Dissertations / Theses on the topic 'Historická pravda'
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Balcer, Jan. "Metropolitní město a historické kontexty jeho vývoje (Odhad budoucího urbanistického rozšíření dle historických metod)." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-206892.
Full textEl, Nakkouzi Rania. "Legitimating past actions through strategic manoeuvring : a framework for integrating the discourse-historical approach and pragma-dialectics." Thesis, Lancaster University, 2017. http://eprints.lancs.ac.uk/88530/.
Full textVasconcelos, Arlene Fernandes. "A verdade dispensa a verossimilhanÃa: o fato e a ficÃÃo no romance historico As Minas de Prata, de Jose de Alencar." Universidade Federal do CearÃ, 2011. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=6038.
Full textNo romance histÃrico As minas de prata, de Josà de Alencar, pode-se perceber uma clara preocupaÃÃo com o registro dos fatos histÃricos para alÃm do que està gravado nos livros. Isto Ã: esse romance permite ao leitor fazer contato com grandes vultos histÃricos, mas, principalmente, com personagens menores â pessoas comuns, sem qualquer relevÃncia para a historiografia oficial. Portanto, o contato com o acontecimento nÃo se faz de forma distanciada, mas Ãntima, e o envolvimento do leitor à bem maior, pois se dà na identificaÃÃo que tem com o personagem de ficÃÃo, atravÃs da verdade pessoal do prÃprio personagem, que se revela em suas aÃÃes. Essa constituiÃÃo de um herÃi, com buscas pessoais acima das questÃes de lealdade à pÃtria e ao seu povo, torna EstÃcio, o personagem central da obra, mais prÃximo de personagens problemÃticos da modernidade, apesar de envolto em uma aura Ãpica, e outros personagens servem para acentuar um ou outro aspecto. Um estudo minucioso da obra revela o uso que o autor faz do fato histÃrico como instrumento de nacionalizaÃÃo da literatura brasileira no sÃculo XIX. Alencar pretende criar a consciÃncia histÃrica do povo, aproximando os acontecimentos reais passados do prÃprio leitor, de forma a gravar-lhe no espÃrito o sentimento de nacionalidade. Ao ser transportado para a vida de uma das personagens, o leitor sente-se intimamente ligado a ela, participando dos acontecimentos que se desenrolam, tomando consciÃncia do desenvolvimento polÃtico e social de seu paÃs, descobrindo suas origens, convivendo atà com figuras ilustres do passado, sem o distanciamento que a histÃria oficial impÃe. Essa aproximaÃÃo se dà atravÃs da identificaÃÃo do leitor com as paixÃes que movem os personagens, reveladoras de suas verdades pessoais.
In the historical novel As minas de prata, written by Josà de Alencar, one may notice a clear intent to keep records of historical facts beyond what it was kept in History books. In other words, this novel gives the reader the opportunity to know important historical facts, but, mainly, get to know minor characters â average people, with no relevance to the official historiography. Therefore, the approach to the facts does not happen from a distant perspective, but an intimate one. The reader gets involved in a broader way, since he identifies himself with the fiction characters. Such relationship happens through personal truths the characters convey, revealed through their actions. The making of a hero, with personal pursuits above subjects such as loyalty to motherland and his people, make EstÃcio the main character of the novel, closer to problematic characters of modern times, despite being wrapped in an epic aura and with other characters who serve to enhance other aspects. A meticulous study of the novel reveals the authorâs choice to use a historical fact as an instrument of the nationalization of Brazilian literature in the 19th century. Alencar intended to create peopleâs historical conscience, bridging the gap between the real facts from the past and the reader, in order to engrave in his spirit the nationality pride. By being carried away to the world of one of the characters, the reader feels intimately connected to that character, by participating of the daily life, by being conscious of his countryâs social and political development, by finding his origins, even living with notorious characters from the past â without the detachment that official accounts impose. This approach occurs through the readerâs identification with the passion that moves the characters, revealing their personal truths.
Galvani, Mara Aparecida Magero. "Neusa Welter Bocchese e as leituras da cidade de Antônio Prado, RS: representação de um patrimônio histórico." reponame:Repositório Institucional da UCS, 2018. https://repositorio.ucs.br/11338/4100.
Full textThis thesis focuses on the work of Neusa Welter Bocchese, an artist born in Vacaria in 1936, who lives in Antonio Prado, a city that until today is the theme of her production, which begun in 1983. In order to analyze her representations of the city, we selected 64 images of her work, distributed in eight groups, in order to evaluate, from Burke (2017), the role of these images as historical evidences and as testimonies of the Italian-Brazilian cultural process, and to what extent her work contributes to the preservation of the identity of the Northeast Region of Rio Grande do Sul, considering the reception, production and thematic factors. Looking from a cultural history perspective, our analysis is subsidized by the methodology of representation related to reading practices proposed by Chartier (2002). We also draw on the theoretical assumptions of Stüben (2013), on the idea of the region as a literary landscape, transposed here into the field of art and, on Nora (1993), regarding places of memory, including contributions of literature, through the novels of Calvin (1990) and Pozenato (2000). Since identity is marked by symbolic means, it was possible, from the intersection of the artist's readings about the city of Antonio Prado, and the readings we make of the meanings of her representations, to identify that she explicitly explains the discourse of the tipping, but, above all, rewrites new texts from the first, highlighting the differences that classify a regional cultural group. In the representations of what was lived by others, in the past tense, and of the lived by Bocchese in the present time, the artist sometimes maintains similarity with the city, sometimes dismantles it, reworking it in new arrangements, but without breaking its connection with her. Pozenato (2003) observes that, while certain manifestations that identify a culture remain, that culture exists, but in the political vision of cultural preservation it might not be necessary to preserve the physical monument itself, since preservation of memory would suffice. Thus, we can infer that, just as Antonio Prado is a place of memory, Bocchese's work emerged from the context associated with Italian immigration, which becomes a place of memory. Her representations are interpretations of the cultural practices of a group, forming another one, even before the official, by IPHAN, in 1989. Moreover, her representations prestige the non-preserved symbolic elements in other RCI cities, which are then materialized in her work – witness and identity of the region.
Driemeyer, Rute Ângela. "Contribuições para a conservação do patrimônio histórico edificado em madeira da cidade de Antônio Prado/RS." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/92209.
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Essa proposta de trabalho apresenta um estudo específico sobre a conservação de edificações históricas de madeira. A região sul do Brasil apresenta um grande acervo de edificações em madeira construídas pelos imigrantes europeus que colonizaram a região no final do século XIX e na primeira metade do século XX. No entanto, não existem programas específicos de conservação deste patrimônio. A cidade de Antônio Prado, localizada na serra gaúcha, aproximadamente a 180 km de Porto Alegre, foi escolhida como estudo de caso, por apresentar um conjunto de edificações históricas de madeira construídas por imigrantes italianos. O estudo serviu para diagnosticar os principais problemas patológicos das edificações e propor medidas de preservação para o patrimônio local. Como referencial teórico sobre preservação de patrimônio edificado em madeira foram pesquisadas a cidade de Bergen na Noruega e a Ilha de Chiloé no Chile. A metodologia da conservação preventiva apresenta muitas semelhanças com as características e medidas de proteção da madeira, sendo utilizada como parâmetro para a elaboração de medidas preventivas para o estudo de caso. Por meio dos estudos realizados verificou-se a importância e o potencial da participação da população local nos trabalhos de conservação. Esta condição é explorada sob a forma de divulgação de informações técnicas que tornem a população apta a conservar o patrimônio. Com este propósito, elaborou-se um manual sobre o tema que visa fornecer conhecimento para a prevenção de agentes degradadores e ilustrações com detalhes construtivos adequados para a conservação da madeira. Além das ações preventivas, as medidas de conservação buscam despertar, na comunidade local, a consciência quanto à sua identidade cultural e à responsabilidade com seu patrimônio histórico e artístico.
This proposed work presents a study about the conservation of historic buildings of wood. The southern region of Brazil presents large collection wooden buildings built by European immigrants that colonized the region in the late nineteenth century and the first half of this century. However, there are no specific programs for the conservation of this heritage. The city of Antonio Prado, located in Serra Gaucha, approximately 180 km from Porto Alegre, was chosen as a case of study by presenting a set of historic wooden buildings built by Italian immigrants. The study was used to diagnose the main pathological problems of buildings and propose measures for the preservation of local heritage. As theoretical references about the preservation of built heritage in wood there were surveyed the cities of Bergen in Norway and the island of Chiloé in Chile. The methodology of preventive conservation has many similarities with the features and measures to protect the wood and is used as a paramenter for the development of preventive measures for the case study. Through studies the importance and potential of local participation in conservation work was verified. This condition is explored in the way of dissemination of technical information to make people able to preserve the patrimony. For this purpose, a manual was elaborated on the subject that aims to provide knowledge to the prevention of degrading acting and illustrations with suitable constructive details for wood preservation. In addition to the preventive actions, the conservation measures seek the awakening consciousness in the local community for its cultural identity and for its responsibility to the historical and artistic heritage.
Pereira, Alessandro Alberto Atanes. "História e literatura no porto de Santos: o romance de identidade portuária \'Navios Iluminados\'." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-30092008-145514/.
Full textThis study contributes to the history of the city and the port of Santos (SP, Brazil) by using literature as a historical document. To do so, it researched the conditions in which the novel Shinning ships (Navios Iluminados, 1937) was written, highlighted the book among other fictions that have the port of Santos as a theme, and finally interpreted the historical contents of the novel by Ranulpho Prata, comparing them to other documentary sources. The conclusion suggests a new role of this work of art in Brazilian literary history.
Vasconcelos, Arlene Fernandes. "A Verdade Dispensa a Verossimilhança: O Fato e a Ficção no Romance Historico as Minas de Prata, de Jose de Alencar." http://www.teses.ufc.br, 2011. http://www.repositorio.ufc.br/handle/riufc/2907.
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In the historical novel As minas de prata, written by José de Alencar, one may notice a clear intent to keep records of historical facts beyond what it was kept in History books. In other words, this novel gives the reader the opportunity to know important historical facts, but, mainly, get to know minor characters – average people, with no relevance to the official historiography. Therefore, the approach to the facts does not happen from a distant perspective, but an intimate one. The reader gets involved in a broader way, since he identifies himself with the fiction characters. Such relationship happens through personal truths the characters convey, revealed through their actions. The making of a hero, with personal pursuits above subjects such as loyalty to motherland and his people, make Estácio the main character of the novel, closer to problematic characters of modern times, despite being wrapped in an epic aura and with other characters who serve to enhance other aspects. A meticulous study of the novel reveals the author’s choice to use a historical fact as an instrument of the nationalization of Brazilian literature in the 19th century. Alencar intended to create people’s historical conscience, bridging the gap between the real facts from the past and the reader, in order to engrave in his spirit the nationality pride. By being carried away to the world of one of the characters, the reader feels intimately connected to that character, by participating of the daily life, by being conscious of his country’s social and political development, by finding his origins, even living with notorious characters from the past – without the detachment that official accounts impose. This approach occurs through the reader’s identification with the passion that moves the characters, revealing their personal truths.
No romance histórico As minas de prata, de José de Alencar, pode-se perceber uma clara preocupação com o registro dos fatos históricos para além do que está gravado nos livros. Isto é: esse romance permite ao leitor fazer contato com grandes vultos históricos, mas, principalmente, com personagens menores – pessoas comuns, sem qualquer relevância para a historiografia oficial. Portanto, o contato com o acontecimento não se faz de forma distanciada, mas íntima, e o envolvimento do leitor é bem maior, pois se dá na identificação que tem com o personagem de ficção, através da verdade pessoal do próprio personagem, que se revela em suas ações. Essa constituição de um herói, com buscas pessoais acima das questões de lealdade à pátria e ao seu povo, torna Estácio, o personagem central da obra, mais próximo de personagens problemáticos da modernidade, apesar de envolto em uma aura épica, e outros personagens servem para acentuar um ou outro aspecto. Um estudo minucioso da obra revela o uso que o autor faz do fato histórico como instrumento de nacionalização da literatura brasileira no século XIX. Alencar pretende criar a consciência histórica do povo, aproximando os acontecimentos reais passados do próprio leitor, de forma a gravar-lhe no espírito o sentimento de nacionalidade. Ao ser transportado para a vida de uma das personagens, o leitor sente-se intimamente ligado a ela, participando dos acontecimentos que se desenrolam, tomando consciência do desenvolvimento político e social de seu país, descobrindo suas origens, convivendo até com figuras ilustres do passado, sem o distanciamento que a história oficial impõe. Essa aproximação se dá através da identificação do leitor com as paixões que movem os personagens, reveladoras de suas verdades pessoais.
Koch, Mirtes Birer. "Parques urbanos sul-americanos: imaginação e imaginabilidade : análise comparativa dos parques : Metropolitano de Santiago (Chile), do Ibirapuera de São Paulo (Brasil), Tres de Febrero de Buenos Aires (Argentina) e El Prado de Montevidéu (Uruguai), para subsidiar elaboração de diretrizes gerais para projetos de sinalização visual, importante meio de proteção das paisagens naturais e culturais da América do Sul." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-27042010-153616/.
Full textThe South American urban parks keep both historical and cultural reminiscences that are crystallized in their natural areas, in their monuments, and in their architecture. On the one hand, the message one acquires from this visual universe may be used to transmit knowledge about the local patrimony; however, it requires efficient communication means to transform this potential into clear and accurate information that leads to users\' understanding and consume. As verified in the visual environmental signage projects of Parque Estadual Serra da Cantareira in São Paulo (Brazil), Güirã-Oga in Misiones (Argentina), and of the Botanic Garden in Rio de Janeiro (Brazil), the signal systems - composed of images and texts based on research conducted in those areas and on the synthesis of the gathered information - not only inform, direct, and guide, but also lead users to make critical reflection on questions related to the patrimony, with consequent positive effects on the system as a whole. This idea is the basis from which visual environmental projects for South American urban parks are derived aiming to disseminate knowledge about natural and cultural landscapes of Latin American countries, and as a result, obtain the inherent benefits such as protection and conservation. In order to subsidize the elaboration of guidelines, an analytical basis for the urban parks will be planned based on a comparative analysis of the Parque Metropolitano in Santiago (Chile), Ibirapuera in São Paulo (Brazil), Tres de Febrero in Buenos Aires (Argentina), and Del Prado in Montevideo (Uruguay). The methods and practices chosen to research and analyze the parks comply with Kevin Lynch\'s set of multimedia (1960) used for creating the urban design for American cities.
Lásková, Petra. "Dramatická soutěž Cen Alfréda Radoka." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202964.
Full textSoukupová, Věra. "Konstrukce historické reality v díle kronikáře Jeana Froissarta." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-351307.
Full textPlatoš, Filip. "Vztah mediálního zobrazení a historické pravdy na příkladu historického filmu a seriálu." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-404653.
Full textMiller, Zbyněk. "Historický záznam emisí Hg na území města Prahy s využitím dendrochronologie." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-323643.
Full textPetrnoušková, Anna. "Způsoby vzniku a reprodukce historického vědomí na příkladu spolku Radecký Praha." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-353673.
Full textCousins, William Christian. "Journalistic affect in the Spanish historical novel, 2000-2004." Thesis, 2014. http://hdl.handle.net/2152/25984.
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Kopřivová, Iveta. "Diplomní projekt - Nábřeží Vltavy v historickém centru Prahy z pohledu krajinářského architekta." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-190177.
Full textMenhard, Jan. "Jubilejní zemská výstava v Praze 1891 v kulturně-historickém kontextu." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-448923.
Full textMareš, Miroslav. "Historicko-geografické příkladové studie o rozvoji oblasti a sídel při komunikaci Praha - Brandýs nad Labem-Stará Boleslav." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-296660.
Full textMareš, Miroslav. "Historicko-geografické příkladové studie o rozvoji oblasti a sídel při komunikaci Praha - Brandýs nad Labem-Stará Boleslav." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-312223.
Full textDrnek, Kryštof. "Nerealizovaná Praha. Historický vývoj neuskutečněné regulace a urbanizace Prahy a souvisejících stavebních projektů v 1.pol. 20.století." Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-373613.
Full text"Reprodução de Liophis miliaris (Serpentes: Colubridae) no Brasil: influencia historica e variações geograficas / \ Ligia Pizzatto do Prado." Tese, Biblioteca Digital da Unicamp, 2003. http://libdigi.unicamp.br/document/?code=vtls000305020.
Full textŠatra, Michal. "HISTORICKÝ VÝVOJ TECHNIKY PLAVECKÝCH ZPŮSOBŮ V SOUVISLOSTI SE ZMĚNAMI PRAVIDEL." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-307552.
Full textGrmelová, Kateřina. "Pražská a florentská neorenesanční architektura 19. století: Kulturně-historické souvislosti a komparace vybraných staveb s renesančními vzory." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-338055.
Full textHrehora, Matúš. "Historicko-sociologické aspekty projektov pražskej rýchlodráhy zo súťaže Elektrických podnikov z roku 1931." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-353169.
Full textTaibl, Pavel. "Archeologie středověkých domů na Starém Městě pražském (Rybná čp. 682/I.)." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-358295.
Full textHonskus, Adam. "Pojetí výuky paleontologie na základních školách." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-387932.
Full textKusáková, Anna. "Památková péče na přelomu 80. a 90. let 20. století v Praze." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-389024.
Full textHaltufová, Kateřina. "Pražská občanská zástavba 19. a začátku 20. století jako svědek proměny společnosti." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-388770.
Full textLopes, Airton Jorge Barreto Monteiro. "Estratégias de intervenção em reabilitação urbana : centro histórico da Cidade da Praia." Master's thesis, 2017. http://hdl.handle.net/10437/8327.
Full textO presente trabalho tem por objetivo investigar sobre as estratégias de intervenção urbana, abordando o caso concreto do Centro Histórico da cidade da Praia, na ilha de Santiago em Cabo Verde. No ano de 1520, o Plateau da Cidade da Praia começou a ser povoado, isso devido à sua localização alta e aptidão defensiva, mas só a partir do século XVIII é que a cidade verdadeiramente se começou a modelar. O estudo e interpretação da cartografia antiga (desde o século XVIII até finais do século XX) foram importantes para compreender a evolução urbana e a importância dos traçados. Com base nas informações recolhidas (em cartografia antiga e em planos mais recentes) e após estudos de campo, realizados em 2016, foi possível sistematizar informação geral sobre as 475 construções do Plateau, e sobre um conjunto de quarteirões escolhidos pela sua representatividade. Sobre essa área de estudo, foram produzidos levantamentos fotográficos e desenhos das frentes de rua, indicadas as suas características (estado de conservação, número de pisos, usos atribuídos às construções e classificação das tipologias arquitetónicas) e foi elaborada uma proposta de regulamento técnico de apoio à gestão. O estudo realizado mostrou que, atualmente, verifica-se uma grande procura de residências e de espaços para comércio, e que os proprietários têm vindo a realizar obras sem o respeito pelas normas de reabilitação do património da Plateau. Isto tem causado a perda da originalidade arquitetónica. A proposta de estratégia elaborada pretende criar regras básicas para salvaguardar as construções de maior interesse e o caráter do conjunto. A estratégia elaborada, em forma de fichas desenhadas, poderá constituir uma mais-valia na salvaguarda das construções, na medida em que propõe que sejam respeitadas, quer as normas que constam do PDM da cidade da Praia, quer as normas de proteção do património arquitetónico.
The goal of this paper is to study urban intervention strategies, specifically covering the Historical Center of Praia, in Santiago, Cape Verde. During the year of 1520, the Plateau of the city of Praia started to become populated, this was due to its location and defensive advantage. But it was only until the XVII century that the city truly started to take form. The study and interpretation of previous cartography (dated back to the XVII century until the end of the XX century) were vital in understanding the urban evolution and the importance of urban form. Basing off of acquired information (using old cartography and more recent plans) and also following field studies performed in 2016, it was possible to organize data pertaining to the 475 constructions on the Plateau, as well as a compound of quarters chosen to give example. Under this area of study, photographic surveys were conducted, as well as drawing plans of the streets, displaying their characteristics (state of conservation, number of floors, the use for these constructions and the architectural classifications) as well as an administrative tecnical regulations proposal. The study conducted showed that, currently, there is high demand for residential and commercial space and also that proprietors have carried out constructions without respect to the architectural heritage of the Plateau, this has provoked the loss thereof. The strategic proposal designed intends to implement basic regulations aimed at proprietors and architects, to safeguard buildings of high interest and group character. The strategy designed, in form of drawed technical files, may present itself as a tremendous asset in the safeguarding of the character of the Plateau, requiring that the regulations instilled by the PDM of the city of Praia, as well as the regulations that protect the architectural heritage are respected.
Šamšulová, Kateřina. "Architektura pražských finančních ústavů do roku 1939 v evropském kontextu." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-356403.
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