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Journal articles on the topic 'Historicised analysis'
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1
Pedersen, Andreas Helles. "DIGITAL MUSIC USE AS ECOLOGICAL THINKING: METADATA AND HISTORICISED LISTENING." Nordic Journal of Aesthetics 29, no. 59 (May 20, 2020): 97–118. http://dx.doi.org/10.7146/nja.v29i59.120472.
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In claiming that metadata possess the power to put historical awareness into the act of listening, this article examines digital music use as an aesthetic situation driven by potentialities of becoming. Working from a theoretical foundation amalgamating digital music archives and metadata as environments the article discusses Georgina Born’s notion of musical assemblages alongside the concept of virtuality, and by letting these meet the article argues for a musical assemblage built from sensibilities of becoming rather than layers of mediation. The inner workings of digital music use constitute an ecology in which recorded music history moves and reconnects, and this makes the historicity of recorded music be fluid, thus turning listening into a historicised action. In exemplifying this, the article discusses some of the strategic programming of metadata on the digital music platform Diskoteket, and through an analysis of sampled music, the prospects of recorded music’s historicity are shown as affective capacities.
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Richards, Kelly. "Police officers’ implicit theories of youth offending." Australian & New Zealand Journal of Criminology 53, no. 1 (May 30, 2019): 8–24. http://dx.doi.org/10.1177/0004865819854498.
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How police understand youth offending at least partly informs their responses to it. It is therefore vital to document police implicit theories about youth offending. However, little previous research has examined this topic. This article addresses this gap by examining police implicit theories about youth crime and how it ought to be addressed. Using social control theory as an analytic framework, it critically examines 41 semi-structured qualitative interviews with police undertaken for a larger study in Queensland, Australia. A number of implications stem from the analysis, not the least of which is the disjuncture between police implicit theories of youth offending, and the localised, historicised and contextual realities of young people’s – especially marginalised young people’s – offending behaviour.
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Saberi, Parastou. "Driven from New Orleans: How Nonprofits Betray Public Housing and Promote Privatization, John Arena, Minneapolis: University of Minnesota Press, 2012." Historical Materialism 21, no. 3 (2013): 213–28. http://dx.doi.org/10.1163/1569206x-12341311.
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AbstractInDriven from New Orleans, John Arena focuses on the contradictory role of nonprofits in facilitating the consensual removal of poor, black residents from inner-city spaces as the result of the privatisation and demolition of public housing. His account is constructive for delving into the on-the-ground struggles around public housing and the complexities of urban politics, and, more importantly, for situating the housing question at the heart of working-class struggles. His emphasis on how the gradual construction of consent was imperative in paving the way for the sudden application of coercive force in the aftermath of Katrina is also a welcome correction to arguments that tend to see the post-Katrina policies as the cause célèbre of the striking and rapid reconfiguration of New Orleans. Arena, however, falls short of providing a historicised analysis of urban politics and the politics of nonprofits.
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Bevir, Mark. "Kontekstualisme - Fra modernistisk metode til post-analytisk historicisme?" Slagmark - Tidsskrift for idéhistorie, no. 67 (March 9, 2018): 109–20. http://dx.doi.org/10.7146/sl.v0i67.104254.
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This article provides a critical history of the Cambridge School of intellectual history. Laslett’s work on Locke appeared to vindicate modernist historicism. Laslett shunned the broad narratives of romantic developmental historicists. He relied on bibliographies, unpublished manuscripts, and other evidence to establish atomized facts and thus textual interpretations. Pocock and Skinner’s theories defended modernist historicism. They argued historians should situate texts in contexts and prove interpretations correct by using modernist methods to establish empirical facts. They attacked approaches that read authors as contributing to perennial debates or aiming at a coherent metaphysics. I argue we should reject modernist historicism with its methodological focus; we should adopt a post-analytic historicism focused on philosophical issues arising from analyses of the human sciences as studying actions by attributing meanings to actors and showing how these meanings fit into larger webs of belief.
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Bevir, Mark. "Contextualism: From Modernist Method to Post-analytic Historicism?" Journal of the Philosophy of History 3, no. 3 (2009): 211–24. http://dx.doi.org/10.1163/187226309x461506.
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AbstractThis article provides a critical history of the Cambridge School of intellectual history. Laslett's work on Locke appeared to vindicate modernist historicism. Laslett shunned the broad narratives of romantic developmental historicists. He relied on bibliographies, unpublished manuscripts, and other evidence to establish atomized facts and thus textual interpretations. Pocock and Skinner's theories defended modernist historicism. They argued historians should situate texts in contexts and prove interpretations correct by using modernist methods to establish empirical facts. They attacked approaches that read authors as contributing to perennial debates or aiming at a coherent metaphysics. I argue we should reject modernist historicism with its methodological focus; we should adopt a post-analytic historicism focused on philosophical issues arising from analyses of the human sciences as studying actions by attributing meanings to actors and showing how these meanings fit into larger webs of belief.
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Ankersmit, Frank. "History as the Science of the Individual." Journal of the Philosophy of History 7, no. 3 (2013): 396–425. http://dx.doi.org/10.1163/18722636-12341259.
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Abstract It has often been argued – especially by historicists – that history deals with the individual where science focuses on the universal. But few philosophers would nowadays express their agreement with the historicist’s demarcation between history and the sciences. A standard criticism is that knowledge of the individual can only be expressed by an appeal to universals. This essay is an effort to rehabilitate the historicist argument by means of a closer and more accurate analysis of the notion of the individual than is given in the traditional historicist account of the nature of historical writing. Leibniz’s conception of the substance or the monad proves to be quite helpful here.
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Vogt, Peter. "Why We Cannot Make History. Some Remarks on a Lesson from Early Historicism." Journal of the Philosophy of History 4, no. 2 (2010): 121–37. http://dx.doi.org/10.1163/187226310x509484.
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AbstractThere are various perspectives from which the meaning of historicism can be understood. Historically, the interpretation of historicism has predominantly been interested in either questions concerning historical methodology, or the relationship between the natural and human sciences, or the normative consequences of historicism. My intention is not to cast doubt upon the legitimacy of these different research approaches, but rather to supplement them by confronting the meaning of historicism from the perspective of a different question. Did historicism in the late 18th and the early 19th centuries formulate a notion of historical chance or of historical contingency, a notion of what is neither necessary nor impossible in history but rather the result of accident and chance? To answer this question, I begin with Reinhart Koselleck’s interpretation of historicism presented in two rather short essays, “Der Zufall als Motivationsrest in der Geschichtsschreibung” and “Über die Verfügbarkeit von Geschichte”. In the next step of my analysis, I confront Koselleck’s interpretation of the historicist sensibility for contingency and chance with Odo Marquard’s conceptual distinction between two notions of contingency and chance. This line of argumentation gives rise to a definition of historicism as a theoretical sensibility for the “fatefully accidental” (Marquard). I further support this claim with an analysis of Savigny’s legal history, of Schleiermacher’s theology and of the “anti-Faustian” (Werner Busch) art of Caspar David Friedrich. Historicism ultimately teaches us that history is never the exact outcome of the intentions of historical actors. Though human beings undeniably act in history, they cannot make history or at least cannot make it as they please. It is in this regard that I find, in my concluding remarks, Hermann Lübbe’s description of historicism as a “sermon of human finitude” to be wholly accurate.
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Cello, Lorenzo. "Taking history seriously in IR: Towards a historicist approach." Review of International Studies 44, no. 2 (October 11, 2017): 236–51. http://dx.doi.org/10.1017/s0260210517000432.
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AbstractIR scholars have always invoked history as a valuable resource for understanding the present. However, the question of how should we go about investigating and interpreting the past is rarely asked, let alone answered. While most IR approaches are anchored to the attempt to situate oneself outside history – reading the past in terms of the present or in terms of a hypothetical future – this article strives to redress the kind of historical perspective adopted, if at all, by IR scholars. It does so by advancing a distinctive historicist approach that emphasises the importance of understanding past practices and discourses in their own historical and intellectual contexts. In order to substantiate this claim, the article goes on to critically engage with recent calls to historicise intervention in IR, arguing that a historicist mode of analysis represents a corrective to presentism as well as an alternative route into present-day debates.
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Chakraborty, Rituparna, and Sonali De. "Be(com)ing a Woman: Body, Authority and Society." Psychology and Developing Societies 31, no. 2 (September 2019): 283–314. http://dx.doi.org/10.1177/0971333619863236.
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The contemporary Indian society apparently seems to be at a juncture where it claims more number of women to be educated and independent but, on the other hand, the incidents of vicious mental, social and corporeal violations of women are at peak. Amidst all the ongoing blazing talks and movements, this study is a small attempt of delving into the tale of being women, which may help in cognising the discourse which might be at the core of this double-bind social picture. For this purpose, 30 Bengali (Indian) married women were selected through purposive sampling technique for interview, all of whom were within the age range of 18–40 years. Participants had minimum school-level education and belonged to lower middle to upper middle socio-economic status. They were reportedly free from any mental or physical handicap. The data gathered through open-ended semi-structured in-depth interviews were analysed using thematic analysis procedure. Analytical readings of findings explored a socially structured world of women; the becoming rather than being of women. The findings indicated how every sphere of their lives—mental, social or corporeal—seems to be under several mediums of authoritative forces; how their lived life, myths about womanhood and socialisation construct their present life, and how the historicised power-politics of gender craft their conceptualisations of body, rights, independence and subjectivity. This study aspires to contribute to the knowledge of women’s subjective positioning in an attempt to depict the backdrop which makes their lives accessible for violation.
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Hofstetter, Rita. "«Freinet Chimneys»: Experimenting with Emancipatory Public Education (Geneva in the 60s to 80s). Piaget’s Dream of an Active School?" Espacio, Tiempo y Educación 7, no. 1 (January 4, 2020): 89–115. http://dx.doi.org/10.14516/ete.248.
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The emancipatory potential of the 1960s had a particular resonance in Swiss education in the French-speaking part of the country. Teachers, parents and unionists, all advocating Freinet pedagogy, demanded that the demonised public education be reformed. Retracing the main steps of their successes and setbacks in the sector of Geneva public education, this article enquires into the rhetorical strategies and tactical alliances the reformists mobilised in order to promote «schools open to life», respectful of the natural longing to learn thanks to educational streams in primary schools dedicated to their cause (the «Freinet chimneys» implemented for a while at the turn of the 1980s). Inputs address the way the leaders of the reform historicised their initiatives so as to establish rightful filiation, calling upon some major figures whilst neglecting others. The scientific approval of Jean Piaget and Élise Freinet, as well as part of the left-wing party in power, might have endorsed the project; nonetheless, the leading figures of Geneva New Education were rarely invoked. How should we interpret these twists and turns? How were the narratives being scripted, and by whom? How were the innovations tested by others and integrated elsewhere so as to support the public education reform? Analysis of the underlying dynamics of this experiment reveal how «everyday» people rose up in a crisis and seized the opportunity to open up a world of possibilities; this can be highlighted through the lenses of the notion of «protagonism», which brings together «ordinary» people and their «extraordinary» politicisation (Bantigny, 2018; Deluermoz & Gobille, 2015).
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Carroll, Robert P. "Clio and Canons: in Search of a Cultural Poetics of the Hebrew Bible." Biblical Interpretation 5, no. 4 (1997): 300–323. http://dx.doi.org/10.1163/156851597x00111.
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AbstractThe enterprise of writing "histories" of "ancient Israel" in which biblical historiography is reproduced by old credulists or critiqued by new nihilists represents one of the leading edges of contemporary biblical studies in relation to the Hebrew Bible. This quest for a cultural poetics or cultural materialist accounts of the Bible is virtually equivalent to a New Historicism in the discipline. In this article analyses of three topics from current debates in biblical studies (historiography of "ancient Israel", the empty land topos, canons and context) are used to provide insights into how new historicist approaches to contextualizing literature may contribute to these current debates about the Bible.
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Lavi, Shai. "Turning the Tables on Legal History: Parker's Common Law, History, and Democracy in America." Law & Social Inquiry 40, no. 01 (2015): 245–52. http://dx.doi.org/10.1111/lsi.12119.
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Parker's Common Law, History, and Democracy in America joins an ongoing effort to turn the tables on “law and …” by replacing the familiar question “What can history, sociology, and cultural studies tell us about law?” with a new line of inquiry asking “What can law teach us about the reach and limits of disciplinary thinking?” In his study of the reception of common law into nineteenth‐century American jurisprudence, Parker unearths a notion of time based on stability and repetition that challenges the dominant modernist and historicist approach to the writing of law and history. Parker, however, shies away from drawing the full implications of this move and it remains unclear whether, in the final analysis, he escapes the spell of legal historicism.
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Bhatti, Abdul Ghaffar, Muhammad Afzaal, Amina Shahzadi, and Kaibao Hu. "A New Historicist Perspective of Thomas Preston’s Cambyses: A Lamentable Tragedy Mixed Full of Pleasant Mirth." International Journal of English Linguistics 9, no. 6 (October 13, 2019): 85. http://dx.doi.org/10.5539/ijel.v9n6p85.
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This paper aims at the application of new historicist principles to Preston’s Cambyses. It begins with the elaboration of the key assumptions of new historicism. Particularly, the researchers have applied the new historicist concepts such as use of anecdote, historicity of text and textuality of history, discourse and power relations and construction of identity for the purpose of detailed analysis of the play. The available traditional criticism focuses on the topical and political interpretations of the play. The paper evinces a departure from traditional criticism since the researchers contend that Preston has used the literary discourse of Cambyses as an ideological tool to propagate and promote the idea of British Empire and thereby helped fashion the identities of his audience. The play functions as a part of continuum in representing Persians as cultural others with other historical and cultural texts of early modern period. Through the story of a cultural other like Cambyses, the play not only instructs and entertains his audience but also tends to support the dominant ideology of the period. The research findings confirm our contention that the Western playwrights like Preston have deliberately chosen the story to disseminate the idea of British Empire that developed later on but its foundations were laid down in the early modern period.
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Coelho, Luiz Henrique Ernesto. "Uma leitura da relação de Walter Benjamin com o historicismo e com a escrita romanesca de Alfred Döblin." Cadernos Benjaminianos 14, no. 1 (January 30, 2019): 11. http://dx.doi.org/10.17851/2179-8478.14.1.11-24.
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Resumo: A congruência entre os textos “O romance histórico e nós”, de Alfred Döblin, e “Sobre o conceito de história”, de Walter Benjamin, encontra-se na análise historicista, inserida em uma concepção vanguardista tanto no sentido sociocultural abordado por Benjamin quanto naquele delimitado mais especificamente por uma teoria sobre o gênero do romance, observado no texto de Döblin. Benjamin analisa os fenômenos históricos posicionando-se em relação à corrente historicista, criticando-a e se voltando sempre para uma visão vanguardista, inclusive no tocante à sua escrita. No texto sobre a crise do romance, parte de considerações sobre questões teóricas de autoria de Döblin e analisa a escrita desse autor em Berlin Alexanderplatz, reverenciando tanto a escrita quanto os aspectos teorizantes apontados por ele. Nesse ponto, encontra-se uma flagrante aproximação entre os dois autores como em outros textos de Benjamin e, também, nas proposições encontradas no texto de Döblin acerca do romance histórico. Na presente pesquisa, pretendeu-se analisar os pontos de aproximação entre os textos benjaminiano e dobliniano, bem como os seus distanciamentos, com a finalidade de se propor uma perspectiva que contemple também a escrita de ambos - amparada pela estética modernista - a partir de um viés histórico-teórico.Palavras-chave: Alfred Döblin; Walter Benjamin; romance histórico; conceito de história.Abstract: The congruence between the texts “Der historische Roman und wir” (The historical Roman and us) by Alfred Döblin and “On the concept of history” by Walter Benjamin concerns the historicist analysis, on a modernist conception both in a socialcultural sense, intended by Benjamin, and on that one defined more specifically by a theory about the Roman, observed in Döblin’s text. Benjamin analyses the historical phenomenon relating himself with the historicist stream, criticising it and placing himself in an avant-gardist point of view, including his writing on it. On the text about the Roman crisis, he begins with considerations about theoretical points from Döblin’s authorship and analyses this author’s writing on Berlin Alexanderplatz, reverencing both the writing method and the theoretical aspects pointed by Döblin. In this way, it is possible to find a flagrant approach between Benjamin and Döblin an, also, on the propositions found on Döblin’s text about the historical Roman. On the present article, it was intended to analyse the approaching points between the texts by Benjamin and Döblin, as well as their differences, with the finality to propose a perspective which contemplates also their writings – supported by the modernist aesthetics - from a theoretical historical bias.Keywords: Alfred Doblin; Walter Benjamin; historical roman; concept of history.
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Vandenberg, Allison. "Toward a Phenomenological Analysis of Historicized Beauty Practices." WSQ: Women's Studies Quarterly 46, no. 1-2 (2018): 167–80. http://dx.doi.org/10.1353/wsq.2018.0026.
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Climent-Espino, Rafael. "El tratado médico-culinario como género de ficción en la narrativa hispanoamericana actual: Héctor Abad Faciolince y Mayra Santos-Febres." Revista Canadiense de Estudios Hispánicos 41, no. 2 (January 10, 2017): 325–47. http://dx.doi.org/10.18192/rceh.v41i2.2150.
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Este ensayo ofrece, tomando como marco teórico la llamada gastrocrítica, un recorrido historicista por los tratados médico-culinarios clásicos y medievales para analizar la influencia de éstos en Tratado de culinaria para mujeres tristes de Héctor Abad Faciolince y en Tratado de medicina natural para hombres melancólicos de Mayra Santos-Febres. Se sitúa así a ambos escritores como evocadores o imitadores de la tradición secular del tratadismo médico y culinario haciendo énfasis en la necesidad de poner en relación periodos aparentemente inconexos para un análisis literario más provechoso. Palabras clave: gastrocrítica, tratadismo culinario, novela hispanoamericana Using the theoretical framework of gastrocriticism, this essay traces a historicist route through classic and medieval medical-culinary treatises to analyze their influence on Héctor Abad Faciolince’s Tratado de culinaria para mujeres tristes and Mayra Santos-Febres’ Tratado de medicina natural para hombres melancólicos. Both writers evoke or imitate the secular tradition of medical and culinary treatises; an analysis of these contemporary authors through the lens of works from an earlier era emphasizes the possibilities for literary criticism that identifies intersections of thought across various periods. Keywords: gastrocriticism, culinary treatises, Spanish American novel
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Gómez Rincon, Carlos Miguel. "Historicidad, realismo y verdad." Principia: an international journal of epistemology 21, no. 1 (November 16, 2017): 77–98. http://dx.doi.org/10.5007/1808-1711.2017v21n1p77.
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This paper argues that the historical character of our knowledge is compatible with both ontological and epistemological realism. The first part critically analyses the thesis according to which the situated nature of our cognitive practices implies that they do not refer to an extra-linguistic reality. The second section explores the claim that realism is a necessary presupposition of our communicative practices and the final part outlines the principles of a pluralist realism.
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Gu, Jiapei. "Translating Gender in the 1980s: A New Historicist Perspective to Translations of Gladys Yang’s Love Must Not Be Forgotten." English Language and Literature Studies 10, no. 3 (June 23, 2020): 8. http://dx.doi.org/10.5539/ells.v10n3p8.
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The article investigates the translation of Love Must not be Forgotten by British translator Gladys Yang from the perspective of New Historicism, focusing especially on the gender issues in the translation. The research first introduces New Historicism and explores the possibility of combining New Historicism and translation studies together. Then, case studies are conducted. The analysis of the translation, along with the analysis of many other texts, both literary and non-literary, such as newspaper or journal articles, considers three aspects. These are, namely: the translator’s manipulation of the text; the ideas that the translator holds, and how all those texts, or discourses, create the positive representation of China in terms of gender issues in the 1980s. The paper, by using a Foucauldian approach, links translation, gender, and New Historicism together and thus successfully creates an interdisciplinary zone of enquiry. Overall, it can serve as a good example of how New Historicism and translation studies can be combined.
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Zhang, Duan,. "AN ANALYSIS OF ABSALOM, ABSALOM! FROM THE PERSPECTIVE OF NEW HISTORICISM." Cultural Communication And Socialization Journal 1, no. 2 (October 12, 2020): 31–33. http://dx.doi.org/10.26480/ccsj.02.2020.31.33.
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New Historicism subverts the traditional binary opposition between literature and history, highlights the operation of “power” and “discourse” within texts, and explores two-way concerns for history and texts. Under the perspective of new historicism, this paper aims to interpret how HISTORICITY OF TEXTS and TEXTUALITY OF HISTORY are embodied in Absalom, Absalom! by William Faulkner. The paper concludes that, Faulkner’s resorting to literary creation, on one hand, reflects the history and on the other hand, highlights the reality, which realizes the interaction between literature and history.
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Kotsur, Gleb. "THE DISCURSIVE FIGURE OF “TRANSITION” AND RESILIENCE AS THE PILLARS OF SYMBOLIC MAPPING: THE CASE OF THE NORMATIVE INTERACTION BETWEEN RUSSIA AND THE EU." Вестник Пермского университета. Политология 14, no. 3 (2020): 73–81. http://dx.doi.org/10.17072/2218-1067-2020-3-73-81.
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The normative interaction between Russia and the EU is a significant component of foreign policy for both Moscow and Brussels. It reflects important general patterns of the symbolic interaction between the West and the rest of the world. The theory of hegemony of E.Laclau and C.Mouffe and post-Marxist discourse analysis show that the European symbolic mapping today is based on historicism and orientalism, embodied in the discursive figure of «transition». The situation has changed recently after the emergence of the «resilience» notion (as the ability of states and societies to adapt to turbulence) in the neoliberal hegemony of the EU. The interpretation of this concept by the EU directly links it with the normative component: only liberal democracies can be resilient in the long run. This approach fills the previous structure of the symbolic political map with the new content – some countries are subject to more exclusion. For instance, Russia moves from its conditional semi-peripheral position to the peripheral one that threatens the resilience of the EU and its Eastern partners. Nevertheless, this position of an outsider in the official discourse of the EU provides Russia with the unique opportunity to come out of the Western-centered historicist pattern.
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Thameem, Ushama. "Modernity’s Impact on Muḥammad ᶜĀbid al-Jābirī’s Understanding of Religion, the Qur’ān and Sunnah, and Legal Injunctions: A Critical Analysis(Kesan Permodenan terhadap Pemahaman Muhammad ᶜĀbid al-Jābirī tentang Agama, Quran dan Sunnah, serta Undang-unda)." Journal of Islam in Asia (E-ISSN: 2289-8077) 15, no. 2 (December 24, 2018): 285–311. http://dx.doi.org/10.31436/jia.v15i2.752.
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This paper critically analyzes the late Muḥammad ᶜĀbid al-Jābirī’s postmodernist influence on contemporary Muslims. The author qualitatively reviews the content of his historicist approach to the Qur’ān and Islam’s heritage. Al-Jābirī questioned the Qur’ān’s universal message in addition to its authenticity and validity. An Arab Muslim who sparked considerable controversy, he accused the holy book of omissions, fabrications, distortions and interpolations; he also deemed Islamic legal injunctions no longer valid. The author also examines his objection to injunctions he considered archaic and absolutely irrelevant to the present Muslim community.
Keywords: Controversy, distortion, historicism, modernity, orientalism.
Abstrak
Kertas kajian ini mengkaji secara kritikal pengaruh pasca moden Muhammad Abid al-Jabiri terhadap orang Islam pada masa kini. Penulis menggunakan kaedah kualitatif untuk mengkaji kandungan sejarah didalam Al-Qur’an dan warisan Islam, dimana, Muhammad Abid al-Jabiri mempersoalkan ajaran al-Qur’an yang berbentuk universal/ menyeluruh untuk menguji kesahihan dan kebenaran inti-pati Al-Qur’an. Sebagai seorang Arab Muslim, Muhammad Abid al-Jabiri mencetuskan kontroversi yang besar dengan mendakwa pengguguran, pemalsuan, penyelewengan, dan penambahan ayat-ayat telah berlaku dalam al-Qur’an; beliau juga menyifatkan udang-undang Islam sudah tidak relevan untuk diaplikasikan pada masa kini. Disamping itu, penulis juga mengkaji penolakan beliau terhadap undang-undang tersebut dimana beliau menyifatkan sebagai kuno dan tidak sesuai untuk masyarakat Islam masa kini.
Kata Kunci: Kontroversi, Penyelewengan, Historisisme, Pemodenan, Orientalisma.
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Wiklund, Martin. "Rüsen’s Response to the Crisis of Historicism." Intelligere 3, no. 2 (December 12, 2017): 90–104. http://dx.doi.org/10.11606/issn.2447-9020.intelligere.2017.124660.
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Although Rüsen only discusses the crisis of historicism explicitly in his work occasionally, his general perspective on historical knowledge can be interpreted as a response to the crisis. Different responses to the crisis of historicism correspond to different interpretations of its main problems. In order to specify Rüsen’s response, a number of aspects of his perspective are pointed out as solutions to such problems. Indirectly, the analysis discloses problems that any plausible attempt to come to terms with the crisis of historicism ought to handle. By identifying differences to other contemporary responses to the crisis of historicism, the continuing relevance of Rüsen’s approach is demonstrated.
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Paul, Dmitry V., and Igor S. Uryupin. "Historicism in the modern world." Literature at School, no. 2, 2020 (2020): 109–18. http://dx.doi.org/10.31862/0130-3414-2020-2-109-118.
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The article dedicated to the anniversary XXV Sheshukovsky readings, held annually in the Institute of Philology of Moscow Pedagogical State University, presents the concept of the conference. Special attention is paid to the personality of an outstanding scholar after whom the conference is named – Stepan Ivanovich Sheshukov; the range of scientific problems that become the subject of special reflection at the Sheshukovsky readings is outlined, a new understanding of historicism as a fundamental category of literary research is revealed. The distinctive feature of Sheshukovsky readings is the reliance on historicism and on text as the basis of all scientific interpretations. Within the framework of the scientific school of S.I. Sheshukov, whose monograph “Frantic Devotees. Excerpts on the history of literary struggle of the 20s”, became a milestone in the development of the Russian literature studies, historicism is considered as a general methodological principle, allowing to avoid fractional analysis of historical and literary process, to explore literature as a whole, to see a continuous process, rather than individual phenomena. Hence the constant connection of all conferences held within the framework of the Sheshukovsky readings, in which mythological, historical, documentary and fantastic, personal and public, etc., are united by the movement of the Russian literature in historical times. In 2020, the dominant feature of the anniversary conference was an appeal to the moral and philosophical-historical problem of literature, thematically connected with the Great Patriotic War, the question of the correlation of documentary, historical and philosophic components in the Russian literature of the XX–XXI centuries was raised. The conference summed up the results of the quarter-century reflections on the analysis of the movement of the Russian literature of the past century through the tests that fell on our people during the most tragic period of its history, but managed to preserve and transfer to descendants the unshakeable moral and ethical values that determine the existence of human and the world, as well as the further motion vector of the Sheshukovsky readings.
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Trybendis, James. "On the Genealogy of Color: A Case Study in Historicized Conceptual Analysis." Graduate Faculty Philosophy Journal 40, no. 1 (2019): 238–41. http://dx.doi.org/10.5840/gfpj201940117.
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Shtoyko, P. "Special features retrospective analysis in the works of Volodymyr Vernadsky." Visnyk of the Lviv University. Series Geography, no. 45 (May 20, 2014): 92–98. http://dx.doi.org/10.30970/vgg.2014.45.1153.
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Special features of the reconstruction of the historical development of science, traced to a location of theoretical direction, together with sequential actions considered complex interdisciplinary relationships in the interpretation of V. Vernadsky. Key words: interpretation, reconstruction, the principle of historicism, interdisciplinary relationships.
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Hawk, L. Daniel, and Lori L. Rowlett. "Joshua and the Rhetoric of Violence: A New Historicist Analysis." Journal of Biblical Literature 117, no. 3 (1998): 519. http://dx.doi.org/10.2307/3266450.
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Sahliyah, Chalifatus. "KAJIAN NEW HISTORICISM NOVEL KUBAH KARYA AHMAD TOHARI." Jurnal Pendidikan Bahasa dan Sastra 17, no. 1 (June 8, 2017): 111. http://dx.doi.org/10.17509/bs_jpbsp.v17i1.6962.
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This study aims to describe the representation of (1) Indonesian history, (2) culture, and (3) economy in the novel Kubah. The novel, written by Ahmad Tohari, is analyzed using New Historicism, in which non-literary texts are drawn on to understand the literary text being analyzed. The research procedure involves: (1) parallel reading technique, that is reading both the novel and the non-literary texts simultaneously, (2) analysis, as shown in the data presentation and discussion, involving parallel reading in which events in the novel are highlighted and related to the non-literary texts; and (3) drawing conclusion based on the analysis of historical, cultural and economic facts contained in the novel, which have been cross-checked against the non-literary texts of similar topics. The results of the analysis include: (1) historical representation of the recruitment, the hiding, the arrest, and the exile of PKI (Indonesian communist parti) members before and after the 1965 tragedy; (2) cultural representation of the Javanese, as indicated in the language use, figurative speech and the Javanese tembang; and (3) economic representation as signaled by the weakening of the economic condition after the 1965 tragedy. The use of new historicism in analyzing the novel Kubah is expected to broaden the readers’ historical knowledge, thus avoiding the bitter experiences in the past to repeat themselves in the future.Keywords: new historicism, representation, history, culture, economy
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Li, Shi Guang. "Peak and Crisis of Modernity - Analysis on Stauss Modernity Third Wave." Advanced Materials Research 268-270 (July 2011): 759–63. http://dx.doi.org/10.4028/www.scientific.net/amr.268-270.759.
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Strauss believed that modernity has peaked after three waves. The third modernity wave started from Nietzsche and peaked at Heidegger. As the top of modernity, there are four characteristics of the third wave: historical concept of Radical Historicism, existential experience of pessimism, ethical ideas of Vitalism, Fascism ethical inception. They have composed of the deepest crisis of modernity.
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Luna, Javier. "Sobre el concepto de historicidad desde una fenomenología histórica / On the Concept of Historicity from a Historical Phenomenology." Historiografías, no. 10 (December 28, 2017): 49. http://dx.doi.org/10.26754/ojs_historiografias/hrht.2015102390.
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This article deals with the concept of historicity from its origins in Wilhelm Dilthey’s philosophy of history to current discussion in phenomenology and hermeneutics. Traditionally classic understanding of historicity was focused upon temporality and individual consciousness, but an analysis of historical activity reveals that perception of historicity arises firstly from the change one may call “anachronism”, or external experience socially structured which endorses individual consciousness. In light of this process, we shall understand historicity as a part of the structure of experiences and not as an experience itself.Key WordsHistoricity, phenomenology, objective spirit, anachronism, social spaces.ResumenEl presente artículo presenta una exploración del concepto de historicidad desde sus orígenes en la filosofía de la historia de Wilhelm Dilthey hasta el debate actual de la fenomenología y la hermenéutica. La clásica comprensión de la historicidad se ha centrado en la temporalidad y en la conciencia individual, pero un análisis de la actividad histórica muestra que nuestra percepción de la historicidad surge en primera instancia de la transformación que llamamos “anacronismo”, experiencia externa y enmarcada socialmente que fundamenta la conciencia individual. A la luz de ese proceso, podemos comprender la historicidad como parte de la estructura de las vivencias y no como una vivencia en sí misma.Palabras clavesHistoricidad, fenomenología, espíritu objetivo, anacronismo, espacios sociales.
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Wicaksono, Andri. "SEJARAH POLITIK INDONESIA DALAM NOVEL LARASATI KARYA PRAMOEDYA ANANTA TOER." JENTERA: Jurnal Kajian Sastra 7, no. 1 (June 27, 2018): 20. http://dx.doi.org/10.26499/jentera.v7i1.340.
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Abstrak: Penelitian ini bertujuan mendeskripsikan realitas sejarah sosial-politik Indonesia dalam novel Larasati karya Pramoedya Ananta Toer dengan perspektif New Historicism. Penelitian ini menggunakan metode kualitatif interpretif dengan paralel pembacaan antara karya sastra dengan teks sejarah dan desain analisis isi. Gambaran realitas sejarah sosial dan politik Indonesia (periode 1945 hingga 1966) dalam novel Larasati dengan perspektif New Historicism Greenblatt dianggap efektif untuk mengeksplorasi fenomena teks sastra. Novel ini secara langsung berkaitan dengan manifestasi politik Indonesia yang meliputi (1) struktur ideologi yang digunakan untuk memperkuat kekuatan berbasis negara, dan (2) praktik diskursif, bahasa politik yang mengacu pada konstruksi pengetahuan melalui bahasa yang memberi makna pada segi material dan praktik sosial-politik yang melingkupinya.Kata-kata kunci: historisisme baru, ideologi, politik, praktik diskursif Abstract: This study aimed to describe the nature of social and political history reality of Indonesia in novel Larasati by Pramoedya Ananta Toer through New Historicism perspective. The research used interpretive qualitative method on the readability parallel between literary and historical texts also content analysis design. The description of social and political history reality of Indonesia (period 1945 until 1966) in the novel by using the perspective of New Historicism Greenblatt is considered effective in exploring the phenomenon of literary text. The novel is directly related to the political manifestation of Indonesia that covers (1) ideology structure used to reinforce the state-based power and (2) political discursive practices, the political language that refers to the knowledge construction through the language that gives meaning to the material aspects and social practices. Keywords: new historicism, ideology, political, discursive practices
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Gjerdingen, Robert O. "“Historically Informed” Corpus Studies." Music Perception 31, no. 3 (December 2012): 192–204. http://dx.doi.org/10.1525/mp.2014.31.3.192.
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Musicians can choose between various “historicist” or “presentist” ways of performing works from the past. Music scholars who study early music sometimes are forced to make similar choices. If one thinks of corpus studies in music as an objective form of counting the “elements of music,” the question of what constitutes an “element” can involve similar historicist/presentist dilemmas. The article examines three historically significant characteristics of European art music—three historicist features—that are not always recognized in presentist corpus studies. For an illustrative example, a comparison is made between how the cadenza doppia in a Bach toccata for organ might be represented in a corpus study as either a two-voice framework or a series of Roman numerals in the tradition of Allen McHose (1947). Because that type of cadence was a commonplace in Bach’s time and in Bach’s compositions, a corpus analysis should be able to detect its multiple occurrences as a core element of the music.
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Youjin Kong. "Feminism and Historicist Universalism: A Critical Analysis of Richard Rorty's Anti-Universalism." Pluralist 12, no. 1 (2017): 50. http://dx.doi.org/10.5406/pluralist.12.1.0050.
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Gabaccia, Donna, Franca Iacovetta, and Fraser Ottanelli. "Laboring Across National Borders: Class, Gender, and Militancy in the Proletarian Mass Migrations." International Labor and Working-Class History 66 (October 2004): 57–77. http://dx.doi.org/10.1017/s0147547904000171.
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A decade-long project on the migration of Italian laborers around the world during the nineteenth and twentieth centuries points to the methodological challenges, theoretical debates, and some of the rewards of transnational analysis of class, ethnicity, and gender in the making of modern national states. Analyses of internationally mobile laborers historicize current transnational studies, problematize the historiography of national groups, and reveal how profoundly—and usually also how “nationally”—every multiethnic nation-state understood relations among ethnicity, race or color, class, and gender.
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Bevir, Mark. "National Histories: Prospects for Critique and Narrative." Journal of the Philosophy of History 1, no. 3 (2007): 293–317. http://dx.doi.org/10.1163/187226307x229371.
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AbstractThe classic national history narrates the formation and progress of a nation-state as a reflection of principles such as a national character, liberty, progress, and statehood. Today there appears to be a growing nostalgia for them, and with it for the role that history once played in the life of the nation. This paper argues that such nostalgia is justified insofar as it expresses skepticism about the philosophical assumptions of much social science history. In doing so, it defends the use of concepts such as narrative and tradition. Yet this paper argues that such nostalgia is not justified insofar as it sides with an analysis of these concepts in terms of given principles of nationhood and statehood. Rather, the paper argues for a shift from developmental historicism to radical historicism. Radical historicism would treat traditions as pragmatically constructed and narratives as contingent. It would thus lead to denaturalizing accounts of the nations as dispersed, discontinuous, and disrupted, and arguably to histories of networks of peoples rather than nations.
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Salgado, Pedro. "Geopolítica como Luta de Classes: Marxismo Político, Relações Internacionais e Sociologia Histórica | Geopolitics as Class Struggle: Political Marxism, International Relations and Historical Sociology." Mural Internacional 7, no. 2 (December 30, 2017): 186–202. http://dx.doi.org/10.12957/rmi.2016.28437.
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Ao inserir a luta de classes no centro da análise histórica, o Marxismo Político propõe uma reinterpretação da disciplina de Relações Internacionais que pode ser entendida em três passos. O primeiro é uma visão histórica da formação do sistema de estados moderno, a partir de transformações da geopolítica feudal após a origem do capitalismo. O segundo, uma metodologia historicista que parte da forma como a operação de tal sistema pode ser entendida através dos conflitos entre classes com suas respectivas estratégias de espacialização. Por fim, resta justificar a centralidade da luta de classe, e de “classe” enquanto categoria analítica, através do retorno à obra de Marx, resgatando a forma como a noção sociológica de agência é antecipada em sua filosofia da práxis. Assim, reinscrevendo a distinção entre “global” e “(inter)nacional” nas relações sociais que lhe dão origem, a disciplina de Relações Internacionais assume a forma de Sociologia Histórica.ABSTRACTBy bringing class struggle into the core of historical analysis, Political Marxism suggests a reinterpretation of International Relations that can be understood in three steps. Firstly, a historical account of of the rise of the modern states-system through the transformations in feudal geopolitics after the rise of capitalism. Secondly, the development of a radically historicist methodology that is explains this system's operation through the conflict between classes and their respective spatialization strategies. At last, the justification for having class struggle at the core of the analysis, and of "class" as an analytical unit, comes from a return to Marx's work to see how he grounds the sociological notion of agency in his philosophy of praxis. Therefore, by reviving the distinctiong between "global" and "(inter)national" in the social relations that give birth to this very distinction, the discipline of International Relations assumes the form of Historical Sociology.Palavras-chave: Relações Internacionais, Marxismo, GeopolíticaKeywords: International Relations, Marxism, GeopoliticsRecebido em 24 de Abril de 2017 | Aceito em 07 de Agosto de 2017Received on April 24, 2017 | Accepted on August 7, 2017 DOI: 10.12957/rmi.2016.28437
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Boutcher, Warren. "The Analysis of Culture Revisited: Pure Texts, Applied Texts, Literary Historicisms, Cultural Histories." Journal of the History of Ideas 64, no. 3 (2003): 489–510. http://dx.doi.org/10.1353/jhi.2003.0034.
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İplikçi, Murat. "Changing Methodologies in Historicism: An Analysis For Rise and Fall of Rankean Historiography." Beytulhikme An International Journal of Philosophy 10, no. 10:3 (January 1, 2020): 977–89. http://dx.doi.org/10.18491/beytulhikme.1565.
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Krol, Reinbert A. "Friedrich Meinecke: Panentheism and the Crisis of Historicism." Journal of the Philosophy of History 4, no. 2 (2010): 195–209. http://dx.doi.org/10.1163/187226310x509529.
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AbstractFriedrich Meinecke’s Die Idee der Staatsräson (1924) is generally seen as the study in which he replaced his monistic-idealistic philosophy of history ‐ as articulated in Weltbürgertum und Nationalstaat ‐ by a dualistic worldview. In this article I will argue against this view. I will do so on the basis of a brief analysis of Meinecke’s Staatsräson-study. I will show that Meinecke succeeded in combining his monism and his dualism within a so-called (harmonious) ‘panentheistic’ philosophy.Next, when discussing Meinecke’s position in the crisis of historicism, critics generally refer to Meinecke’s Die Entstehung des Historismus (1936) or his essays from around the 1920s, but refer rarely to Die Idee der Staatsräson. Yet it is precisely this study ‐ dealing with the theory and practice of statesmanship ‐ that gives us a good grasp of Meinecke’s reponse to the crisis of historicism, since it is in the state where idea and reality collide most brutally. Questions of ethical relativism, of the relationship between power and ethics, and of that between politics and history are nowhere more pressing than in the practice of statesmanship. It will become clear that, according to Meinecke, the statesman’s (or the historian’s) conscience moves him to a sphere of panentheistic harmony enabling him (and the historian) to overcome the aporias of historicism.
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Fulda, Daniel. "Historicism as a Cultural Pattern: Practising a Mode of Thought." Journal of the Philosophy of History 4, no. 2 (2010): 138–53. http://dx.doi.org/10.1163/187226310x509493.
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AbstractWhat is the basis for the enormous success of Historicism? In my paper I attempt to answer this question by deploying the concept of the cultural pattern. A ‘cultural pattern’ may be defined as the connection of concepts and practices which have gained a relative perpetuity through cultural habitualization. Cultural patterns include a combination of interpretative schemes according to which the world can be categorized, structured and interpreted with individual or social practices which either develop out of, or follow these schemes. Because they combine concepts and practices in a significant manner they gain a contour which enables the creation of communicative addressability, practical appropriation and discursive analysis and hence the creation of a long-term exemplary status. A cultural pattern according to this definition has a relative stability and an observable effect over a long period of time, but which is simultaneously liable to permanent actualization and adaption. Historicism has been considered to be a basic thought-pattern of modernity since Troeltsch, Meinecke and Koselleck; defining Historicism as a cultural pattern can help to explain its long-term effectiveness and its continuing productivity to the present day.
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Mamedova (Sarabska), Rena. "On the Comparative Analysis of the Eurasian Region Cultures." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (June 4, 2021): 34–44. http://dx.doi.org/10.31866/2616-7581.4.1.2021.233336.
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An early article is devoted to the study of the concept of Eurasianism in the context of comparative art history. The presented article emphasizes that modern art history requires methodological innovations that will reveal the features not only of the national specifics of music, but also the parameters of its dialogue with other cultures. The article discusses the concept of musical genocide as an analogue of an innate program that determines the vectors of the artistic culture evolution. As a result, it is possible to determine both universal ethnocultural and the specificity of regional conditioned properties of culture. The purpose of the research is to determine the comparative parameters of the Eurasian culture. The research methodology lies in the method of historicism. Of fundamental importance, he can reveal the logic of historical thinking. The prospect of using the method of historicism lies in the possibility of approaching the complex whole of Eurasian culture in its historical movement, in the unity and development of its constituent parts. Behind the variety of manifestations, the main, common lines of the historical development of Eurasia are being built. The scientific novelty of the research undertaken in this article is to form a number of provisions of the comparative analysis. For example, the concept of a gene formula, a typological series. Conclusions. The category of the gene formula formulated in the article is a historically conditioned sign function of culture. The gene formula is generated by the collective experience of the ethnos and has semantic meaning. At the same time, the gene formula defines a specific type of pitch that ensures the vitality of the music and realizes the identity of the culture.
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Bermejo, José Carlos. "Historicidad y pseudo-historicidad del universo: un análisis del concepto de simultaneidad”/“Historicity and Pseudo-Historicity of the Universe: an Analysis of the Concept of Simultaneity." Historiografías, no. 5 (December 31, 2017): 107. http://dx.doi.org/10.26754/ojs_historiografias/hrht.201352462.
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This article examines in a critical way the assumption that underpins the new historiographical trend of the Big History or Deep History, that is, the construction of a narrative that, comprising from the alleged supreme historical event of the Big Bang to the birth of human intelligence, makes use of a theory of everything, the so-called Consilience. Facing this conventional image, prevailing because of the prestige of science, the author holds that this vision is no more than the result of a constructed historical narrative which stems from the overlap of a traditional time narrative to some equations only partially valid which are neither completely developed nor proved by the experimental facts.Key WordsBig History, Consilience, simultaneity, relativistic mechanics, narrative time.ResumenEl presente artículo examina de modo crítico el supuesto en el que se apoya las nueva corriente historiográfica de la Big History o Deep History, esto es, la construcción de un relato, que abarca desde el supuesto acontecimiento histórico primordial del Big Bang hasta al nacimiento de la inteligencia humana, y que se sirve de una teoría del todo, la llamada Consilience. Frente a esta imagen convencional, que se impone gracias al prestigio de la ciencia, el autor sostiene que dicha visión es más más bien el producto de un relato histórico construido que procede, a su vez, de la superposición de un tiempo narrativo tradicional a unas ecuaciones que sólo son parcialmente válidas y no están plenamente desarrolladas ni comprobadas con hechos experimentales.Palabras claveBig History, Consilience, simultaneidad, mecánica relativista, tiempo narrativo
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Holmes, Brooke. "At the end of the line: on kairological history." Classical Receptions Journal 12, no. 1 (January 1, 2020): 62–90. http://dx.doi.org/10.1093/crj/clz027.
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Abstract This essay examines, from a position within Classics, different angles on critiques of historicism and the turn to anachronism in History, Art History, Medieval Studies, and Queer Theory before proposing the idea of ‘kairological history’, on the model of the artist Paul Chan’s ‘kairological art’. On this analysis, ‘kairological history’ engages the critical and creative resources of anachronic thinking alongside tools of historicism (e.g. empiricism, successionism, periodization, alterity) in making choices about ‘telling time’. These choices reflect a critical understanding of how temporality shapes the valuation of the past, particularly in relation to a ‘classical’ past; the negotiation of identity and difference between past and present; and the kinds of communities that history aims to support. The second half of the essay examines two instances of anachronism within the history of anatomy, one from Galen and one from the early twenty-first century. Both cases represent problems that historicism can correct. But the modality of correction, in itself, is anaemic and risks the very teleology that linear history is so often faulted for. The essay therefore explores what gets lost and what gets found when temporality is aligned with linearity, as well as non-linear modes of telling time.
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Gqqde, Mike. "Blakespotting." PMLA/Publications of the Modern Language Association of America 121, no. 3 (May 2006): 769–86. http://dx.doi.org/10.1632/003081206x142878.
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This essay argues that our inability to map the circulation of William Blake's proverbs in contemporary Anglo-American culture is critically and politically instructive. Opening historicist literary criticism and reception study out to each other, I contend that mainstream citations of the proverbs today point the historicist critic to the radical political potential that Blake's poetic form possessed (but never successfully unleashed) in the original historical contexts in which Blake wrote. Understanding the proverb form and its centrality to Blake's poetry sheds light on how and why his work resists analysis through familiar literary-historical categories like text, corpus, reader, and reading formation. Recognizing this resistance clarifies in turn how, through its use of proverbs and proverblike sentences, his poetry constituted a heterogeneous regulatory challenge to the regulatory power of systems of laws–common, religious, and divine. (MG)
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Sabry, Tarik. "On Historicism, the Aporia of Time and the Arab Revolutions." Middle East Journal Of Culture And Communication 5, no. 1 (2012): 80–85. http://dx.doi.org/10.1163/187398612x624409.
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The proposed intervention is borne out of intellectual frustration and dissatisfaction with facile and largely descriptive chronometric analyses of the ‘Arab Spring’, that have failed to articulate the revolutions beyond their chaotic, unfolding eventfulness. Focusing on and grappling with key themes such as history, historicism, modernity, post-modernity, technology, art and poetics, this intervention describes key responses to the Arab revolutions and asks what it means to fight for modernity in post-modern times?
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Tanvir, Muhammad Furqan, Waseem Anwar, and Amra Raza. "Simulations, Narrativity and (Post)Modern Historiography: Patterns of Ambivalence in Daniel Silva’s The Unlikely Spy." Linguistics and Literature Review 6, no. 1 (June 2020): 23–38. http://dx.doi.org/10.32350/llr.61.03.
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This paper aims at locating complex patterns of ambivalence in the narratology of Daniel Silva’s Second World War thriller, The Unlikely Spy, published in 1996, by contending that it recreates a historically justifiable picture of the 1940s in a manner that highlights the typical historicist episteme of the 1990s. This is because its plot retains an apparent structural wholeness as far as the atmospheric evocation through archival research is concerned in spite of the fact that its narratorial focus is informed by characteristic postulates of postmodernist historiography. The argument's theoretical exposition of the latter depends, through an emphasis on notions of simulations, evasions and self-deconstruction, on Jean Baudrillard's proclamation that history’ is no longer possible. The paper employs techniques of qualitative discourse analysis for studying the novel’s narratological patterns and historicist constructs. It shall be seen how, along with narrativity that combines motifs of linearity and temporal-spatial chaos, the text philosophically problematizes the ‘reality’ of the War through an ambivalent intermingling of confrontation and evasion by metonymically representing the entire War-dynamic – completely dispensing with any first-hand account of the uniformed soldiers’ battlefield – in devious circles of executive offices and spies stalking the streets during the blackout. It is further contended that the novel’s historicist vision draws attention to, and even symbolically represents, the ambivalent nature of the relationship between modernism and postmodernism.
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Muhammad Furqan Tanvir, Waseem Anwar, and Amra Raza. "Simulations, Narrativity and (Post)Modern Historiography: Patterns of Ambivalence in Daniel Silva’s The Unlikely Spy." Linguistics and Literature Review 6, no. 1 (March 31, 2020): 23–38. http://dx.doi.org/10.32350/llr.v6i1.586.
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This paper aims at locating complex patterns of ambivalence in the narratology of Daniel Silva’s Second World War thriller, The Unlikely Spy, published in 1996, by contending that it recreates a historically justifiable picture of the 1940s in a manner that highlights the typical historicist episteme of the 1990s. This is because its plot retains an apparent structural wholeness as far as the atmospheric evocation through archival research is concerned in spite of the fact that its narratorial focus is informed by characteristic postulates of postmodernist historiography. The argument's theoretical exposition of the latter depends, through an emphasis on notions of simulations, evasions and self-deconstruction, on Jean Baudrillard's proclamation that history’ is no longer possible. The paper employs techniques of qualitative discourse analysis for studying the novel’s narratological patterns and historicist constructs. It shall be seen how, along with narrativity that combines motifs of linearity and temporal-spatial chaos, the text philosophically problematizes the ‘reality’ of the War through an ambivalent intermingling of confrontation and evasion by metonymically representing the entire War-dynamic – completely dispensing with any first-hand account of the uniformed soldiers’ battlefield – in devious circles of executive offices and spies stalking the streets during the blackout. It is further contended that the novel’s historicist vision draws attention to, and even symbolically represents, the ambivalent nature of the relationship between modernism and postmodernism.
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Dinçşahin, Şakir. "A Symptomatic Analysis of the Justice and Development Party's Populism in Turkey, 2007–2010." Government and Opposition 47, no. 4 (2012): 618–40. http://dx.doi.org/10.1111/j.1477-7053.2012.01377.x.
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AbstractThis article focuses on the populist strategy of the Turkish Justice and Development Party between the 2007 presidential election, when Turkish politics experienced an impasse, and the 2010 referendum over the constitutional amendments. As a means of analysing populism, the symptomatic approach is preferred over other theoretical perspectives, including empiricism and historicism. An analysis of the discourse articulated by Prime Minister Erdoğan leads us to the conclusion that he has continually appealed to the masses with an anti-institutional rhetoric that divides society into ‘the people’ and ‘the elite’, thereby fulfilling the criteria of populism according to the symptomatic approach.
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Hiscock, Matthew. "Reception Theory, New Humanism, and T. S. Eliot." Classical Receptions Journal 12, no. 3 (April 14, 2020): 323–39. http://dx.doi.org/10.1093/crj/clz033.
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Abstract T. S. Eliot has been a major, if challenging, figure for students of reception and the Classical Tradition, and is implicated in an important debate on historicist versus aestheticist models of reception study. This article challenges assumptions about his position on, and practice of, reception. The politics implicit in theorists’ references to Eliot is teased out, and the position he took in response to inter-war New Humanism is shown to be predominantly historicist. An analysis of The Family Reunion (1939) then suggests that the Modernist-poetic approach he therefore took to the Oresteia broke so decisively with existing models of reception as to have called the fact of reception into question. The play is also shown to build on H.D.’s experiments in translation and to respond to Aeschylean receptions by Robinson Jeffers and Eugene O’Neill. It is further suggested that it anticipates several aspects of recent Reception Theory.
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Mustika, Mustika, and Elmy Selfiana Malik. "FAKTA SEJARAH DALAM NOVEL DHARMAGANDUL KARYA SRI WINTALA ACHMAD (KAJIAN NEW HISTORICISM)." Journal Idea of History 2, no. 2 (December 26, 2019): 43–49. http://dx.doi.org/10.33772/history.v2i2.859.
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This research aims to describe the historical facts in the novel of Dharmagandul by Sri Wintala This study aims to describe the historical facts in the novel of Dharmagandul by Sri Wintala Achmad which was set in the Majapahit Kingdom. The novel was examined using the New Historicism approach, which used non-literary texts combined with literary texts to be analyzed. The procedures of this study included: (1) parallel reading techniques, namely techniques performed by reading literary texts (novels) with non-literary texts; (2) the analysis used includes data presentation and discussion. The analysis used in studying the novel Dharmagandul by Sri Wintala Achmad was paralleled by non-literary texts relating to events in the novel; and (3) presentation of the conclusions from the results of the analysis. The results of the study included: (1) the applying of Dyah Pitaloka by Patih Gajah Mada to Prabu Hayam Wuruk; (2) Wikramawardhana's post-HayamWuruk power; (3) Paregreg war; and (4) Sri Ratu Suhita's revenged against Raden Gajah. The results of the study of historical facts in the novel Dharmagandul are expected to provide knowledge that literature can be born from historical reality and this research is expected to be a lesson for the people of Indonesia to not repeat the bitter events that have occurred during the Majapahit kingdom.
Keyword: historical facts, Dharmagandul, new historicism, Majapahit
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KOSENKOVA, Natalya Alekseevna, Madina Alaverdievna DEMIROVA, and Elizaveta Vladimirovna KOSENKOVA. "ANALYSIS OF WORLD EXPERIENCE IN DESIGNING OF ISLAMIC CULTURE SPIRITUAL AND EDUCATIONAL CENTERS." Urban construction and architecture 10, no. 4 (March 5, 2021): 144–51. http://dx.doi.org/10.17673/vestnik.2020.04.17.
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The article analyzes the world experience in the design and construction of religious buildings and spiritual and educational centers of Islam at the turn of the XXXXI centuries. The most famous modern examples of religious objects of Islam are given. Similar temporal, stylistic, structural, and planning features of temples are classifi ed. Based on the performed analysis, conclusions are drawn about the prevailing trend in the design of Islamic religious buildings - historicism. It is shown that an important design concept is the openness and tolerance of the object in relation to the city and the creation of a harmonious environment around the new structure