy because of its famous operatic adaptations. Africa and blackness were often represented in Italian visual arts in the early modern period, but the early colon
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38

Izzo, Justin, and H. Adlai Murdoch. "René Ménil: Philosophy, Aesthetics, and the Antillean Subject." CLR James Journal 26, no. 1 (2020): 17–32. http://dx.doi.org/10.5840/clrjames202111970.

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René Ménil (1907–2004) was a renowned Martinican essayist, critic, and philosopher who, along with Aimé Césaire, Frantz Fanon, and Edouard Glissant, left an indelible mark on the Franco-Caribbean world of letters and intellectual thought. Ménil saw in surrealism a critical framework, a means to the specific end of exploring and expressing the specificities of the Martinican condition. Ménil assessed Martinique’s pre-war psychological condition through the telling metaphor of relative exoticism, pointing clearly to the typically unacknowledged fact that the exotic is a slippery signifier, depen
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Khetagurova, Dzerassa Kazbekovna. "Transformation of bestiary images in the poetics of modernism (F. Sologub, K. D. Balmont, V. I. Narbut, D. B. Khetagurov, G. G. Maliev, I. Arnigon)." Philology. Issues of Theory and Practice 16, no. 10 (2023): 3526–33. http://dx.doi.org/10.30853/phil20230543.

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The aim of the paper is to confirm the idea that the interpretation of bestiary images in the Russian and Ossetian literature of the late 19th and the early 20th century from the perspective of their symbolic semantic component occurs in the context of relevant ideas of the specified cultural and historical period. The scientific novelty of the research lies in conducting a joint study of zoographic images in the poems of F. Sologub, K. D. Balmont, V. I. Narbut, D. B. Khetagurov, G. G. Maliev, I. Arnigon and determining commonality in the manifestation of aesthetic attitudes of modernism. It i
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Lyubimova, Natalya S. "Образ Японии в России – старые элементы в новом оформлении". Вестник антропологии (Herald of Anthropology) 51, № 3 (2020): 153–67. http://dx.doi.org/10.33876/2311-0546/2020-51-3/153-167.

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This article compares the image of Japan in Russia in two periods of time: at the end of XIX – beginning of the XX c. and in modern days. It reviews the images existing in the European part of Russia. Chronological periods were chosen for comparison based on some shared traits: both economical and political relations between the two countries are relatively weak, so the mass-media potential for propaganda is only used at times when a certain political problem becomes relevant (Russan-Japanese war/ the peace treaty problem and the Kuril Islands dispute), while there also is a fashion for Japane
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Pertsev, Alexey S. "Hermann Cohen’s Philosophy of Mathematics, or What is Wrong with the Marburg Method." Voprosy Filosofii, no. 2 (February 8, 2023): 27–41. http://dx.doi.org/10.21146/0042-8744-2023-2-27-41.

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Neo-Kantianism in general and the Marburg school are becoming an increas­ingly popular subject of research both in the Russian and global academic com­munity. Thanks to the meticulous archival work of H. Holzhey, K.Ch. Köhnke, U. Sieg and other scientists, rich historical and philosophical dimension of this phenomenon has been discovered. As a result, neo-Kantianism is no longer read strictly through the prism of an (unsuccessful) attempt to scientize philosophy in the image of natural scientific knowledge. At the same time, it seems interest­ing to analyze this attempt from the point of view
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42

Dyachenko, Tatyana Anatolevna. "The Oriental context of the topos of the garden in Russian "Fin de si&#232;cle" poetry." Филология: научные исследования, no. 10 (October 2023): 94–100. http://dx.doi.org/10.7256/2454-0749.2023.10.68772.

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The purpose of the study is to identify the features of the functioning of the topos of the garden in the subject–spatial organization of Russian poetic texts of the 1880s-1890s with a vector to the exoticism of the East. The subject of the study is a garden in the oriental context of poems of the designated period. The object is lyrical works of Russian poets of the last two decades of the XIX century, focused on the eastern context. Particular attention is paid to oriental imagery, which is transferred to the sphere of the universal language of poetry, into which poets translate the subjecti
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VECHORYNSKA, T. "Introduction to Chinese American literature: Amy Tan phenomenon." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 26 (2020): 48–54. http://dx.doi.org/10.17721/1728-242x.2020.26.48-54.

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The paper deals with Chinese American literature that is reviewed from the perspective of new theories of post-ethnicity, transnationalism, transculturalism. It is argued that in the context of globalization the markers of ethnicity and exoticism are being replaced by a new understanding of this aesthetic phenomenon. Though widely read and discussed in the world, Amy Tan's writings that combine Chinese and American images remain rather unknown for a Ukrainian reader. This paper considers the Chinese American discourse as an integrant part of Amy Tan's bicultural novels. From a broad philologic
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BUDINI, Belina. "FROM PERCEPTION TO REALITY: MEDIA’S ROLE IN SHAPING ALBANIA’S COUNTRY IMAGE THROUGH TIME MAGAZINE." On-line Journal Modelling the New Europe, no. 45 (December 30, 2024): 94–120. https://doi.org/10.24193/ojmne.2024.46.05.

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The continuity of a same view about Albania as an international media subject through time was related to the media construction process and its role in shaping the country’s perceptions and images. This article delves into media archives to conduct a systematic analysis of Time magazine's representations of Albania as a subject. The prevailing perception is that of a country that is continually troubled and unusual, regardless of the distinct historical periods from 1923 to 2023. This article further argues that the centennial portrayals of Albania as a chaotic, strange, and conflict-ridden c
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Elie, Serge D. "Imagining Soqotra: A Genealogy of an Indigenous Community’s Representations." Bandung 12, no. 2 (2025): 279–320. https://doi.org/10.1163/21983534-12020002.

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Abstract This article presents a longue durée genealogy of Soqotrans’ representations by successive cohorts of cognitive flâneurs – surrogate intellectual envoys of the West sojourning through peripheral communities for social data mining. This genealogical excavation is divided into five historical periods, spanning from antiquity to the present, chronicling Soqotra’s role as a crucible for invasive mediations by external actors and its conscription into an exoticizing and primitivizing discursive tradition. The genealogy is framed by the persistent affliction of hermeneutical pestilence, an
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Dobrydneva, Anastasiya. "The SS Normandie as an Example of Art Deco Style." Ideas and Ideals 14, no. 2-2 (2022): 363–79. http://dx.doi.org/10.17212/2075-0862-2022-14.2.2-363-379.

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The article is dedicated to ocean liners, the ambitious projects of the 1930s. The Interwar period was the golden age of transatlantic shipping, primarily due to technical improvements, for example, increased engine power and changes in ship hull shape. However from an artistic point of view, liners also proved to be an important field of application. Many European architects, sculptors, and decorators were involved in the design of the exterior of the liners and their interiors. Most of the masters who participated in the development of a special “liner style” were practitioners of art deco.
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Martynova, Elena P. "HUSBANDRY AND ECONOMY AS A FIELD OF STUDY IN OB-UGRIAN HISTORIOGRAPHY." Ural Historical Journal 82, no. 1 (2024): 179–87. http://dx.doi.org/10.30759/1728-9718-2024-1(82)-179-187.

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The author deals with the history of the Ob Ugrian husbandry and economy and aims at showing what phenomena of the Ob Ugrians’ economic life have attracted scholarly attention and how research approaches have changed. The works of ethnologists and historians are used as sources. Historiography is considered not so much as an account of achievements and discoveries of different authors, but more as ideas, research approaches that appear in a certain historical period. In the 18th–19th centuries, authors were concerned with the uniqueness of the economic activities of the Ostyaks and Voguls. The
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Medvedeva, Yulia P. "“Chinese style” in music at the turn of the 19th-20th centuries." Contemporary Musicology, no. 2 (2020): 50–74. http://dx.doi.org/10.56620/2587-9731-2020-2-050-074.

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The study focuses on the features of perception and interpretation of China and Chinese culture in European music at the turn of the 19th/20th centuries—yet another heyday for chinoiserie (“Chinese style”) in art. The author uses an integrated approach which encompasses cultural-historical, sociological, comparative-historical and musical-analytical methods. The analysis of Russian and European music associated with the “Chinese style” proves that the development of chinoiserie in the late 19th-early 20th century was influenced by changing cultural and political relations between China and the
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49

Hammond, Charlotte, and Andrew McGregor. "O is for Orientalism: the dynamics of the sexual tourist gaze in Laurent Cantet’s Vers le sud/Heading South (2005)." Contemporary French Civilization: Volume 46, Issue 1 46, no. 1 (2021): 27–47. http://dx.doi.org/10.3828/cfc.2021.2.

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This article explores the Orientalist dynamics of North/South sexual tourism in Laurent Cantet’s Vers le sud/Heading South (2005). The narrative of the film is structured around the self-interested motivations of three white middle-aged bourgeois Western women who travel from North America to Haiti in the late 1970s in order to explore their sexuality in what they perceive as an island paradise, effectively exiling themselves from the codified social behavior expected of them in their homeland. The women avail themselves of the pleasures offered by young black Haitian men, often in exchange fo
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50

Khrapunov, Nikita. "“Cave towns” in the Crimea and the legends of the Deluge." Materials in Archaeology, History and Ethnography of Tauria, no. XXIX (December 27, 2024): 341–78. https://doi.org/10.29039/2413-189x.2024.29.341-378.

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This article analyses the legends of the “traces of the Deluge” in the Crimea, as described in the works of the “Western” and “Eastern” travellers and writers in the Modern period. These legends stated that the ancient inhabitants of the peninsula witnessed that the sea flooded most of the Crimea, so only the mountain tops rose above the waves. There the people built their dwellings, which remains survived as the “cave towns,” the sites, according to our present knowledge, dating back from the Byzantine period. The legends under study reflected the influence of the factors of multicultural ori
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