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Relevant bibliographies by topics / History and fiction

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Books
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Academic literature on the topic 'History and fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 24 February 2023

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Journal articles on the topic "History and fiction"

1

Mickel, Emanuel J. "Fictional History and Historical Fiction." Romance Philology 66, no. 1 (2012): 57–96. http://dx.doi.org/10.1484/j.rph.5.100799.

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Redekop, Ernest H. "HISTORY AS FICTION, FICTION AS HISTORY." Canadian Review of American Studies 22, no. 3 (1991): 419–40. http://dx.doi.org/10.3138/cras-022-03-07.

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Teo, Hsu-Ming. "Historical fiction and fictions of history." Rethinking History 15, no. 2 (2011): 297–313. http://dx.doi.org/10.1080/13642529.2011.570490.

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Fitzpatrick, Noel. "The question of Fiction – nonexistent objects, a possible world response from Paul Ricoeur." Kairos. Journal of Philosophy & Science 17, no. 1 (2016): 137–53. http://dx.doi.org/10.1515/kjps-2016-0020.

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Abstract The question of fiction is omnipresent within the work of Paul Ricoeur throughout his prolific career. However, Ricoeur raises the questions of fiction in relation to other issues such the symbol, metaphor and narrative. This article sets out to foreground a traditional problem of fiction and logic, which is termed the existence of non-existent objects, in relation to the Paul Ricoeur’s work on narrative. Ricoeur’s understanding of fiction takes place within his overall philosophical anthropology where the fictions and histories make up the very nature of identity both personal and co

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Xia, Tianyi. "The Development History of Chinese Science Fiction from Liu Cixin's Science Fiction." International Journal of Languages, Literature and Linguistics 6, no. 3 (2020): 136–41. http://dx.doi.org/10.18178/ijlll.2020.6.3.265.

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Itwaru, Arnold Harichand. "Fiction in History in Fiction." World Literature Written in English 31, no. 1 (1991): 114–16. http://dx.doi.org/10.1080/17449859108589154.

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Park, J. P. "Art-Historical Fiction or Fictional Art History?" Archives of Asian Art 72, no. 2 (2022): 181–219. http://dx.doi.org/10.1215/00666637-9953432.

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Abstract In 1634 Zhang Taijie (b. 1588) published a woodblock edition of Baohuilu (A Record of Treasured Paintings), an extensive catalog of a massive painting collection he claimed to have built. This work would seem to be a useful resource for historians of Chinese art since it provides accounts of paintings by artists whose works are no longer extant. But there is one major problem: the book is a forgery. What is more, Zhang also forged paintings to match the documentation he created, so he could also profit from trading in them. Interestingly, the book also echoes unfounded claims register

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K, Karthick, and Thiruveni V. "History and Reconstruction of Thirugnanasambandar." International Research Journal of Tamil 4, no. 3 (2022): 1–12. http://dx.doi.org/10.34256/irjt2231.

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Religious literature in Tamil is full of fiction with many unnatural events. Such stories were created for the development of religion. Beyond the tendency to approach them superficially as mere fiction, it is essential for the intelligent community to explore them on the basis that every fictional story has a background cause.Thus, the scriptures tell the story of Thirugnanasambandar, who is considered to be a Saiva (Devotee of Lord Siva) doing impossible deeds, differently from each other. This article reviews the obvious readings and reconstructions of the history of Thirugnanasambandar by

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Vanderhaeghe, Guy. "History and Fiction." Canadian Journal of History 40, no. 3 (2005): 429–30. http://dx.doi.org/10.3138/cjh.40.3.429.

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Lerner, Laurence, Paul Ricoeur, Kathleen McLaughlin, et al. "Fiction and History." College English 50, no. 5 (1988): 572. http://dx.doi.org/10.2307/377493.

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Dissertations / Theses on the topic "History and fiction"

1

Kosniowski, Jennifer. "Between history and fiction : the destabilisation of masculinist history in contemporary Algerian women's fiction." Thesis, King's College London (University of London), 2014. http://kclpure.kcl.ac.uk/portal/en/theses/between-history-and-fiction(444440f0-905e-46e1-b12f-5c7bd981e63e).html.

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Masculinist constructions of Algerian history relegate women to symbolic roles. The texts by Algerian women writers studied in my thesis all use fiction to express agency and create empowerment through – or in spite of – these symbolic positions. My thesis is concerned with how fiction highlights and negotiates various manifestations of the tension created when authors engage with masculinist historical discourses by casting women in – and so perhaps validating – the roles that they are assigned within these same discourses. Chapter one defines what I am terming 'masculinist history' by analys

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2

Pettersson, Petter. "What about historical fiction? : Ways to use historical fiction in an ESL-classroom setting." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-35275.

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Griffith, J. W. "The Half-History of Spiro Elisha White." PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/1875.

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The intent of this project is to study the use of multiple narrators who occupy the same space over a spread of time. While the subject matter has been one of intense study over the years, the approach to implore this technique of fiction has opened the characters, plot, and story to greater exploration.

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Fung, Kit-ting, and 馮潔婷. "Decolonizing fictions: the subversion of 19thcentury realist fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31953001.

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Chapman, Carin. "The Isle of Flightless Birds: A Concise History." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1898.

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Heyman, David. "History and Fiction in Ragtime." Thesis, Mittuniversitetet, Institutionen för humaniora, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-11234.

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COELHO, MARIA DE LOURDES MORGADO. "A DIVE IN THE FICTION OF HISTORY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2009. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=15422@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Vivemos num mundo em crise. E essa crise é também cultural. Se o multiculturalismo favorece o diálogo entre inúmeras áreas da cultura, rouba-lhes muitas vezes, a especificidade, dilui suas marcas. E isso acontece, neste momento com a história, com a ficção e a realidade. A concepção de História que decidimos interpretar, nos parecia uma narrativa de estrutura simples, quando esta se revelou uma narrativa de estrutura complexa ao seguir os passos da ficção, oscilando entre a tragédia e o folhetim. Uma história pode ser uma narração histórica

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Green, Michael. "Fiction as a historicizing form : uses of history in modern South African fiction." Thesis, University of York, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316162.

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Rogers, Evelyn Somers. "The discontinuity of history : stories real and otherwise /." free to MU campus, to others for purchase, 2001. http://wwwlib.umi.com/cr/mo/fullcit?p3036852.

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Habel, Chad Sean, and chad habel@gmail com. "Ancestral Narratives in History and Fiction: Transforming Identities." Flinders University. Humanities, 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20071108.133216.

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This thesis is an exploration of ancestral narratives in the fiction of Thomas Keneally and Christopher Koch. Initially, ancestry in literature creates an historical relationship which articulates the link between the past and the present. In this sense ancestry functions as a type of cultural memory where various issues of inheritance can be negotiated. However, the real value of ancestral narratives lies in their power to aid in the construction of both personal and communal identities. They have the potential to transform these identities, to transgress natural boundaries and to reshape c

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Books on the topic "History and fiction"

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History meets fiction. Pearson Longman, 2009.

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Curthoys, Ann. Is history fiction? UNSW Press, 2006.

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John, Docker, ed. Is history fiction? University of Michigan Press, 2005.

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John, Docker, ed. Is history fiction? 2nd ed. University of New South Wales Press, 2010.

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Lardreau, Guy. Fictions philosophiques et science-fiction: Récreation philosophique. Éditions Actes Sud, 1988.

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Lardreau, Guy. Fictions philosophiques et science-fiction: Récréation philosophique. Actes Sud, 1988.

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7

The history of gothic fiction. Edinburgh University Press, 2000.

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8

Witnessing partition: Memory, history, fiction. Routledge, 2010.

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9

The history of science fiction. Palgrave Macmillan, 2006.

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The History of Science Fiction. Palgrave Macmillan, 2016.

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Book chapters on the topic "History and fiction"

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Chapman, H. Perry. "Art Fiction." In Art History. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324716.ch7.

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Alexander, Michael. "Fiction." In A History of English Literature. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-04894-3_11.

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Charlton, Kenneth. "Historical Fiction." In Handbook for History Teachers. Routledge, 2021. http://dx.doi.org/10.4324/9781032163840-25.

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Alonso, Carlos J. "Fiction." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 1994. http://dx.doi.org/10.1075/chlel.x.13alo.

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Sauerberg, Lars Ole. "Story and History." In Fact into Fiction. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21299-6_4.

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Uściński, Przemysław. "Beyond Terracentric History." In Neo-Georgian Fiction. Routledge, 2021. http://dx.doi.org/10.4324/9781003000679-4.

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Baker, Brian, and Nicolas Tredell. "A History of the Histories." In Science Fiction. Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-47445-2_3.

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Wykes, David. "Introduction Fiction, Autobiography, History." In Evelyn Waugh. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27634-9_2.

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Povolo, Claudio. "From History to Fiction." In The Novelist and the Archivist. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137395993_2.

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Greiner, Rasmus. "Fiction Film and History." In Cinematic Histospheres. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70590-9_2.

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AbstractAs well as taking stock of the existing literature on film and history, this chapter aims to develop a terminological apparatus for describing the conceptual core of the historical film. The first section makes reference to a classic semiological model according to which a film’s production of meaning is determined by its specific arrangement of signs. It draws parallels to debates within historical studies that have enabled a reassessment of fiction film as a historiographical medium and mode of conceptualizing history. Building on these considerations, the second section posits a genre of popular fiction film defined by its referential relation to historical events, individuals, and lifeworlds. The third section argues that this is less a matter of incontrovertible factual accuracy than of generating a feeling of authenticity.

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Conference papers on the topic "History and fiction"

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Shatin, Yurii V. "“Bobok” by Dostoevsky: fiction phenomenon in the journalistic context." In Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1258-1-21-23.

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Kasapakis, Vlasios, and Damianos Gavalas. "Blending history and fiction in a pervasive game prototype." In the 13th International Conference. ACM Press, 2014. http://dx.doi.org/10.1145/2677972.2677981.

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McMillian, Rachel. "Historical Fiction: A Critical Policy Analysis of Teaching Hard History." In 2020 AERA Annual Meeting. AERA, 2020. http://dx.doi.org/10.3102/1582571.

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Canizares, Galo. "Stranger than Fiction: Artificial Intelligence, Media, and the Domestic Realm." In 105th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.am.105.76.

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Alan Kay’s famous soundbite from a 1971 Xerox PARC (Palo Alto Research Center) meeting presents a bizarre chicken and egg paradox. It goes like this: which came first, the science fiction representation of the objector the desire for specific objects themselves? In other words, is the plethora of technological advancements a direct result of anthropomorphic inevitabilities or are we simply trying to realize objects, vehicles, and environments we saw in science fiction representations in the mid-twentieth century? In this paper, I will argue that media and literature are equally as responsible

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Nicoglo, Diana. "Reflection of the events of the “Balkan” period in the Gagauz fiction." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.32.

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The most detailed description of the “Balkan” period is found in the novel by D. Tanasoglo “Uzun Kervan”. In other genres (poetry), the poeticized image of the Balkans as the historical homeland of the Gagauz is presented to a greater extent. The main events of the “Balkan” period in the history of the Gagauzians, reflected in fiction, are: the adoption of Christianity by the Oghuz / Uzes – the ancestors of the Gagauzians, relations with the local population of the Balkans, the struggle against the Ottoman Turks, and the creation of a fictional Gagauz state called Uzi Eyalet. The authors also

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Song, Xiaoping. "Time, History and Self in Chinese Fiction in the 1980s: A Reading from New Perspectives." In Annual International Conference on Language, Literature & Linguistics. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2251-3566_l312171.

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Scharmen, Fred. "A Brief Pre-History of Houses Who Tweet." In 105th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.am.105.75.

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There are currently only a few houses who use social media. But with the increasing availability of inexpensive hardware, and prolific networked software, the number of houses who actively communicate online in one way or another is sure to grow. An examination of some tweeting house types from within the context of architecture history and theory reveals some models for how this social architecture might develop.This paper shows that tweeting houses raise concerns that are solidly within the set of questions traditionally addressed by architecture. The tweeting house’s existence depends on ac

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Brookner, Eli. "Boston radar history - from $10,000 magee to $10 single chip T/R module … better than fiction." In 2009 IEEE MTT-S International Microwave Symposium Digest (MTT). IEEE, 2009. http://dx.doi.org/10.1109/mwsym.2009.5165968.

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Pandya, Mega J. "‘Climate Fiction Narratives’: A Study of Maja Lunde’s Novels – The History of Bees and The End of the Ocean." In The European Conference on Arts & Humanities 2021. The International Academic Forum(IAFOR), 2021. http://dx.doi.org/10.22492/issn.2188-1111.2021.6.

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Dmitriyev, Alexey. "The Welfare of Each and Everyone in Russian Legal Theory." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-24.

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The prerequisite for the study was the spread of views in the academic literature that the category of public welfare, without accounting for concretising factors, was a void abstraction, and that in Russia, public welfare was seen as the dominant principle over the individual. The main purpose of the study is to analyse the content of the term ‘the welfare of each and everyone’ in Russian legal theory. The author uses the methods of conceptual history and intellectual history to analyse the concept of ‘the welfare of each and everyone’ in the works of pre-revolutionary authors and the relatio

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Reports on the topic "History and fiction"

1

Guinot Rodríguez, Enric. ‘The Myth of the Primitive Aborigen’. History against Fiction around the Feudal Colonisation of the Kingdom of Valencia in the Thirteenth Century. Edicions de la Universitat de Lleida, 2022. http://dx.doi.org/10.21001/itma.2022.16.03.

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Blaxter, Tamsin, and Tara Garnett. Primed for power: a short cultural history of protein. TABLE, 2022. http://dx.doi.org/10.56661/ba271ef5.

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Protein has a singularly prominent place in discussions about food. It symbolises fitness, strength and masculinity, motherhood and care. It is the preferred macronutrient of affluence and education, the mark of a conscientious diet in wealthy countries and of wealth and success elsewhere. Through its association with livestock it stands for pastoral beauty and tradition. It is the high-tech food of science fiction, and in discussions of changing agricultural systems it is the pivotal nutrient around which good and bad futures revolve. There is no denying that we need protein and that engaging

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Estrada, Jorge. Ruthless Desires of Living Together in Roberto Bolaño’s 2666: Conviviality between Potestas and Potentia. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, 2022. http://dx.doi.org/10.46877/estrada.2022.42.

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A desire to live together is perhaps a key idea in Roberto Bolaño’s narratives. His characters are constantly negotiating their involvement in diverse societies amid the historical catastrophes of the twentieth century, so this desire becomes highly differentiated. It undergoes perspectival shifts and creates “mirror games”, which express scepticism towards universalising forms and trigger reflections on history and modernity. In this working paper, I examine how, in 2666, the cosmopolitan desire of a self-legislating and self-authorizing individual is disassembled and superseded by a convivia

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