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Dissertations / Theses on the topic 'History and Theory of Photography'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Shanks, Sarah M. "Re:Visions : A Mother's Secondary Images." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417785128.

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2

Postlewait, Mariah A. "Miniatures Matter: Agency and Affect in Photographs by Lori Nix." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395676896.

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3

Kutesko, Elizabeth. "Fashioning Brazil : globalization and the representation of Brazilian dress in National Geographic." Thesis, Courtauld Institute of Art (University of London), 2016. http://ualresearchonline.arts.ac.uk/12111/.

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As a popular ‘scientific’ and educational journal, National Geographic, since its founding in 1888, has positioned itself as a voice of authority within mainstream American print media, offering what purports to be an unprejudiced ‘window onto the world’. Previous scholarship has been quick to call attention to the magazine’s participation in an imperialist representational regime. Catherine A. Lutz and Jane L. Collins, Tamar Rothenberg and Linda Steet have all argued that National Geographic’s distinctive, quasi-anthropological outlook has established hierarchies of difference and rendered su

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4

Gallagher, Meghan M. "Claiming Images: The Production and Preservation of Desire in Richard Prince's Re-Photography." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/679.

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This thesis explores the re-photography of contemporary artist, Richard Prince. Using Lacanian theories of the gaze and of the drive cycle, it attempts to establish desire as the central theme of Prince's work. It looks primarily at the Cowboys, Girlfriends, and New Portraits, in order to combat the dominant perception of Prince's work as critical commentary on contemporary consumer culture.

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5

Laing, Morna. "The 'woman-child' in fashion photography, 1990-2015 : childlike femininities, performativity, and reception studies." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/9818/.

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The childlike character of ideal femininities has long been critiqued in feminist literature, from Mary Wollstonecraft (1792) to Susan Faludi (1992). Yet, despite the partial gains of feminism the ‘woman-child’ continues to be a prominent subject-position in fashion photography of the West. This thesis builds upon earlier feminist critiques of the infantilisation of women by considering the meaning of childlike femininities in the period spanning 1990 to 2015. In particular, it questions whether representations of childlike femininities can shed their dehumanising, ‘second sex’ connotations an

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Leffler, Laura Sutton. "Life in the Dollhouse: Laurie Simmons’s Early Work as a Display of Constructed Hierarchies." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116938975.

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7

Brandt, Nicola. "Emerging landscapes : memory, trauma and its afterimage in post-apartheid Namibia and South Africa." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:9dfe7938-670a-40fc-a063-5617c0503fcd.

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Visual records of place remain to a large degree inadequate when attempting to make visible the ephemeral states of consciousness that underlie the damage wrought by brutal regimes, let alone make visible the extraordinary histories and power structures encoded in images and views. This practice-led dissertation examines an emerging critical landscape genre in post-apartheid South Africa and Namibia, and its relationship to specific themes such as identity, belonging, trauma and memory. The landscape genre was traditionally considered inadequate to use in expressions of resistance under aparth

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8

Morgan, Emily Kathryn. ""True Types of the London Poor": Adolphe Smith and John Thomson's Street Life in London." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/255192.

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In February 1877, publisher Sampson Low, Marston, Searle and Rivington began release of a monthly serial called Street Life in London, by journalist Adolphe Smith and photographer John Thomson. The work aimed to reveal to readers, through novel use of photographic illustrations combined with essays, the conditions of a life of poverty in London. Appearing also as a book in late 1877, Street Life in London did not achieve commercial success in either format and was cancelled after just one year's run. This dissertation aims to demonstrate how Street Life in London was subject to and shaped b

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9

McDowell, Felice. "Photographed at ... : locating fashion imagery in the cultural landscape of Post-War Britain 1945-1962." Thesis, University of the Arts London, 2013. http://ualresearchonline.arts.ac.uk/7174/.

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This thesis explores a history of fashion and art in post-war Britain. The historical analysis of this study focuses on how institutions and spaces of public culture – such as museums, galleries, exhibitions and art schools – were used as locations for editorial photo-spreads published in the British editions of Vogue and Harper’s Bazaar between 1945 and 1962. Fashion magazines participate in the cultural production of art by depicting its institutions, its products and producers as fashionable. This thesis interrogates the ways in which the field of fashion, and fashion media in particular, t

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10

Perry, Shannon. "The Eastman Kodak Co. and the Canadian Kodak Co. Ltd : re-structuring the Canadian photographic industry, c.1885-1910." Thesis, De Montfort University, 2016. http://hdl.handle.net/2086/13060.

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Within the accepted historiography of photography, the importance of George Eastman and the Eastman Kodak Company (EKC) has become unassailable. They have been placed as the key, and often sole, agent in “revolutionizing” the amateur photography market in the late nineteenth century. While the photographic landscape and market of 1885-1914 was indeed radically altered, the historiographical dominance of what can be identified as the “Kodak story” has obscured the means through which EKC’s successful re-structuring of the existing manufacturing and distribution networks of photographic material

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11

Le, Guen Laurence. "Littératures pour la Jeunesse et photographie, mise à jour et étude analytique d’un corpus éditorial européen et américain, des années 1860 à aujourd'hui." Thesis, Rennes 2, 2019. http://www.theses.fr/2019REN20029.

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Si la littérature pour la jeunesse est fréquemment illustrée de dessins, qu’advient-il lorsque ces illustrations sont des photographies ? Le corpus d’œuvres pour la jeunesse illustrées de photographies, dont la recension était à peine entamée et qui s’avérait plus conséquent que supposé, requérait d’être étudié sous divers angles. L’ambition de cette thèse est de mettre en évidence les liens étroits entre les livres pour la jeunesse et l’illustration par la photographie et de mesurer les incidences des relations entre ces deux arts ou genres « mineurs », selon des perspectives historiques et g

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Monjour, Servanne. "La littérature à l’ère photographique : mutations, novations et enjeux (de l’argentique au numérique)." Thèse, Rennes 2, 2015. http://hdl.handle.net/1866/13614.

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13

Ottoni, Ana. "A ruína brutalista. Sobre a fotografia e a nostalgia na contemporaneidade." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-12122017-140505/.

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As ruínas da arquitetura brutalista paulista e o aspecto simbólico de sua imagem são o tema desta pesquisa. Ela se desenvolve a partir de dois ensaios complementares: um fotográfico e outro textual. O primeiro, realizado nos últimos três anos, enfoca prédios modernistas paulistas em diferentes estados de conservação: arruinação após algum período de utilização, interrupção e abandono antes mesmo do término das obras e - no caso específico do prédio da FAU-USP -, o processo de restauração. O ensaio textual tem caráter analítico e procura compreender o imagético dentro do contexto da fotografia

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Benn, Sophie Luhman. "La Methode graphique: Dance, Notation, and Media, 1852-1912." Case Western Reserve University School of Graduate Studies / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=case1623408754116016.

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15

Baird, Jaime. "Looking at Ethiopia history, photography, and power /." [Gainesville, Fla.] : University of Florida, 2005. http://purl.fcla.edu/fcla/etd/UFE0011902.

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16

Lai, Kin-keung Edwin, and 黎健強. "Hong Kong art photography : from its beginnings to the Japanese invasion of December 1941." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hdl.handle.net/10722/210323.

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17

Bartel, Paul R. "Analysis of Umberger's theory for subtractive color reproduction /." Online version of thesis, 1990. http://hdl.handle.net/1850/10963.

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18

Delmas, Didier. "Why 1839? : the philosophy of vision and the invention of photography." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83176.

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1826 is the date attributed to the very first known photograph, Nicephore Niepce's "View from the Window at Gras." For traditional historians of photography this date marks the moment when the genius of man was finally able to merge the knowledge of chemistry with that of optics to create the most amazing technology of visual representation. However, those same historians recognize that the two essential components of photography---the camera and the properties of silver halides---had been known for centuries before the first photograph was ever taken.<br>This thesis explores two fundam

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19

Kirkpatrick, Erika Marie. "Photography, the State, and War: Mapping the Contemporary War Photography Landscape." Thesis, Université d'Ottawa / University of Ottawa, 2017. http://hdl.handle.net/10393/35723.

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This dissertation explores the ways in which media, visuality, and politics intersect through an analysis of contemporary war photography. In so doing, it seeks to uncover how war photography as a social practice works to produce, perform and construct the State. Furthermore, it argues that this productive and performative power works to constrain the conditions of possibility for geopolitics. The central argument of this project is that contemporary war photography reifies a view of the international in which the liberal, democratic West is pitted against the barbaric Islamic world in a ‘civi

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Page, Paul Scott. "Maps to Non-Existent Places." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1430858356.

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21

Dolce, Mark A. "History and Ethics of Electronic Manipulation in News Photography." Thesis, The University of Arizona, 1992. http://hdl.handle.net/10150/292188.

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22

Leister, Wiebke. "Unjoyful laughter and the non-likeness of photographic portraiture." Thesis, Royal College of Art, 2006. http://ualresearchonline.arts.ac.uk/13247/.

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This research investigates photographic portraits that can be considered as potentially non-mimetic images. It uses the portrait of laughter in theory and in practice to explore a ́non-like ́, iconic relation between a photograph and its model. In opposition to portraying a specific laughing sitter, here the photograph is more informed by what the viewer brings to his or her subjective encounter with that photograph. Among other subjects, my research compares portraiture to clownish performance. Hence, the photographic portrait shifts register, becoming less a likeness of the sitter, rather a

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23

Adams, James Mack. "Tybee Island." Digital Commons @ East Tennessee State University, 2000. https://www.amzn.com/B01NANDHB1/.

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Tybee Island is a tiny piece of land, only-two-and-a-half miles long and two-thirds of a mile wide; however, its strategic location near the mouth of the Savannah River assigned to it an important role in the birth and history of the state of Georgia. Over this coastal community five flags have flown, representing Spain, France, England, the Confederate States of America, and the United States of America. Using numerous vintage photographs from the archives of the Tybee Island Historical Society, Tybee Island guides the reader through over two hundred years of history. Although much of its his

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24

Smith, Olga. "Between reality and fiction : the art of French photography since the 1970s." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.

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25

Wang, Han-Chih. "The Profane and Profound: American Road Photography from 1930 to the Present." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/468625.

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Art History<br>Ph.D.<br>This dissertation historicizes the enduring marriage between photography and the American road trip. In considering and proposing the road as a photographic genre with its tradition and transformation, I investigate the ways in which road photography makes artistic statements about the road as a visual form, while providing a range of commentary about American culture over time, such as frontiersmanship and wanderlust, issues and themes of the automobile, highway, and roadside culture, concepts of human intervention in the environment, and reflections of the ordinary an

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26

Acar, Sibel. "Intersections:architecture And Photography In Victorian Britain." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/3/12611169/index.pdf.

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Architecture and photography have always been closely interacted since the invention of photography in the late 1830s.While architecture has been captured as one of the main subjects of photography, photography has served architecture as a valuable tool of representation. Focusing on the frame defined by Victorian Britain, this study tries to capture intersecting histories between photography and architecture. Accordingly three intersections were defined: the first intersection corresponds to the simultaneous development of photography and architectural photography<br>the second to theinterac

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27

Hammond, Mary Sayer. "The camera obscura : a chapter in the pre-history of photography /." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487322984314364.

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28

Willis, Anne-Marie. "Writing photographic history in Australia : towards a critical account." Thesis, The University of Sydney, 1986. https://hdl.handle.net/2123/28611.

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This thesis presents a critical framework for historically considering photography in Australia from the 1840s to the 1970s. The approach adopted is to critically map the currently constituted field of photographic history by taking the existing accounts of photography in Australia and the key issues of photographic history as a series of starting points. These are presented, then interrogated by setting them into new evaluative contexts. The basic claim of the thesis, presented in the Introduction, is for the necessity of considering and recognising the constitution of photography in the br

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29

Gomersall, Catherine. "On fate and fatalism : photography and fatal theories." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2011. https://ro.ecu.edu.au/theses/425.

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This PhD thesis, On Fate and Fatalism: Photography and Fatal Theories, is a twopart practice-led enquiry comprising a book of photographs and an exegesis. This exegesis, entitled Photography and Fatal Theories, is my written interpretation and response to two bodies of artwork presented in my book, On Fate and Fatalism, in which I examine the notion of fate and fatalism through a photographic practice. This project proceeds by posing the question: how can notions of fate and fatalism be explored, articulated and interpreted in a photographic practice? In my series, Femme Fatalist: Woman With T

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Dunn, Geoffrey. "Deconstructing documentary : theory and practice in documentary film and photography /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2004. http://uclibs.org/PID/11984.

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31

Swensen, James R. "The Rephotographic Survey Project (19770-1979) and the Landscape of Photography." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/194916.

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In 1976 two young photographers, Mark Klett and JoAnn Verburg, and a photo-historian named Ellen Manchester came together with an idea to rephotograph sites in the American West that had originally been documented by survey photographers such as William Henry Jackson and Timothy O'Sullivan. By the spring of 1977 and with the support of various organizations they began a project that spanned the next three years and would eventually become known as the Rephotographic Survey Project (RSP). In many ways, the RSP represents an important moment in the history of photography and the representation o

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Napier, Ellen Bethany. "Thomas Struth's Museum Photographs and the Textual Experience of Photography." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1364223682.

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Birkhofer, Melissa Dee DeGuzmán María. "Voicing a lost history through photography in Hispaniola's diasporic literature." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1038.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2007.<br>Title from electronic title page (viewed Mar. 27, 2008). "... in partial fulfillment of the requirements for the degree of Master in the Department of English and Comparative Literature." Discipline: English; Department/School: English.

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COSTA, AMANDA DANELLI. "IMPRESSIONS ON IMAGES: HISTORY MEMORY AND AUGUSTO MALTA CARIOCA PHOTOGRAPHY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2007. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=11419@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>A presente dissertação busca aproximar memória e fotografia, bem como o ato de fotografar do ato de historiar. A partir daí, se volta para a proposta específica de analisar um grupo de fotografias que Augusto Malta fez das ruas da cidade do Rio de Janeiro no início do século XX. Já no século XIX foi atribuída aos fotógrafos a função de registradores de um mundo que se dissipava e de outro que se anunciava. E

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35

Cooper, Elena Sophia Christina. "Art, photography, copyright : a history of photographic copyright, 1850-1911." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/283882.

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36

Zhu, Christine. "Rejecting the front row| Guy Marineau and the evolution of runway photography." Thesis, Fashion Institute of Technology, SUNY, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1603005.

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<p> This paper is a review and discussion of the career of French runway photographer, Guy Marineau. It specifically explores his tenure at Fairchild Publications between the years 1975-1985, contextualized by his personal experience and the history of the fashion show. Prior to shooting the runway, Marineau photographed conflicts in Portugal and Israel. Traumatized by war, Marineau, decided to realign his career towards capturing beauty.</p><p> Fashion shows emerged around the turn of the century, and press coverage of them has been long fraught with complications due to the threat of copyi

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37

Morales, Hernandez Mauricio. "Médiatisation technologique et voix du réel. : une anthropologie historique du regard — de la trace à l'écran." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0041.

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Nous partons du constat de l’importance de l’image dans le processus d’anthropogénèse, car la fixité de l’image se dévoile comme une médiation temporelle, c’est-à-dire, comme la création d’un temps rapporté médiatisant notre rapport au réel et transgressant par là notre champ perceptif. À ce titre, l’histoire de l’image apparaît comme le développement de divers modèles eidétiques statiques qui vont être en négociation et relation permanente avec les modèles eidétiques dynamiques : le langage, les gestes, l’outillage, la musique, la danse, l’habitat ; modèles qui en contrepartie sont des médiat

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38

Hudson, Giles. "The feminization of photography and the conquest of colour : Sarah Angelina Acland, photographer." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711651.

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39

Saraogi, Avantika. "Art and Dance: Sediments, Segments, and Movement." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/302.

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Art and Dance: Sediments, Segments, and Movement (A&D) is a series of photographs that studies dance movement, with the added element of flour to exaggerate and exhibit motion. A&D captures the different styles of dance out of their usual context, so that the actual movement becomes the central focus. This paper on the other hand provides the academic foundation for the artwork. It traces the history of dance photography as a genre. It not only sheds light on the photographic techniques that were used, but also how dance photography has evolved as an art form in its own right. The paper also p

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Laurence-Allen, Antonia. "Class, consumption and currency : commercial photography in mid-Victorian Scotland." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3469.

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This thesis examines a thirty year span in the history of Scottish photography, focusing on the rise of the commercial studio from 1851 to assess how images were produced and consumed by the middle class in the mid-Victorian period. Using extensive archival material and a range of theoretical approaches, the research explores how photography was displayed, circulated, exploited and discussed in Scotland during its nascent years as a commodity. In doing so, it is unlike previous studies on Scottish photography that have not attended to the history of the medium as it is seen through exhibitions

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MELO, MARIA ISABEL AFONSO. "GOLDEN RATIO AND FIBONACCI NUMBERS: FROM THEORY TO PRACTICE THROUGH PHOTOGRAPHY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2017. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=33080@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE MESTRADO PROFISSIONAL EM MATEMÁTICA EM REDE NACIONAL<br>Este trabalho teve o intuito de conciliar o ensino de matemática com práticas muito presentes no cotidiano dos alunos nos dias atuais: o uso da tecnologia e a comunicação através da fotografia. Com esse objetivo, foram selecionados conteúdos matemáticos que historicamente estão relacionados com a beleza e harmonia: a razão áurea e a sequência de Fibonacci. Tais enfoques permitem associações diretas em outros ca

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Skidmore, Colleen Marie. "Women in photography at the Notman Studio, Montreal, 1856-1881." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq46921.pdf.

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Isenogle, Melanie R. "Anna Atkins: Catalyst of Modern Photography Through The First Photobook." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522796885194359.

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Paz, Maria Del Making Flores. "The Visual Making of a Regional Society. Photography and Amazonian History." Thesis, Birkbeck (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499193.

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Hammond, Mary Sayer. "The camera obscura : a chapter in the pre-history of photography /." Ann Arbor : University microfilms international, 1987. http://catalogue.bnf.fr/ark:/12148/cb370317960.

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Brusius, Mirjam Sarah. "Preserving the forgotten : William Henry Fox Talbot, photography and the antique." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609959.

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Belknap, Geoffrey David. "'From a photograph' : photography and the periodical print press 1870-1890." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609850.

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48

Johnson, Stacey. "Taking pictures, making movies and telling time : charting the domestication of a producing and consuming visual culture in North America." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35900.

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The dissertation examines how image-making, a common pastime, was made common. It investigates the ways in which the production and consumption of images in the context of the North American family contributed to the development of a distinctly domestic and privatized visual culture, and the transformation of the home into a site for privatized spectatorship.<br>Four cultural forms (No. 1 Kodak, Box Brownie, Cine Kodak and Cine Kodak 8) are specified in this development, all pioneered by the Eastman Kodak Company. The dissertation traces Eastman Kodak's direct involvement in the popularization

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Wolfe, Kimberly. "Flat Files: The Absence of Vernacular Photography in Museum Collections." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/163.

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This thesis will explore the causes and consequences of the absence of vernacular photography from museum collections. Through historical analysis of vernacular photography and a close interpretation of a contemporary family snapshot, I will argue that vernacular photographs are important objects of great cultural significance and poignant personal meaning. Photography has always defied categorization. It serves multiple functions and roles, is studied in a vast number of disciplines, and exists in a variety of institutions and collections. Furthermore, it is difficult to classify a single

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Dracup, Liza. "Photographic strategies for visualising the landscape and natural history of Northern England : the ordinary and the extraordinary." Thesis, University of Sunderland, 2017. http://sure.sunderland.ac.uk/7467/.

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This critical commentary reviews and contextualises existing research on Photographic strategies for visualising the landscape and natural history of Northern England: the ordinary and the extraordinary. The commentary examines three major bodies of photographic work that have each been publicly disseminated as major exhibitions, Sharpe’s Wood (2007) nominated for the Prix Pictet (Earth) Photography Award (2009), Chasing the Gloaming (2011) nominated for the Deutsche Börse and Re: Collections (2013). Each case study has been subject to critical peer and public review and this is evaluated in t

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