Relevant bibliographies by topics / Historical poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Historical poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Historical poetry"

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Chang, Haoxiang, Beitong Li, Fengwei Wang, and Yue Bin. "Thematic classification of ancient Chinese poetry using TwinEmbedAttentionNet." Applied and Computational Engineering 39, no. 1 (February 21, 2024): 302–14. http://dx.doi.org/10.54254/2755-2721/39/20230619.

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Ancient Chinese poetry, a reflection of Chinas rich cultural and philosophical fabric, encapsulates the evolving socio-cultural nuances of its historical epochs. Despite its cultural significance, there remains an evident lacuna in comprehensively classifying its recurring themes, due in part to the conciseness and polysemy intrinsic to the language and the essentiality of embedded cultural and historical contexts. Addressing this challenge, this study introduces TwinEmbedAttentionNet, a pioneering method tailored for the thematic classification of ancient Chinese poetry. This approach synergistically integrates pretrained word and sentence embeddings with an attention mechanism, ensuring the nuanced representation of the poetrys intricate details. Our results showcase its superior performance over existing models. Furthermore, an in-depth examination of model components offers insights into their respective thematic categorization efficacies. This research not only advances the academic understanding of ancient Chinese poetry but also underscores the potential of innovative neural networks in processing historically rich textual data.
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Owen, Stephen. "Poetry and Its Historical Ground." Chinese Literature: Essays, Articles, Reviews (CLEAR) 12 (December 1990): 107. http://dx.doi.org/10.2307/495226.

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Hyungdae Lee. "Historical Semantics in the Enlightenment Period Poetry." Korean Classical Poetry Studies 37, no. ll (November 2014): 7–32. http://dx.doi.org/10.32428/poetry.37..201411.7.

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Vadena, Gábor. "Sándor Petőfi: the Story of a Literary Career in Nineteenth-Century Hungary." Central-European Studies 6 (2023): 63–86. http://dx.doi.org/10.31168/2619-0877.2023.6.3.

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Sándor Petőfi (1823–1849) is the best-known Hungarian poet. It was not only the innovative poetic tools of his poetry that caused a stir among his contemporaries, but also his radical political thinking. In recent decades, three trends have dominated literary research: close readings of the poems by Petőfi have shown what radical poetic tools he used to create the language of modern Hungarian poetry. The second direction deals with the influence of Petőfi and reveals how the Hungarian national memory policy conjured him up as a historical figure. The third direction explores the poet's biography in various socio-historical contexts. Through the analysis of Petőfi's career, it is also possible to examine what opportunities nineteenth-century Hungarian intellectuals had to advance their careers. This essay presents Petőfi’s career from a socio-historical perspective, while also touching on issues of cult history and literary history poetry.
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Prins, Yopie. "“What Is Historical Poetics?”." Modern Language Quarterly 77, no. 1 (March 1, 2016): 13–40. http://dx.doi.org/10.1215/00267929-3331577.

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AbstractIn posing questions about what is “historical” and what counts as “poetics,” historical poetics cannot separate the practice of reading a poem from the histories and theories of reading that mediate our ideas about poetry. While nineteenth-century verse cultures revolved around reading by generic recognition, a reading of poetry as a form of cognition emerges among later critics like I. A. Richards, who illustrates how a line from Robert Browning is read in the mind’s eye, as if in the present tense. But Browning was already doing a version of historical poetics, in writing “Pan and Luna” as a poem about reading other poems about Pan, among them “A Musical Instrument,” by Elizabeth Barrett Browning. In the composition and reception of her poem, we see how Victorian poetry foregrounds its multiple mediations, including the mediation of voice by meter as a musical instrument. The recirculation of her popular poem through citation and recitation, illustration and anthologization, prosody and parody, demonstrates a varied history of thinking through—simultaneously “about” and “in”—verse.
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Salar Abdulqadr, Kizhan, Roz Jamal Omer, and Ranjdar Hama Sharif. "Ezra Pound's Poetry between Victorianism and Modernism: A Historical-Biographical Analysis." Technium Social Sciences Journal 21 (July 9, 2021): 826–32. http://dx.doi.org/10.47577/tssj.v21i1.3817.

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This paper examines the short poems of Ezra Pound, a group of works that have long been the subject of academic discussion in the field of literary analysis. Although Ezra Pound is typically considered a Modernist poet, some clear elements of Victorianism can be discerned within his revolutionary forms of poetry. The paper will offer a historical and biographical background to Pound's work before moving on to an analysis and discussion of the poet's short poems. While previous studies of Ezra Pound's poetry have adopted various critical approaches, we believe that this is the first study that compares the influence of Modernism and Victorianism on the work of this important figure in English verse of the early twentieth century.
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Maulidya, Fitra, and Ninuk Lustyantie. "DEVIATION IN POETRY GUILLAUME APOLLINAIRE'S POETRY COLLECTION." IJLECR - INTERNATIONAL JOURNAL OF LANGUAGE EDUCATION AND CULTURE REVIEW 5, no. 2 (December 31, 2019): 173–79. http://dx.doi.org/10.21009/ijlecr.042.20.

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This research intends to describe the types of deviations contained in the collection of poems Calligrammes by Guillaume Apollinaire. The approach used is a qualitative approach with content analysis method. The data collection technique used is Miles and Huberman. The theory used as the main reference is the deviation theory according to Geoffrey N. Leech which divides the deviation into eight types, namely lexical deviation, phonological deviation, grammatical deviation which includes morphological and syntactic, graphological deviation, semantic deviation, dialectal deviation, deviation of register, and deviation of historical period. The result of data analysis from 7 poems found 5 out of 8 types of deviation which are diffused in each poem, including 24 semantic deviations, 18 graphological deviations, 4 deviations of register, 3 syntactic deviations and 2 lexical deviations. While the types of phonological deviation, morphological deviation, dialectal deviation, and deviation of historical period are not found in any of the data in this collection of poems Calligrammes.
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Prins, Yopie. "Historical Poetics, Dysprosody, and The Science of English Verse." PMLA/Publications of the Modern Language Association of America 123, no. 1 (January 2008): 229–34. http://dx.doi.org/10.1632/pmla.2008.123.1.229.

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“The sound of poetry, the poetry of sound” resonated as Marjorie Perloff's theme for the 2006 MLA Convention, where one could hear about this topic at panels, poetry readings, and the Presidential Forum. Addressing a large audience at the forum, Charles Bernstein tapped the microphone and loudly intoned, “Is this working? Can you hear me?” The moment was a self-conscious performance, perhaps parody, of lyric utterance addressed to “you” from “me”: even before beginning his speech, Bernstein called our attention to the amplification of voice. Instead of addressing any particular you, singular or plural, he seemed to address the microphone, a mediating apparatus that makes possible but also interrupts the intimacy of address that lyric poetry (after John Stuart Mill) invites us to overhear. Through the microphone, Bernstein gave new overtones to Mill's definition of poetry as “overheard,” which could also mean hearing it too much, making it too loud, overworking the metaphor of the voice that we think is speaking directly to us. Although we tend to think of sound as immediate (is it?), the sound of poetry is never heard without mediation, and we should attend to the medium.
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Tebegenov, Т., and S. Asilbekuli. "ARTISTIC CHARACTER OF ZHUMEKEN NAZHIMEDENOV'S POETRY." BULLETIN Series of Philological Sciences 74, no. 4 (December 9, 2020): 344–52. http://dx.doi.org/10.51889/2020-4.1728-7804.70.

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The article analyzes the artistic features of lyrical and ethical works in the poetry of the outstanding poet, laureate of the State prize of the Republic of Kazakhstan Zhumeken Nazhimedenov. The poet's poetry is dominated by civil-Patriotic lyric poetry, psychological and philosophical integrity of the sung questions: the native land of the great Steppe, the sacred homeland, the continuity of generations, respect for ancestors, etc. At the same time, the author analyzes the poetic and aesthetic semantic features of artistic images in lyrical poems about nature in the poet's poetry (personification, metaphor, epithet, comparison, symbol, allegory, psychological parallelism, etc.). the Lyrical and psychological nature of civil dedications to things and phenomena in nature is determined by text analysis. We also analyzed critical motives expressed by images of irony and sarcasm in the poet's poems, which assessed gaps and shortcomings in the system of relations in the domestic and social environment. Differentiated features of the historical-philosophical, aesthetic-poetic artistic solution of the poem in the epic poetry of the poet in the generalization and reflection of the reality of life with artistic reality. The research is highlighted in the context of a new consideration of the text analysis of the poetic features of works in the poet's poetry.
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Muhammad Safiyyu Abdul Kadir. "Athar al-Shi‘r fī Tadwīn al-Aḥdāth al-Tārīkhīyah fī al-Qarn al-Tāsi‘ ‘Ashar: Qaṣīdat al-Shaykh Muhammadu Bello ibn al-Shaykh Usman ibn Fodio fī Ghazwat Kano Unmūdhajān." Al-Ma'rifah 17, no. 1 (April 30, 2020): 87–97. http://dx.doi.org/10.21009/almakrifah.17.01.09.

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Poetry is a notable record for historical events, a tool for arousing enthusiasm and a capability of emotional expression that drives society. The objective of this article is to investigate and appraise the degree for special literary description on poetic influence in the recording of historical events in the 19th century in Nigeria. The article contains a biography of the poet Shaykh Muhammadu Bello bin Sheikh Usman bin Fodio and preamble that will assist in understanding the meaning of historical Arabic poetry. The theme of this article comprises the meaning of historical Arabic poetry, word expression, skills in the language of poetry, the poet’s artistic doctrine, and the belief of the poet feels. The poetry of historical events is counted among the best poems in Arabic literature of the past and present period. The author collected lots of data and will use the descriptive and analytical methods in carrying out the research.
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Dissertations / Theses on the topic "Historical poetry"

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Hutchison, Peggy J. 1955. "Palestinian resistance poetry and the historical struggle for liberation." Thesis, The University of Arizona, 1991. http://hdl.handle.net/10150/278065.

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Since the late nineteenth century, modern Palestinian resistance poetry has been an expression of the Palestinian peoples' national culture and their historical struggle for self-determination and a homeland. This study examines Palestinian resistance poetry written during the ten year period following the June War of 1967, which tripled the land area of the state of Israel. English translations of three prominent Palestinian poets: Fadw a T uq an, Mahm ud Darwish, and Samih al-Q asim, are preceded by commentaries on the history of Palestinian poetry prior to 1967, and on the post-1967 occupation of Palestine. The poetry is analyzed according to four themes: the identity theme, the wound theme, the freedom fighters, and woman's place. Through the study of Palestinian resistance poetry in its historical context, the reader may develop a deeper understanding of the relationship between Palestinian national culture and the struggle for a homeland.
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Slagle, Judith Bailey. "Joanna Baillie and the Poetry of Intellectual and Historical Romanticism." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/459.

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Book Summary: The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities
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Brown, Kevin. "Liturgical Calendar: Poems." Digital Commons @ East Tennessee State University, 2014. http://amzn.com/1498203752.

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"Using the structure of the liturgical calendar and the lives of the saints for inspiration, Kevin Brown explores not only faith, but subjects ranging from love to childhood and from grammar to grace. The saints' backgrounds serve as metaphors for our lives today, as we struggle with our mortality and our morality. In these poems, Brown is able to laugh at himself and his failings while reminding us of our own. He points out where our various approaches to faith make us better people and where we fail to follow what we tell others to do. In these poems, the miraculous becomes ordinary even as ordinary events and people are imbued with the sacred, granting readers hope for themselves and for the world."--BACK COVER
https://dc.etsu.edu/alumni_books/1007/thumbnail.jpg
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Howard, William Scott. "Fantastic surmise : seventeenth-century English elegies, elegiac modes, and the historical imagination from Donne to Philips /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/9527.

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Schwab, Ulrike. "The poetry of the Chartist movement : a literary and historical study /." Dordrecht : Kluwer academic publ, 1993. http://catalogue.bnf.fr/ark:/12148/cb35575211s.

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Pinnock, William. ""To learn how to speak": a study of Jeremy Cronin's poetry." Thesis, Nelson Mandela Metropolitan University, 2014. http://hdl.handle.net/10948/d1021038.

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In the chapters that follow, the porous boundary between the public and the private in Jeremy Cronin’s poetry is investigated in his three collections, Inside (1983), Even the Dead: Poems, Parables and a Jeremiad (1996) and More Than a Casual Contact (2006). I argue two particular Marxist theorists are central to reading Cronin’s poetry: Bertolt Brecht, and his notion of the Verfremdungseffekt, and Walter Benjamin and his work on historical materialism, primarily the essay On the Concept of History / Theses on the Philosophy of History (1940). Both theorists focus on the work of art in a historically contextualized manner, which extends the challenge to the boundary between the public and the private. Their work is underpinned by the desire to draw out hidden narratives occluded under the grand narratives of history and capitalist ideas of progress. I argue that these are the major preoccupations in Cronin’s oeuvre as well. As such Cronin’s poetry may be seen to write against a perspective that proposes a linear conceptualisation of history. The poetry therefore challenges the notion that art speaks of ‘universal truths.’ Such ideas of History and Truth, if viewed uncritically, allow for a tendency to conceive of the past as unchanging, which subconsciously promotes the idea that social and political realities are merely logical evolutionary steps. I argue that Cronin’s poetry is thus purposefully interruptive in the way that it confronts the damaging consequences of the linear conceptualisation of history and the universal truth it promotes. His work attempts to find new ways of connection and expression through learning from South Africa’s violent past. The significance of understanding each other and the historical environment as opposed to imposing perspectives that underwrite the symbolic order requires the transformation rather than the simple transferral of power, and is a central focus throughout Cronin’s oeuvre. This position suggests that while the struggle for political freedom may be over, the necessity to rethink how South Africans relate to each other is only beginning. Chapter One will focus on positioning Cronin, the poet and public figure, in South African literature and literary criticism. In this regard, two general trends have operated as critical paradigms in the study of South African poetry, namely Formalism (or ‘prac crit’) and a Marxist inflected materialism, which have in many ways perpetuated the division between the private and the public. This has resulted in poetry being read with an exclusive focus on either one of these two aspects, overlooking the possibilities of dialogue that may take place between them. Cronin’s perspective on these polarised responses will be discussed, which will illustrate the similarity of his position to Ndebele’s notion of the ‘ordinary’ which suggests a way beyond these binaries. This will lead to a discussion of how South African poets responded to the transition phase, suggesting that the elements of the polarisation still remained. Considering the major influences and paradigms when reading Cronin’s oeuvre provides a foundation for the following three chapters. These include Cronin’s use of Romanticism, Bertolt Brecht and the V-Effekt and Walter Benjamin’s perspectives on historical materialism. In addition to these three theoretical paradigms, the relevance of Pablo Neruda’s poetry to Cronin’s work is also foregrounded. In Chapter Two, the focus will be on Cronin’s first collection of poetry, Inside, concentrating on Cronin’s use of language as a way of constructing poetry in the sparseness of the prison experience. This will show an abiding preoccupation of learning to speak in a language that considers the material context out of which it emerges. In this regard, the poems “Poem-Shrike” “Prologue” and “Cave-site” are analysed. In addition, one of the central poems in Cronin’s oeuvre, “To learn how to speak […],” will be examined in order to illustrate how the poet extends this project on a meta-poetic level, asking for South African poets to ‘learn how to speak’ in the voices of South African experience and histories. I will show how this is linked to Cronin’s “Walking on Air” which illustrates how the V-Effeckt recovers the small private histories through re-telling the life story of James Matthews, a fellow prisoner incarcerated for his anti-apartheid activism, revealing how this story is intimately connected to the public sphere. In Chapter Three, Cronin’s second collection: Even the Dead: Poems, Parables and a Jeremiad will be examined. In the poem “Three Reasons for a Mixed, Umrabulo, Round-the-Corner Poetry” Cronin resists inherited Western poetic conventions by incorporating and subverting versions of the Romantic aesthetic, arguing for poetry to be immersed in South African multi-lingual and multi-cultural experiences. “Even the Dead” reveals how Cronin uses Walter Benjamin’s perspectives on historical materialism to confront amnesia. In terms of the themes established in “To learn how to speak […]”, the poem “Moorage” demonstrates how the public and private can never be separated in Cronin’s work. The final section of this chapter will examine how Cronin responds to Pablo Neruda’s poems “I am explaining a few things” and “The Education of a Chieftain,” and how these poems challenge narratives that privilege the ‘great leader’ instead of the so-called smaller individuals’ stories. Chapter Four examines selections from Cronin’s third collection, focusing on Cronin’s use of the automobile, charting an ambiguous trajectory through the ‘new’ South Africa. The examination of the poems “Where to begin?”, “Switchback” and “End of the century - which is why wipers,” all attempt to include individuals left on the margins of the narrative of global freeways and neo-liberal capitalist progress. The poems present an interrogation of how ‘vision’ is constructed. This will show that the poetry responds to the experiences of the marginalised under these grand narratives in a primarily fragmentary and interruptive manner. This in effect constitutes the culmination of Cronin’s poetic journey and the search for new ways of envisaging South Africa’s future and finding a new language with which to speak it.
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Just, Melanie Maria. "Jonathan Swift's "On poetry : a rapsody" : a critical edition with a historical introduction and commentary /." Frankfurt am Main : P. Lang, 2004. http://catalogue.bnf.fr/ark:/12148/cb39265551p.

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Kuutma, K. "A Sámi ethnography and a Seto epic : two collaborative representations in their historical contexts /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/6583.

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Wilson, Sue. "The poetry of architecture' the historical and theoretical roots of the Swiss garden cottage (1760-1864)." Thesis, University of Bristol, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529873.

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Saavedra, Casco José Arturo. "Swahili poetry as a historical source : utenzi, war poems and the German conquest of East Africa, 1888-1910." Thesis, SOAS, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289839.

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Books on the topic "Historical poetry"

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Simpson, David. Wordsworth's historical imagination: The poetry of displacement. New York: Methuen, 1987.

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Aislin, ed. Oh, no! more Canadians!: Hysterically historical rhymes. Toronto: McArthur, 1998.

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1869-1944, Aitken James Scott, ed. Four generations of Idaho poetry: Collections of historical, humorous, cowboy, religious, and miscellaneous poetry. [Idaho?: s.n.], 1988.

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Mahler, Henry. Legendary America: Legendary and semi-historical characters. [United States]: Warwick House Pub., 1995.

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Roche, Mark William. Gottfried Benn's Static Poetry: Aesthetic and Intellectual-Historical Interpretations. Chapel Hill: University of North Carolina Press, 1991.

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Abbott, J. David. Reflecting pool: A collection of narrative and historical poetry. [Belton, Tex.]: SapphireInk Publication, 2004.

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MacLean, Gerald M. Time's witness: Historical representation in English poetry, 1603-1660. Madison: University of Wisconsin Press, 1990.

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Brooks, Cleanth. Historical evidence and the reading of seventeenth-century poetry. Columbia: University of Missouri Press, 1991.

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Sagar, Sabinderjit Singh. Historical analysis of Nanak prakash by Bhai Santokh Singh. Amritsar: Guru Nanak Dev University, 1993.

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Robert, Graves. The white goddess: A historical grammar of poetic myth. London: Faber, 1997.

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Book chapters on the topic "Historical poetry"

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Pirnazar, Nahid. "Historical Poetry." In Judeo-Persian Writings, 65–72. London ; New York : Routledge, 2020. | Series: Iranian studies ; 42: Routledge, 2020. http://dx.doi.org/10.4324/9781003031741-8.

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Kluge, Sofie. "Historical Poetry." In Literature and Historiography in the Spanish Golden Age, 95–124. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003203575-6.

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Geertsema, Marius Johan. "Poetry: Historical Topology." In Heidegger's Poetic Projection of Being, 231–61. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78072-6_16.

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Hart, Jonathan. "Culture, Recognition, and Poetry." In Fictional and Historical Worlds, 167–74. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137012647_11.

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Martens, Britta. "Historical and Geographical Distancing." In The Poetry of Robert Browning, 131–46. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-349-92874-3_8.

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Nagy, Gregory. "2. Metrical convergences and divergences in early Greek poetry and songs." In Historical Philology, 151. Amsterdam: John Benjamins Publishing Company, 1992. http://dx.doi.org/10.1075/cilt.87.23nag.

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Beardsworth, Adam. "Poetry against Trump: shared experience and creative resistance." In Engaging with Historical Traumas, 202–13. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003046875-14-19.

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Cunningham, Clifford J. "Accolades and Barbs: William Herschel in Poetry and Satire." In Historical & Cultural Astronomy, 297–364. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-32826-3_7.

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Ganz, Shoshannah. "Atomic poetry and active learning: from Japan to Newfoundland." In Engaging with Historical Traumas, 137–46. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003046875-9-13.

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Skjærstad, Torunn, and Juliet Munden. "First World War Poetry and Historical Literacy." In Palgrave Studies in Education and the Environment, 165–84. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95576-2_8.

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Conference papers on the topic "Historical poetry"

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Xu, Liu. "POETRY BY N.A. KLYUEV AND OLD BELIEVER ICONOGRAPHY." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3694.rus_lit_20-21/59-63.

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Poetry of N.A. Klyuev has a special system of images and a deep religious sense. The origins of Klyuev’s poetic world are closely connected with culture and tradition of Old Believers, and with culture of Ancient Russia in general. Klyuev knew well and highly valued ancient Russian icons, his poems contain a lot of information about the meaning and existence of icons in the life of the people; historical memories and realities are also perceived and consecrated by the poet through the prism of the icons. In this article we will try to give some information about Old Believer icons in the life and work of the poet, compare the figurative world of the poet’s work with the iconographic and theme features of Old Believer icons, analyze the possible connections of the poet’s poetic worldview, his religious and historiosophical ideas with the tradition of Old Believer icons.
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Liu, Chongxi. "“POETRY CARVED IN STONE”: DOCUMENTARY, LITERARY AND CULTURAL CONNOTATION IN BAI JUYI’S POETRY INSCRIPTION." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.04.

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The poetry inscription, with Bai Juyi in the Middle Tang Era as its representative, began to express purely personal emotions in terms of content, which reflects the poet’s creative individuality. Bai takes stone as his friend, loves it, chants it, and inscribes poems on it, endowing it natural and personal qualities. Bai was the first poet to consciously combine “poetry” and “stone” with nearly 20 kinds of poetry inscriptions. Compared with book documents, Bai’s poetry inscriptions not only have the philological value of text criticism, but also have multiple functions, i. e., reproducing the historical context of poetry creation and transmitting as a “linguistic landscape”. Such humanistic connotation determines the significance of Bai’s poetry inscription in the history of Chinese literature and culture.
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Jaffari, Sayed Ibne Ali. "Historical Poetry For Humanistic Education." In 9th ICEEPSY - International Conference on Education and Educational Psychology. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.01.79.

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ALIEVA, Dildora. "PHILOSOPHICAL LYRICS AND REFLECTIONS OF THE LYRICAL HERO CHO JI HUN." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-29.

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This article discussed the emergence and further development of the poetic group “Blue Deer”. The creativity of poets in this group received development of tradition in Korean landscape lyrics and its poetics. An apple to the origins and motives of classical poetry became evidence of their reverent attitude to historical and cultural, including the literal memory of the Korean people. Cho Ji Hong is an outstanding representative of this poetic group. Cho Ji Hoon's work bears the stamp of traditions, national customs, traditions, legends
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Nikolaev, Dmitry. "“HAPPY VICTORIOUS NEW YEAR, INVINCIBLE COUNTRY!”: PRAVDA'S POETRY IN THE BEGINNING OF 1943." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3635.khmelita-19/99-128.

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In the article, the poetic works published in the newspaper Pravda in January-March 1943 are considered for the first time as an unity of texts. The pathos, themes, poetics, style and genre features of the poems of N. Aseev, D. Bedny, A. Bezymensky, E. Dolmatovsky, N. Zaryan, V. Inber, S. Marshak, M. Rylsky, A. Surkov, N. Tikhonov, S. Shchipachev and others are analyzed. Poetry is considered in the context of the main historical events of the time - the break of the siege of Leningrad, the victory in the Battle of Stalingrad, as well as main soviet holidays and memorable dates. It is proved that the relevance and even concreteness of the poetry, its close connection with the news from the front is combined with the maximum generalization, and the actual journalistic, agitation and propaganda component requires in poetry solutions that maximally affect the mass reader such as folklore genres and images, traditions of classicism, satire, etc. Poetry on the pages of Pravda from the first days of 1943 has been claimed as poetry of victory, and the emotional content of many poems can be expressed by N. Aseev's formula: “Glee - rage // Stand up to help // Until the decisive end”. It is particularly noted that the poems presented in ‘Pravda' by poets of different nations of the USSR should reflect the unity of the multinational country’s in The Great Patriotic War
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Musaeva, A. "SYMBOLISM IN THE POETRY BY S. SOKOLKIN AND A. ABDURASHIDOVA." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3714.rus_lit_20-21/155-157.

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Symbols play an important role in the lyrics of poets of the late 20th - early 21st centuries. The article is devoted to their identification and study in the works of modern Russian poets: Sergey Sokolkin and Aminat Abdurashidova. The achievements of science, historical processes have had a strong influence on the development of modern poetry. Religious, scientific, folklore symbolism is actively used by these poets to create images in poems.
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Gopidi, Amitha, and Aniket Alam. "Computational Analysis of the Historical Changes in Poetry and Prose." In Proceedings of the 1st International Workshop on Computational Approaches to Historical Language Change. Stroudsburg, PA, USA: Association for Computational Linguistics, 2019. http://dx.doi.org/10.18653/v1/w19-4702.

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Qobilov, Usmon. "THE INTERPRETATION OF CLASSIC TRADITIONAL IMAGES IN THE POETRY OF ZAHIRAD-DIN MUHAMMAD BABUR." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/juix4404.

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This article givesan information about the artistic embodiment of the tradition of Eastern and Uzbek classical poetry of a number of images in the poetry ofZahirad-Din Muhammad Babur. The problem of interpretation of the divine, literary and historical symbols depicted in the lyrics of Babur is revealed.
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Hazratqulova, Elmira. "ATTITUDE TO THE SAINTS IN HISTORICAL WORKS." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/sqew2307.

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In the East mystical motifs developed in the literature of the Islamic period. In particular, when studying sources related to the history of medieval Maverannahr and Khorasan, the poetry of this period reflects different views on symbols, and historical works present biographical information about the life of Sufi writers. This article analyzes information about the representatives of Sufism in the works of "Baburnama" by Zahirad-Din Muhammad Babur and "Tarihi Rashidi" by Haidar Mirzo. At the same time, the prophecies characteristic of the saints and the attitude of the authors to this situation are studied.
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Kravtsova, Marina. "“A LOST TREASURE”: ON FOLK ORIGINS OF THE VERSES OF CHU (CHUCI)." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.17.

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This article is focused on analysis of the hypothesis of the local song folklore origins of the famous poetic phenomenon chuci (elegies/songs of Chu) that represents the literary heritage of the southern (Yangtze Basin) region of the Ancient China (the Zhou epoch, 11th–3rd centuries B. C.) and is associated with the emergence of the Chinese poetry. Although today the thesis about the folklore origins of chuci, or rather of the poetic pieces presented by the Chuci (Verses/Elegies of Chu, Songs of the South) collection, is generally accepted, the author argues that, first, during the 1st–7th centuries A. D. the chuci poetry was stable considered within the Chinese book knowledge to be created by exclusively the literary genius of Qu Yuan (4th–3rd centuries B. C.), the great poet of the Chu Kingdom (11th–3rd centuries B. C.). Secondly, the views on chuci as an autochthonous (“southern”) poetic tradition dating back to the local folk art emerged in the 12th–13th centuries and finally established itself in the Chinese literature studies of the first third of the 20th century, all these under the influence of the ideological processes, caused by synchronic historical and political events. Thirdly, although the existence of developed song-poetic folklore in Chu Kingdom seems quite permissible, it for some reason remained out of fixation by that day written sources, including transmitted texts and archaeological materials (epigraphic inscription and excavated manuscripts). Therefore, almost nothing is known as a matter of fact of the hypothetic Chu song folklore what makes it impossible to recognize its true influence on origins and further on evolution of the chuci tradition.
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Reports on the topic "Historical poetry"

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Klengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, December 2020. http://dx.doi.org/10.46877/klengel.2020.30.

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The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book of poetry Pauliceia desvairada (1922), which I reinterpret in the light of historical studies on the Spanish flu in São Paulo. An in-depth examination of all parts of this important early opus of the Brazilian Modernism shows that Mário de Andrade’s poetic images of urban coexistence simultaneously aim at a radical renewal of language and at a melancholic coming to terms with a traumatic pandemic past.
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Scholz, Sally. The historical imagination of Francesco Petrarch: a study of poetic truth and historical distortion. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2141.

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Los, Josyp. Панорама сенсів: аргументи авторитетів світоглядної публіцистики. Ivan Franko National University of Lviv, March 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11731.

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The article deals with the problem of the meaningfulness (essence) of the worldview journalism in the context of the argumentative resources of the work of influentive authors, for which the missionary role of the word is decisive. The search for meaning has been debated for centuries by orators, philosophers, psychologists, writers, sociologists, historians, journalists, and so on. In addition to other factors, a combination of the principles of worldview journalism and conceptual humanitarianism gives effective results. The author explores the acute problem of the effectiveness of a journalistic text through the prism of knowing the truth, meaning, since this is precisely where the source of wisdom is found; we are talking about spirituality, culture, historical memory. As influental authors proved with their arguments, the collection of facts is not enough, it is important to find the meaning of the existence of the individual, communities, and humanity. A number of examples show how the speakers of worldview journalism use all texts, not only from the archives: we are talking about poetry, art, in general, about literature, which revealed the most truth. Figuratively speaking, it is not only about the world of borders, it is important to consider horizons. Turning information into a commodity, focusing on “seasonal” interest based on the materialism of facts, or the inadequacy of many concepts and categories, the faking of media, relativity, obscurity of texts, anti-culture, in other words, the revolution of nihilism inevitably relativizes the very essence of journalism. If creative life is a manifestation of the freedom of the spirit, based on authentic truth, then we should strive to achieve the “extension of vision”, to master combinatorial (combinative) thinking. The ability to think in this way differs from ordinary logic in which the main universal thing remains in the center of attention, and the personality is not lost in individual details. Consequently, we can build a genealogy of ordered things and concepts, feel their inner relationship. Key words: meaning, worldview, journalism, argument, influence, moral principles, creativity.
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López López, JS, JG Miranda Corzo, MA García Jurado, and AP Buitrago Rojas. “Esto yo lo dejo ahí, extiéndalo usted más allá”. Poetic work by Wilson Caicedo and the historical memory of Village 8 in Buenaventura. Revista Latina de Comunicación Social, August 2019. http://dx.doi.org/10.4185/rlcs-2019-1389en.

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Hotsur, Oksana, and Anastasiia Bila. Епістолярна спадщина Олени Теліги як виразник творчої особистості. Ivan Franko National University of Lviv, March 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11723.

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The scientific research considers and analyzes the epistolary heritage of Olena Teliha. Excerpts from her correspondence are presented, which testify to the formation of a brilliant woman, a creative personality who played an extremely important role in the struggle for the formation of Ukrainian statehood. It is from the letters that we learn that for her letters are almost an ideal way of communication. The epistolary heritage of Olena Teliha allows us to reveal the vision of the main processes in her personal life against the background of the general historical discourse. In addition, the main communicative visions that determine her creative personality are highlighted: communicative vision of friendship, love, creation of literary talent, perseverance and strength, resistance to rejection. Attention is focused on the importance of studying and researching the epistolary heritage of creative personalities in the context of social communications. From the quoted letters, which are distinguished by their sincerity and accuracy of expression, it is possible to determine and formulate what positions and ideas the civic activist, poet and publicist adhered to. In addition, we can see the line of consistency in the formation of a creative personality who not only lives and writes, but acts – creates history, its moment, the value of which is felt and understood by future generations. It is found that the life path in its interconnection with historical circumstances and social environment influenced the formation of the creative personality of the genius poet and publicist. The peculiarities of the epistolary of Olena Teliha are determined by the circumstances, people and personalities that she had to face in life. The promising areas of research are the letters of Olena Teliha, which are in the archives of other countries and the allocation of journalistic and documentary aspects of her epistolary heritage. Keywords: epistolary heritage, letters, public figure, journalism, creative personality.
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Lyzanchuk, Vasyl. THE CHARITABLE ENERGY OF THE JOURNALISTIC WORD. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11415.

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The article investigates the immortality of books, collections, including those, translated into foreign languages, composed of the publications of publications of worldview journalism. It deals with top analytics on simulated training of journalists, the study of events and phenomena at the macro level, which enables the qualitative forecast of world development trends in the appropriate contexts for a long time. Key words: top, analytics, book, worldview journalism, culture, arguments, forecast.The article is characterized intellectual-spiritual, moral-aesthetic and information-educational values of of scientific and journalistic works of Professor Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades”. Mykola Ivanovych’s creative informational and educational communication are reviews, reviews, reviews and current works of writers, poets, publicists. Such as Maria Matios, Vira Vovk, Roman Ivanychuk, Dmytro Pavlychko, Yuriy Shcherban, Bohdan Korsak, Hryhoriy Huseynov, Vasyl Ruban, Yaroslav Melnyk, Sofia Andrukhovych. His journalistic reflections are about memorable events of the recent past for Ukrainians and historical figures are connected with them. It is emphasized that in his books Mykola Hryhorchuk convincingly illuminates the way to develop a stable Ukrainian immunity, national identity, development and strengthening of the conciliar independent state in the fight against the eternal Moscow enemy. Among the defining ideological and political realization of the National Idea of Ukrainian statehood, which are mentioned in the scientific and journalistic works of M. Hryhorchuk, the fundamental ones – linguistic and religious – are singled out. Israel and Poland are a clear example for Ukrainians. In these states, language and religion were absolutized and it is thanks to this understanding of the essence of state-building and national identity that it is contrary to many difficulties achieve the desired life-affirming goal. The author emphasizes that any information in the broadest and narrow sense can be perceived without testing for compliance with the moral and spiritual mission of man, the fundamental values of the Ukrainian ethnic group, putting moral and spiritual values in the basis of state building. The outstanding Ukrainian philosopher Hryhoriy Skovoroda emphasized: “Faith is the light that sees in the darkness…” Books by physicist Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades” are illuminated by faith in the Victory over the bloody centuries-old Moscow darkness.
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