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Journal articles on the topic 'Historiography of architecture'

Author: Grafiati

Published: 8 June 2024

Last updated: 31 July 2025

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1

Gohardani, Navid. "ARCHITECTURE IN EFFECT: A Glance at Critical Historiography." International Journal of Architectural Research: ArchNet-IJAR 8, no. 1 (2014): 184. http://dx.doi.org/10.26687/archnet-ijar.v8i1.335.

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Historiography marks a relatively unexplored research domain in architecture. Despite the obscure nature of this subject matter, architectural historiography equally illuminates a hidden pathway to the historical interaction of architecture with art or literature. Critical historiography adds another dimension to this emerging research topic that further encapsulates multiple levels of criticism. In recognition of a growing interest for historiography, it can be argued that the critical aspects of historiography may serve as crucial instruments for an enhanced understanding of architectural hi

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Caldenby, Claes, and Britt-Inger Johansson. "Historiography of Swedish Architecture." Konsthistorisk tidskrift/Journal of Art History 85, no. 1 (2016): 1–7. http://dx.doi.org/10.1080/00233609.2016.1144691.

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Pollak, Martha. "Historiography and Architecture I." Journal of Architectural Education 44, no. 3 (1991): 130. http://dx.doi.org/10.1080/10464883.1991.11102681.

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Anderson, Stanford. "Historiography and Architecture II." Journal of Architectural Education 44, no. 4 (1991): 194. http://dx.doi.org/10.1080/10464883.1991.11102693.

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García-Ramirez, Wiliam. "Revisionismo histórico en arquitectura, en el intersticio de los siglos XX y XXI: reivindicar, rescatar o negar una memoria." Arquitecturas del Sur 38, no. 59 (2021): 06–27. http://dx.doi.org/10.22320/07196466.2021.39.059.01.

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Historical revisionism, a phenomenon typical of social and political sciences, has been consolidated at the start of the 21st century as one of the paradigmatic strategies in architecture, with the purpose of rewriting -or erasing- historical memories of the city. In this context, the objective of the research presented here was to investigate the relationship between different convergent social and political situations on the issue of memory and the demolition/construction of architectures, as a strategy to question events from the past and the official narratives. As this is a historiographi

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Tostões, Ana. "Towards a fresh reading of MoMo historiography." An Eastern Europe Vision, no. 59 (2018): 2–3. http://dx.doi.org/10.52200/59.a.vhvqpxas.

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While visiting the MAO (Museum of Architecture and Design) in Ljubljana one can appreciate the architectural power of Stanko Kristl’s work. The impressive buildings of this Slovenian architect revealed through the exhibition "Humanity and Space", illuminate the beauty of the museum space with some astonishing works and show why Eastern Europe deserves to be included in the historiography of the Modern Movement, to clearly demonstrate the contribution of Iron Curtain countries to the modern avant-garde. As Matevz Celik recognizes, “through his architecture he worked to provide responses to the

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MARANCI, Ch. "The Historiography of Armenian Architecture." Revue des Études Arméniennes 28 (January 1, 2002): 287–308. http://dx.doi.org/10.2143/rea.28.0.505084.

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Lozanovska, Mirjana, Vladimir Kulić, Alicja Gzowska, et al. "Forum: Cold War Architecture Historiography." Fabrications 31, no. 2 (2021): 279–94. http://dx.doi.org/10.1080/10331867.2021.1938816.

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Kavas, Kemal Reha. "Environmental representation: Bridging the drawings and historiography of Mediterranean vernacular architecture." Journal of Human Sciences 14, no. 4 (2017): 3472. http://dx.doi.org/10.14687/jhs.v14i4.4758.

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Architectural drawings, which are projections of spaces on a paper surface, can be categorized according to the projections’ directional and temporal relation with the represented space. A projection becomes a documentation when it departs from an existing spatial organization for recording it on paper. The projection serves the design process when it departs from the present to foresee a spatial proposal in the future. While the former records the present within limited interpretive range, the latter is more constructive. While these two types of projections are known widely, there is another

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Ferkai, András. "Revisiting interbellum architecture of Hungary." An Eastern Europe Vision, no. 59 (2018): 12–17. http://dx.doi.org/10.52200/59.a.0pqf6snc.

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Though there are fans of the “Bauhaus style” and the term is largely used by the real estate market (in an incorrect way), modern architecture cannot arouse interest and sympathy in the majority of Hungarian society. Far from being a closed chapter, interwar architecture does not stand in the lime-light of Hungarian historiography either. This paper tries to find causes of this indifference and highlight achievements in historiography and preservation. Its aim is in particular to report on new scholarly publications as well as case studies that are occasionally good examples but more often con

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Akboy-İlk, Serra. "Ali Saim Ülgen: Building a Historiography of Turkish Architecture." Turkish Historical Review 10, no. 1 (2019): 71–97. http://dx.doi.org/10.1163/18775462-01001001.

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Ali Saim Ülgen (1913–63), a preservation architect, architectural historian, author, bureaucrat and educator, was a leading figure in the nascent field of heritage conservation during the early decades of the Republic of Turkey. This was a time when the Republican leaders sought to establish the national character of art and architecture by interpreting the “Turkishness” and uniqueness of the Ottoman heritage through the tenets of the Modern Movement. The reconciliation of the modernist rationale with nationalist historiography created contested paradigms in a nation searching for its cultural

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Behdad, Ali. "On Photographic Monumentalism: Nineteenth-century Representations of Architectural and Historical Sites." Journal of Material Cultures in the Muslim World 4, no. 2 (2024): 153–69. http://dx.doi.org/10.1163/26666286-12340044.

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Abstract This article addresses the intertwined history of photography and architectural historiography in the nineteenth century. Focusing on European photography of Egyptian antiquity and Palestine’s biblical sites, it elaborates how a commemorative form of historiography deploys photographic images of what came to be known as the “historic monument” to construct notions of patrimony, historical heritage, national identity, and imperial mission. The second part of the essay discusses photographic monumentalism in Qajar, Iran, and Ottoman Turkey as different responses to Orientalist represent

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Kutluoğlu, Onur, and Mehmet Hakan Ertek. "EMERGENCE OF ARCHITECTURAL HISTORY GRAPHIC NOVELS AS A POTENTIAL SUBGENRE: A POSTMODERN PERSPECTIVE." Turkish Online Journal of Design Art and Communication 15, no. 3 (2025): 909–23. https://doi.org/10.7456/tojdac.1674082.

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This article examines the relationship between graphic novels and historiography within the framework of postmodern theory, and introduces architectural history graphic novels as an emerging subgenre in the intersection of architectural historiography and graphic narrative. Postmodern historiography contends that historical knowledge is not an objective, linear narrative but rather a representational construct shaped by subjectivity, multilayered representations, and narrativity. Graphic novels that adopt this perspective employ both verbal and visual narrative tools to reveal the fictional di

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De la Vega de León, Macarena. "Modern to Contemporary: A Historiography of Global in Architecture." Cuaderno de Notas, no. 20 (July 31, 2019): 43. http://dx.doi.org/10.20868/cn.2019.4259.

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ResumenA finales del siglo XX se produjo un cambio en la manera de escribir la historia de la arquitectura. A partir de 1999, aparece un cierto impulso para entender la arquitectura desde un punto de vista global, a la luz de la teoría postcolonial. Sibel Bozdoğan hace la siguiente proposición: escribir una ‘historia entrelazada/entretejida,’ que demuestre que el canon occidental y la producción cultural de las sociedades aparte de Europe y los Estados Unidos no son independientes, ni que ésta última fuera a sustituir a aquella. La bibliografía resultante no ha sabido mostrar las sutiles insta

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Moulis, Antony. "Time, History and Architecture: Essays on Critical Historiography." Fabrications 30, no. 2 (2020): 289–91. http://dx.doi.org/10.1080/10331867.2020.1758294.

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Getka-Kenig, Mikołaj. "Urzędnicza kariera Bonifacego Witkowskiego (1800–1840) – przyczynek do dziejów biurokracji budowlanej w Królestwie Polskim." Kwartalnik Historii Nauki i Techniki 68, no. 3 (2023): 81–96. http://dx.doi.org/10.4467/0023589xkhnt.23.028.18408.

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The Administrative Career of Bonifacy Witkowski (1800–1840) – A Contribution to the History of Building Bureaucracy in the Kingdom of Poland Biographies of architects have a well-established tradition in the Polish historiography of architecture. This also applies to the historiography of Polish architecture at the turn of the 19th c., which predominantly revolves around biographical studies. However, architectural biographies of this period often concentrate on the architects active in big cities, while their colleagues working in provincial areas receive comparatively less research attention

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Ritoók, Pál, and Ágnes Anna Sebestyén. "Communicating “space and form?”: The history and impact of the journal Tér és Forma as the Hungarian pipeline of Modernism." An Eastern Europe Vision, no. 59 (2018): 18–25. http://dx.doi.org/10.52200/59.a.yxtyk1q6.

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In the interwar era, architectural journals were at the forefront of professional attention and had the power to disseminate the Modern Movement in architecture globally. The Hungarian journal Tér és Forma (1928-1948) took the lead to introduce international modern architecture to the Hungarian public, while continually reporting on the newest building projects in interwar Hungary. Virgil Bierbauer, the periodical’s long-time editor (1928-1942), presented the broad panorama of contemporary architecture and his followers from 1943 intended to continue his legacy even in wartime. The impact of t

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Acar, Sibel. "Photography as a means of architectural (re)presentation and (re)production." New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 6 (2018): 24–33. http://dx.doi.org/10.18844/prosoc.v5i6.3692.

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Architecture and photography have closely interacted with each other since the invention of the photography. Through the 20th century, architectural photographs were utilised for documentation, preservation, historiography, presentation and as a tool of design. Until the turn of the 21st century, the dissemination of architectural photographs was limited by the accessibility of printed media. Today, owing to the digital communication technologies, architectural photographs are being disseminated and circulating rapidly in an unprecedented way. Therefore, not only architectural photographs prod

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Jegelevičius, Sigitas. "The Lithuanian historian Jerzy Orda." Lietuvos istorijos studijos 4 (December 28, 1997): 119–29. http://dx.doi.org/10.15388/lis.1997.37430.

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The report presents Jerzy Orda (1905.03.20--1972.06.06), a Lithuanian historian, Polish by origin, who wrote in Polish and Russian. He was well known both as an expert in the history of the Grand Duchy of Lithuania, the history and architecture of Vilnius, and a Lithuanian archivist and archeographer. Scientific circles, however, did not know that Jerzy Orda had contributed much to the historiography of Lithuania's history, since his historiographical study, „Sources of Lithuania History Until 1795" (1949), has not yet been published. This study is considered to be the first historiographical

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Allegri, Davide, and Emilio Faroldi. "Sport Architecture. Technological evolution models and paradigms." VLC arquitectura. Research Journal 11, no. 2 (2024): 219–35. http://dx.doi.org/10.4995/vlc.2024.21978.

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The paper focuses on technological evolution applied to sports architecture, considered as urban infrastructures. A field of research – that has not been given its due importance both by architectural historiography and by technological culture – despite the fact that sports architecture has always represented privileged places of formal, technical and engineering experimentation. Some design experiences in the field of sports venues – from the twentieth century to the contemporary age – have instead represented significant steps of technological development. In particular, the latest generati

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Pinto Junior, Rafael Alves. "A arquitetura religiosa no sudoeste de Goiás: Igreja de São Sebastião em Rio Verde e Igreja do Divino Espírito Santo de Torres do Rio Bonito (séc. xix e xx)." PosFAUUSP 31, no. 59 (2024): e226147. https://doi.org/10.11606/issn.2317-2762.posfauusp.2024.226147.

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This article analyzes the religious architecture produced in southwestern Goiás in the late 19th and early 20th centuries, especially the Churches of São Sebastião in Rio Verde and Divino Espírito Santo in Torres do Rio Bonito, present-day Caiapônia. We aim to understand, based on the constitution of ecclesiastical heritage, the plans, parties, volumes, formal elements and modifications of the only examples of this architecture in the region. We thus seek to record an architectural production with vernacular bases and contribute to the historiography on the subject.

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Açikyildiz, Birgül. "Ideology, Nationalism, and Architecture: Representations of Kurdish Sites in Turkish Art Historiography." International Journal of Islamic Architecture 11, no. 2 (2022): 323–53. http://dx.doi.org/10.1386/ijia_00082_1.

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This article discusses how the narrative of Turkish national historiography, crafted by Turkish elites in the 1930s in light of the official doctrine of the Turkish History Thesis and the Sun Language Thesis, attempted to Turkify the patronage of historical buildings constructed by diverse ethnic and religious communities of the country’s eastern region. I focus on the architectural production of the seven Kurdish dynasties that ruled a large area in the Middle East from the tenth to the mid-nineteenth century. Kurdish rulers constructed a large number of urban monuments bearing their names. T

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Camargo, Mônica Junqueira de. "Jorge Caron y la cultura arquitectónica de São Paulo." Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online) 21 (December 21, 2023): 7–22. http://dx.doi.org/10.11606/1984-4506.risco.2023.223296.

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The trajectory of architect Jorge Osvaldo Caron, developed between the mid-1960s and 1990s, sharing design and teaching, with incursions in the visual, scenic, and cinema arts is obliterated by the historiography of modern São Paulo architecture. His works and his teaching activities in five different educational institutions are important contributions to architectural culture, from which and from his relations with his contemporaries, it is possible to broaden the understanding of modern architecture. The objective of this investigation is to analyse Caron’s work in the context in which it

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Alina, OSTAPOV. "State involvement in the field of architecture and urban planning of the MSSR reflected in historiography." Supliment al revistei științifice "Authentication and Conservation of Cultural Heritage. Research and Technique" (Iași, România) Vol. IV (September 30, 2022): 88–95. https://doi.org/10.5281/zenodo.7129252.

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Urban planning and architecture of the Moldavian Soviet Socialist Republic (MSSR) was the topic of interest for several authors. There is general research or dedicated to certain aspects of this period. These include the history of architecture, urban or rural development, research in particular of buildings, their types, functions, stylistics and others. But there are no complex studies about the influence of policies and the impact of regulations in the field on the urban and architectural evolution of the MSSR. Only in some works, especially from the period concerned, the authors mention fr

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van Impe, Ellen. "The Rise of Architectural History in Belgium 1830–1914." Architectural History 51 (2008): 161–83. http://dx.doi.org/10.1017/s0066622x00003063.

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On the map of nineteenth-century architectural historiographies in Western Europe, Belgium has so far remained a blind spot. While the country’s architectural history of the nineteenth century has already received some (if selective) international attention, with a somewhat disproportionate focus on the Art Nouveau, the historiography arising alongside of it has largely remained outside the picture. Meanwhile, considerations as to Belgium’s particular situation, which presumably influenced its architecture, equally apply to its historiography; for instance its design as a crossroads of influen

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Khang, Hyuk. "A Critical Review on the Historiography of Modern Architecture." Journal of architectural history 24, no. 1 (2015): 29–40. http://dx.doi.org/10.7738/jah.2015.24.1.029.

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Jarzombek, Mark. "Review: The Historiography of Modern Architecture by Panayotis Tournikiotis." Journal of the Society of Architectural Historians 60, no. 1 (2001): 107–8. http://dx.doi.org/10.2307/991691.

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de la Vega de León, Macarena. "The Historiography of Modern Architecture: Twenty-Five Years Later." ATHENS JOURNAL OF ARCHITECTURE 1, no. 2 (2015): 97–110. http://dx.doi.org/10.30958/aja.1-2-1.

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Alfirevic, Djordje, and Sanja Simonovic-Alfirevic. "Brutalism in Serbian architecture: Style or necessity?" Facta universitatis - series: Architecture and Civil Engineering 15, no. 3 (2017): 317–31. http://dx.doi.org/10.2298/fuace160805028a.

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Historiography expresses a firm point of view that the movement of Brutalism did not have a more significant influence on Serbian architecture. Several researches in their essays point out that there are, however, certain works by Serbian architects that could be denoted as Brutalist in style. Nevertheless, after scientific analysis of the representative examples materialized in raw concrete and brick and their comparison with authentic interpretations of Brutalist principles, it is evident that Serbia does have a significant number of architectural works representing Brutalism. The aim of the

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Pérez-Moreno, Lucía C., and Emma López-Bahut. "Jorge Oteiza’s ‘de-occupation’: towards an ascetic space in Spanish modern architecture (1948–60)." Architectural Research Quarterly 24, no. 4 (2020): 343–52. http://dx.doi.org/10.1017/s1359135521000038.

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The work and thought of the Basque sculptor Jorge Oteiza (b. Orio, 1908 – d. San Sebastian, 2003) is an omnipresent reference point in the historiography of modern Spanish architecture. Since the Jorge Oteiza Museum Foundation was opened shortly after his death, a great number of studies have been published about him, mainly in Spanish and Basque. Oteiza’s artistic career was closely connected to the postwar Spanish architectural scene. During the 1950s, he participated in numerous projects and architecture competitions and published his work in specialised journals and magazines in the field.

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Tostões, Ana. "Ten Years After, the Continent of Hope and Modern Heritage." Modern Africa, Tropical Architecture, no. 48 (2013): 2–3. http://dx.doi.org/10.52200/48.a.zdbbu7bs.

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Since the 1990s architectural historians discovered Modern architecture in Africa as part of a cultural production related to colonialism. With the introduction of postcolonial theory in the historiography of architecture, an exclusively ideological critical sense has been developed preventing disciplinary autonomy or practice of architecture and finally condemning any objective look. Recently, the development of concepts such as hybrid or the otherness has been promoting a nuanced historical analysis about architecture and politics in the 20th century in Africa. The recognition that a widespr

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Lai, Delin. "Idealizing a Chinese Style." Journal of the Society of Architectural Historians 73, no. 1 (2014): 61–90. http://dx.doi.org/10.1525/jsah.2014.73.1.61.

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The National Central Museum in Nanjing (1935–48) was co-designed by the most distinguished architectural historian in twentieth-century China—Liang Sicheng. It has long been regarded, however, as a representative work of “conservative revivalism” in modern Chinese architectural history. Idealizing a Chinese Style: Rethinking Early Writings on Chinese Architecture and the Design of the National Central Museum in Nanjing attempts to demonstrate the creativity of the design process, Lin Huiyin, and the architects’ ideal for a Chinese-style modern architecture. This ideal, Delin Lai argues, is pro

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Postnikov, S. P. "Современная историография архитектуры Екатеринбурга. К 300-летию города". Вестник гуманитарного образования, № 3(23) (9 грудня 2021): 78–89. http://dx.doi.org/10.25730/vsu.2070.21.038.

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The article contains an analytical review of modern literature on the history of architecture of Yekaterinburg. The author conditionally divides all works on this topic into five groups. The first group includes generalizing works on the history of the Urals, in which architecture and urban planning are fragmentally reflected as an integral part of the past and present of the region. The second group includes generalizing works on the history of architecture, the appearance of which is impossible without special research and professional knowledge of the subject area. The third group includes

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MARANCI Ch. "The Historiography of Armenian Architecture: Josef Strzygowski, Austria and Armenia." Revue des ?tudes Arm?niennes 28, no. 1 (2005): 287–308. http://dx.doi.org/10.2143/rea.28.1.505084.

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Lee, Sang-Hun. "Problems and Tasks of Historiography of Modern Architecture in Korea." Journal of architectural history 24, no. 2 (2015): 27–34. http://dx.doi.org/10.7738/jah.2015.24.2.027.

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Mal’tseva, Svetlana V. "Historiography of the Morava Architecture: Controversial Points of the Study." Actual Problems of Theory and History of Art 8 (2018): 742–56. http://dx.doi.org/10.18688/aa188-9-74.

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EMOTO, Hiroshi. "THE INTRA-NATIONAL STYLE OF CLASSICIST HISTORIOGRAPHY WITHIN AMERICAN ARCHITECTURE." Journal of Architecture and Planning (Transactions of AIJ) 83, no. 752 (2018): 2035–41. http://dx.doi.org/10.3130/aija.83.2035.

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Purwiyastuti, Wahyu. "Goresan Imaji dan Narasi Budaya Masyarakat Kawasan Candi." Lembaran Sejarah 15, no. 2 (2020): 168. http://dx.doi.org/10.22146/lembaran-sejarah.59534.

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The Cetho people who live on the slopes of Mount Lawu Karanganyar, have images and cultural narratives. Historical social reality is represented through temple artifacts, house architecture, community service activities, social gathering, etc. This article is a description of the imagination and cultural narratives of the people in the form of oral and written. The results of the culture are packaged in the form of historiography. This article uses qualitative research methods with a cultural history approach. Research, observation and assistance have been carried out since 2011 to 2017. Liter

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Yasmin, Nabila, and M. Nasihudin Ali. "Islamic Historiography in North Sumatera: Analysis of Trends in Thesis Writing Themes at the History of Islamic Civilization Study Program 2020-2022." JUSPI (Jurnal Sejarah Peradaban Islam) 6, no. 2 (2023): 124. http://dx.doi.org/10.30829/juspi.v6i2.14146.

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This research examines the trend of thesis writing themes among History of Islamic Civilization students, Faculty of Social Sciences, in 2020-2022. The problems raised are the trending themes and their contributions to the development of Islamic historiography in North Sumatra. Therefore, this research aims to detail the trending thesis writing themes among students of the History of Islamic Civilization study program, Faculty of Social Sciences 2020-2022, and explain their contribution to the development of Islamic historiography in North Sumatra. The results show that the research themes sel

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Tostões, Ana. "Where desire may live or how to love mass housing: from cold war to the revolution." ZARCH, no. 5 (December 31, 2015): 10–23. http://dx.doi.org/10.26754/ojs_zarch/zarch.201559114.

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The historiography of Modernity in architecture has seen quite a few additions in the last couple of decades. One is able to identify two main lines shifting this revision. First of all, the French philosopher Jacques Derrida (1930-2004) recently called for a new inventive faculty of ‘architectural difference’. Following the philosophical tradition to use the architectural model he recalled Descartes’s (1596- 1650) metaphor of the founding of a town and came to the point that “this foundation is in fact what is supposed to support the building, the architectonic construction, the town at the b

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Vega, Macarena de la. "A historical legacy: Henry-Russell Hitchcock and early Modernism." Cuaderno de Notas, no. 16 (July 1, 2015): 73. http://dx.doi.org/10.20868/cn.2015.3119.

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On the occasion of the publication of Modern Architecture: Romanticism and Reintegration’s first Spanish edition. This essay aims to discuss the impact of Henry- Russell Hitchcock’s book –published in 1929– on the history of architecture. In spite of being the first history of modern architecture written in English, Modern Architecture fell into oblivion due to the success of Hitchcock’s subsequent book, coauthored with Philip Johnson: The International Style: Architecture since 1922. Discussing the critical approaches to the text –from the first book reviews to the latest historiographical st

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Shiqiao, Li. "Reconstituting Chinese Building Tradition: The Yingzao fashi in the Early Twentieth Century." Journal of the Society of Architectural Historians 62, no. 4 (2003): 470–89. http://dx.doi.org/10.2307/3592498.

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In this paper, I analyze several early-twentieth-century attempts to reprint, edit, and annotate a Northern Song dynasty (960-1127) construction manual, the Yingzao fashi (1103), each one revealing an aspect of the project to define Chinese architecture. As manifested in the research on the Yingzao fashi by a number of Chinese scholars and architects, the project to reconstitute and understand the text was closely connected to broader intellectual issues in early-twentieth-century China: nationalism, philological scholarship, and modern historiography. The Yingzao fashi was rediscovered in 191

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López, Fernando Quesada. "Temple, machine, caravan." Architectural Research Quarterly 23, no. 3 (2019): 225–38. http://dx.doi.org/10.1017/s1359135519000290.

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Between 1965 and 1975 there was an intense debate in Italy about theatrical culture, which encompassed theatre building and the urban, social, and political roles of theatre. It was articulated around three terms that imply three ways of relating the theatrical building and the city: the temple, the machine, and the caravan. This unusually rich debate has been largely ignored in the historiography of Italian and European architecture, despite its intensity and the importance of its protagonists for the architectural culture of the twentieth century.

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Baweja, Vandana. "Otto Königsberger and Global Architectural Histories." Tropical Architecture in the Modern Diaspora, no. 63 (2020): 26–31. http://dx.doi.org/10.52200/63.a.55nzt8g6.

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Otto Königsberger was a German émigré architect who worked as the state architect in princely Mysore in British India in the 1940s. Upon emigration to London in 1951, he subsequently became an educator of Tropical Architecture (1954-1971) at the AA School of Architecture. This paper examines how Otto Königsberger’s career can illuminate “global” as a paradigm in Modernist historiography.

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Simon, Mariann. "Historiography of post-war modern architecture in Hungary – evaluation – research – preservation." An Eastern Europe Vision, no. 59 (2018): 6–11. http://dx.doi.org/10.52200/59.a.yc5f5vgb.

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Reviewing the research on post-war modern Hungarian architecture we find a serious backwardness. This paper presents an overview of the situation and an explanation focusing on three factors. The first is the underestimation of the socialist modern architecture by the lay public, but also by some professionals. The second field of investigation is the research background: institutes, researchers, funds and the accessibility of archival material, and the results achieved despite the difficulties. The paper also surveys the preservation of this heritage, and finally presents a recent rehabilitat

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Muxí, Zaida, and Daniela Arias Laurino. "Filling History, Consolidating the Origins. The First Female Architects of the Barcelona School of Architecture (1964–1975)." Arts 9, no. 1 (2020): 29. http://dx.doi.org/10.3390/arts9010029.

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After Francisco Franco’s death, the process of democratisation of public institutions was a key factor in the evolution of the architectural profession in Spain. The approval of the creation of neighbourhood associations, the first municipal governments, and the modernisation of Spanish universities are some examples of this. Moreover, feminist and environmental activism from some parts of Spanish society was relevant for socio-political change that affected women in particular. The last decade of Franco’s Regime coincided with the first generation of women that graduated from the Barcelona Sc

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Mandrapa, Đorđe, and Vladimir Parežanin. "Vernacular architecture in Serbia in the 19th and first half of the 20th centuries: Transformation and disappearance." SAJ - Serbian Architectural Journal 8, no. 1 (2016): 1–22. http://dx.doi.org/10.5937/saj1601001m.

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The purpose of this study is to reevaluate general theoretical and practical interpretation of vernacular architecture in Serbia in the 19th and the first half of 20th century. This incorporates the understanding of vernacular architecture in a wider context, through interpretations of various authors, who do not only observe its design value, but also the cultural and spiritual values. Since vernacular architecture cannot be recognized as a singular discipline, but within the area of many disciplines, the wider interpretation is mandatory. Although celebrated and recognized as archetypal, ver

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Grigas, Algimantas. "Architectural Criticism in the Soviet Lithuania 1958-1988: Vision of the New Architecture in the Specialized Periodicals." Journal of Sustainable Architecture and Civil Engineering 33, no. 2 (2023): 58–71. http://dx.doi.org/10.5755/j01.sace.33.2.33419.

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Architecture criticism of Soviet Lithuania has not been properly addressed in scientific research. The novelty of the work relates to the branch of architecture criticism as part of the history of arts, particularly in the context of the historiography of 20th- century modern architecture. This paper is to uncover the various forms of architectural criticism and its agents among the vocational and scientific publications aimed at other architects of the Lithuanian SSR. Using a systematic approach and qualitative research methods, a database of 100 critical articles is constructed. The phenomen

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Wąs, Cezary. "Znikająca wyspa modernizmu w architekturze. Panayotisa Tourniokiotisa „Historiography of Modern Architecture”." Quart, no. 2(2) (June 1, 2006): 95–107. https://doi.org/10.19195/quart.2006.2.64451.

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Shin, Gunsoo. "Michel Foucault and historiography of architecture -History of architecture back in the general history of techne-." Journal of architectural history 24, no. 1 (2015): 51–60. http://dx.doi.org/10.7738/jah.2015.24.1.051.

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