Academic literature on the topic 'Historical fiction, Ukrainian'

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Journal articles on the topic "Historical fiction, Ukrainian"

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FILONENKO, Sofiya. "SPACE OF WAR IN UKRAINIAN HISTORICAL DETECTIVE FICTION." Studia Methodologica, no. 57 (2024): 20–28. http://dx.doi.org/10.32782/2307-1222.2024-57-2.

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Semenova, Oksana. "National Cinematography as a Response to Russian Information Aggression (A Case Study of Historical and Patriotic Films)." Ukrainian Studies, no. 2(79) (August 3, 2021): 30–49. http://dx.doi.org/10.30840/2413-7065.2(79).2021.234951.

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The article reveals the influence of Russian information propaganda on cultural industries of Ukraine, in particular film making, and describes place and role of contemporary Ukrainian cinematography as a “soft power” in counteracting humanitarian expansion of the Russian Federation, as a factor having an influence on mass consciousness and social attitudes of Ukrainians, as means of counter-propaganda and construction of all-Ukrainian identity and formation of consolidated political nation as a whole. The author has studied the state of national cinematography during 2014–2021, analyzed the r
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Trofymenko, Tetiana. "СУЧАСНА УКРАЇНСЬКА ПРОЗА ПІСЛЯ 24 ЛЮТОГО 2022: РЕЦЕПЦІЯ ВІЙНИ". Studia Interkulturowe Europy Środkowo-Wschodniej, № 16 (8 грудня 2023): 97–113. http://dx.doi.org/10.31338/2544-3143.si.2023-16.5.

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The article analyses Ukrainian prose works published after the Russian aggression against Ukraine on 24 February 2022. Generally, the newest Ukrainian prose gravitates more towards the non-fiction genre framework. It is represented by numerous anthologies, mainly with pieces by famous writers, literary critics, and public figures. The authors record personal experiences and reflect on the history of the Russian-Ukrainian confrontation in historical retrospect. Today, the non-fiction format is more popular because it allows essayists to talk about painful topics from a more moderate position an
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Grebeniuk, Tetiana. "Silence and speaking as forms of representation of the historical trauma in the Ukrainian prose of the Independence period." Synopsis: Text Context Media 28, no. 3 (2022): 104–12. http://dx.doi.org/10.28925/2311-259x.2022.3.1.

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The relevance of the article is determined by the current need for literary research of contemporary Ukrainian fiction works, focused on the problem of historical trauma, in the context on new achievements of trauma studies, memory studies, and identity studies. The research aims to analyze the role of the phenomena of silence and speaking in the fictional representations of historical traumas of the 20th century in the works of the Ukrainian prose of the Independence period. Methodological framework of the study includes trauma studies, memory studies, and identity studies, as well as postcol
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Maguire, Muireann. "Smyrniw, Walter Ukrainian Science Fiction: Historical and Thematic Perspectives (review)." Slavonic and East European Review 94, no. 3 (2016): 518–20. http://dx.doi.org/10.1353/see.2016.0130.

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Filonenko, S. O. "CARTOGRAPHY OF CRIME: GEOPOETIC ASPECTS OF UKRAINIAN HISTORICAL DETECTIVE FICTION." Тrаnscarpathian Philological Studies 2, no. 29 (2023): 275–79. http://dx.doi.org/10.32782/tps2663-4880/2023.29.2.51.

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Beniuk, Kh M. "GENRE MODIFICATIONS OF THE HISTORICAL PROSE BY YURI MUSKETYKA." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 455–60. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-455-460.

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Historical fiction, continuing the main trends of the past and enriching with the experience of the present, received wide reader’s resonance and attracted the critics’ attention. That’s why the problem genre specific of historical novel and story upon on the materials of Ukrainian writer Yu. Mushketyk’s works on the historical theme is examined in the article.
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Grebeniuk, Tetiana. "Historical Memory and Necropolitics in Fiction by Olexandr Irvanets." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 15, no. 26-27 (2022): 56–71. http://dx.doi.org/10.34079/2226-3055-2022-15-26-27-56-71.

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This article is focused on the literary representation of the historical memory about totalitarian past of Ukraine in dystopias by Olexandr Irvanets. The aim of the research is to analyze how phenomenon of necropolitics, substantiatiated in theory by Cameroonian scholar Achille Mbembe as a sovereignty’s right to decide who can live and who must die, is artistically reflected in Irvanets’s works “Rivne / Rovno (The Wall)”, “Ochamymria”, “Libenkraft’s Disease”, and “Kharkiv 1938”. Achievement of this aim presupposes completion of such tasks: to specify content of the phenomenon of necropolitics
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Świetlicki, Mateusz. "The Silent Unseen and Underground Soldiers: Polish–Ukrainian Conflicts and Collaboration in Amanda McCrina’s Second World War Fiction." International Research in Children's Literature 17, no. 3 (2024): 278–91. http://dx.doi.org/10.3366/ircl.2024.0579.

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The memory of the Second World War remains a bone of contention between Poland and Ukraine. The countries’ mnemonic discourses differ significantly, especially regarding the legacy of the Ukrainian Insurgent Army. Most local children’s and young adult authors avoid discussing historical nuances and offer their readers simple narratives about victims and oppressors. Thus, it is remarkable that in the last few years descriptions of the difficult Polish–Ukrainian relations have appeared in fiction written by Anglophone authors. This article considers the representations of the complex Ukrainian–P
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Nabytovych, Ihor. "BIBLE TOPICS IN THE HISTORICAL PROSE OF UKRAINIAN EMIGRATION." Polish Studies of Kyiv, no. 35 (2019): 231–42. http://dx.doi.org/10.17721/psk.2019.35.231-242.

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In the article there are summarized innovative approaches to artistic mastering of Bible topics in creative work of Ukrainian emigration writers of 1920th – 1970th: Natalena Koroleva, Leonid Mosendz and V. Domontovych (Victor Petrov). Ukrainian tradition of mastering Bible topics was interrupted by Russian occupation; it finds its bright artistic embodiment in artistic historical prose of Ukrainian emigration. This artistic experience enriches Ukrainian writing by mastering of Bible topics and motives via Bible stylizations, renaissance or creation of newly created new genre formations, contam
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Dissertations / Theses on the topic "Historical fiction, Ukrainian"

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"The dryland diaries." Thesis, 2014. http://hdl.handle.net/10388/ETD-2014-09-1704.

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The Dryland Diaries is a multigenerational narrative in the epistolary style, a tale of four women, central character Luka; her mother Lenore; grandmother Charlotte; and great-grandmother Annie – cast in the Quebecoise tradition of the roman du terroir, invoking place and family, the primal terroir of a storyteller. The novel is driven by three acts of violence – the possible murder of Annie’s husband, Jordan, by her Hutterite father; the rape of Charlotte; and the probable murder of Lenore by a notorious serial killer. Set in rural Saskatchewan and Vancouver, Luka, a single mother, finds Anni
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Books on the topic "Historical fiction, Ukrainian"

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Lotot︠s︡ʹka, I︠E︡va. Dekameron po-lʹvivsʹky, abo Ponedilkovi istoriï: Li︠u︡bovno-ironichnyĭ roman z elementamy mistyky, psykholohiï ta provokat︠s︡iï. Apriori, 2021.

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Horoz︠h︡enko, Hanna. U vohni plavylʹnyka. Sriblo: Roman. Folio, 2021.

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Horoz︠h︡enko, Hanna. U vohni plavylʹnyka. Zoloto: Roman. Folio, 2021.

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Valʹd, Viktor. Mech Sahaĭdachnoho: Istorychnyĭ roman. Klub simeĭnoho dozvilli︠a︡, 2019.

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Terlet︠s︡ʹkyĭ, Valentyn. Knyha syly: Roman. Kalʹvarii︠a︡, 2018.

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Halkovsʹka, Nadii͡a. Kozat︠s︡ʹkymy shli︠a︡khamy: Istoryko-fantastychni tvory pro Ukraïnu, ïï slavne mynule, u zv'i︠a︡zku z suchasnisti︠u︡. Vyd-vo Desna Polihraf, 2011.

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7

K, Strukevych O., ed. Z-pid bulavy--pid koronu: Druha polovyna XVIII st. Vyd-vo "Ukraïna", 2002.

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Vasylʹovych, Myshanych Oleksiĭ, and Lavro Kostʹ, eds. Zakli͡a︡tyĭ kozak: Istorychni povisti ta opovidanni͡a︡. Akt͡s︡ionerne t-vo Oberehy, 1994.

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Ivchenko, Vladyslav. Naĭkrashchyĭ syshchyk imperiï na sluz︠h︡bi pryvatnoho kapitalu. Tempora, 2013.

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Bahry, Romana M. Shli͡a︡kh Sera Valʹtera Skotta na Ukraïnu: ("Taras Bulʹba" M. Hoholi͡a︡ i "Chorna rada" P. Kulisha v svitli istorychnoï romanistyky Valʹtera Skotta). Red. z͡h︡urnalu "Vsesvit", 1993.

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Book chapters on the topic "Historical fiction, Ukrainian"

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Świetlicki, Mateusz. "Conclusion." In Next-Generation Memory and Ukrainian Canadian Children’s Historical Fiction. Routledge, 2023. http://dx.doi.org/10.4324/9781003367918-7.

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Świetlicki, Mateusz. "Land of All Colors and Races?" In Next-Generation Memory and Ukrainian Canadian Children’s Historical Fiction. Routledge, 2023. http://dx.doi.org/10.4324/9781003367918-2.

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Świetlicki, Mateusz. "Introduction." In Next-Generation Memory and Ukrainian Canadian Children’s Historical Fiction. Routledge, 2023. http://dx.doi.org/10.4324/9781003367918-1.

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Świetlicki, Mateusz. "“Unspeakable. Unacceptable. Then and Now” 1." In Next-Generation Memory and Ukrainian Canadian Children’s Historical Fiction. Routledge, 2023. http://dx.doi.org/10.4324/9781003367918-3.

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Świetlicki, Mateusz. "“You filthy little Zaraza!”." In Next-Generation Memory and Ukrainian Canadian Children’s Historical Fiction. Routledge, 2023. http://dx.doi.org/10.4324/9781003367918-5.

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Świetlicki, Mateusz. "Canadian Pysanky and the Survival of the Seeds of Memory." In Next-Generation Memory and Ukrainian Canadian Children’s Historical Fiction. Routledge, 2023. http://dx.doi.org/10.4324/9781003367918-4.

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Świetlicki, Mateusz. "Survivors, Oppressors, Implicated Subjects, and Entangled Bystanders." In Next-Generation Memory and Ukrainian Canadian Children’s Historical Fiction. Routledge, 2023. http://dx.doi.org/10.4324/9781003367918-6.

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Samodelova, Elena A., and Nina M. Solobay. "Ukrainian Toponymy in the Life and Work of Sergey Esenin." In Sergey Esenin in the Context of the Epoch. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0672-7-213-282.

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For the first time information about Ukraine (Little Russia) — its geography, archeology, history, literature, historical figures — is extracted from the biography and creative heritage of Esenin. The information about Ukraine, which the future poet has gleaned or could learn from textbooks and fiction, hear from contemporaries, is given. Along the way, the primary and secondary school programs were analyzed and the question about the accuracy of the official names of educational institutions in the villages Konstantinovo and Spas-Klepiki was raised. Esenin’s interest in Ukrainian topics was e
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Koch, Natalia, and Natalia Vasylkova. "THE TEXT CONCEPT OF UKRAINE IN A METAPHORICAL VIEW (BASED ON THE MATERIALS OF THE NOVEL BY L. KOSTENKO “THE NOTES OF UKRAINIAN SAMASHEDSHYI (MADMAN)”." In Trends of philological education development in the context of European integration. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-069-8-7.

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The article is devoted to the study of cognitive mechanisms of actualization of the discursive topic UKRAINE in L. Kostenko 's fiction novel “The Notes of Ukrainian samashedshyi (madman)”. The interaction of conceptual metaphors, which represent the basic textual concept at a deep level, forms the original conceptual space of the work. The purpose of scientific research is to establish connections between structural, orientations and ontological metaphors of the novel, as well as to describe their semantic content, verbalized at the linguistic level. According to the topic, the object of resea
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Reports on the topic "Historical fiction, Ukrainian"

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Tabinska, Iryna, та Yaroslav Tabinskyi. Феномен «смислу поміж фактами» у друкованому виданні Reporters: взаємодія тексту та фотоілюстрації. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11728.

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The article states that with the development of new journalism, the author’s ability to characterize a phenomenon and identify a trend acquires special value. Representatives of Ukrainian new journalism, which is a relatively new genre, are already gradually implementing these tasks. They compose entire books from their reports, offering the reader a condensed version of versatile observations about a certain country, situation, or phenomenon. In contrast to ordinary reportage, fiction is a synthetic genre, in which it is not reported, but told. The authors of the article research Reporters wh
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