Journal articles: 'Historical novel'

1

Dawson, Christopher. "The Historical Novel." Chesterton Review 49, no. 3 (2023): 353–74. http://dx.doi.org/10.5840/chesterton2023493/460.

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G, Nirmaladevi. "Transit in Kalki Historical Novels." International Research Journal of Tamil 3, S-1 (June 25, 2021): 279–84. http://dx.doi.org/10.34256/irjt21s145.

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The novel is one of the brand new arts acquired by Tamils due to European contact and learning English. In storytelling for Tamils since ancient times; there is involvement. However, the literary form of the novel became known to the people only after learning English novels. As a result, AD.Novels may have appeared in Tamil in the late nineteenth century. By the time the first novel appeared in Tamil, Tamils were well versed in education. So the number of scholars was increasing. Tamils learned to speak English along with Tamil. It is easy for people to move from one place to another due to the convenience of the train. A number of printing presses appeared and printed texts. Thus diminishing the influence of poetry influence of prose grew. These were the reasons for the origin of the Tamil novel and its subsequent development. The novels thus multiplied into science fiction, science fiction, enlightenment novel, Gandhian novel, Marxist novel, social novels, social novels, and historical novels. The purpose of this article is to examine the nature of historical novels and Kalki's contribution to them.

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Jafarov, Javidan. "Historical novel: artistic review of historical truth." Filologiya məsələləri Journal of Philological Issues, no. 3 (2024): 419. http://dx.doi.org/10.62837/2024.3.419.

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Garrido Ardila, Juan Antonio. "Novel and historical consciusness." Estudios Humanísticos. Filología, no. 22 (December 15, 2000): 69. http://dx.doi.org/10.18002/ehf.v0i22.3977.

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Heller, Agnes. "The contemporary historical novel." Thesis Eleven 106, no. 1 (August 2011): 88–97. http://dx.doi.org/10.1177/0725513611407448.

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6

Smetana, Vít. "Almost a Historical Novel." Soudobé dějiny 22, no. 3-4 (September 1, 2015): 524–39. http://dx.doi.org/10.51134/sod.2015.026.

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7

Byounggill Kim. "A Study on the Articulation between Historical Biography Novel and Modern Historical Novel." Studies in Korean Literature ll, no. 40 (June 2011): 155–85. http://dx.doi.org/10.20881/skl.2011..40.005.

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8

Calciu, Rodica. "An Historical Novel or a Historical Novel? A Case of Variation in Spelling." ELOPE: English Language Overseas Perspectives and Enquiries 2, no. 1-2 (June 22, 2005): 11–24. http://dx.doi.org/10.4312/elope.2.1-2.11-24.

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The form of the indefinite article before h is not an easy matter, as mentioned among others, by Jespersen, in A Modern English Grammar. The existence today of written corpora and other online resources allows for a wider and, hopefully, a more reliable examination of variants. The present paper presents the results obtained from an analysis of the forms of the indefinite article before words beginning with h found in the Gutenberg corpus, therefore, in literature, and in The British National Corpus (BNC). Quantitative data are presented and accounted for in a synchronic and diachronic perspective.

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9

Kamisheva, G. A., and Sh U. Baimakhanova. "Ideological-artistic features of the novel of Najib Makhfuz "Children of our street" ("اولاد حارتنا")." BULLETIN OF THE L.N. GUMILYOV EURASIAN NATIONAL UNIVERSITY. POLITICAL SCIENCE. REGIONAL STUDIES. ORIENTAL STUDIES. TURKOLOGY SERIES 148, no. 3 (2024): 207–25. http://dx.doi.org/10.32523/2616-6887/2024-148-3-207-225.

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During his creative life, N. Mahfuz wrote more than thirty novels, among which the highest is the historical novel "Children of Our Street" (حارتنا اولاد) Modern Arabic literature is distinguished by a variety and abundance of works of a historical nature. The historical novel did not appear suddenly in Arabic literature, it is closely related to popular "folk novels" in the Middle Ages. The work we analyze clearly shows elements of historical presentation, describes the traditions of the east, and also shows a connection with certain historical figures and events. The novel tells the story of the development of all mankind based on the fate of the five main characters. In the work, the study of history is carried out by artistic means that allow you to compare distant eras, reflecting on the general issues of the development of civilization and human nature. The article talks about the work of the Nobel Prize winner, the emir of the Arab novel not only Egypt, but also the Arab Mia in general Najib Mahfuz and made a literary and theoretical analysis of his novel "Children of Our Street". And also analyze the style of the novel, the means of expressiveness and its plot, composition, theme and idea.

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10

Kong, Imsoon. "(Daeha)Historical Novel Toji and Historical Individuals’ Gender Dynamics." Journal of Asian Women 57, no. 2 (November 30, 2018): 7–40. http://dx.doi.org/10.14431/jaw.2018.11.57.2.7.

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11

Salgado, Maria A., and Seymour Menton. "Latin America's New Historical Novel." Hispania 78, no. 1 (March 1995): 75. http://dx.doi.org/10.2307/345212.

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Boland, Roy C., and Seymour Menton. "Latin America's New Historical Novel." Modern Language Review 92, no. 3 (July 1997): 777. http://dx.doi.org/10.2307/3733477.

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13

West, Andrew C., Luo Guanzhong, and Moss Roberts. "Three Kingdoms: A Historical Novel." Chinese Literature: Essays, Articles, Reviews (CLEAR) 17 (December 1995): 157. http://dx.doi.org/10.2307/495562.

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14

Williams, Gareth. "Latin America's New Historical Novel." MFS Modern Fiction Studies 40, no. 4 (1994): 872–74. http://dx.doi.org/10.1353/mfs.1994.0030.

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Tesser, Carmen Chaves, Seymour Menton, Renata R. Mautner Wasserman, and Barbara J. Webb. "Latin America's New Historical Novel." Chasqui 26, no. 1 (1997): 133. http://dx.doi.org/10.2307/29741338.

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16

G.M.D. "Latin America's New Historical Novel." Americas 51, no. 4 (April 1995): 581–82. http://dx.doi.org/10.1017/s0003161500023129.

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17

McMurray, George R., and Seymour Menton. "Latin America's New Historical Novel." World Literature Today 68, no. 4 (1994): 798. http://dx.doi.org/10.2307/40150664.

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18

Farrell, Joseph R., and Seymour Menton. "Latin America's New Historical Novel." Hispanic American Historical Review 75, no. 1 (February 1995): 87. http://dx.doi.org/10.2307/2516789.

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Farrell, Joseph R. "Latin America’s New Historical Novel." Hispanic American Historical Review 75, no. 1 (February 1, 1995): 87. http://dx.doi.org/10.1215/00182168-75.1.087.

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20

Stulov, Yuri V. "Contemporary African American Historical Novel." Literature of the Americas, no. 14 (2023): 75–99. http://dx.doi.org/10.22455/2541-7894-2023-14-75-99.

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The paper discusses the works of African American writers of the end of the 1960s — the end of the 2010s that address the historical past of African Americans and explores the traumatic experience of slavery and its consequences. The tragedy of people subjected to slavery as well as their masters who challenged the moral and ethical norms has remained the topical issue of contemporary African American historical novel. Pivotal for the development of the genre of African American historical novel were Jubilee by the outstanding writer and poet Margaret Walker and the non-fiction novel Roots by Alex Haley. African American authors reconsider the past from today’s perspective making use of both the newly discovered documents and the peculiarities of contemporary literary techniques and showing a versatility of genre experiments, paying attention to the ambiguity of American consciousness in relation to the past. Toni Morrison combines the sacred and the profane, reality and magic while Ishmael Reed conjugates thematic topicality and a bright literary experiment connecting history with the problems of contemporary consumer society; Charles Johnson problematizes history in a philosophic tragicomedy. Edward P. Jones reconsiders the history of slavery in a broad context as his novel’s setting is across the whole country on a broad span of time. The younger generation of African American writers represented by C. Baker, A. Randall, C. Whitehead, J. Ward and other authors touches on the issues of African American history in order to understand whether the tragic past has finally been done with. Contemporary African American historical novel relies on documents, new facts, elements of fictional biography, traditions of slave narratives and in its range makes use of peculiarities of family saga, bildungsroman, political novel, popular novel enriching it with various elements of magic realism, parodying existing canons and sharp satire.

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21

Hughes, Dean. "First Wife: A Historical Novel." Utah Historical Quarterly 92, no. 3 (2024): 277–78. http://dx.doi.org/10.5406/26428652.92.3.11.

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22

Guseva, Olga. "A Positivist Model of the Historical Novel for Youth in Polish Literature." Stephanos Peer reviewed multilanguage scientific journal 57, no. 1 (January 31, 2023): 37–44. http://dx.doi.org/10.24249/2309-9917-2023-57-1-37-44.

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The article is devoted to the history of the formation of the genre of the historical novel for youth in Polish literature. The model of this novel develops during the heyday of positivist literature, in the 80–90s of the 19th century, and remains relevant until 1918. The historical novel for youth is formed under the influence of the historical novels of J.I. Kraszewski and H. Sienkiewicz, it was influenced by the novels of Walter Scott and Alexander Dumas. In the positivist model of the historical novel for young people, cognitive function and patriotic education come out on top. Only the best authors managed to combine historical authenticity with a fascinating plot. Historical novels by W. Przyborowski, Z. Morawska, J. Łuszczewska have been published up to the present time.

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CƏFƏROV (VƏLİXANLI), T. H. "AZƏRBAYCAN TARİXİ ROMANLARINDA MİLLİ KİMLİK AXTARIŞLARI PROBLEMİ." Actual Problems of study of humanities 2, no. 2024 (October 4, 2024): 152–61. http://dx.doi.org/10.62021/0026-0028.2024.2.152.

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The Problem of National Identity Searches in Historical Novels of Azerbaijan Summary In the article, the historical novel genre, examples of historical novels in Azerbaijani literature are studied in the context of national identity, national self-awareness and national existence. As the main object of research, historical works written in the years of independence, novels by individual authors, including Eyvaz Zeynalov's large-volume "Nadir Shah" novel, which reflects the history of the creation, formation and fall of the Nadir Shah Afshar Empire, are analyzed. The author of the article, who approaches the events unfolding in the novel from the aspect of Turkish civilizations and Turkish cultural-historical type, created it through great effort, but due to backwardness, superstition, lack of education, and inexperience in managing the state, the bankruptcy of the Nadir Shah Afshar Empire paved the way for the subsequent historical tragedies of Azerbaijan and the separation of our historical lands led to joining the territory of separate states. Key words: historical novel, Nadir Shah Afshar Empire, Eyvaz Zeynalov, Turkish civilizations and Turkish cultural-historical type

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24

Lee, Yoon Sun. "Vection, Vertigo, and the Historical Novel." Novel 52, no. 2 (August 1, 2019): 179–99. http://dx.doi.org/10.1215/00295132-7546708.

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Abstract Although accounts of the realist novel have not always adequately examined the experience of movement through space, this embodied epistemology is critical to the genre's development. Drawing on the physiology of perception as investigated by Erasmus Darwin and others, Scott makes the realist novel historical through the representation of motion as vertiginous sensation and as a problematic register of experience. The very uncertainty of the sensation of motion evokes history as a horizon rather than as a causal sequence. The term vection came to be used later in the nineteenth century to refer to sensory uncertainty about whether movement in space is one's own or a sensation produced by external objects. For Scott, the related phenomena of vertigo and vection become perceptual metonyms of historical change. In the plot of vection, as opposed to the plot of action, movement cannot always be identified as forward or backward, up or down, as self-motion or as the ambient motion of the world. His novels engage the question of large-scale epochal historical transitions through the micro-level of the sensory experience of movement.

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25

Charbel, Felipe. "The New Faces of the Historical Novel." História da Historiografia: International Journal of Theory and History of Historiography 13, no. 32 (April 12, 2020): 19–46. http://dx.doi.org/10.15848/hh.v13i32.1530.

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This article analyzes the problem of referentiality in the historical novel, based on a comparison between its classic and contemporary forms. The first section addresses the “mixture of history and invention” that, following Alessandro Manzoni, was the foremost characteristic of the realist historical novel. The next section discusses how the meta-historical novel of the second half of the 20th century - for example, Disgrace (J. M. Coetzee) and El entenado (Juan José Saer)-eclipsed the problem of referentiality by assuming that the historical novel should operate by its own procedures, and not those of history. The following sections discuss the referential turn in 21st century literary narratives, focusing on three novels: El material humano, by Rodrigo Rey Rosa; K. Relato de uma busca, by Bernardo Kucinski, and Jan Karski, by Yannick Haenel. The article concludes that the inversion of these two poles—from non-referentiality to the predominance of referentiality—is an unexpected facet of the elasticity of the concept (and practice) of fiction, which by denying itself ultimately enriches itself.

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26

Silva Rodríguez, Manuel Enrique. "Las novelas históricas de Germán Espinosa." Estudios de Literatura Colombiana, no. 22 (August 22, 2013): 129–44. http://dx.doi.org/10.17533/udea.elc.16389.

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Resumen: el artículo ofrece una síntesis de la tesis doctoral titulada Las novelas históricas de Germán Espinosa. En él se resumen las conclusiones más relevantes del análisis y la interpretación del tratamiento que la historia recibe en las novelas históricas de Espinosa. En principio se introducen los conceptos de historia y de novela histórica, claves para definir el corpus y realizar el estudio de las ficciones. Palabras clave: historia, historia de Colombia, novela histórica, novela histórica moderna y posmoderna, reescritura, Germán Espinosa, Colonia, mestizaje, catolicismo. Abstract: this paper offers a synthesis of the doctorate thesis Las novelas históricas de Germán Espinosa. The most relevant conclusions of the analysis and the manner the historic novels of Espinosa approach history are summarized. In the beginning, the concepts of ‘history' and ‘historical novel' are defined. They are fundamental to understand the corpus. Key words: history, history of Colombia, historical novel, modern and postmodern historical novel, rewriting, Germán Espinosa, Colonia, miscegenation, Catholicism.

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I Dewa Gede Fathur Try Githa, I Made Sujaya, and I Kadek Adhi Dwipayana. "Representasi Sejarah Reformasi Dalam Novel Laut Bercerita Karya Leila S. Chudori Dan Relevansinya Dalam Pembelajaran Novel Sejarah di SMA/SMK." Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, dan Sosial Humaniora 1, no. 4 (October 10, 2023): 149–61. http://dx.doi.org/10.59024/atmosfer.v1i4.357.

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This research focuses on the representation of the history of reform in the novel Laut Bercerita by Leila S. Chudori and its relevance to learning historical novels in SMA/SMK. Theoretically, this research serves as a means of developing literary knowledge, especially regarding literature and historical literary perspectives, as well as practically providing an understanding to the public about the history of reform in a literary work. This research can also contribute to Indonesian language teachers at the SMA/SMK level, because it has relevance to historical novels so that they are worthy of being used as teaching materials. This study uses a type of qualitative research. The source of the data in this study was the novel Laut Bercerita by Leila S. Chudori. This data was collected using the literature study method, then the children were analyzed using a qualitative descriptive method. After being analyzed, the results of this study show that the novel Laut tells the story of Leila S. Chudori, there are historical representations of reform, including the kidnapping and torture of activists, the banning of literary works, the fall of the Suharto regime, the formation of the missing persons commission and the disappearance of marine figures. In addition, based on research results by looking at the syllabus for learning historical novels, the novel Laut Bercerita is suitable as teaching material in learning historical novels in SMA/SMK.

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Kravchenko, Olena, and Anna Galenko. "Artistic Historicism in V. Rutkivsky's Novel “Dzhuras of cossack Shvaika”." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 14, no. 25 (2021): 47–55. http://dx.doi.org/10.34079/2226-3055-2021-14-25-47-55.

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The article deals with the peculiarities of historicism in Volodymyr Rutkivsky's novel “Dzhuras of Cossack Shvaika”. The historicism of V. Rutkivsky's works is presented not in its narrow interpretation – as an appeal to real historical facts and introduction of as many historical heroes as possible into the fabric of the text, but in a broad sense – as an artistic attempt understanding of Ukrainian history. It is emphasized that, despite the lack of historical facts and historical characters, the author managed to recreate the historical era of the late fifteenth century. This is the period of Cossacks emergence on Ukrainian lands. Thanks to artistic conjecture, the writer described the motives that moved Ukrainians at a crucial time to comprehend their own identity, which later led to the emergence of the center of Ukrainian statehood. The aim of the writer is to outline the historical landmarks for the formation of the Ukrainian national idea at the present stage with his historical adventure novels. This goal is realized through the reception of historical reconstruction. The reference points of the assertion of historical memory are the mentions of Kievan Rus, the battle of Blue Waters and the Cossack victory in the defense of the native land. The writer tries to instill to young reader a reverent attitude to the history of his land, presents an effective mechanism of self-determination of Ukrainians in the context of social and political relations – to respect himself as a descendant and successor of the traditions of his predecessors. V. Rutkivsky's artistic imagination helped to comprehend the causes and consequences of Ukrainian-Tatar contacts, to depict the historically accurate experience of previous generations. As a true historian, V. Rutkivsky shows the past not only of the Ukrainian ethnolinguistic community, but also of the foreign one, which lived in the territory that is now part of the Ukrainian state. The analysis of the artistic mastery peculiarities of the specific historical content in V. Rutkivsky's works proved the commonality of approaches in the depiction of historical reality in the novels “Blue Waters” and “Dzhuras of Cossack Shvaika”. It is proved that the mention of historical events in the novel performs several functions – contribute to the fabula unfolding, affect the vicissitudes of the novel, help to show the characters better.

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29

Taufiq Ahmad Dardiri, Moh Wakhid Hidayat, Sangidu, Fadlil Munawwar Manshur,. "PETA KAJIAN ATAS NOVEL SEJARAH ISLAM KARYA JURJĪ ZAIDĀN." Jurnal CMES 12, no. 1 (October 9, 2019): 4. http://dx.doi.org/10.20961/cmes.12.1.34867.

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The novel of Islamic history by Jurjī Zaidān is one of the works of Modern Arabic literature which appeared at the end of the 19th century. Since it was first published, as a serial story in al-Hilal magazine, this novel has been read and has received a great response. Zaidān composed 22 titles of novels from 1891 to 1914. After Zaidān's death in 1914, his novels were still read by the public, reprinted, and even translated in various languages in the world. Zaidān’s Islamic historical novels still exist, both within the scope of modern Arabic literature and in Arabic thought, with many studies to date. Research on this novel is reviewed and analyzed to reveal the diversity of perspectives to be mapped. Found nine perspectives in the study of Islamic historical novels; the perspective of the development of Arabic novel genres, the perspective of authorship and pioneering in Arabic novel genre, the perspective of the popularization of Arab-Islamic history, critical perspectives of Islamic historical facts, intrinsic literary criticism perspective, narrative structure perspective, feminist perspective, perspective modern Arab identity, and Arab nationalism perspective. The mapping of studies become the positioning of further Islamic historical novel studies, and at the same time can be a model of study for the analysis of other historical novels that develop in Arabic literature or other national literature.

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30

Hasanli, Mehman. "1980-ci İLLƏR TÜRKMƏN ROMANINDA SOSİAL VƏ TARİXİ MOTİVLƏR." Scientific Works 20, no. 3 (September 16, 2024): 175–80. http://dx.doi.org/10.62706/bqiz.2024.v20i3.21.

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The development directions of the Turkmen novel in the 1980s were studied in the article. In this period, a number of changes and innovations took place in the Turkmen novel in terms of historical and social content. In the pre-independence period, the themes and content of novels were significantly transformed. In the research, the issues of how historical heroes are described in the Turkmen novel and the development of their artistic images are taken into account. The article examines how these heroes are portrayed in novels and how these characters are presented in a historical context. This approach helps to understand the historical development and aesthetic characteristics of Turkmen literature more deeply. Thus, the article presents in detail the change and development of the artistic representation of historical themes in the Turkmen novel

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31

Sadovnikova, Yuliya Mikhailovna. "The realization of the concept of the features of the historical novel by Walter Scott on the example of Barry Unsworth's novel "Moralite"." Litera, no. 4 (April 2024): 388–96. http://dx.doi.org/10.25136/2409-8698.2024.4.70179.

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The article examines the features of the concept of the historical novel by Walter Scott on the example of Barry Unsworth's novel "Morality Play". The purpose of this article is to identify the features and principles of the historical method. The great merit of the outstanding Scottish writer Walter Scott (1771-1832) is that he introduced the principle of historicism into literature and wrote a number of brilliant historical novels. In them, readers see a picture of the struggle of contradictory and complex interests of various social groups, parties, and religious sects. His historical novels provided a better understanding of contemporary issues. He combined historical truth with fiction, explaining the validity of such a connection by saying that “the most important human passions in all their manifestations, as well as the sources that feed them, are common to all classes, states, countries and epochs; hence it invariably follows that although this state of society affects opinions, way of thinking and the actions of people, these latter are extremely similar in their very essence. Walter Scott was the founder of the historical novel in its modern sense. In the XIX century, he developed the principles of the historical method, which made it possible to create fascinating novels, freed from excessive archaization of language and at the same time fully conveying the originality and recognizable imprint of the described epoch. In the 19th century, along with the tradition dating back to Walter Scott, another form of aesthetic insight into the past also asserted itself. Real historical characters in such works are optional, although their presence is not excluded. The "hero" for the writer is not a historical event, but an "epoch". The author of such a work creates his own self-sufficient world, achieves credibility not by more or less accurately following historical material, but by the reality of the psychological experience of the characters, the reality (often illusory) of everyday life. The novel "Morality Play" is a historical detective novel by British writer Barry Unsworth, was published in 1995, and was first published in Russian in 2005. The novel is an example of a fruitful combination of two updated genres: new historical fiction and metaphysical detective.

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32

Karpuk, Paul A. "Gogol's Unfinished Historical Novel "The Hetman"." Slavic and East European Journal 35, no. 1 (1991): 36. http://dx.doi.org/10.2307/309032.

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Kaganovich, B. S. "E. V. Tarle about historical novel." Петербургский исторический журнал, no. 2 (2018): 166–78. http://dx.doi.org/10.51255/2311-603x-2018-00032.

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Kurmangali, G. K. "Muhammad al-Aryan and historical novel." Bulletin of the L.N. Gumilyov Eurasian National University.Political Science.Regional Studies.Oriental Studies.Turkology Series. 122, no. 1 (2018): 114–19. http://dx.doi.org/10.32523/26-16-6887/2018-122-1-114-119.

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35

Kostic, Ljiljana. "Tsar Dusan: Vladan Djordjevic's historical novel." Nasledje, Kragujevac 14, no. 36 (2017): 171–82. http://dx.doi.org/10.5937/naslkg1736171k.

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36

Smith, Steven, and Lawrence Norfolk. "Historical Novel of Greed and Revenge." English Journal 84, no. 3 (March 1995): 93. http://dx.doi.org/10.2307/820087.

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Litvinenko, Ninel. "CHATEAUBRIAND’S «MARTYRS» - THE EPIC HISTORICAL NOVEL." Bulletin of the Moscow State Regional University (Russian philology), no. 1 (2017): 71–79. http://dx.doi.org/10.18384/2310-7278-2017-1-71-79.

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38

Percival, Anthony, and Peter A. Bly. "Galdos's Novel of the Historical Imagination." Modern Language Studies 16, no. 4 (1986): 94. http://dx.doi.org/10.2307/3194803.

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39

Christensen, Peter G. ""Christ and Antichrist" as Historical Novel." Modern Language Studies 20, no. 3 (1990): 67. http://dx.doi.org/10.2307/3195236.

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40

Lucamante, Stefania. "The Anti-Illusionist Italian Historical Novel." Forum Italicum: A Journal of Italian Studies 41, no. 1 (March 2007): 219–24. http://dx.doi.org/10.1177/001458580704100113.

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41

Schimmelpfennig, Michael. "Three Kingdoms: A Historical Novel (review)." China Review International 8, no. 1 (2001): 215–18. http://dx.doi.org/10.1353/cri.2001.0041.

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Green, J. M. "Much More Than a Historical Novel." Tikkun 27, no. 3 (July 1, 2012): 49–50. http://dx.doi.org/10.1215/08879982-1629218.

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GOOD, I. J. "A HISTORICAL COMMENT CONCERNING NOVEL CONFIRMATION." British Journal for the Philosophy of Science 36, no. 2 (June 1, 1985): 184–85. http://dx.doi.org/10.1093/bjps/36.2.184.

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Khotimah, Khusnul. "Penggunaan Novel Sejarah sebagai Sumber Belajar Sejarah." Jurnal Pendidikan Sejarah 7, no. 2 (July 31, 2018): 85–103. http://dx.doi.org/10.21009/jps.072.05.

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This study aims to find out how the use of historical novels as a source of learning in 15 State Senior High School of DKI Jakarta. The research method is descriptive method on survey technique, survey using Proportional Random Sampling technique.The results show that history teachers have a lot to know about the history novel. Nevertheless, the historical novel has not been widely used by history teachers. there are factors that have been used or not used the historical novel as a source of learning. The internal factors used by history novels by teachers are personally teachers depart from the hobby of reading fiction books especially historical novels and external factors the use of historical novels is that teachers feel the curriculum and school environment support the use of free and creative learning resources. Meanwhile, internal factor is not used by history novel by teacher is teacher do not know about the history novel external factor is, teacher feel student tend not interested to read. Both those who have used and have not used argue that the library in school is not sufficient enough for the availability of story books and novels about history. The benefits of using novel history according to the teacher is as one of the media development of literacy and can explain the imaginative nature and teachers are interested in using historical novels to support the affective side of students. Penelitian ini bertujuan untuk mengetahui bagaimana penggunaan novel sejarah sebagai sumber belajar di 15 SMA Negeri DKI Jakarta. Penelitian ini menggunakan metode deskriptif dengan teknik survey, surve menggunakan teknik Proportional Random Sampling. Hasil penelitian menunjukan bahwa guru sejarah sudah banyak mengetahui tentang novel sejarah. Meskipun begitu, novel sejarah belum cukup banyak digunakan oleh guru sejarah. Terdapat faktor atas sudah digunakan atau belum digunakannya novel sejarah sebagai sumber belajar. Faktor internal digunakannya novel sejarah oleh guru adalah secara pribadi guru berangkat dari hobi membaca buku fiksi terutama novel sejarah dan faktor eksternal digunakannya novel sejarah adalah guru merasa kurikulum dan lingkungan sekolah mendukung penggunaan sumber belajar yang bebas dan kreatif. Sementara, faktor internal tidak digunakannya novel sejarah oleh guru adalah guru tidak mengetahui tentang novel sejarah faktor eksternalnya adalah guru merasa anak didik cenderung tidak tertarik untuk membaca. Baik yang sudah menggunakan maupun belum menggunakan berpendapat bahwa perpustakaan di sekolah tidak cukup memadai untuk ketersediaan buku-buku cerita dan novel tentang sejarah. Adapun manfaat menggunakan novel sejarah adalah sebagai salah satu media pengembangan literasi dan dapat menjelaskan yang sifatnya imajinatif dan guru berminat menggunakan novel sejarah guna menunjang sisi afektif siswa.

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Sadovnikova, Yuliya Mikhailovna. "A New Historical novel: traditions, evolution and specifics of the genre by the example of Barry Unsworth's novel "Morality Play"." Litera, no. 4 (April 2024): 289–95. http://dx.doi.org/10.25136/2409-8698.2024.4.70314.

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Despite the large number of literary works written, there are still debates in determining the genre structure of the historical novel and the features of its poetics. This is apparently due to the fact that for most experts the focus should traditionally be on history, and not on genre theory. Authors of historical novels help recreate historical images of the past, allowing readers to see the world through the eyes of people who lived in other eras. The historical novel can be both an entertaining genre and a tool for the study of history, stimulating interest in the past and raising important questions about how people lived and acted in different times. Different points of view allow us to better understand the versatility of the genre and its influence both on literature and on the understanding of history and life. The author used the technique of “new historicism” literature. Along with the canons of the historical novel of the 19th century, B. Unsworth resorts to the traditional techniques of the historiographical meta-novel of the postmodern era. This novel represents a new approach to the genre of historical fiction, different from the traditional Walterscottian one. The new historical novel and metaphysical mystery can be viewed through the lens of the new historical novel, which focuses on the historical aspects of the story, accurately recreating the setting of a specific era with each fictional character and event, and taking the reader back to the reality of the 14th century. The murder investigation is an important element of the novel's plot, but it only makes sense if the setting of the era in which everything takes place is recreated. Medieval drama plays an important role here, especially the author's transformation from religious to secular drama. Transformation of genre form is a characteristic feature of modern literature. Barry Unsworth's novels are interesting in that they synthesize several genre combinations and at the same time reproduce aspects of the formation of a new genre for its time – morality tales.

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Rasul, Gzng Hassan, and Mohammad Dler Ameen. "Personality in Jan Dost's Historical Novels ( The Price’s Message, Three Steps and a Gallows) as Examples." Halabja University Journal 6, no. 4 (December 30, 2021): 14–30. http://dx.doi.org/10.32410/huj-10395.

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The history of the novel has undergone a series of changes and embraced other literary genres. This led to the emergence of several new types of novel and the readers’ familiarity with it, due to the vitality and impact of this literary genre on other literary genres, as it sometimes crosses the boundaries of other literary genres, and merges with other fields of the human sciences, such as history. Hence, the novel’s readers get acquainted with a new type of novel, which is (the historical novel), i.e. a narration of a historical event or the mention of a historical figure in a literary melting pot such as a novel, that is, in parallel with the novelist narrating the historical event, he does not ignore the techniques (methods) of writing novel and its technical elements. Rather, while narrating this history, the novelist seeks to present a special taste to the reader in order for the reader to feel that what he is reading is not a pure history, but rather a historical narrative, presented through novel’s techniques and its artistic elements. The examples of this type of historical novel in Kurdish literature have not been noticeably taken care of, but the attempts of some novelists in this field are subject to examination and worthy of study, including the novelist (Jan Dost), who wrote a number of historical novels, where we studied the two novels (Meernama) and (Three Steps and a Gallows). Meernamah's novel deals with the Kurdish historical figure (Ahmad Khani), and his struggle to educate his people, as he tried to unify the Kurdish princes for the sake of independence and obtain the rights of his people, striving for coexistence and accepting different religions and nationalities. The novel (Three Steps and a Gallows) deals with the last night in the life of (Sheikh Saeed Piran) as a historical figure, as the novel returns via flashback to the three stages of his life.

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Asensio Aróstegui, María del Mar. "History as a discourse in Jeanette Winterson's "The passion" : the politics of alterity." Journal of English Studies 2 (May 29, 2000): 7. http://dx.doi.org/10.18172/jes.54.

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Set in the historical context of the French Revolution and the Napoleonic wars, Jeanette Winterson's The Passion is an outstanding example of the kind of fiction that Elizabeth Wesseling (1991: vii) calls postmodernist historical novels, that is, "novelistic adaptations of historical material". Besides, being profoundly self-reflexive, the novel also falls under Linda Hutcheon's (1988) category of historiographic metafiction. The present paper focuses on Winterson's political choice of two representatives of historically silenced groups, a soldier and a woman, who use two apparently opposed narrative modes, the historical and the fantastic, to tell a story that both exposes history as a discursive construct and provides an alternative fantastic discourse for the representation of feminine desire.

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Ayu, Nining Dia, Hasan Asari, and Yusra Dewi Siregar. "The Historical Values in The Novel 'Muhammad Lelaki Penggenggam Hujan’." Yupa: Historical Studies Journal 8, no. 1 (February 9, 2024): 35–49. http://dx.doi.org/10.30872/yupa.v8i1.2719.

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This study aims to examine historical values in Tasaro GK's novel Muhammad Man Holding Rain by using historical research and a qualitative approach. Data collection using analysis and interview techniques. The data analysis technique was carried out by reading the main research source, namely the historical novel Muhammad The Man Holding the Rain, then describing and drawing conclusions. The interview technique was carried out with the writer of the novel Muhammad Man Holding the Rain, namely Tasaro GK. The data in this study are in the form of excerpts from novels that contain historical elements. The results of this study indicate the existence of historical data in his authorship. The relevance of the use of literature and history can be found in several parts of this novel, by using fictional characters so that the storyline becomes dynamic. The implication of using the novel Muhammad's Man Holding the Rain in understanding sirah nabawiyah requires a deep interpretation of every event in the novel.

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Safina, Elmira S., and Lilia S. Shafigullina. "Historical Novel in Turkish Literature: The Novel “Shah and Sultan” by Iskender Pala." Journal of History Culture and Art Research 6, no. 5 (November 28, 2017): 105. http://dx.doi.org/10.7596/taksad.v6i5.1278.

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<p>The purpose of the article is to reveal the formation and the development of historical novel genre in Turkish literature and to reveal some of its characteristic features using the example of the novel "Shah and Sultan" by the Turkish writer Iskender Pala. In this study we relied on comparative and descriptive methods of the study. We also used the method of historical analysis. Iskender Pala's novel "The Shah and the Sultan" is defined by the author of this study as a true historical novel based on genuine historical figures and events. The practical significance of the work is related to the fact that the materials and the results of this study can be used in the course of lectures on contemporary Turkish literature, as an example during literature seminars, and also to continue the study of the writer's work as a whole. Thus, we see that the genre of the novel, in particular historical one, is a relatively new phenomenon in Turkish literature. The novel by Iskandar Pala "Shah and the Sultan" is a prime example of the modern Turkish historical novel, which was based on genuine historical figures and events.</p>

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Walker, Stanwood S. "A False Start for the Classical-Historical Novel: Lockhart's Valerius and the Limits of Scott's Historicism." Nineteenth-Century Literature 57, no. 2 (September 1, 2002): 179–209. http://dx.doi.org/10.1525/ncl.2002.57.2.179.

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This essay examines the relationship between a popular but neglected subgenre of nineteenth-century historical fiction, the classical-historical novel, and the Waverley novels of Walter Scott. Using John Gibson Lockhart's Valerius; a Roman Story (1821), the first of the classical-historical novels to appear in the wake of the Waverley novels, as a test-case, the essay demonstrates how this subgenre highlights the limits of Scott's model for historical fiction. The essay first outlines the nature of Scott's favored brand of historicism, which it argues was a genealogical one centered on the oral testimony of witnesses to the past events in question (or their near-descendants). It then assesses Lockhart's attempt to adapt Scott's historicist model to his novel's second-century setting, and argues that for reasons having to do both with the temporal and cultural remoteness of that setting, and with the special status of late antiquity in the nineteenth century, Scott'smodel was not available to Lockhart and subsequent classical-historical novelists. Lockhart's novel thus stands as an instructive "false start" for the nineteenth-century classical-historical novel.

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Journal articles on the topic 'Historical novel'

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