Relevant bibliographies by topics / Historiographic metafiction

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Academic literature on the topic 'Historiographic metafiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 January 2023

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Journal articles on the topic "Historiographic metafiction"

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Ivanauskaitė, Jurgita. "Historiographic Metafiction: Structural Adaptation of Linda Hutcheon’s Theory as Strategy for Understanding the Poetics of the Historical Novel." Colloquia 35 (December 28, 2015): 13–33. http://dx.doi.org/10.51554/col.2015.29030.

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The author of this article discusses theoretical approaches for analyzing the contemporary historical novel. The goal of the article is to present Canadian author Linda Hutcheon’s theory of historiographic metafiction as a tool suitable for the interpretation of discursive poetics in the postmodern, as well as the modern, historical novel. Ivanauskaitė reviews Hutcheon’s interpretation of the postmodern historical novel, and then argues that this theory is an instrument that can be adapted to the study of various other types of contemporary historical prose. The article explores connections between literary and historical inter/para-texts.Grounding the concept of historiographic metafiction in the principle of the independence (or coexistence) of literature and history allows attention to be focused on the literary aspect of historiographic metafiction – to analyze it as representation of historical and all cultural reality, and to identify its meanings by highlighting literary forms of expression. An example of this could be the metafictional poetics of irony and parody – their exclusive position and role in the rewriting (altering) of historical and literary representations.While the concept of historiographic metafiction is fundamentally grounded in Hutcheon’s theory, its narrative content is open. The author of this article demonstrates that it can be complemented (expanded) by using, for example, the analytical methods of Gérard Genette and other narrative theorists to examine the genres and cultural articulation of different historical novels. Innovative structural adaptation of this theory is therefore possible. Moreover, the historiographic metafictional approach makes it possible to construct (create) concrete comparative methods for studying contemporary historical novels. She comes to the conclusion that, as a distinct theoretical approach for examining the contemporary historical novel (or other genres of historical prose), historiographic metafiction consists of three strata: the intranarrative, the paranarrative, and the discursive. To illustrate this, she presents an analysis of Herkus Kunčius’s novel Nepasigalėti Dušanskio (Don’t Pity Dušanskis).
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Burger, W. "Postmodernisme: doelgerig of vrolike fuif? 'n Polisieroman en 'n moorddroom." Literator 15, no. 1 (May 2, 1994): 59–72. http://dx.doi.org/10.4102/lit.v15i1.651.

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The incredulity towards metanarratives in the postmodernist era holds serious implications for historiography. Two "historiographic metafictional novels" (Hutcheon's term), one Flemish and one Afrikaans, are discussed in this article. There is a significant difference in the way these two texts react to ontological doubt. On the one hand there is a celebration of the loss of metanarratives in Het beleg van Laken (Walter van den Broeck). On the other hand this loss is used in a very serious way to undermine existing metanarratives in Kroniek uit die doofpot (John Miles). The joyous humour and celebration in Het beleg van Laken is absent in Kroniek uit die doofpot. It is concluded that some historiographic metafiction frivolously celebrates decentring and the incredulity towards metanarratives. In other historiographic metafiction ontological doubt manifests without humour or celebration and serves to undermine metanarratives. It might he true that the celebration belongs to a late capitalist Western culture whereas it is unsuitable for a developing country.
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Manzoor, Fehmida, and Fouzia Rehman Khan. "Identity Formation and Discourse of Power: A Study of Us, Them and Othering in Nervous Conditions." International Journal of English Linguistics 8, no. 4 (April 25, 2018): 262. http://dx.doi.org/10.5539/ijel.v8n4p262.

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This study was designed to trace the deconstruction of authoritative officialized history in fiction through Postmodern Historigraphic Metafiction. Historiographic Metafiction dismantles the metanarrative of official history and raises the voice of silenced subaltern thus generates mininarratives. The study is thus grounded in Postmodern Historiographic Metafictional theory of Linda Hutcheon for investigation of the “subversive strategies” of officialized history and deconstruction of positively accentuated binary of “us” and negatively accentuated binary of “them” in the backdrop of postcolonial literary text Nervous Conditions. Norman Fairclough’s model of Critical Discourse Analysis is taken up as a research method for the analysis of fictionalized historical work under study. Finally, text is analyzed leading to the conclusion of the study. The study shows that fiction unveils the official overriding history and provides new perspectives of untold historical events.
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Alshammari, Mohammed. "Historiographic Metafiction in The Postmodern Arabic and Latin novel: in Mawt Saġīr and Sāʿī Barīd Nayrūdā." Journal of Umm Al-Qura University for Language Sciences and Literature, no. 28 (August 1, 2021): 519–81. http://dx.doi.org/10.54940/ll30910786.

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This paper discusses the representation of historiographic metafiction in the postmodern Arabic and Latin novel. Linda Hutcheon coined the term of Historiographic metafiction. She claims that the postmodern novel contains selfreflexivity, intertextuality, parody. Although some critics see that the postmodern novel is western, Edward Saeed argues that art is “worldly”; therefore, Hutcheon sees that the postmodern novel may be “worldly”. The researcher relies on Saeed and Hutcheon to argue that the representation of historiographic metafiction may be found in Mawt Saġīr and Sāʿī Barīd Nayrūdā.
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Zhang, Xinyu. "Þannig er saga okkar“: Um sagnritunarsjálfsögur og skáldsöguna Hundadaga eftir Einar Má Guðmundsson." Íslenskar kvikmyndir 19, no. 2 (October 24, 2019): 249–73. http://dx.doi.org/10.33112/ritid.19.2.10.

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The ambiguity between reality and fiction haunts Einar Már Guðmundsson’s novel Hundadagar (Dog Days, 2015), as it is a fictional narrative about factual, historical figures and events, such as Jörgen Jörgensen, Rev. Jón Steingrímsson, Finnur Magnússon and Guðrún Johnsen, while the same can be said about many other novels labeled as postmodernism. Canadian literary scholar Linda Hutcheon coined the concept of historiographic metafiction to describe fictions as such, which are “intensely self-reflexive”, while “paradoxically lay claim to historical events and personages”. Hutcheon suggests that historiographic metafictions fully illuminate the very way in which postmodernism entangles itself with both the epistemological and ontological status of history. This paper begins with an introduction to Hutcheon’s theoretical contributions on postmodernism, postmodern literature and the relationship between history and fiction, followed by a reading of Hundadagar as a historiographic metafiction. The narrator’s strategies—such as parataxis, metanarrative comments, we-narrative discourse and documentary intertext—largely indicate an imitation, a revelation, or say, a parody of the process of historian’s writings. The paper further suggests that it is the Icelandic financial crisis in 2008 that prompts the narrator to revisit the 18. and 19. century, since the financial crisis takes the role of a rupture of the Enlightenment ideals, leading to disorder and chaos. Moreover, the narrator finds an uncanny similarity between the past and the present, as if the history has been repeating itself. The spectre of history keeps (re)appearing in a deferred temporality. While revisiting the past, the narrator also (re)visits the present in an allegorical way. In a word, as a historiographic metafiction, Einar Már Guðmundsson’s Hundadagar is “fundamentally contradictory, resolutely historical, and inescapably political”, just as Hutcheon’s perception of postmodernism.
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Manzoor, Fehmida, Mehwish Malghani, and Shumaila Mazher. "Lying with truth: A Postmodernist Representation of History in Gerald Vizenor’s The Heirs of Columbus." Global Social Sciences Review IV, no. II (June 30, 2019): 196–202. http://dx.doi.org/10.31703/gssr.2019(iv-ii).26.

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This study traces the representation of deconstructed history in Gerald Vizenors fictional work The Heirs of Columbus. The study highlights the metanarrative techniques through which the officialized history is subverted and decentralized. The study is grounded in postmodern Historiographic Metafiction theory of Linda Hutcheon for investigation of the data. Historiographic metafiction dismantles the overriding official version of history and presents many mini versions of truths. The study exhibits the dismantled version of overriding history of American Indians. It gives an insight into the American Indian approach of United States history.
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Della Coletta, Cristina. "Historiographic Metafiction: P.M. Pasinetti's Melodramma." Quaderni d'italianistica 15, no. 1-2 (October 1, 1994): 121–36. http://dx.doi.org/10.33137/q.i..v15i1-2.10244.

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Thaden, Barbara Z. "Charles Johnson's Middle Passage as Historiographic Metafiction." College English 59, no. 7 (November 1997): 753. http://dx.doi.org/10.2307/378634.

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Hussein Muneer, Mohammed Abdul. "A LITERATURE REVIEW: POSTMODERNISM AND HISTORIOGRAPHIC METAFICTION." International Journal of Research in Social Sciences and Humanities 10, no. 02 (April 25, 2020): 161–68. http://dx.doi.org/10.37648/ijrssh.v10i02.012.

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Alden, Natasha. "From the Effective to the Affective: Postmemory in Emma Donoghue’s The Sealed Letter." Contemporary Women's Writing 14, no. 1 (March 2020): 107–24. http://dx.doi.org/10.1093/cww/vpaa017.

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Abstract This article has a dual focus. It demonstrates the recent repoliticization of Linda Hutcheon’s category of historiographic metafiction through the extension of Marianne Hirsch’s concept of postmemory to lesbian novelists, arguing that this theoretical framework offers a lens through which we can understand some recent trends in lesbian historical fiction. Focusing on the novelist and critic Emma Donoghue’s 2008 novel The Sealed Letter, it also argues that this text’s evocation of an imagined lesbian past, and its use of metafictional techniques, are illuminated by reading it as a highly political engagement with lesbian postmemory.
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Dissertations / Theses on the topic "Historiographic metafiction"

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Pomeroy, Barry S. "Historiographic metafiction or lying with the truth." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ57515.pdf.

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Murray, Paul Leonard. "The historiographic metafiction of Etienne van Heerden." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/53120.

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Thesis (MA)--Stellenbosch University, 2002.
ENGLISH ABSTRACT: This thesis investigates the possibility that there are other ways in which to represent the past, not just the traditional way as practised by historians. For instance, other forms such as historical fiction in the historical novel, and therefore, narrative, can act as an important conduit for conveying historical meaning. Through the examination of the historiographic metafiction of the South African writer, Etienne Van Heerden, this study has concluded that through a reading of both the author's belletristic and theoretical texts, readers interested in history and literature will gain some understanding of the problems that come with writing up the past. At the same time, they will gain some knowledge of a different way of writing about South African history, because the author portrays the historical events in a refreshing, vivid and imaginative way. However, it needs to be said from the outset that in no way is the writer of this thesis neglecting the merits of traditional history or advocating its abolition, which is, ultimately, the scientific way of representing the past and remains sacred and paramount for the historian, both amateur and professional.
AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die moontlikheid dat die verlede volgens ander sienswyses voorgestel kan word en nie slegs volgens die tradisionele sienswyses van historici nie. Daar is byvoorbeeld ander vorme, soos historiese fiksie wat in historiese novelles gebruik word, en daarom kan die narratief as 'n belangrike kanaal dien om historiese betekenis mee oor te dra. Deur 'n ondersoek van die historiese metafiksie van die Suid-Afrikaanse skrywer, Etienne van Heerden, kom hierdie studie tot die gevolgtrekking dat deur die lees van beide die skrywer se belletristiese en teoretiese tekste, lesers wat in die geskiedenis en literatuur belangstel, 'n begrip sal kry van die problematiek wat gepaard gaan met die skryf van geskiedenis. Terselfdertyd sal hulle 'n begrip kry van 'n alternatiewe skryf van die Suid-Afrikaanse geskiedenis, omdat die skrywer historiese gegewens in 'n verfrissende, helder en verbeeldingryke wyse oordra. Dit moet egter beklemtoon word dat die skrywer van hierdie tesis geensins die meriete van tradisionele geskiedskrywing negeer of die afskaffing daarvan voorstaan nie, aangesien die wetenskaplike voorstelling van die verlede kosbaar en van kardinale belang vir beide amateur en professionele historici bly.
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Webb, Ryan. "Imagining the historical individual in works of historiographic metafiction." Thesis, University of East Anglia, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426910.

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Historiographic metafiction - self-reflexive postmodernist fiction which incorporates historical events and personages, according to Linda Hutcheon's definition - offers a parodic critique of the epistemology and narrative forms of traditional historiography and historical fiction. Calling into question the totalising grand narratives of "official" history, it refigures the past into self-consciously fictional forms that problematise the ontological boundary between the "real" and "fictional" and challenges the predominant cultural sense of History as the public actions of the Great. Hutcheon's original study of the form, however, devotes little attention to works of historiographic metafiction centred on the fictionalised inner life and private experience of a real-world historical individual. My thesis is an attempt to at least partially rectify this oversight by offering readings of three such texts: Michael Ondaatje's The Collected Works of Billy the Kid, Peter Carey's True History of the Kelly Gang and Don DeLillo's Libra. By way of comparison, I also offer a reading of Salman Rushdie's Midnight's Children, an influential historiographic metafiction in which the incorporation of historical personages is objective and peripheral, but in which the fictional refiguration of public history is nevertheless highly individualistic. This thesis contends that while postmodernist theory and fiction typically contest liberal humanist conceptions of the individual subject as autonomous and unified, these works of historiographic metafiction nevertheless use narratives of individual subjectivity - fragmented and socio-historically situated, interior and experiential, domestic and private - to challenge traditional historical discourse's pri vileging of the public and the momentous. I argue that Ondaatje' s, Carey's and DeLillo's texts both utilise and subvert the conventions of historical documentation and realist fiction in order to expose the artificiality of their own apparently authentic representation; by foregrounding their own authorial acts of narrative power, they ultimately reveal the irreducible absence of the "real" historical individual from both historical and fictional texts.
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Hui, Lai-ka Jodie. "Postmodern passion in historiographic metafiction an analysis of four texts /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B32021483.

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Hui, Lai-ka Jodie, and 許麗卡. "Postmodern passion in historiographic metafiction: an analysis of four texts." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B32021483.

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Mack, Bettina [Verfasser]. "Historiographic Metafiction in North America : A Comparative Approach / Bettina Mack." Konstanz : KOPS Universität Konstanz, 2019. http://d-nb.info/1217598065/34.

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Smith, Christopher B. "The Development of the Reimaginative and Reconstructive in Historiographic Metafiction: 1960-2007." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281462227.

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Kotte, Christina. "Ethical dimensions in British historiographic metafiction : Julian Barnes, Graham Swift, Penelope Lively." Trier : Wissenschaftlicher Verlag Trier, 2001. http://catalogue.bnf.fr/ark:/12148/cb389003523.

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Thomas, Glen Joseph. "Plots and plotters : narrative, desire, and ideology in contemporary American historiographic metafiction /." [St. Lucia, Qld.], 2001. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16176.pdf.

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Detels, Polly Elizabeth. "When "The Lie Becomes Truth": Four Historiographic Novels of the Twentieth Century." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc5508/.

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This dissertation is an exploration of relationships between fiction and history as illuminated by historiographic fiction in general and the historiographic novel in particular. Here the term historiography is employed particularly in several of its many meanings: as the study of the materials and techniques of history, the study of what it means to be a historian, and the study of the philosophy of history. All of these are comprehended in the larger definition of issues pertaining to the writing of history. Four twentieth-century novels are presented and analyzed as historiographic novels. The common element in analysis of all the novels is the examination of historiographic material encoded in narrative, plot, characters, theme, structure or style. Each analysis focuses on one historiographic assumption or problem and brings in perspectives of historians or theorists of history as well as non-novelistic, critical perspectives of the authors themselves. E. M. Forster's Howards End (1910) is analyzed as an imaginative exposé of causality in historical thinking. All the King's Men by Robert Penn Warren (1946) is presented as a gloss on Isaiah Berlin's critique of Leo Tolstoy's second epilogue to War and Peace. Several essays by philosopher Eric Voegelin provide the theoretical framework for a historiographic analysis of Milan Kundera's The Book of Laughter and Forgetting (1978). The historiographic reading of Graham Swift's Waterland (1983) turns on the convergence of tensions between natural and human history with conflicting ideas of what constitutes revolution. In the process of these analyses, the study establishes general properties of the historiographic novel, as opposed to related categories (historical novel, nonfiction novel, and historiographic metafiction, for example). The isolation, description, and examination of historiographic novels as a category of history is offered as a contribution to the debate about the relationships, respectively, between narrative and objectivity, and experience and representation.
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Books on the topic "Historiographic metafiction"

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Kotte, Christina. Ethical dimensions in British historiographic metafiction: Julian Barnes, Graham Swift, Penelope Lively. Trier: WVT, Wissenschaftlicher Verlag Trier, 2001.

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Bernd, Engler, and Müller Kurt 1943-, eds. Historiographic metafiction in modern American and Canadian literature. Paderborn: F. Schöningh, 1994.

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The Return of the Historical Novel?: Thinking About Fiction and History After Historiographic Metafiction. Universitaetsverlag Winter, 2017.

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World War II in Andreï Makine's Historiographic Metafiction: 'No One Is Forgotten, Nothing Is Forgotten'. BRILL, 2018.

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Montford, Silas. Power, Politics, and the Making of Truth: The Medieval World of Knowledge and Being in Historiographic Metafiction. Independently Published, 2018.

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Brannigan, John. The Novel as History. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198749394.003.0016.

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This chapter discusses the historiographic nature of postmodern novels. The predominance of the historiographic in postmodern fiction is in marked contrast to modernism. Here, postmodernism is distinguished in fiction by its preoccupation with the past. The most striking feature of postmodern fiction is its reinvention of the historical novel. The postmodern historical novel prefers narratives of catastrophe and exhaustion to revolutionary progress or national awakening. Yet as much as it seemed to coincide with the currency of a facile notion of ‘the end of history’, the emergence of ‘historiographic metafiction’ signalled instead the revival of a critical sense of historicity, in which the fabulous and the unbelievable could make ‘history’ credible again.
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Book chapters on the topic "Historiographic metafiction"

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Schlick, Yaël. "Historiographic Metafiction." In Metafiction, 93–122. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003180951-5.

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Yousef, Nisreen T. "Historiographic metafiction and renarrating history." In The Routledge Companion to Pakistani Anglophone Writing, 116–24. London ; New York, NY : Routledge, 2018. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315180618-11.

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Lackey, Michael. "Postmodernism’s Historiographic Metafiction or Biofiction’s “Truth” Proposals." In Biofiction, 98–110. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003159414-8.

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Lukić, Jasmina. "Recent historical novels and historiographic metafiction in the Balkans." In Comparative History of Literatures in European Languages, 480–93. Amsterdam: John Benjamins Publishing Company, 2004. http://dx.doi.org/10.1075/chlel.xix.57luk.

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West, Mark. "The Contemporary Sixties Novel: Post-postmodernism and Historiographic Metafiction." In 21st Century US Historical Fiction, 209–27. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_12.

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Kaličanin, Milena. "Alice Munro’s The View from Castle Rock (2007): An Example of “Historiographic Metafiction”." In Les Migrations postmodernes: Le Canada = Postmodern Migrations: Canada, 265–76. Beograd: Univerzitet u Beogradu, Filološki fakultet, Srpska asocijacija za kanadske studije, 2021. http://dx.doi.org/10.18485/asec_sacs.2021.9.ch19.

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Romanets, Maryna. "Carnivalesque Mystifications, National Icon, and Orientalist Dreams: Zhytiie haremnoie [Life in the harem] as Historiographic Metafiction." In Ukrainian Erotomaniac Fictions: First Postindependence Wave, 61–78. New York : Routledge, 2019. | Series: Routledge studies in twentieth-century literature: Routledge, 2019. http://dx.doi.org/10.4324/9781351022187-4.

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Jentsch-Mancor, Kerstin. "4. Historiographic metafiction, historical culture and social memory in three novels by Matessis (1990), Davvetas (2006) and Faïs (2010)." In Trauma und Erinnerung, 129–50. Köln: Böhlau Verlag, 2018. http://dx.doi.org/10.7788/9783412501259.129.

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"Historiographic metafiction." In Metafiction, 81–101. Routledge, 2014. http://dx.doi.org/10.4324/9781315844107-13.

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"British historiographic metafiction." In Metafiction, 102–13. Routledge, 2014. http://dx.doi.org/10.4324/9781315844107-14.

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