Relevant bibliographies by topics / Historiography metafiction

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Academic literature on the topic 'Historiography metafiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Historiography metafiction"

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Burger, W. "Postmodernisme: doelgerig of vrolike fuif? 'n Polisieroman en 'n moorddroom." Literator 15, no. 1 (1994): 59–72. http://dx.doi.org/10.4102/lit.v15i1.651.

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The incredulity towards metanarratives in the postmodernist era holds serious implications for historiography. Two "historiographic metafictional novels" (Hutcheon's term), one Flemish and one Afrikaans, are discussed in this article. There is a significant difference in the way these two texts react to ontological doubt. On the one hand there is a celebration of the loss of metanarratives in Het beleg van Laken (Walter van den Broeck). On the other hand this loss is used in a very serious way to undermine existing metanarratives in Kroniek uit die doofpot (John Miles). The joyous humour and c
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Musschoot, Anne Marie. "The Challenge of Postmodernism Representation—Historiography—Metafiction." Dutch Crossing 14, no. 41 (1990): 3–15. http://dx.doi.org/10.1080/03096564.1990.11783940.

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Zimmerman, Tegan. "Unauthorized Storytelling: Reevaluating Racial Politics in Julia Alvarez’s In the Time of the Butterflies." MELUS 45, no. 1 (2020): 95–116. http://dx.doi.org/10.1093/melus/mlz067.

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Abstract This article revisits Julia Alvarez’s critically acclaimed historical novel In the Time of the Butterflies (1994). While much scholarship has paid attention to the novel as historiographic metafiction, its depiction of Rafael Leónidas Trujillo’s regime (1930-61), and its feminist perspective on the Dominican Republic, its racial politics are under-studied. In particular, scholars have overlooked Fela, the Afra-Dominican servant, spirit medium, and storyteller. I argue that studying Fela’s presence in the text as an unauthorized and unauthored voice not only adds complexity to the prod
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La Regina, Anne Greice Soares. "Tempo revisto, tempo reescrito: as metaficções historiográficas / Revised Time, Rewritten Time: Historiographic Metafictions." Caligrama: Revista de Estudos Românicos 26, no. 1 (2021): 129. http://dx.doi.org/10.17851/2238-3824.26.1.129-144.

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Resumo: O presente artigo, trabalho de pesquisa bibliográfica com viés qualitativo, empreende um recorte histórico das discussões em torno da metaficção historiográfica e da metabiografia num período que compreende o final do século XX. Esta investigação busca demonstrar o modo pelo qual estas narrativas se configuraram como respostas da arte e da cultura a fenômenos complexos, determinados pela crise do regime modernista de historicidade que encontrou ressonância também nas concepções pós-modernistas que, por sua vez, retomaram as discussões acerca das contradições do próprio modernismo e rec
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Du Plooy, H. "Die deurlopende koord." Literator 20, no. 3 (1999): 201–12. http://dx.doi.org/10.4102/lit.v20i3.507.

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The endless threadThis article discusses the volume of short stories, Boereoorlogstories, which was compiled and edited by Jeanette Ferreira. The stories are all about the Anglo-Boer War (1899-1902) and though some of the stories simply retell history from the point of view of specific individuals, some of the stories are indeed fine examples of postmodernist fiction. In the best stories in the volume the narrators engage with history in a number of ways: by indicating the fallacies of historiography, by contrasting little narratives with the master narrative of official historical documents,
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Manzoor, Fehmida, and Fouzia Rehman Khan. "Identity Formation and Discourse of Power: A Study of Us, Them and Othering in Nervous Conditions." International Journal of English Linguistics 8, no. 4 (2018): 262. http://dx.doi.org/10.5539/ijel.v8n4p262.

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This study was designed to trace the deconstruction of authoritative officialized history in fiction through Postmodern Historigraphic Metafiction. Historiographic Metafiction dismantles the metanarrative of official history and raises the voice of silenced subaltern thus generates mininarratives. The study is thus grounded in Postmodern Historiographic Metafictional theory of Linda Hutcheon for investigation of the “subversive strategies” of officialized history and deconstruction of positively accentuated binary of “us” and negatively accentuated binary of “them” in the backdrop of postcolon
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Zhang, Xinyu. "Þannig er saga okkar“: Um sagnritunarsjálfsögur og skáldsöguna Hundadaga eftir Einar Má Guðmundsson." Íslenskar kvikmyndir 19, no. 2 (2019): 249–73. http://dx.doi.org/10.33112/ritid.19.2.10.

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The ambiguity between reality and fiction haunts Einar Már Guðmundsson’s novel Hundadagar (Dog Days, 2015), as it is a fictional narrative about factual, historical figures and events, such as Jörgen Jörgensen, Rev. Jón Steingrímsson, Finnur Magnússon and Guðrún Johnsen, while the same can be said about many other novels labeled as postmodernism. Canadian literary scholar Linda Hutcheon coined the concept of historiographic metafiction to describe fictions as such, which are “intensely self-reflexive”, while “paradoxically lay claim to historical events and personages”. Hutcheon suggests that
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Alden, Natasha. "From the Effective to the Affective: Postmemory in Emma Donoghue’s The Sealed Letter." Contemporary Women's Writing 14, no. 1 (2020): 107–24. http://dx.doi.org/10.1093/cww/vpaa017.

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Abstract This article has a dual focus. It demonstrates the recent repoliticization of Linda Hutcheon’s category of historiographic metafiction through the extension of Marianne Hirsch’s concept of postmemory to lesbian novelists, arguing that this theoretical framework offers a lens through which we can understand some recent trends in lesbian historical fiction. Focusing on the novelist and critic Emma Donoghue’s 2008 novel The Sealed Letter, it also argues that this text’s evocation of an imagined lesbian past, and its use of metafictional techniques, are illuminated by reading it as a high
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López Ropero, Mª Lourdes. "“Beating Back the past”: Toni Morrison’s Beloved as Historiographic Metafiction." Philologia Hispalensis 2, no. 13 (1999): 173–78. http://dx.doi.org/10.12795/ph.1999.v13.i02.19.

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Stojanovic, Aleksandra. "MAPPING THE METAFICTIONAL / MAPIRANJE METAFIKCIJE." Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog fakulteta u Sarajevu, ISSN 2303-6990 on-line, no. 23 (November 10, 2020): 318–40. http://dx.doi.org/10.46352/23036990.2020.318.

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The aim of the paper is to present Aleksandar Hemon’s The Lazarus Project as a postmodern narrative which employs various strategies such as an altered view of history, namely history serving purely as material to construct a new narrative, a growing emphasis on the manner in which space affects one’s identity and overall hybridity in both the narrative structure and the characters themselves. We shall discuss Linda Hutcheon’s notion of historiographic metafiction as the key concept around which the narrative is formed, followed by a view of the characters’ search for identity in the metaficti
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Dissertations / Theses on the topic "Historiography metafiction"

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Buchberger, Michelle Philips. "Metafiction, historiography, and mythopoeia in the novels of John Fowles." Thesis, Brunel University, 2009. http://bura.brunel.ac.uk/handle/2438/6558.

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This thesis concerns the novelist John Fowles and analyses his seven novels in the order in which they were written. The study reveals an emergent artistic trajectory, which has been variously categorized by literary critics as postmodern. However, I suggest that Fowles's work is more complex and significant than such a reductive and simplistic label would suggest. Specifically, this study argues that Fowles's work contributes to the reinvigoration of the novel form by a radical extension of the modernist project of the literary avant-garde, interrogating various conventions associated with bo
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Murray, Paul Leonard. "The historiographic metafiction of Etienne van Heerden." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/53120.

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Thesis (MA)--Stellenbosch University, 2002.<br>ENGLISH ABSTRACT: This thesis investigates the possibility that there are other ways in which to represent the past, not just the traditional way as practised by historians. For instance, other forms such as historical fiction in the historical novel, and therefore, narrative, can act as an important conduit for conveying historical meaning. Through the examination of the historiographic metafiction of the South African writer, Etienne Van Heerden, this study has concluded that through a reading of both the author's belletristic and theoretical te
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Thomas, Glen Joseph. "Plots and plotters : narrative, desire, and ideology in contemporary American historiographic metafiction /." [St. Lucia, Qld.], 2001. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16176.pdf.

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Detels, Polly Elizabeth. "When "The Lie Becomes Truth": Four Historiographic Novels of the Twentieth Century." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc5508/.

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This dissertation is an exploration of relationships between fiction and history as illuminated by historiographic fiction in general and the historiographic novel in particular. Here the term historiography is employed particularly in several of its many meanings: as the study of the materials and techniques of history, the study of what it means to be a historian, and the study of the philosophy of history. All of these are comprehended in the larger definition of issues pertaining to the writing of history. Four twentieth-century novels are presented and analyzed as historiographic novels.
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Borges, Patrícia Espíndola. "A METAFICÇÃO HISTORIOGRÁFICA NA LITERATURA GOIANA: DOIS AUTORES, DUAS OBRAS." Pontifícia Universidade Católica de Goiás, 2009. http://localhost:8080/tede/handle/tede/3169.

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Made available in DSpace on 2016-08-10T11:06:49Z (GMT). No. of bitstreams: 1 PATRICIA ESPINDOLA BORGES.pdf: 761896 bytes, checksum: 76861850fcb5371e73c4d612f3e3d0c5 (MD5) Previous issue date: 2009-09-25<br>This essay aims to discuss the historiography metafictional in the books A Casca da Serpente, by José J. Veiga and Sete Léguas de Paraíso , by Antônio José de Moura, based on theoretical studies of Hayden White, George Lukács, Linda Hutcheon and Aristóteles, among others. Initially, discuss the conception of history and literature and their respective discourse. Then make a soon evolutio
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Pomeroy, Barry S. "Historiographic metafiction or lying with the truth." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ57515.pdf.

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Webb, Ryan. "Imagining the historical individual in works of historiographic metafiction." Thesis, University of East Anglia, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426910.

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Historiographic metafiction - self-reflexive postmodernist fiction which incorporates historical events and personages, according to Linda Hutcheon's definition - offers a parodic critique of the epistemology and narrative forms of traditional historiography and historical fiction. Calling into question the totalising grand narratives of "official" history, it refigures the past into self-consciously fictional forms that problematise the ontological boundary between the "real" and "fictional" and challenges the predominant cultural sense of History as the public actions of the Great. Hutcheon'
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Hui, Lai-ka Jodie. "Postmodern passion in historiographic metafiction an analysis of four texts /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B32021483.

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Mack, Bettina [Verfasser]. "Historiographic Metafiction in North America : A Comparative Approach / Bettina Mack." Konstanz : KOPS Universität Konstanz, 2019. http://d-nb.info/1217598065/34.

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Hui, Lai-ka Jodie, and 許麗卡. "Postmodern passion in historiographic metafiction: an analysis of four texts." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B32021483.

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Books on the topic "Historiography metafiction"

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Kotte, Christina. Ethical dimensions in British historiographic metafiction: Julian Barnes, Graham Swift, Penelope Lively. WVT, Wissenschaftlicher Verlag Trier, 2001.

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Bernd, Engler, and Müller Kurt 1943-, eds. Historiographic metafiction in modern American and Canadian literature. F. Schöningh, 1994.

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The Return of the Historical Novel?: Thinking About Fiction and History After Historiographic Metafiction. Universitaetsverlag Winter, 2017.

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Brannigan, John. The Novel as History. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198749394.003.0016.

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This chapter discusses the historiographic nature of postmodern novels. The predominance of the historiographic in postmodern fiction is in marked contrast to modernism. Here, postmodernism is distinguished in fiction by its preoccupation with the past. The most striking feature of postmodern fiction is its reinvention of the historical novel. The postmodern historical novel prefers narratives of catastrophe and exhaustion to revolutionary progress or national awakening. Yet as much as it seemed to coincide with the currency of a facile notion of ‘the end of history’, the emergence of ‘histori
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Book chapters on the topic "Historiography metafiction"

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Yousef, Nisreen T. "Historiographic metafiction and renarrating history." In The Routledge Companion to Pakistani Anglophone Writing. Routledge, 2018. http://dx.doi.org/10.4324/9781315180618-11.

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Lackey, Michael. "Postmodernism’s Historiographic Metafiction or Biofiction’s “Truth” Proposals." In Biofiction. Routledge, 2021. http://dx.doi.org/10.4324/9781003159414-8.

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Lukić, Jasmina. "Recent historical novels and historiographic metafiction in the Balkans." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2004. http://dx.doi.org/10.1075/chlel.xix.57luk.

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West, Mark. "The Contemporary Sixties Novel: Post-postmodernism and Historiographic Metafiction." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_12.

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Kaličanin, Milena. "Alice Munro’s The View from Castle Rock (2007): An Example of “Historiographic Metafiction”." In Les Migrations postmodernes: Le Canada = Postmodern Migrations: Canada. Univerzitet u Beogradu, Filološki fakultet, Srpska asocijacija za kanadske studije, 2021. http://dx.doi.org/10.18485/asec_sacs.2021.9.ch19.

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Romanets, Maryna. "Carnivalesque Mystifications, National Icon, and Orientalist Dreams: Zhytiie haremnoie [Life in the harem] as Historiographic Metafiction." In Ukrainian Erotomaniac Fictions: First Postindependence Wave. Routledge, 2019. http://dx.doi.org/10.4324/9781351022187-4.

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Jentsch-Mancor, Kerstin. "4. Historiographic metafiction, historical culture and social memory in three novels by Matessis (1990), Davvetas (2006) and Faïs (2010)." In Trauma und Erinnerung. Böhlau Verlag, 2018. http://dx.doi.org/10.7788/9783412501259.129.

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Marrone, Daniel. "Forging Histories: Ghost Worlds and Invented Communities." In Forging the Past. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496807311.003.0008.

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This chapter explores Seth’s invented worlds and interior landscapes, making particular use of Linda Hutcheon’s concepts of the heterocosm and historiographic metafiction, as well as certain frameworks from Hayden White’s landmark work Metahistory (specifically, the conception of three kinds of historiography: fabulous, true, and satirical). Seth ambivalently situates himself in relation to the past by remaking it in fictional form – and in the process encourages the reader to take up a similarly ambivalent position. Seth takes advantage of the credibility often attributed to historicizing discourses, using them to fortify his invented Canadian realities. His work accommodates the double meaning of the word “forge” and in doing so points to the deliberate manipulation of material that even the most apparently neutral history entails. Seth’s work engages readers in the process of making their own historical knowledge. Moreover he prompts readers to make historical knowledge that is ironic, nostalgic, or otherwise ambivalent.
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"Historiographic metafiction." In Metafiction. Routledge, 2014. http://dx.doi.org/10.4324/9781315844107-13.

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"British historiographic metafiction." In Metafiction. Routledge, 2014. http://dx.doi.org/10.4324/9781315844107-14.

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